A Coward (aka The Duel) by Guy de Maupassant

SFFaudio Online Audio

A grave insult. A mater of honor! A duel to the death.

The Public Domain PodcastA Coward (aka The Duel)
By Guy de Maupassant; Read by E (aka Eileen)
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Podcaster: Public Domain Podcast
Podcast: December 04, 2005
On the nature of free will and cowardice.

Podcast feed:

http://feeds.feedburner.com/ThePublicDomainPodcast

And I’ve formatted a |PDF| version for your reading pleasure.

Posted by Jesse Willis

A Martian Odyssey by Stanley G. Weinbaum

SFFaudio Online Audio

A Martian Odyssey by Stanley G. Weinbaum

A Martian Odyssey is a classic of alien human interaction. Isaac Asimov said of it and of Weinbaum:

“With this single story [A Martian Odyssey], Weinbaum was instantly recognized as the world’s best living science fiction writer, and at once almost every writer in the field tried to imitate him.”

It is also argued that this is the first story to satisfy Astounding editor John W. Campbell’s famous challenge:

“Write me a creature who thinks as well as a man, or better than a man, but not like a man.”

When it was republished, just 4 years later, in Startling Stories, A Martian Odyssey was added to the “Scientifiction Hall Of Fame”:

Scientifiction Hall Of Fame - Editor's Note
And with that that same printing was this extolling editorial explanation:
Stanley G. Weinbaum - Pioneer Of Scientifiction

LibriVoxA Martian Odyssey
By Stanley G. Weinbaum; Read by Gregg Margarite
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 13, 2009
Early in the twenty-first century, nearly twenty years after the invention of atomic power and ten years after the first lunar landing, the four-man crew of the Ares has landed on Mars in the Mare Cimmerium. A week after the landing, Dick Jarvis, the ship’s American chemist, sets out south in an auxiliary rocket to photograph the landscape. Eight hundred miles out, the engine on Jarvis’ rocket gives out, and he crash-lands into one of the Thyle regions. Rather than sit and wait for rescue, Jarvis decides to walk back north to the Ares. First published in Wonder Stories, July 1934.

Here’s an illustrated |PDF| made from the original publication in Wonder Stories.

A Martian Odyssey - illustration by Frank R. Paul

Posted by Jesse Willis

Review of The Invisible Hook: The Hidden Economics of Pirates by Peter T. Leeson

SFFaudio Review

AUDIBLE - The Invisible Hook by Peter T. LeesonThe Invisible Hook: The Hidden Economics of Pirates
By Peter T. Leeson; Read by Jeremy Gage
Audible Download – Approx. 7 Hours 41 Minutes [UNABRIDGED]
Publisher: Audible, Inc.
Published: September 4, 2009
Themes: / Economics / Piracy / History / Slavery / Democracy / Anarchy /

Pack your cutlass and blunderbuss–it’s time to go a-pirating! The Invisible Hook takes readers inside the wily world of late seventeenth- and early eighteenth-century pirates. With swashbuckling irreverence and devilish wit, Peter Leeson uncovers the hidden economics behind pirates’ notorious, entertaining, and sometimes downright shocking behavior. Why did pirates fly flags of Skull & Bones? Why did they create a “pirate code”? Were pirates really ferocious madmen? And what made them so successful? The Invisible Hook uses economics to examine these and other infamous aspects of piracy. Leeson argues that the pirate customs we know and love resulted from pirates responding rationally to prevailing economic conditions in the pursuit of profits.

I love non-fiction, and I love books that look at history, books that look at history through one lens or another are even better! And so there is much to love in The Invisible Hook. The title is a play on Adam Smith’s elegant metaphor for how markets work, the invisible hand. Most of the examples cited deal with the Atlantic and Caribbean pirates, rather than earlier Roman era or modern day pirates. But we get a sense of how it likely worked in other regions and times. Chapters on the paradoxical attitudes towards pirate slavery, the wildly contradictory stories about piratical impressment, and the chapter on the Jolly Roger, the pirate flag, are absolutely fascinating. And, as something of a piratical hobbyist myself, I’m pleased to report they deliver clear insights only hinted at in other non-fiction books about piracy. You know you’ve got a good book in hand when you find yourself relating the premises, arguments, and conclusions of whole chapters to friends.

How good is the analysis really? That’s kind of hard to tell. Democracy and equality as a function of economics? Wonderful! Seems logical, seems plausible. And that’s the sort of thing you don’t hear often enough. Indeed, economist Steven Levitt, of Freakonomics fame, gets a shout out early on in The Invisible Hook. This is a book in that vein, a kind of entertaining pop-economics, well written, and very thoughtful. But it also boasts the same kind of inarguable psychohistory-style post-analysis of such books. It reminds me of books like William Rosen’s The Most Powerful Idea in the World, and Jared Diamond’s Collapse. Well written history looked at through the lens of a soft science makes the seemingly inexplicable events of history seem almost inevitable. That is to say, this book should be just one of many such on such topics. In the end though how can you not wanto to read a book that makes piracy, as depicted in The Princess Bride, actually very plausible?

But this is not as merry a ship as it might be. As with many book published these days, there’s some bit of puffery. Concepts well illustrated in a paragraph or two are revisited, whole passages nearly reworded, and I’m betting that this for reasons of market driven economics. It might be that each chapter can be looked at on it’s own, textbook style, but listened to as I did, back to back the chapters have a tendency to revisit the same ports too often. This is one of my major complaints about books these days. Too many books are being published with too many words that don’t say different things. At under eight hours even this relatively slim volume, by today’s market standards, but it’s still puffier than any pirate’s shirt really ought be. It is like a pirate cutter on the stalk, slowed down by a sea-anchor of unneeded repetition. Saying the same thing over and over and over. Get my point? Okay, its the market, and to be fair Adam Smith’s own The Wealth Of Nations is a bloody long book, 36 hours! I’d be willing to bet my strong right arm that the original article, as published by Levitt (mentioned in the book), would be an even better audiobook than this very fine one, and no doubt it’d measure at least a peg leg shorter.

Narrator Jeremy Gage is from the old school of audiobook narration, the kind I like. He doesn’t so much as perform a book as read it. His conspiratorial tone typically him a great choice for first-person POV novels, like Lawrence Block’s Burglars Can’t Be Choosers. This is the first non-fiction book I’ve heard him narrate. So now I can say he’s great for non-fiction too.

Posted by Jesse Willis

Review of Unnatural Acts by Kevin J. Anderson

SFFaudio Review

Unnatural ActsUnnatural Acts (Dan Shamble P.I. #2)
By Kevin J. Anderson; Read by Phil Gigante
Publisher: Brilliance Audio Approx. 9 hours [UNABRIDGED]
Themes: / urban fantasy / zombies / detective /

Publisher summary:

In the Unnatural Quarter, golems slave away in sweatshops, necromancers sell black-market trinkets to tourists, and the dead rise up — to work the night shift. But zombie detective Dan Shamble is no ordinary working stiff. When a local senator and his goons picket a ghostly production of Shakespeare in the Dark — condemning the troupe’s “unnatural” lifestyles — Dan smells something rotten. And if something smells rotten to a zombie, you’re in serious trouble… Before his way of life, er, death, is destroyed, Dan wants answers. Along the way he needs to provide security for a mummified madame, defend a mixed-race couple (he’s a vampire, she’s a werewolf) from housing discrimination, and save his favorite watering hole, the Goblin Tavern, from drying up. Throw in a hairy hitman, a necro-maniac, and a bank robber who walks through walls, and Dan Shamble’s plate is full. Maybe this time, the zombie detective has bitten off more than he can chew.

This is book 2 of Kevin J. Anderson’s Zombie P.I. series. If you listened to the first book, you pretty much know what to expect from the second book. If you haven’t read the first book, this book is a hard-boiled detective novel with a silly, monster slant on it. The problems being investigated are unique to the “unnaturals” and tend to have some amount of humor involved in a Terry Pratchett/Douglas Adams kind of way. You can easily start with this book but if you care about spoilers, I would definitely recommend starting with the first book since the conclusion of that book is apparent in book 2.

If you like awkward or silly situations dealing with the paranormal, this is your book. If you like groan-worthy puns dealing with the paranormal and sex, this is definitely your book (I’m not kidding when I say I inadvertently groaned at some of them). If those kinds of things can get on your nerves, this may not be your kind of book. That said, the book keeps up a good pace and wraps up to a good conclusion at the end. There are quite a few threads in this book but they weren’t too difficult to follow (Reading the first book helped in knowing a decent number of the characters already). Most of the main characters are likable caricatures of what you’d expect in a typical hard-boiled detective story so they’re easy to relate to and understand.

The book has some themes related to current events within the past couple of years. Issues with the definition of marriage and picketing of events are portrayed in monster fashion here. If you’re tired of hearing about that stuff in the news, this may not be for you although Anderson puts a lighthearted spin on those issues.

All in all, I have to admit I liked this book better than the first one. It wasn’t as predictable and I think I’ve had some time to get over the fact that the main character was made a zombie by being shot in the head (I thought you shot people in the head to prevent them becoming a zombie?).

As for the audiobook performance, Phil Gigante did a fantastic job. He has several different types of voices (main character, nervous guy, werewolf, sultry female, etc) that are completely unique. I particularly like his werewolf voice! He was easy to understand and added a bit of a performance to the book. I would definitely listen to books read by him again.

Posted by Tom Schreck

The Willows by Algernon Blackwood FREE AUDIOBOOK (for a limited time)

SFFaudio Online Audio

My favourite audiobook narrator, Wayne June, has recorded and released as a FREE MP3 AUDIOBOOK one of the greatest horror tales ever written.

The Willows by Algernon Blackwood - read by Wayne June

The Willows was H.P. Lovecraft’s favourite story. He wrote this about it:

“In delineating the extremes of stark fear, yet infinitely more closely wedded to the idea of an unreal world constantly pressing upon ours is the inspired and prolific Algernon Blackwood, amidst whose voluminous and uneven work may be found some of the finest spectral literature of this or any age. Of the quality of Mr. Blackwood’s genius there can be no dispute; for no one has even approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences, or the preternatural insight with which he builds up detail by detail the complete sensations and perceptions leading from reality into supernormal life or vision. Without notable command of the poetic witchery of mere words, he is the one absolute and unquestioned master of weird atmosphere; and can evoke what amounts almost to a story from a simple fragment of humourless psychological description. Above all others he understands how fully some sensitive minds dwell forever on the borderland of dream, and how relatively slight is the distinction betwixt those images formed from actual objects and those excited by the play of the imagination.

Foremost of all [his works] must be reckoned The Willows, in which the nameless presences on a desolate Danube island are horribly felt and recognised by a pair of idle voyagers. Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a, single strained passage or a single false note.”

Get the complete audiobook of The Willows, it’s two hours in six chapters, HERE.

But hurry, the FREE version will soon become the pay version.

And if you like what you hear in The Willows be sure to check out one of the greatest novels you’ve never read, The House On The Borderland by William Hope Hodgson – Wayne June’s reading of it is unbelievably great.

Posted by Jesse Willis

P.S. An illustrated |PDF| of The Willows is available too!

The SFFaudio Podcast #211 – AUDIOBOOK/READALONG: Beside Still Waters by Robert Sheckley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #211 – Beside Still Waters by Robert Sheckley, narrated by Julie Davis. This is a complete and unabridged reading of the short story (9 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Davis, and Rose Davis.

Talked about on today’s show:
Futurama, The Odyssey, Argos (Odysseus’ dog), a cup of sadness, depressing and beautiful, packed in sensitivity, The Status Civilization by Homer, Ray Bradbury, Amazing Stories, cold war worries, racism, Genesis, Psalms, Philip K. Dick, Eric S. Rabkin, there is no truth about what’s really happening in fiction, the final arbiter is the word, Martha, the 23rd psalm, Martha’s story, Julie’s patron saint, an expensive ointment, this slab of rock, “no girl he had ever known”, make a C.L.A.I.M., how many characters are in this story?, three?, Four?, robots, it was always night on Martha, everything is alive, Look! Language!, bedtime forever, Charles is Adam, a man created in the image of man, God isn’t interested in girls, the father he had never known, the “immaculate” shack, God is hard to find, the pallor of space, deprogramming the slave circuit, Willis the robot, the etymology of Charles (coming from Carl), the robot is a “free man”, …, “he restoreth my soul”, “I will fear no evil”, graveside usage, Robert Alter’s translation of Genesis, familiar yous, soul vs. spirit vs. breath vs. ghosts, God breathes, Gospel of John, Pentecost, neither water nor air, Martha’s tapped out, a Wall-E situation, was Charles sent by God?, was he an Angel?, once we start down the name path…, Mother Theresa, the guest/host relationship, God as the shepherd, in the shadow of death, flail and crook, rod and staff, Charles as Mark’s better self, Science Fiction, Martha as bitter, the “black tamed soil”, Martha as one, the Aramaic meaning, baby name websites, prefigurement, Exodus, graveyards, the purpose of slabs in graveyards, R.U.R. by Karel Čapek, Galactic Pot-Healer, Eldorado by Edgar Allan Poe, Don Quixote, “over the mountains of the moon”, it was not good for Man to be alone, bone of his bones, the end miracle, something from outside of the story, rusted servos, “Where’s my hankie?”

Beside Still Waters by Robert Sheckley - Illustration by Virgil Finlay

Posted by Jesse Willis