Review of Science Fiction: The Literature of the Technological Imagination by Eric S. Rabkin

Audio Lectures Review

Non-fiction - Science Fiction: The Literature of the Technological Imagination by Eric RabkinScience Fiction: The Literature of the Technological Imagination
By Eric S. Rabkin; Read by Eric S. Rabkin
8 cassettes – 4 hours (8 half-hour lectures) [LECTURES]
Publisher: The Teaching Company
Published: 1999
Themes: / Non-Fiction / Science Fiction / Pulp / Hard SF / Cyberpunk / Utopia / Dystopia /

This one is a little different than our usual fiction reviews. Science Fiction: The Literature of the Technological Imagination is a non-fiction series of lectures about the origins, history, and influence of science fiction. Think of it as Science Fiction 101 and you’ll get the idea. As a course it fulfills the promise of its title, breaking down the origins and the meanings within in science fiction literature. Professor Rabkin is a talented lecturer. Though obviously scripted, his naturalistic lectures are thoroughly engaging. The lectures explore the history of science fiction back to its origins in Plato’s Republic, then steadily marches all the way to William Gibson’s Neuromancer. These lectures offer genuinely interesting insight, I learned something interesting in each and every lecture! Rabkin discusses the first science fiction novel, Frankenstein by Mary Shelley, examines the pulp phenomena of the late nineteenth and early twentieth centuries, and gives examples of what makes hard SF “hard”. He looks at the social, technological, and literary forces that influenced the genre’s authors, and in doing so tells an entertaining story – the story of science fiction! In short, it’s a fascinating listen. I just wish that Rabkin would offer Science Fiction 201 next semester! Each half hour lecture could have easily been expanded into 2 hours.

The lectures are titled:

Lecture 1: Mary Shelley’s Frankenstein and the Emergence of Science Fiction
Lecture 2: Jules Verne and the Popular Passion for Science
Lecture 3: H.G. Wells and Science Fiction Parables of Social Criticism
Lecture 4: Pulp Culture, World War II, and the Ascendancy of American Science Fiction
Lecture 5: And the Winner Is…Robert A. Heinlein
Lecture 6: Ray Bradbury, Ursula K. LeGuin, and the Expansion of Science Fiction
Lecture 7: Stanley Kubrick, Arthur C. Clarke, and the Modern Science Fiction Film
Lecture 8: New Wave, Cyberpunk, and Our Science Fiction World

I just updated the New Releases page… Current…

New Releases

I just updated the New Releases page…

Currently, I’m listening to Deathstalker: Rebellion, Part 1 by Simon Green from Defiance Audio, read by several people. It’s an action-packed story in the Star Wars mold; empire, rebellion, aliens of all types, sword fights…

I’d like to see more companies adopt their style of publication. Deathstalker and Deathstalker: Rebellion are big books – they’d make for a large unabridged audio. Large enough, in fact, that most of their target audience (teens) wouldn’t be able to afford them. Instead of going that route, Defiance has made a series of them, releasing the novel in five three-hour portions at a very comfortable $9.95 a piece (or a mere $6.95 if you download them off the website).

This could serve as a model for the production of some excellent but bulky stuff like George R.R. Martin’s Song of Ice and Fire series. Why not release it in parts? As long as the end result is unabridged, I’d buy them.

Posted by Scott D. Danielson

Review of Dark Tower II: The Drawing of the Three by Stephen King

SFFaudio Review

The Dark Tower II: The Drawing Of The Three by Stephen KingThe Dark Tower II: The Drawing of the Three
By Stephen King; Read by Frank Muller
Publisher: Penguin Audiobooks [UNABRIDGED]
Date Published: November 1997
ISBN: 0140867155
Themes: / Fantasy / Parallel worlds /

This is the second book in Stephen King’s Dark Tower series. I read the first volume a few months ago (in print) and found it very different from Stephen King’s other work. To start with, it was not set in our world, where King sets nearly all of his novels. This volume is set both in the wasteland of the first novel and this world. King expertly uses the setting along with his unforgettable characters to explore the notions of Good and Evil in a grand fashion.

The main character in the books is Roland, a gunslinger, possibly the last gunslinger, who travels in a world separate but somehow connected to our own. This second volume starts within hours after the first ends. Roland is required to draw three people from our world into his to help him on his quest to reach the Dark Tower. If none of this makes sense, that’s okay. I’m hesitant to provide too much detail. It is enough to say that what you have here is a contemporary fantasy novel written by one of the finest creators of believable characters in fiction.

And Frank Muller does the narrating. I’ve never been disappointed in a Muller narration, and this certainly is no exception. His voice is perfect for this material – I imagine Roland’s voice to be Muller’s – and the great energy which he provides this novel probably made it more interesting than it actually was. Several times when listening time came to and end, I took an extra lap around the block or listened for an extra ten minutes… and Muller’s reading is as responsible for that as King’s writing.

I am definitely a Stephen King fan. I enjoy nearly all of his stories. My favorites are from his early career, The Stand and Salem’s Lot especially. Neither of those have audio versions, unfortunately. (Well, there is a version of The Stand available from Books on Tape, but it is not the complete version of the novel that King released later in his career.)

For more info on the Dark Tower series, check the Dark Tower Compendium.

Review of Starship Troopers by Robert A. Heinlein

SFFaudio Review

Starship Troopers by Robert A. Heinlein
Themes: Science Fiction / Politics / War / Military / Spaceships

“The historians can’t seem to settle whether to call this one ‘The Third Space War’ (or the fourth), or whether ‘The First Interstellar War’ fits better. We just call it ‘The Bug War.’ Everything up to then and still later were ‘incidents,’ ‘patrols’ or ‘police actions.’ However, you are just as dead if you buy the farm in an ‘incident’ as you are if you buy it in a declared war…”
-excerpt from Starship Troopers

Written fewer than 15 years after the end of World War II, Starship Troopers (originally titled “Starship Soldier” for its first incarnation in Fantasy & Science Fiction Magazine’s Oct & Nov issues of 1959) was to have been another of Heinlein’s beloved juvenile novels. Its content and far-reaching exploration of the society made it instead into the classic of hard science fiction it has become.

Starship Troopers won of the Hugo Award for 1959. It is the story of Juan “Johnny” Rico, recent high school graduate and new recruit to the Mobile Infantry, a futuristic paratrooper force which only takes the best. Just as Juan is ready to wash-out in shame, war is declared, and it’s up to Rico and the Roughnecks to mop up a little bug problem. J.R.R. Tolkien’s The Lord of The Rings inspired hundreds of novels and revitalized modern fantasy storytelling. Similarly, Robert A. Heinlein’s Starship Troopers probably influenced more Science Fiction readers than any other novel of the last half of the 20th century. Spawning more imitators than was probably wise and even inspiring a whole sub genre of Science Fiction called “Military SF”. As with The Lord of the Rings the original inspired so many imitators for a good reason. It was a REALLY REALLY GOOD READ! Starship Troopers is spectacular SF. Semper mobilius.

The Recorded Books version.
Read by George Wilson
7 Cassettes – 9.75 hours, UNABRIDGED
Publisher: Recorded Books
Date Published: 1998

Its cover features original commisioned art, the library binding, available for additional cost, is of the durable vinyl clamshell type which makes for attractive and secure storage of tapes. Unlike the Blackstone Audiobooks version, there is very little extra material in the introduction and this is a disappointment. But, in its favor, it does include every word of the text and for that I am very pleased. In comparison to the superb Blackstone Audiobooks narration read by the gifted Lloyd James, George Wilson stacks up quite well, reading with obvious gusto. But if you were to twist my arm I’d still have to say in this case the Recorded Books edition is the lesser of the two.

The Blackstone Audiobooks version.
Read by Lloyd James
7 Cassettes – 9.75 hours, UNABRIDGED

Like all of Blackstone’s productions this one comes in a library style clamshell binding, which makes for attractive and secure storage of tapes. Its cover features the handsome art from 1987 ACE paperback release (the signature cover). And this superb production includes every single word in the book, including the teaser back cover, something I regard as akin to a necessary extra.

Lloyd James is terrific as the narrator, able to infuse his voice with the wide-eyed innocence of Rico and gruffness of Sgt. Zim. James’ is a voice you can count on, and this is an absolutely fabulous audiobook, and to my ears, the definitive version. So come on you apes pop a tape in and get listnin’.

Posted by Jesse Willis

Bonus:

Starship Troopers #LEGOized by me

LEGO Starship Troopers

Review of The Man In The High Castle by Philip K. Dick

SFFaudio Review

The Man In The High Castle
By Philip K. Dick; Read by George Guidall
7 Cassettes – 9.75 hours [UNABRIDGED]
Publisher: Recorded Books
Date Published: 1997
Themes: Science Fiction / Alternate History / World War II / Holocaust / Japan / Nazi Germany

World War II is over and to the victors go the spoils; Germany and Japan divide the world and the United States into East and West occupied zones. Alternate reality? Alternate history? Those are sheer fantasy, what if the Allies had won the war? Who would have been able to stop Stalin? Idle daydreaming, and Frank Frink can’t afford that, as one of the few surving Jews in North America and the world he’s got to concentrate to stay alive…

Set in an alternate history (and taking place in 1962 when Dick wrote the book), The Man in the High Castle is multiple viewpoint. There is: Mr. Tagomi, a collector of all things antique and American. Juliana Frink, seperated from her husband. She’s in Colorado on the border between the Nazis in the East and the Japanese in the West. Her husband Frank Frink, a shop owner and dealer in antiques, lives apart from his wife in occupied San Francisco serving the ruling Japanese. And all three of them have their fate intertwined with an officially banned underground novel entitled “The Grasshopper Lies Heavy” which paints a picture of a world where the Allies won WWII.

The Man in the High Castle won the Science Fiction Hugo Award for best novel in 1962. It is one of the few great Philip K. Dick novels still unfilmed and so it will come as a great introduction to a new reader. Throughout the novel the I, Ching and its cryptic “wisdom” is used to push the plot along. This ingenious device is of further interest because Dick claimed that he himself used the I, Ching whenever it was used in the novel and let it take the novel wherever the results led it, in essence plotting the book as a result of the I, Ching’s advice. Superstar narrator George Guidall with his broad range and depth of voice is the perfect choice for this deeply complex novel. Oh and of course I can’t forget to mention the fantastic twist ending which will definitely… shall I say…change your persective? A profound SF experience that will blow your mind.

Review of Legends: Stories from the Masters of Fantasy: Volume 1

SFFaudio Review

Legends: Stories From The Masters of Fantasy: Volume 1 edited by Robert SilverbergLegends: Stories From The Masters of Fantasy: Volume 1
Edited by Robert Silverberg; Read by Frank Muller and Sam Tsoutsouvas
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Harper Audio
Published:
ISBN:
Themes: / Fantasy /

Robert Silverberg, himself a prolific fantasy author, has gathered with this series a collection of the longer novellas by the most popular living fantasy authors. Each of the authors was asked to write a new story based on one of his or her most famous series.

In Volume One there are two novellas. The first belongs to Stephen King and is set in his popular Gunslinger/Dark Tower universe. Silverberg’s contribution is set in his Majipoor universe. An intriguing premise but did it turn out to be any good?

The Dark Tower: The Little Sisters Of Eluria by Stephen King; Read by Frank Muller
Roland of Gilead, badly needs to find a horse doctor. His horse is ailing and won’t last long, but when he comes across a lonely desert town he quickly ends up needing a doctor for himself. Unfortunately, the only medical attention he’s getting comes from a vampire like sisterhood intent on both healing AND bloodletting.

I’ve never been overly fond of Stephen King, I find his writing like his ideas at best mildly interesting and at worst boring. But, being as I’d not tried anything of his work in some time, I was willing to give him another try. This piece seemed ideal. It was supposed to be fantasy, and not pure horror that he’s so well know for. It was also a prequel to a long series that I’d heard good things about (The Dark Tower series). But alas, I was not impressed in the least. While there are interesting elements, the setting is what appears to be a post-apocalyptic cross between the Zane Grey and The Road Warrior, which while not completely original is at least not a setting that has been done to death. Unfortunately the story is very long winded. I normally don’t care for overly long fantasy tales, The Lord of The Rings being a notable exception, but I am in the minority here. Stephen King fans don’t seem to mind a thicker than thick novel. This production of the Little Sisters of Eluria has the benefit of clarity, at all times I knew what was going on, and Frank Muller’s reading was okay, barring his usual difficulty with women’s voices. There are some writers who while not writing in the clearest manner manage to hold your attention by their very ideas. In the case of the Little Sisters Of Eluria, the clear writing and clear production just made the boredom more obvious for me. If you like the Dark Tower series you may enjoy this novella, but I found it a vulgar, mildly gross, hard to finish and ultimately pointless.

Majipoor: The Seventh Shrine by Robert Silverberg; Read by Sam Tsoutsouvas
Majipoor, a planet settled long ago by human colonists, is ruled by Valentine, once Lord Valentine now Pontifax of the whole planet. Valentine and his court entourage are on an expedition to an ancient city where they intend to investigate the murder of archeological team leader.

First let me say I like a lot of Silverberg’s work, some of his short stories are really good, but I’ve found his work very uneven. Being unfamiliar with the Majipoor stories I thought this novella would be a good introduction to Robert Silverberg’s fantasy series. This story though is a murder mystery, set on an alien world full of traditions and history. Silverberg does a fairly good job of bringing newbies like me up to speed, informing us of Pontifax Valentine’s personal history, and the strained species relations between the native Metamorphs (shapeshifting intelligent aliens) and the Human colonists of Majipoor. That being said, the story isn’t at all enthralling, it has a lot of “your majesty this” and “your majesty that” found in some of the more derivative fantasy fiction. The mystery element is unsolvable by the reader, something that I dislike as a general rule. But on the other hand Sam Tsoutsouvas does a good job, saving his different voices only for important plot characters. As with the other story in this audiobook, perhaps it will be more enjoyable for someone who likes the universe in which it is set. I can imagine never listening to another Majipoor story, and the idea doesn’t worry me in the least.