Riya’s Foundling by Algis Budrys

SFFaudio Online Audio

Riya's Foundling by Algis Budrys

Julie Hoverson recently recorded Riya’s Foundling. It’s a little Science Fiction gem from the hands of Algis Budrys and the pages if Science Fiction Stories, #1 (1953).

It’s a story about an intelligent cow (actually a cow-like alien being) that adopts a young human calf.

I’m not very much interested in the earthbound setup – frankly it’s weak – but there’s something very Alfred Besterian about the writing and the alien POV is really fascinating (and somehow familiar).

Here’s the audio, |MP3| Approx. 19 Minutes [UNABRIDGED]

And here’s the |PDF| version!

Posted by Jesse Willis

Review of The Scarlet Plague by Jack London

SFFaudio Review

DREAMSCAPE AUDIOBOOKS - The Scarlet Plague by Jack LondonThe Scarlet Plague
By Jack London; Read by Drew Ariana
Approx. 2 Hours 13 Minutes [UNABRIDGED]
Publisher: Dreamscape Audio
Published: August 20, 2013
Themes: / Science Fiction / San Francisco / Plague / Post-Apocalypse / Disease / Philosophy / Politics / Class Conflict /

The year is 2013 and plague has struck. Not a wannabe killer like SARS or the Spanish flu, but a tsunami type devastation that swallows every living thing, check that, every person, in its path. Its nickname is the red death because at its arrival the first thing that happens to the infected person is they start sporting a red face – like a beacon for everyone else around them to – RUN. The next thing that happens is they die. Well a little more goes on in between, numb feet, numb hands, a heart so numb it stops. All within an hour, or a few hours if the person is lucky/unlucky enough to have it drag out that long. Then for fun what’s left of the numbed, red faced, ex-person, immediately starts decomposing, falling apart before the eyes of anyone still around to witness it, practically shooting decomposing germs into the air like a plant shooting its spores. There are two classes of people, the ultra rich and everyone else. As the ultra rich jump into their airships to get as far away as possible, they just carry death with them – first class. Everyone else simply falls down and dies where they are. The devastation’s full name is Scarlet Plague. Sixty years into the future when the very few last contenders of what was once the mighty human race hear tell about it, they can’t even decipher what scarlet means because language (like life) has degraded to the point of only holding on to what’s necessary. Scarlet is red. Counting only needs to go as high a ten. The squiggles on money and books are meaningless, but that’s of no consequence because neither books nor money are in use anyway. Apologies, I’m getting ahead of myself. About 160 years ahead.

The Scarlet Plague by Jack London, published in 1912 is about the plague that will strike 100 years from his time, told from a perspective 60 years hence by the last man alive who’s ever seen an airship or read a book. 2013, a hundred years into the future for Jack London, is today and yesterday, this week. Hearing this story now, is like what it was to read (or re-read) 1984 in 1984. Sort of surreal. Interestingly 1984 is a year that was mentioned in the story of the plague. Did George Orwell choose that year with a tip of his hat? Probably. I’ve heard George was a fan.

Back to Jack. What did he get right? What did he miss? Commercial airships? Instant wireless communication? Check, check. About 8 billion people planet wide? Check. The ultra rich and everyone else, hmmm, not that far off the mark, probably pretty close considering he was most likely exaggerating a little to make a point. The work didn’t actually feel like science fiction, it felt contemporary, the section that describes this part of the century anyway. Like his projection to 2073 started from here, not from a century ago. Because the today part of the story is so right, it makes the rest of the story worse.

Not worse as in it’s a bad story. It’s an excellent, superbly imagined, tangible story. Worse in regards to how Mr. London judged the human condition. 60 years from now, 160 years from when the book was written, James Howard Smith or Grandsir, is telling his three grandsons the story of the plague. A story that was in great demand 20 or 30 years before, is quickly becoming lost – now of passing interest to two of the boys, and of real interest to only one. For one thing Grandsir’s sentences are way too complicated, especially when he goes off into his memories and starts speaking as he used to do when he was professor of English literature at Stanford. Speech has become staccato and minimalist, the niceties of language having died off with everyone that had time for that sort of thing. The other problem is the things Grandsir talks about make no sense to the boys. Cities, cars travelling by air, exchanging things with money, wasting time with written markings, all of it is so outside of what the boys know it might as well be make believe. The ramblings of a deranged, lost, old mind. With an estimated world population of less than 500, life has become a question of survival. If you want to eat then you have to go out and kill yourself some dinner. Grandsir calls his grandsons savages. When he was a boy (one of his constant refrains) there were those who gathered food and those who ordered its gathering. His progeny has been reduced to food gatherers. Interestingly Grandsir’s still got them gathering food for him. Old habits die hard I guess.

So why was this professor of classical literature spared to help re-forge humanity? No reason. One in every few million just didn’t get red faced. Maybe death momentarily blinked as it passed them by or got distracted by the particularly amusing scene of the mountains of bodies piling up at its feet. A couple of feeble minded, the very richest most splendid woman in America, a violent, vile, wife beating chauffer who made himself her husband, our friend the professor – just a few random cards in the deck. Life’s like that. You build your magnificent cities, you spend your time creating art and pondering the great questions, and life responds by carelessly wiping itself out. Careless in that it doesn’t quite finish the job. But no matter, because life will make its way forward again.

And now we come to the worst part of the story. It’s not the plague and what happens in the aftermath. The author makes it clear that ultimately, in the long run, humanity will rally back. They’ll rebuild and create again. The worst part is what Mr. Jack London sees after that.

Drew Ariana who read the story in this recording did a good job. My only issue was the character voice he assumed for Grandsir. I didn’t have a problem with the voice, the problem was, so much of the story was told using this voice it became a little distracting. Otherwise, an easy, pleasant listen.

By the end of the book, awash in dystopia, I was seeing a little red. Too delightful not to share, here’s a little red (or Scarlet) for you. “All man’s toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its hostile vegetation and then he passed and the primordial flood of hostile life rolled back again, sweeping his handy work away.”

Posted by Maissa Bessada

The SFFaudio Podcast #234 – AUDIOBOOK/READALONG: Who Knows? by Guy de Maupassant

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #234 – Who Knows? by Guy de Maupassant; read by Mark Turetsky. This is a complete and unabridged reading of the story (39 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mark Turetsky, and Professor Chris Coski of Ohio University.

Talked about on today’s show:
One of the last Guy de Maupassant stories, fantasy podcasts, what genre is this story?, the mysterious, the macabre, the morbid, do we buy the narrator’s story?, Am I Insane? by Guy de Maupassant, the events that happen are insane, a horror story?, a satire of Gothic horror, it is a ridiculous premise, a mental institution, is he lying?, is he deluded?, the servants, very thorough thieves, the title, Maupassant is intentionally ambiguous, there’s always a grain of the opposite, a syphilitic brain crafts a masterful short story, is it a true-ish story?, Maupassant was kind of a loner, boating among other things, Maupassant liked his solitude, touring all the European cities, THE SIGN OF DEATH PRECEDES STRANGE EVENTS, “several hours”, if the furniture is taking the place of other people…, affection for objects, The Golden Braid (aka The Tress Of Hair), falling in love with an object, the writing desk and its contents, where did the writing desk go?, his letters his papers, his personal history is now gone, deracinate , visiting new places, the history of his heart, the photographs, his emotional life, the furniture is the mental faculties, the house is him,

“Then I suddenly discerned, on the threshold of my door, an armchair, my large reading easy-chair, which set off waddling [LIKE A DUCK]. It went away through my garden. Others followed it, those of my drawing-room, then my sofas, dragging themselves along like [CROCODILES] on their short paws; then all my chairs, bounding like [GOATS], and the little foot-stools, hopping like [RABBITS].”

his desk is like a wife who’s trying to run away, the repeated refrains, “imagine my feelings”, you stop being the reader and become a participant, the revolver, marauders, the doors are alive too, Rouen, his arms were there, gun nuts, the presentiments, the river Robec, the black nauseous waters, the second hotel scene mirrors the first, is the hotel an asylum, you found your mental faculties, he checks himself in (to the hotel and the asylum), are you a private gentleman?, is the asylum is a prison?, the fat bald little yellow bearded man from Rouen with a head like a moon, grammatically it doesn’t make sense, ambiguity, THE MOON, the witch’s sabbath crescent, the play “beautiful music and fairy life drama”, he’s had a spell cast on him, “a serious accident would certainly take place”, a paralytic stroke, the sound from outside his body, a humming, trains passing, clocks, marching multitudes, “the big one”, the crescendo, “Signad” in Swedish means “designed”, Sigurd, the ring cycle, dwarves, fantasy and reality mixing, were the cops playing along?, “this house communicates with it’s neighbors”, very weird, Jesse’s tweeted dream explanation: “Dreamt an explanation for WHO KNOWS? By Guy de Maupassant – the furniture was deleted, & their dissolution was confabulated.”, not a psychological interpretation, an ontological interpretation, accidentally deleting something, SimCity, ctrl-z, not a useful miracle, an incompetent higher power, “My god, my god”, “Merciful heaven”, no grudge against, Who knows?, God knows!, a murderous schoolteacher, Revenge by Guy de Maupassant, a higher power that deletes, the short story is the only form that can be perfect, there’s something perfect, any lacuna, “a missing section of text”, the oxymoron, rude gentleness, an unbalanced situation, the insane sanity or the sane insanity, the widow Bidoin,

“He ordinarily passes his evenings at the house of a female neighbor, who is also a furniture broker, a queer sort of sorceress, the widow Bidoin”

is she married to the bald man, that Disney movie, maybe it isn’t a perfect short story, etymological searches, the tour of Africa, Sicily, Normandy, “where there hover no vague hauntings”, the missing night, a different sort of desert, Fear by Guy de Maupassant, “I had a presentiment in Africa”, “the sun dissipates it like a fog”, fear vs. panic, the spiritual gnawing of northern cultures, The Inn by Guy de Maupassant, H.P. Lovecraft, “God is dead but he never really was alive. The universe is real but we’re alone in it. Looking up at the starry night we are pointless, alone, with nothingness behind us, nothingness ahead of us, and its horrible.” he goes crazy because he’s alone, in the tumult of the crowd (with it’s light pollution), “there’s a shop for that down the street”, very very very small and unimportant, Lovecraft made it a monster, Eric S. Rabkin, light as the symbol for knowledge, inside the interesting chest cavity, a cosmic vastness and emptiness in which we are lost, solitude, Rouen, Rotomagus (round market or round plain) – but the word magus, J.R.R. Tolkien’s dwarves, great craftsmen, is the man from Roen really God?, yesterday I was in a private asylum, three months, a descent into madness, is there no lacuna in the inflexible sequence of his observations, a lacuna in which the end took place.

Qui Sait?

Who Knows by Guy de Maupassant

Stories Strange And Sinister

Pall Mall Magazine, June 1894 - Who Knows? by Guy de Maupassant - illustrated by Arthur Jule Goodman

Posted by Jesse Willis

Review of Conquest by B.V. Larson

SFFaudio Review

ConquestConquest – (Star Force #4)
By B.V. Larson, Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 12 hoursThemes: / aliens / military sci-fi / fighting bugs / machines / invasion /

Publisher summary:

Conquest is the next chapter in the great interstellar war between all living creatures and the machines. Star Force must stop the machine invaders once again – but how? In the fourth book of the Star Force series, Kyle Riggs has freed Earth from the chains of the Macros – but at what cost? The Macros no longer trust him. He is a mad dog that must be put down – and all Star Force must be stamped out with him. The war expands in this story, and mankind is once again faced with annihilation.

Conquest is the fourth book in the Star Force series by B. V. Larson and, while it continues the well-established tradition of this series for thrilling military action, it also brings several of the flaws of the series into sharp focus.

Over the course of the previous three novels in the Star Force series, Kyle Riggs has made some bad calls. He has sworn Earth to provide troops for a dangerous enemy, ordered thousands of his troops to their deaths, and cast aside strategic alliances with little thought to the long-term consequences of his actions. Throughout it all, I continued to root for Riggs and the rest of his band, even as I questioned his actions. Now, though, I can’t help but wonder if Star Force is the right team for the job.

Of course, they never were supposed to be the first best choice. Riggs and Crow, the co-leaders of Star Force, were plucked from their homes by brutal machines and only came to command the most technologically advanced army in human history because they managed to survive a brutal series of tests, so it should come as little surprise that these two often resort to brute force to solve their problems. Still, I couldn’t help feeling that these two men were woefully unfit for command when the first few chapters of this book consisted of little more than a super-powered grudge match between them. Riggs, as the narrator and protagonist, does his best to justify his actions to the reader, but many of his arguments can be boiled down to, “I did my best, but I’m not really a soldier.” Meanwhile, Crow is written as a chameleon who repeatedly vacillates between careless pirate and brilliant strategist, with little to no transition between.

One might expect that the return of the giant Macro robots would bring some unity to Star Force, or at least some sound strategic planning, but it doesn’t. Instead, Crow runs away (as usual) and Riggs comes up with some brilliant modifications to the Star Force battle equipment, then fails to use them to their potential (as usual). The one piece of brilliant strategizing that Riggs does manage to pull off, which results in the Macros focusing their attacks on Star Force’s home base rather than assaulting the entire planet, backfires spectacularly when he forgets the lessons learned in his previous fights against both the Macros and the Helios Worms. Riggs knows the Macros are underground, but makes no plans to defend against an attack from below. He gives his troops the ability to fly, but rarely uses that to his strategic advantage. Mistake compounds mistake until only nuclear weapons and convenient force-field failures can save Earth.

Apparently I am not the only one dissatisfied with the leadership of Kyle Riggs, as the author included a subplot of ongoing assassination attempts in Conquest. Obviously, I won’t say who or what was behind the attempts, but I like to imagine that there was some level of symbolism to B. V. Larson’s decision to introduce this plot element. I have to wonder if maybe there is some chance that, by the time he reached this book, Larson had realized that Riggs needs to develop further as a leader and a character.

Mark Boyett does an admirable job narrating this series, navigating the wide range of accents with ease. I did think, as I listened, that I caught a few errors, but I am more inclined to believe that these were missed during the editing of the book, rather than introduced in the recording of the audio. At a running time of just over eleven hours, spanning ten CDs, the book is just long enough to tell the story of the second invasion of Earth without overstaying its welcome. I plan to continue reading this series, but I truly hope to see some growth in strategic thinking from Riggs, or I could see myself beginning to feel sympathetic towards Conquest’s failed assassins.

Posted by Andrew Linke

It’s A Good Life by Jerome Bixby

SFFaudio Online Audio

It's A Good Life by Jerome Bixby

It's A Good Life by Jerome Bixby - illustration by Quinn

It's A Good Life by Jerome Bixby - illustration by Quinn

It’s A Good Life is a 1953 short story by Jerome Bixby. Set in the small town that used to be in Ohio. It’s entire population loves and fears three year old Anthony Fremont. Anthony is omnipotent.

This story has been adapted several times by The Twilight Zone. The original series did a very faithful adaptation, a sequel episode, “It’s Still A Good Life“, featured a grown-up Anthony and his daughter. There was also an adaptation within Twilight Zone: The Movie. Even The Twilight Zone radio drama series adapted it.

Here’s the audiobook, as podcast in two parts on Rick Jackson’s The Time Traveler Show (along with an interview with the narrator, William Dufris).

The Time Traveler Show PodcastIt’s A Good Life
By Jerome Bixby; Read by William Dufris
Part 1 |MP3| Part 2 |MP3| – Approx. 2 Hours 4 Minutes [UNABRIDGED]
Podcaster: The Time Traveler Show
Podcast: August 2006
Anthony Fremont can go anywhere he wants, he can read thoughts, he can project sensory information, he can create, he can destroy, he can mold reality, he can kill. Anthony Fremont is three years old. First published in Star Science Fiction Stories No.2.

Podcast feed:

http://www.timetravelershow.com/shows/feed.xml

Here’s a |PDF| made from the publication in Science Fantasy, #16, 1955.

Posted by Jesse Willis

The Story Of The Inexperienced Ghost by H.G. Wells

SFFaudio Online Audio

The Story Of The Inexperienced Ghost by H.G. Wells

The Story Of The Inexperienced Ghost (aka The Inexperienced Ghost) is, on its face, merely a humourous ghost story. But I get the sense that there’s quite a bit of satire going on in it. It may be doing to the straight-up ghost story (in a far more lighthearted way) what The Red Room does to the Gothic Horror story.

LibriVoxThe Story Of The Inexperienced Ghost
By H.G. Wells; Read by Toby Paradis
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2008
First published in The Strand, March 1902.

Here’s a fully illustrated |PDF| made from the original printing.

Mrs. P. (aka Kathy Kinney) reads The Story Of The Inexperienced Ghost:

Posted by Jesse Willis