audiobook – Page 39

Review of Razor’s Edge by Martha Wells

SFFaudio Review

Razor’s Edge: Star Wars (Empire and Rebellion)
By Martha Wells; Read by January LaVoy
Publisher: Random House Audio
Publication Date: 24 September 2013
ISBN: 9780804148269
[UNABRIDGED] – 9 hours, 57 minutes

Excerpt: | MP3 |

Themes: / Star Wars / rebels /

Publisher summary:

Times are desperate for the Rebel Alliance. Harassment by the Empire and a shortage of vital supplies are hindering completion of a new secret base on the ice planet Hoth. So when Mid Rim merchants offer much-needed materials for sale, Princess Leia Organa and Han Solo lead an Alliance delegation to negotiate a deal.But when treachery forces the rebel ship to flee into territory controlled by pirates, Leia makes a shocking discovery: the fierce marauders come from Leia’s homeworld of Alderaan, recently destroyed by the Death Star. These refugees have turned to pillaging and plundering to survive—and they are in debt to a pirate armada, which will gladly ransom the princess to the vengeful Empire . . . if they find out her true identity.

Struggling with intense feelings of guilt, loyalty, and betrayal, Leia is determined to help her wayward kinspeople, even as Imperial forces are closing in on her own crippled ship. Trapped between lethal cutthroats and brutal oppressors, Leia and Han, along with Luke, Chewbacca, and a battle-ready crew, must defy death—or embrace it—to keep the rebellion alive.

Razor’s Edge takes place between Episodes IV and V and involves Leia trying to acquire funding for the new rebel base on the planet Hoth. It’s part of a new trilogy taking place during that time period that has each book focusing on all of our three favorite main characters: Leia, Luke, and Han. I was excited about the idea of another book during this time period because Allegiance was so good. I’m sad to say that the book didn’t completely live up to my expectations.

Considering that the Empire is the major force in the galaxy during this time period, I was surprised that they only play a minor part in this story. The Empire is there, but the majority of the story involves a group of pirates. The result is that you have lots of new characters to get to know during a time period when you’d potentially expect to be on more familiar ground. There are so many new characters that when they’re all finally together, Wells has to list all of them to describe who is doing what when the group splits up (this happens a few times and is kind of awkwardly worded). Don’t get me wrong, the book was full of the action and adventure you’d expect from a Star Wars book, it just didn’t really feel like a Star Wars book to me.

There were times in the book that it felt like I was being reminded that this was a Star Wars book – such as random lists of Star Wars races when a group passes by (2 Bith, a Rodian, and an Ithorian…or something like that happened a few times) or describing a messy office as looking like it was hit by an ion cannon (wouldn’t that just short circuit all their electronics? What would that actually look like?). The thing that really got me was that Han suddenly has a satchel he keeps having to grab or secure…is that supposed to be like Indiana Jones constantly having to grab his hat?

So why do they get roped in with these pirates? Now that is a good question. Leia is still coping with the loss of Alderaan and makes some rash/irrational/impulsive decisions based on those feelings. That would be fine except this is the same Leia that stared down Darth Vader and Grand Moff Tarkin and lied to their faces while facing torture…I just didn’t buy that she would irrationally put the hopes of the Rebel Alliance on the line because of the actions of some people from Alderaan.

Overall, I’d say that this book is good for die hard Star Wars fans but not really the casual reader. I’d give a much stronger recommendation for Allegiance by Timothy Zahn since that was a much better ride that fit really well in the same time period.

As for the audio performance, I can’t say I’d give much of a higher recommendation on that part. I’m sure January LaVoy does a great job on other books, but she just didn’t fit this book very well. Every other Star Wars book I’ve listened to did a great job with impersonations of characters we all know but they weren’t very noticeable here. Most of the male characters sounded pretty similar to each other and the female characters’ voices sounded pretty similar to the narration voice.

Star Wars books are also normally known for their effects and music. The production was decent, but there were moments where some sound effects sounded more like a game of Galaga than Star Wars.

Posted by Tom Schreck

The Star by H.G. Wells

SFFaudio Online Audio

The Star by H.G. Wells

The Star by H.G. Wells - illustration by L. Marold from The Graphic, December 1897

Here’s a portion of the Wikipedia entry for The Star:

“[The Star] can be credited with having created a Science Fiction sub-genre depicting a planet or star colliding, or near-colliding with Earth – such as the 1933 novel When Worlds Collide by Philip Wylie and Edwin Balmer, (made into a film in 1951), Fritz Leiber’s The Wanderer (1965), and Lucifer’s Hammer by Larry Niven and Jerry Pournelle (1977).”

Here is the editorial introduction (presumably by Hugo Gernsback himself) to the story as found in the Amazing Stories, June 1926 printing:

“Here is an impressive story based on the inter-action of planetary bodies and of the sun ipon them. A great star is seen approaching the earth. At first it is only an object of interest to the general public, but there is an astronomer on the earth who is watching each phase and making mathematical calculations, for he knows the intimate relation of gravitation between bodies and the effect on rotating bodies of the same force from an outside source. He fears all sorts of wreckage on our earth. He arns the people, but they as usual, discount all he says and label him mad. But he was not mad. H.G. Wells, in his own way, gives us a picturesque description of the approach of the new body through long days adn nights – he tells how the earth and natural phenomena of the earth will re-act. Though this star never touches our sphere, the devastation and destruction wrought bu it are complete and horrible. The story is correct in its astronomical aspects.”

Without a significant viewpoint character H.G. Wells’ The Star relates, with elegiac cosmicism, of the destruction of Earth and its inhabitants. There is in this story a dispassionate reverence for both the blind omnipotence of nature and mortal humanity’s perception of its place within it.

The Star
By H.G. Wells; Read by Pamela Quevillon
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Podcaster: 365 Days Of Astronomy
Podcast: October 20, 2013
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in The Graphic, December 1897.

The Star
By H.G. Wells; Read by Heather Phillips
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2010
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in The Graphic, December 1897.

The Star
By H.G. Wells; Read by Linda Dodge
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2009
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in The Graphic, December 1897.

The Star
By H.G. Wells; Read by Jenny Rowe
1 |MP3| or |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Peopletalk
Podcast: September 18, 2006
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in The Graphic, December 1897.

Here is a |PDF| made from the publication in Amazing Stories, June 1926.

Here’s an easy reading version, suitable for printing |PDF|.

And, here’s a Spanish language translation |PDF| that’s beautifully illustrated.

The Star by H.G. Wells - illustration from Amazing Stories, June 1926

The Star by H.G. Wells - illustrated by Oscar Palacios

Posted by Jesse Willis

The SFFaudio Podcast #238 – AUDIOBOOK: The Invisible Man by H.G. Wells

Podcast

H.G. Wells' The Invisible Man

The SFFaudio Podcast #238 – The Invisible Man by H.G. Wells, read by Cathy Barratt (for LibriVox.org).

This audiobook, 4 hours 35 minutes, is complete and unabridged.

Griffin, a scientist, devoted himself to research into optics – he invented a chemical that could change his body’s refractive index to that of air – he absorbs no light, he reflects no light – he is completely invisible.

First published in Pearson’s Magazine, June 12, 1897.

The Invisible Man - illustration by Dino Castrillo and Rudy Mesina

The Invisible Man arrives - illustration by Val Mayerik and Dan Atkins

The Invisible Man - illustration by Val Mayerik and Dan Atkins

And Now Do You See What I Am, Idiots?

The Invisible Man by H.G. Wells - POCKET CLASSICS

The Invisible Man by H.G. Wells

Posted by Jesse Willis

Protecting Project Pulp: Prominent Author by Philip K. Dick

SFFaudio Online Audio

Prominent Author is a great example on the joke theory of short stories. Look to the meaning of character names, listen for the clever turns of phrase (‘he wasn’t just a cog in the machine anymore’) then add in the fun bit of stuff happening with the wife and wife’s girlfriend back at home – Philip K. Dick knew his stuff.

Nick Camm’s accent doesn’t quite fit the story, but his narrative abilities sure do. In fact, now that I think about it, it’s pretty clear to me that Protecting Project Pulp hits more home runs than any other podcast in the District Of Wonders network!

Paul Orban illustration from Prominent Author by Philip K. Dick

Protecting Project Pulp No. 67 – Prominent Author
By Philip K. Dick; Read by Nick Camm
1 |MP3| – Approx. 47 Minutes [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: November 4, 2013
“It was the dawn of a golden age of transportation. Terran Development was ready to market a fourth dimension ‘vehicle’ which afforded almost instantaneous travel. For instance Henry Ellis commuted 160 miles to work in five steps and a few seconds. Then, one morning, he met some people on the way…” First published in If: Worlds Of Science Fiction, May 1954.

And, here is a |PDF| made from this story’s first publication.

Posted by Jesse Willis

Expediter by Mack Reynolds

SFFaudio Online Audio

Expediter by Mack Reynolds

Mack Reynolds is an SF author who needs more attention. Unfortunately his non-public domain works, the majority of his work, are languishing, orphaned. Escape Pod has paired this less than stellar novelette with an excellent narrator, Corson Bremer, but even so it’s a less than stellar representative example of Reynold’s most thoughtful societal thinking. Expediter merely hints at the kinds of things Mack Reynolds could do. Come to think of it, what we really need is an expediter to make the still copyrighted works of Mack Reynolds available as ebooks (and audiobooks).

Expediter
By Mack Reynolds; Read by Corson Bremer
1 |MP3| – Approx. 1 Hour 22 Minutes [UNABRIDGED]
Podcaster: Escape Pod
Podcast: October 28, 2013
His assignment was to get things done; he definitely did so, Not quite the things intended, perhaps, but definitely done. First published in Analog, May 1963.

Podcast feed: http://escapepod.org/podcast.xml

Here is the |ETEXT|.

And I’ve assembled a |PDF|.

Expediter by Mack ReynoldsIllustrated by George Schelling

Posted by Jesse Willis

The SFFaudio Podcast #236 – AUDIOBOOK/READALONG: The Hills Of The Dead by Robert E. Howard

Podcast

The SFFaudio Podcast #236 – The Hills Of The Dead by Robert E. Howard, read by Paul Boehmer (courtesy of Tantor Media’s The Savage Tales Of Solomon Kane). This is a complete and unabridged reading of the story (60 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Matthew Sanborn Smith, and Bryan Alexander

Talked about on today’s show:
Second-to-last Solomon Kane story chronologically, “Red Shadows” and “Wings of the Night” close contenders for Solomon Kane stories, the latter featuring harpies from Jason and the Argonauts, history of Solomon’s staff explained in other stories, fetishes (not THAT kind!), juju stick, magical weapons, Wandering Star edition illustrated by Gary Gianni, comic book adaptations, vampire-slaying, story uncharacteristically well-plotted including foreshadowing, “plains and hills full of lions” oh my!, lion sleeping habits, “Africa is full of never-explained mysteries” excuses plot holes, prefigures Richard Matheson’s I Am Legend, Kate Beckinsale’s Underworld movies, one of few stories to depict ‘nation of vampires’, Kiss of the Vampire (film), Transylvania, homeopathic symbolism, sex sells, ‘Howardian damsel in distress’, voodoo, feminization of the jungle, homoerotic undertones, Howard biography Blood and Thunder by Mark Finn, post-Colonial critique, vampires in fiction oscillate between sexualized and homicidal, Stephen King slams Stephanie Meyer’s Twilight vampires, Nosferatu (relatively unknown at the time of this story’s writing) introduced the idea that sunlight kills vampires, the Devil as source of Kane’s lustful urges, “Howard doesn’t do metaphors very well”, vampire-zombie continuum, Howard as great visual writer, animal characteristics ascribed to Kull and Conan but not Kane, snake imagery (related to serpent in Garden of Eden?), Slave Coast, vultures, nature of the soul, “Rogues in the House” (written in one sitting while Howard had a headache), the dangers of over-interpreting Howard, Howard’s subconscious, early 20th-century magazines preoccupied with race, Cosmpolitan (it was once a literary magazine), race hierarchy, Solomon Kane less racist than Howard himself, racial hierarchy, Berbers, Solomon Kane’s conflicted personality, the New Model Army, Howard’s characters are solitary, Puritans, Kane has a death wish, Kane’s celibacy, significance of Solomon Kane’s name, Ben Jonson satirizes Puritan names (in Bartholomew Fayre), so does Terry Pratchett (in Lords and Ladies, Mormonism, concept of congregation of all believers, English Civil War and its sects, Grendel in Beowulf as descendant of Cain, Sandman comics, Kane is “always on the road”, Matthew Hopkins witchfinder general, wood imagery, we learn what a palaver is, The Dark Tower series, temptation, inquisition, H. P. Lovecraft, cohesion of Howard’s works, history of the English language, George Harrison’s coyright infringement, parallel evolution in fiction, Clark Ashton Smith, Charles Baudelaire, genocide, the importance of a shared reader-author premise, shared cultural values, Hitler, The King in Yellow, Woodrow Wilson was a racist, zombies vs. animals.