audiobook – Page 200

Review of The Callahan Chronicals by Spider Robinson

The Callahan Chronicals
By Spider Robinson; read by Barrett Whitener
12 cassettes – 18 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2003
ISBN: 0786124601
Themes: / Science Fiction / Telepathy / Empathy / Callahan’s Place / Extraterrestrials / Time Travel

There is nothing which has been contrived by man by which so much happiness has been produced as by a good tavern or inn. — Samuel Johnson

With that quote begins Spider Robinson’s omnibus collection of short stories entitled The Callahan Chronicals. Included in this audiobook are the collections Callahan’s Crosstime Saloon, Time Travelers Strictly Cash, and Callahan’s Secret. Time Travelers is not included complete – in the original paperback, some non-Callahan stories appeared that are not collected here.

The stories center around a bunch of very good folks that spend quite a bit of time at Callahan’s Place, a bar owned and tended by Mike Callahan. In the author’s words, Callahan’s is “an environment in which shared pain is lessened, shared joy is increased, and the puns really suck.” It’s a place that a person can bring his or her troubles, and find people that are willing to listen – and believe. A typical story finds the patrons enjoying each other’s company (often tossing horrible puns at each other) when someone enters and tells his or her story. This person is changed by the experience of sharing his or her troubles.

Some of the stories are marginally science fiction, but most involve some kind of science fiction idea engendered in one of the characters. Telepaths, time travellers, extra-terrestrials, and even Spider Robinson himself are among the bar’s visitors. Robinson is able to reach an emotional depth not often seen in science fiction. Each story is touching in its own way, and they often reach peaks of joy and depths of pain, all within minutes of audio. In short, these stories pack an emotional punch. I found them difficult to listen to one after the other, as a person can only feel so much. They would be better heard individually, with a bit of time to digest and reflect in-between. I plan to revisit them in this way – they are worth listening to again, and are worth the pause.

Barrett Whitener is exceptional here. He understands the material and adds just the right touch in nearly every story. No easy task with these touching stories. A job very well done.

At the beginning of the audio, there are three introductions. The first is titled “Backward”, written by Spider Robinson for the entire volume. Next is “Spider Robinson: The SF Writer as Empath” by Ben Bova, which provides a look into the life of an editor as he describes Spider’s first sale to Analog. Then comes a forward written by Robinson for the original version of Callahan’s Crosstime Saloon. All of them were interesting, and I’m glad Blackstone left them in there.

I was disappointed only by the fact that there are no breaks between these stories. The final sentence of a story is read, immediately followed by the title of the next, and straight on till morning. I would have appreciated some kind of break there.

Posted by Scott D. Danielson

Review of The Twilight Zone No. 1 – The Mighty Casey by Rod Serling

The Twilight Zone No. 1 – The Mighty Casey
By Rod Serling; Read by Fritz Weaver
1 cassette – 75 minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 1992 – Out Of Print
ISBN: 1559946598
Themes: / Fantasy / Baseball / Robots / Humor /

Submitted for your approval…

Rod Serling’s The Twilight Zone is revived for audio in the form of unabridged short stories by Rod Serling. All the stories in this series were previously adapted for the original Twilight Zone television series. This is the first in a series of six single cassette adaptations read by stars of the original series. In this case, Fritz Weaver spins the tale of “The Mighty Casey”, an almost mythical player for that near-mythical sport of baseball. The Brooklyn Dodgers were down in the dumps until tryouts turned up a talented left hander with a pitch like nobody’s business. Casey, the pitcher “with an exceptional left hand”, inspires the tired old players to new glory. They become the team to beat. Everything was swell until Casey gets beaned by a ball. A doctor is summoned and pronounces that Casey is alright, but then the doctor has trouble finding a pulse. It’s soon discovered that Casey is actually a robot and as such does not have a heart!

When thinking of baseball, most people probably associate the name Casey with the Ernest Lawrence Thayer’s 1888 poem “Casey At The Bat”. It’s clear to me that Rod Serling tapped into it for inspiration. “The Mighty Casey” is a very funny story. The dialogue is humorous and the situation is funny too, but it also has a lot of pathos. The story is entertaining but also has that most important of Twilight Zone elements, a twist with a satisfying ending. Fritz Weaver has great fun playing the characters, especially Mouth McGarry, the comic manager of the Dodgers, a character full of deep anxiety and deeper ignorance. This is pretty light material for The Twilight Zone, which often deals with the darker elements of the Human condition. Presented like an actual episode of the television series, there’s the haunting Twilight Zone music and an introduction just like Serling used to make. I actually listened to the tale twice, and I enjoyed it even more the second time around. Overall its a very good start to the series.

Posted by Jesse Willis

Review of No Truce with Kings by Poul Anderson

Science Fiction Audiobook - No Truce With Kings by Poul Anderson No Truce With Kings
By Poul Anderson; Read by Tom Teti
4 Cassettes – 4 Hours 40 minutes [UNABRIDGED]
Publisher: Dercum Press Audio [ActiveBooks #ABS02]
Published: September 1987 – OUT OF PRINT
ISBN: 1556562675
Themes: / Science Fiction / Exploration / Sea Voyage / Civil War / Military / Galactic Civilization / Telepathy /

DERCUM ACTIVE BOOKS
Dercum’s Active Books are a contemporary approach to classic literature. This collection, when complete, will number over sixteen volumes and will be one of the most comprehensive anthologies of science fiction and fantasy stories ever produced. Book Notes are and exclusive feature of all Dercum Fantasy Listening Cassettes. At key points in our stories, musical accents are added for your listening pleasure.

Though it doesn’t state it in the title, this audiobook actually contains two tales by Poul Anderson, the 1961 Hugo winning novelette “The Longest Voyage” and the 1964 Hugo winning novella “No Truce With Kings”. “The Longest Voyage” follows a junior officer on board the ship of a latter day Magellan. But this global circumnavigation is on a faraway planet, populated by humans who have lost their ancient technologies. As their society has rebuilt itself it builds new caravels that can take them farther and farther afield. But the new civilizations they discover on a distant shore hold a secret to both their past and their future.

“No Truce with Kings” is set in a post-apocalyptic United States, a feudal future made up of small nations constantly at war with each other. As the battles and intrigues unfold, hidden societies and shadowy organizations begin to show that their wars do not go unnoticed.

“The Longest Voyage” was enjoyable, it reminded me of Robert J. Sawyer’s Farseer, minus the talking dinosaurs. “No Truce With Kings” was well conceived, a cross between Mad Max and Jeremiah, but the execution was less than I had hoped for. Still and all, I enjoyed both stories and it was a very good listen.

This audiobook is a curious mix of excellence and shoddiness. The stories are certainly very worthy of adaptation, the reader Tom Teti is decent if not spectacular, providing only a minimal performance. But the packaging is just plain bad, missing digits in the ISBN, the reader’s name would be unknown except that the packaging has come unglued and revealed it beneath one of the two cassette holders (a place where no one would ever possibly see it!). They also ignored a title, no mention of the inclusion of “The Longest Voyage” appears except on the cassettes themselves and in small font on the back of the package. The jacket design is almost non-existent giving us only some generic clipart. In addition, the genre is labeled fantasy when both stories are actually science fiction. On the other hand the recording and the sound production is truly excellent! Including as always with Dercum Active Book titles the haunting Dercum Audio music, which starts to play before the story and which re-appears when a story ends or when a tape flip is coming up. It is a truly excellent theme music for science fiction or fantasy audio production and one which I am always pleased to hear. But the best part, the very best part of this audiobook is the added introduction which is so very appropriate and so well written, introducing the stories and the author, really enhancing the experience. Overall I’m very glad to have finally found a copy of this out of print and obscure audiobook, but I can’t say its perfect, I have to wonder if some of the reasons for the fall of Dercum Audio have anything to do with their lack of follow through? To get such a great property, to execute the recording so well, to produce it with such forethought and then to package it in an unattractive and poorly designed package… its a real tale of what might have been.

Posted by Jesse Willis

Review of Neuromancer by William Gibson

SFFaudio Review

Neuromancer
By William Gibson; Read by William Gibson
4 Cassettes – Approx. 6 hours [ABRIDGED]
Publisher: Time Warner AudioBooks
Published: August 1994
ISBN: 1570420599
Themes: / Science Fiction / Cyberpunk / Dystopia / Artificial Intelligence /

Neuromancer sent massive shockwaves though science fiction and popular culture upon its release in 1984. Those shockwaves can still be felt after 20 years. Neuromancer is the tale of Case, a console cowboy, otherwise known as a computer hacker who goes on a futuristic Odyssey spanning a nihilistic near-future Earth and slightly beyond. A rich background, experimentalist prose, cuttingly future-modern dialogue and a prophetic dystopian vision combine with a heist plot reminiscent of Elmore Leonard to make a novel that will undoubtedly win William Gibson an eventual title of GRANDMASTER.

Created for the 10th anniversary of the publication of William Gibson’s first and best novel, this audiobook is a SFFaudio listener’s delight! A careful abridgment and a masterfully executed production, this is perhaps the best version of Neuromancer in any form. While Gibson is by no means a trained actor or even a professional narrator, his voice is uniquely suited to this novel and his characters. Supplementing the terrific reading is a unique soundtrack made up of two U2 remixes, which really does amazing things. Now normally I’d say that the combination of accenting music, a non-professional narrator and an abridgment of the novel all would be a recipe for disaster. But this version of Neuromancer defies all my expectations, and makes this my candidate for perhaps THE BEST ABRIDGED AUDIOBOOK EVER PRODUCED!

Posted by Jesse Willis

Review of The Doomsday Book by Connie Willis

SFFaudio Review

Science Fiction Audiobook - Doomsday Book by Connie Willis Doomsday Book
By Connie Willis; Read by Jenny Sterlin
18 cassettes – 26.5 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2000
ISBN: 0788744151
Themes: / Science Fiction / Time-travel / England / Middle Ages / 14th Century / Near Future / Religion /

For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies—it’s the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping—and oddly connected—struggles to survive.

Connie Willis’ The Doomsday Book is a believable time-travel story, which is ridiculous. Time-travel isn’t possible except as fiction, but the time travel in this story immerses the listener enough so that you don’t mind how you got there. Though soft science fiction, this novel relies on solid storytelling without inconsistencies, it also avoids violence and gadgets in favor of verisimilitude and thorough research. The novel follows two threads, one extremely compelling the other far less so. The first and more interesting thread follows our heroine, Kivrin, a historian sent back into the 14th century to get a first hand account of life in a village close to “Oxenford”. What she discovers there is extremely interesting. Willis dispels the ‘back in the good old days’ mentality with a gritty look at a deeply religious society and thoroughly stratified society with freezing peasants. The characterization here is superb; I actually cared what happened to these fictional medieval characters!

The shorter, secondary thread follows the characters in our near future. Unfortunately this part of the story, like the Harry Potter novels, describes a world where most adults are ignorant and need a youngster to save the day. Also here, apparently, time-travel is no big deal. It generally goes on unsupervised in the universities and without government supervision. It seems any time travel that would cause a paradox cannot occur, thus carefully avoiding the bread and butter of typical time-travel adventures. This is not a story so much about the process, the physics or paradoxes inherent in time-travel as much as it is about something else entirely: Disease and the devastating effects it has when it’s rampant and 90% lethal. Sterile modern hospitals are contrasted with the complete ignorance of infections to good effect, demonstrating just how lucky we are! It’s striking to hear how death was an everyday commonplace occurrence, unlike today when a single death is considered a tragedy. Here’s to tragedy.

The narration, by Jenny Sterlin, was very effective; she made the thoughts and words of Kivrin just like being there. Jenny effectively makes good use of the numerous British expressions in the dialogue. The title is a play on the historical ‘Domesday Book,’ which was an attempt to survey England’s land, people and wealth in the Middle Ages. Without spoiling the plot, I’ll tell you this much, it is an apt title.

Without time-travel this would not be a Science Fiction story, but rather a historical piece. Even though there are no spaceships, robots or groundbreaking or new scientific ideas I would recommend this audiobook for its suspense, mystery, and realism. That said, I still wouldn’t classify this Hugo and Nebula award winner in the same class Neuromancer or Dune, but then that’s a hell of a lot to live up to.

The cover art captures the subject matter perfectly, the compact cassette box is of high quality, but the tapes themselves had a continuous hiss. The introduction should have been an afterword since it didn’t have any impact until I re-listened to it after the novel finished. In the introduction Brother John Clinn, an actual historical figure, invites someone to continue his chronicles before his death in his manuscript. The fictional historian Kivrin, in a sense, fulfills his wishes.

Posted by Jesse Willis

Review of Ender’s Game and Speaker for the Dead by Orson Scott Card

SFFaudio Review

Science Fiction Audiobooks - Enders Game by Orson Scott Card Ender’s Game
By Orson Scott Card; Read by Stefan Rudnicki, Gabrielle De Cuir, David Birney and others
10 Hours [UNABRIDGED]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535145 (Cassette) – 1574535366 (Audio CD)
Themes: / Science Fiction / Military / Space / Youth / Politics / Aliens /

Science Fiction Audiobooks - Enders Game by Orson Scott Card Speaker for the Dead
By Orson Scott Card; Read by Stefan Rudnicki, Gabrielle De Cuir, David Birney, Scott Brick, and others
14 Hours [UNABRIDGED]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535153 (Cassette) – 1574535609 (Audio CD)
Themes: / Science Fiction / Military / Space / Politics / Alien races / Religion /

Orson Scott Card wrote a pair of novels in the 1980’s that swept both the Hugo and Nebula Best Novel awards two years in a row (1986 and 1987 Hugo, 1985 and 1986 Nebula). These two novels are Ender’s Game and its sequel, Speaker for the Dead.

These books were released previously in abridged editions, which can still be found out there, but these Fantastic Audio unabridged editions completely eclipse those in both quality and content. They are multi-voice recordings, but not of the type where several actors take parts and speak for certain characters. Instead, the narrator changes with point-of-view changes in the novel, which occur chapter to chapter. I found this extremely effective with these novels. These unabridged editions also contain material read by Orson Scott Card, explaining the origins of the novels.

Ender’s Game takes place after a war between Earth and a race of aliens called “The Buggers” by most of humanity. Earth was saved during that war by the decisions of a brilliant military man named Mazer Rackham. The powers that be on Earth decide that the Buggers are definitely going to return, and immediately start searching for the next military genius. Ender Wiggin, 6 years old, is a boy they think might be the one.

Speaker for the Dead is a completely different kind of novel, both in subject matter and tone. Ender Wiggin is now a bit older, but still reeling from events in the previous novel. He visits a planet named Lusitania, where mysteries abound among the indigenous alien race on the planet and one particular family that studies them.

Both of these audiobooks are first-rate. The narrators do an excellent job telling the stories, which translate very well into unabridged audio. Though tastes certainly vary, Ender’s Game is consistently mentioned as one of the finest works of science fiction, and this audio version is an excellent way to experience it, or re-experience it.

Both of these audiobooks are available on audio cassette, audio CD, or for download at Audible.com.

Posted by Scott D. Danielson