Tantor Media: FREE AUDIOBOOK: Vanishing Act by Thomas Perry

Aural Noir: Online Audio

Tantor MediaTantor Media is currently offering a FREE MP3 audiobook download of Thomas Perry’s Vanishing Act!

All you’ll need to get it is a Tantor account, which itself is completely free. If you already have one you’re three or four clicks away from getting the zipped folder full of MP3s.

There’s no information on how long this promotion will last, based on similar past freebies I’m betting it’ll be gone by month’s end, so grab it while you can.

TANTOR MEDIA - Vanishing Act by Thomas Perry

Vanishing Act (Book 1 in the Jane Whitefield series)
By Thomas Perry; Read by Joyce Bean
MP3 Download – Approx. 10 Hours 7 Minutes[UNABRIDGED]
Publisher: Tantor Media
Published: October 28, 2009
Vanishing Act introduces Thomas Perry’s popular heroine Jane Whitefield, a Native American guide who secretly provides sanctuary to fugitives seeking new identities. In assisting the mysterious former cop John Felker, Jane is drawn into a trap that will take all of her cunning and the knowledge of her ancestors to escape.

Posted by Jesse Willis

The Horror At Red Hook by H.P. Lovecraft

SFFaudio Online Audio

The Horror At Red Hook by H.P. Lovecraft

Here is H.P. Lovecraft’s novelette The Horror At Red Hook. The story was first published in the January 1927 issue of Weird Tales and later in the March 1952 issue (which is where I found the terrific Jon Arfstrom at the bottom of the post).

Red Hook is a mysterious slum in New York City, full of gangs, crime, and just perhaps a terrible cult. Detective Malone had a case that had tendrils extending into Red Hook. It seems that one Robert Suydam, a corpulent and scruffy recluse, has been looking younger, more radiant and prosperous. What does that have to do with the recent spate of kidnappings?

Lovecraft described his inspiration for the story in a letter written to Clark Ashton Smith:

“The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale “The Horror at Red Hook”, you will see what use I make of the idea in connexion with the gangs of young loafers & herds of evil-looking foreigners that one sees everywhere in New York.”

The When Elvis Died PodcastFirst up, as recorded in three parts for Quentin Lewis’ When Elvis Died podcast back in 2010.

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3|

Podcast feed: http://www.quentinlewis.com/podcast/rss.xml


Cthulhu PodcastNext, a two part recording, for the Cthulhu Podcast, read by FNH. The first part begins at 14 minutes in and the second part begins at 34 minutes in.

Part 1 |MP3| Part 2 |MP3|

Podcast feed: http://feeds2.feedburner.com/cthulhupodcast


Finally, here are the text sources |WIKISOURCE ETEXT| and a |PDF|.

"Age old horror is a hydra with a thousand heads."
Weird Tales illustration by Jon Arfstrom for The Horror At Red Hook
Weird Tales illustration by Jon Arfstrom for The Horror At Red Hook

Posted by Jesse Willis

The House On The Borderland by William Hope Hodgson – Read by Wayne June

SFFaudio Online Audio

The incomparably awesome-voiced narrator, Wayne June, has completed a terrific sounding narration of William Hope Hodgson‘s The House On The Borderland. This is the famous supernatural horror novel, from 1908, that H.P. Lovecraft described as “A classic of the first water” – I looked that phrase up – “of the first water” means means “of the highest quality.”

When you combine the wonder of Wayne June’s narrative powers with a classic of this magnitude you’re bound to get something special.

And he’s selling it for just $10 HERE.

The House On The Borderland by William Hope Hodgson

The book comes in five MP3s. But, and this is a pretty interesting experiment, Wayne June is also giving away the entire novel there, on the site, in a streaming format!

Yup, if you want to listen to the novel streaming you can hear the whole thing FREE!

Posted by Jesse Willis

LibriVox: Beside Still Waters by Robert Sheckley

SFFaudio Online Audio

Robert Sheckley was a joker, a satirist, a poker of fun at all of the silliness in life. But there’s something more going on in this short short story from 1953. Sure there’s the existentialist angle, and of course there’s the requisite Sheckley humor, but it’s the other quality in Beside Still Waters that makes this Sheckley story a bit different. You can see it right there in the title (taken from Psalm 23 of the Hebrew Bible), and you can see it in the Virgil Finlay’s illustration for the story too:

Beside Still Waters by Robert Sheckley - Illustration by Virgil Finlay

Beside Still Waters is an elegiac tale, offering only a cup of sadness to the reader, it’s the sort of story that Clifford D. Simak might have written. And that should be recommendation enough.

LibriVoxBeside Still Waters
By Robert Sheckley; Read by Frank Malanga
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: November 28, 2010
When people talk about getting away from it all, they are usually thinking about our great open spaces out west. But to science fiction writers, that would be practically in the heart of Times Square. When a man of the future wants solitude he picks a slab of rock floating in space four light years east of Andromeda. Here is a gentle little story about a man who sought the solitude of such a location. And who did he take along for company? None other than Charles the Robot. First published in Amazing Stories Oct.-Nov. 1953.
|ETEXT|

And here’s the |PDF| I made from the original magazine publication.

Posted by Jesse Willis

The Shadow And The Flash by Jack London

SFFaudio Online Audio

The Shadow And The Flash by Jack London

Famous Fantastic Mysteries, June 1948 COVER - The Shadow And The Flash by Jack London

Famous Fantastic Mysteries, June 1948 - The Shadow And The Flash by Jack London

Here’s one of Gregg Margarite’s earliest narrations for LibriVox. Because it was so early it sounds like one of his more amateur recordings – mostly because Gregg reads it too fast. But one thing that didn’t really change, that needed no refinement, his skill at picking stories to record. This Jack London short story is fun Science Fiction. It’s about a pair of nearly identical, ferociously competitive, brothers. The tale was written in 1902, five years after The Invisible Man, by H.G. Wells, was published as a novel.

Indeed, the plot is rather … how shall I put this ? … familiar ? … with the The Invisible Man. But that’s okay as there’s a line aknowledging it by one of the brothers. At least it’s a hat-tip in that direction. But instead of one mad scientist as in Well’s novel, we have two in The Shadow And The Flash – in fact were they a pair of superheroes (or supervillains) that’d be each of their names (The Shadow and The Flash) as they get their powers from the way they approached the problem of invisibility – that is to say from opposite ends, as it were.

It was at about seven minutes in before the story really took off – here’s the part that grabbed me:

Lloyd warmed to the talk in his nervous, jerky fashion, and was soon interrogating the physical properties and possibilities of invisibility. A perfectly black object, he contended, would elude and defy the acutest vision.

“Color is a sensation,” he was saying. “It has no objective reality. Without light, we can see neither colors nor objects themselves. All objects are black in the dark, and in the dark it is impossible to see them. If no light strikes upon them, then no light is flung back from them to the eye, and so we have no vision-evidence of their being.”

“But we see black objects in daylight,” I objected.

“Very true,” he went on warmly. “And that is because they are not perfectly black. Were they perfectly black, absolutely black, as it were, we could not see them—ay, not in the blaze of a thousand suns could we see them! And so I say, with the right pigments, properly compounded, an absolutely black paint could be produced which would render invisible whatever it was applied to.”

“It would be a remarkable discovery,” I said non-committally, for the whole thing seemed too fantastic for aught but speculative purposes.

LibriVoxThe Shadow And The Flash
By Jack London; Read by Gregg Margarite
1 |MP3| – Approx. [UNABRIDGED]
Publisher: LibriVox.org
Published: March 12, 2009
A tale about two brothers who take different routes to achieving invisibility, as narrated by their best friend. First published in The Bookman, June 1903. Later published in The Windsor Magazine, October 1904, and in Famous Fantastic Mysteries, June 1948, Leoplan #502 (May 18, 1955).

Here’s The Windsor Magazine edition |PDF|, here’s the Famous Fantastic Mysteries edition |PDF|, and here’s a Spanish translation from Argentina’s Leoplan |PDF|.

Illustrations from The Windsor Magazine publication:
The Shadow And The Flash - illustration from The Windsor Magazine
The Shadow And The Flash - illustration from The Windsor Magazine
The Shadow And The Flash - illustration from The Windsor Magazine
The Shadow And The Flash - illustration from The Windsor Magazine

Virgil Finlay’s illustration from Famous Fantastic Mysteries:
Famous Fantastic Mysteries, June 1948 - The Shadow And The Flash illustration by Virgil Finlay

Raul Valencia’s illustrations from LeoPlan 502:
The Shadow And The Flash - illustration by Raul Valencia
The Shadow And The Flash - illustration by Raul Valencia

Posted by Jesse Willis

StarShipSofa: The Truth Is A Cave In The Back Mountains by Neil Gaiman

SFFaudio Online Audio

StarShipSofaSFFaudio EssentialThe latest StarShipSofa podcast, episode #232, features Neil Gaiman‘s 2010 novelette The Truth Is A Cave In The Back Mountains as its “main fiction.” The narrator is Richie Smith and the story begins at about 12 minutes in.

|MP3|

Podcast feed: http://www.starshipsofa.com/feed

iTunes 1-Click |SUBSCRIBE|

There are few words that can get me as excited about a story as “Neil Gaiman” – he’s one of only a handful of living writers that’ll make me read anything he writes.

And when a story gets podcast I tend to go a little crazy, extracting the narration from any framing bits within the podcast, running that extracted audio through Levelator, and making my own art for the resulting MP3. Like this:

iPhone Screenshot of THE TRUTH IS A CAVE IN THE BLACK MOUNTAINS by Neil Gaiman

I took the original cover art by the wondrous Tom Gauld from the collection (Stories) where the novelette first appeared, photoshopped it (actually Paint.neted it), used MyFont.com’s “What The Font” feature to find the font (Didot LTStd-Roman), and put it all together.

Looking at it from the outside, it probably sounds completely bonkers to you. And perhaps it is.

But what can I do?

The medication that I’ve been taking for it (two carefully measured cups of coffee every morning) aren’t reducing the behavior in the slightest. Do you think I should up my dosage?

Update: Having now finished listening, I find The Truth Is A Cave In The Back Mountains to be yet more proof that Neil Gaiman is one of the best authors of any century. What Ted Chiang is to Science Fiction Neil Gaiman is to Fantasy.

Posted by Jesse Willis