audiobook – Page 195

Review of Pearl and Sir Orfeo by J.R.R. Tolkien

SFFaudio Review

Pearl and Sir Orfeo
By J.R.R. Tolkien; Read by Terry Jones
2 cassettes – 2 hours [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0001053744
Themes: / Fantasy / Mythology /

Pearl, the longer of the two stories in this collection, is an elegy for the poet’s baby daughter, told in alliterative verse. It tells the story of a man who goes into a graveyard to mourn the death of his baby daughter, whom he has lost like a pearl that slipped through his fingers into the grass. Worn out by his grief, he falls asleep and has a glorious vision of another, symbolically bejeweled, world, in which he meets his daughter again and discovers what has happened to her.

Sir Orfeo, a Celtic version of the Greek myth of Orpheus and Eurydice, complete with a twist happy ending. The moving story of a love so strong it was
able to overcome death itself.

*ALSO INCLUDED* ~Two Essays by J.R.R. Tolkien
Two introduction and background essays by the master himself, J.R.R. Tolkien regarding the translation and preservation of the anonymous fourteenth-century poems upon which these stories are based.

Best known for his work with Monty Python’s Flying Circus, Terry Jones lends his signature voice and style to these two wonderful translations by J.R.R. Tolkien. Jones, is well equipped to flesh out the characters and voices of Tolkien’s texts. The combination of the lilting verse and the audio medium bringing the absolutely right feel to the presentation. This audiobook makes it quite clear that heroic tales were meant to be heard rather than read. Jones uses his knowledge, he’s actually a scholar of medieval literature himself, for a particularly effective reading, he sets just the right tone to the musical quality of the verse. Also of interest to
Tolkien fanatics are the unmentioned (on the packaging) essays and introductions by Tolkien for both these tales, a fantastic resource for teachers and students studying Toklien and comparative mythology. One caveat – the accessibility of this audiobook’s text is high school or above and not at all suitable for young children.

Posted by Jesse Willis

Review of Letters from Father Christmas by J.R.R. Tolkien

Letters From Father Christmas
By J. R. R. Tolkien; Read by Sir Derek Jacobi, John Moffat and Christian Rodska
2 cassettes – 120 minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0618087842
Themes: / Fantasy / Christmas /

“Can you imagine writing to Father Christmas and actually getting a reply? For over twenty years, the children of J.R.R. Tolkien received letters from the North Pole – from Father Christmas himself! They told wonderful stories, of mischief and disaster, adventures and battles. Now, for the first time, these letters are brought to life on tape.”

While most of Tolkien’s work was published to great acclaim by ‘Tolkien the fantasy author’ or even ‘Tolkien professor of linguistics’, Letters From Father Christmas was never intended for publication at all, it was simply a collection of letters written over a twenty year period by ‘Tolkien the father’ to his own children. This makes it all the more special. There is no refinement of theme, or distinguishment of plot. Only the fanciful adventures of Father Christmas (that’s Santa Claus for most people) and the other residents of the North Pole. Sir Derek Jacobi along with John Moffat and Christian Rodska read the letters by performing in the voices of the letter writers. Accented with jingling bells in between letters. This is a skillfully adapted audiobook that transmutes the words of the original letters into audio gold. Unfortunately the letters also had wonderful colour illustrations referred to in the letters themselves. I’ve seen them – they were drawn and coloured by Tolkien himself, beautiful and funny images that can’t be adapted to audio. This is a case where the paperbook actually has something over a perfect audiobook translation of a paperbook. Harper Audio should have included a companion insert or something. But for those who already own a copy Letters From Father Christmas makes for perfect listening on the days leading up to Christmas!

Posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

The Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz

Review of The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call of Cthulhu by H.P Lovecraft

The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call Of Cthulhu
By H.P. Lovecraft; Read by Wayne June
3 CDs – Approx 3.5 Hours [UNABRIDGED]
Publisher: Audio Realms
Published: 2005
Themes: / Fantasy / Horror / Gods / Evil / Mathematics / Dreams /

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

When Fantasy is inspired by science it can be especially powerful. H.P. Lovecraft built his mythos using the scientific concepts of his day. There could have been sensible talk of ‘other dimensions’ before the experiments surrounding the nature of light. And much of the alienness of his creations explicitly depend on such concepts in theoretical physics as non-euclidian geometry. With these concepts being in the air Lovecraft set out to plant a seed of churning fear with his fiction – turning the many unknowns science was uncovering into unspeakable horrors that lurk within the imagination. Combine this with Lovecraft’s dense and brooding prose and you’ve got something that no modern author could get away with. No modern author could, Lovecraft does. Audio Realms is starting to release the titles that make any classic fantasy fan salivate. Here in this terrific audiobook are two tales of horror that we declare to be SFFaudio Essential:

The Dunwich Horror is the tale of a backwater New England town with a devolving populace and one particularly strange family’s chronicle. It starts with two small things. The cataloguing of some mouldering old books and a disturbing birth of a new resident. These events are the begining of a new danger for the hamlet of Dunwich and possibly the Earth entire. What’s interesting here, as with so many early horror tales, is that Lovecraft creates evil not by revealing action directly but by atmosphere and appeal to our primitive revulsion reflex. Lovecraftian evil is not something created by moral degeneracy (though he does talk of that), but rather by sheer alieness, an atmosphere of ignorance and most of all a lurking dread.
I’m not sure it would make much sense to be an apologist for the Elder Gods who’d consume us without a thought – but what exactly makes them so evil? Since everyone who finds out has their sanity blasted we’re not likely to find out very soon.

The Call Of Cthulhu is a reconstructed tale. A nephew finds in the his recently deceased uncle’s study some strange documents. A young nephew discovers in his recently deceased uncle’s study some correspondences and notes, along with a mysterious and disturbing statue. It seems that several mysteriously similar cults worship of a being, who they call Cthulhu. A sea voyage eventually yielded a brush with an unearthly force. I won’t reveal any more of the plot, but I will say this, I think Philip K. Dick may have been inspired by this story for his novel Galactic Pot Healer. This creepy tale is perhaps the definitive Lovecraftian work. They even named a great role playing game after it. One suggestion, this one is pretty scary, you may want to wear brown pants while listening.

Narrator Wayne June’s voice will give you the absolute lurking creeps. His deep raspy voice is also used to good effect for all the narration, when he is infrequently called upon to do the voices of the damned he distinguishes between them well. This is the best Lovecraft adaptation to audio I’ve heard and more frightening than hell. For full effect a listener should turn down the lights, put on a good set of headphones, sit in a lonesome room with a view of the sea and pray that Lovecraft was just making all this stuff up.

Posted by Jesse Willis

Review of Something Wicked This Way Comes (with A Sound of Thunder) by Ray Bradbury

Something Wicked This Way Comes (with A Sound of Thunder)
By Ray Bradbury; Read by Stefan Rudnicki
8 CD’s – 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0786175354
Date Published: 2005
Themes: / Fantasy / Halloween / Carnival / Magic / Supernatural / Aging /

Sometime each October, a line is crossed; the line between falling leaves and fallen leaves, between shirtsleeves and a jacket, between the relief that summer has ended and the slight dread of the upcoming winter. Most of us don’t really notice the moment of crossing; we look up sometime afterwards and wonder where all the pumpkins came from. Some people, though, are exquisitely aware of this moment; they live in it, they draw it out and savor it, and a special few of them create art about it that allows the rest us to actually experience it. Dave McKean captures it with his eerie photo collages, M. Ward puts his old-young-man voice to good use singing about it, particularly in a track called “One Life Away,” and Terry Gilliam almost-but-not-quite captured it on film in the recent The Brothers Grimm. Ray Bradbury did some of his best work while inhabiting it. In The Illustrated Man and The October Country, he told stories about people’s lives intersecting that weird border. In The Halloween Tree, he abandoned story for the most part, and spent his time describing the sensory experience of the moment of crossing. In Something Wicked This Way Comes, recently released as an audiobook by Blackstone Audio, he skillfully combined plot and description to examine this and life’s other unnoticed, but profound, sea changes.

Will Halloway and Jim Nightshade are the young protagonists of the story, best friends born just two minutes apart, but each on a different side of the line. Each of the boys personifies their respective border country; Will is blue-eyed and blonde, responsible, mannered, charming, the type of kid who looks like he was born wearing a scout uniform. Jim is darker, his eyes and his hair, but also his mood and personality. While it would be easy (and tempting) to say that Will is “better” than Jim, Bradbury shows his wisdom by describing the value of both of the boys’ attributes, how one, without the other, is vulnerable and incomplete, and how the different elements each boy bring to the friendship ultimately strengthen it.

The story follows Will and Jim as they cross a number of boundaries; the October line, the line between boyhood and adolescence, and the line between innocence and experience. The arrival of a strange carnival to the boys’ idyllic town complicates these passages. “Cougar and Dark’s Pandemonium Shadow Show” is indeed something wicked, and the danger it presents to the boys and their town makes for an engaging, suspenseful tale.

Audiobook veteran Stephen Rudnicki reads Something Wicked, and gives a largely enjoyable performance, with only a few rough spots. Listeners familiar with Rudnicki will understand that dialogue between two pubescent boys isn’t exactly the perfect material for his sonorous voice. Everything is forgiven, however, when Mr. Dark makes his entrance. Rudnicki’s reading of the tattooed ringmaster’s introductory sentence literally gave me chills. Mr. Cougar, the Dust Witch, and the rest of the Shadow Show freaks are also done justice by Rudnicki’s interpretations.

Blackstone Audio seems to have heard my pleas for more DVD-type extra features on audio books, and have included an extra disc with a Bradbury short story, “A Sound of Thunder,” also read by Rudnicki. The story, a powerful exploration of the dangers of time travel, was recently made into a motion picture starring Edward Burns (and almost universally panned).

An interesting element of this audio book is that, whether by accident or design, the discs almost invariably ended at a point of terrific suspense. Rather than simply turning a page to assuage my anxiety about the fate of the characters, I was scrambling to eject discs, open cases, balance discs on my various fingers and insert new discs. Call me a masochist, but I thought it actually made the experience more enjoyable. Even listeners who don’t share my Hitchockian penchant for prolonging a story’s tension will have a hard time finding a better group of guides than Bradbury, Rudnicki, Jim, Will, and Mr. Dark for this year’s passage over that peculiar line.

posted by Cory

Review of Ender’s Game: Special 20th Anniversary Edition by Orson Scott Card

Ender’s Game: Special 20th Anniversary Edition
By Orson Scott Card; Read by Stefan Rudnicki, Harlan Ellison, Gabrielle de Cuir, David Birney and a FULL CAST
9 CDs – 10.5 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2004
ISBN: 1593974744
Themes: / Science Fiction / War / Children / Military / Politics / Spaceships / Space Station / Aliens /

Andrew ‘Ender’ Wiggin isn’t just playing games at Battle School; he and the other children are being tested and trained in Earth’s attempt to find the military genius that the planet needs in its all-out war with an alien enemy. Ender Wiggin is six years old when his training begins. He will grow up fast. Ender’s two older siblings, Peter and Valentine, are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world–if the world survives.

Many male children covet uniforms and the manly art of war – and on the surface that is what Ender’s Game appears to be about, a wish-fulfillment novel for the pre-teen set. But it isn’t only that. Science Fiction is an accumulative literature, perhaps more so than any other kind. Good creations stick in SF and accumulate and grow. Robots once invented, need not be reinvented. Faster than light travel, time travel or Asimov’s “three laws” are tools which once created need not be ignored as outside the scope of another SF novel, quite the contrary in fact. Simply ask yourself; in what other literature could a constructed story device like an “ansible” (invented by Ursula K. Le Guin in 1966 but used in Ender’s Game) be mentioned without renaming it? But it is not just the story props that SF shares, the concepts and themes of science fiction can never be fully appreciated in isolation. Every science fiction story is in dialogue with another.

Ender’s Game is especially engaged with two other superlative science fiction novels that preceded it, namely Robert A. Heinlein’s Starship Troopers and Joe Haldeman’s The Forever War, and like those two masterpieces of science fiction Ender’s Game has something new and unique to say. Whereas Starship Troopers can be viewed as the relationship between a teenager’s individualism and his relationship to society (a neo-Hobbesian social contract concept typical of mid-career Heinlien), and The Forever War as a discussion of that same relationship but with a college aged young man and his more skeptical worldview (the post Vietnam influence) Ender’s Game engages neither an adult’s nor a teen’s relationship to his society its war. Instead Ender’s Game is that relationship from a child’s perspective. It is also, paradoxically, not a grunt’s view of a war, as was the case with both Heinlein’s and Haldeman’s novels, but rather is about how the supreme commander of an interstellar war is created.

Orson Scott Card has not ignored the disconnect between a child’s desire to play at war and the brutal cost of killing, and the burden of ultimate responsibility. We primarily follow Ender and his classmates as they train to command Earth’s military in a genocidal war against a hostile alien threat, but the parallel story of his two siblings back on Earth compels equally. Each character in this novel is in a chess match of emotional and philosophical conflict with one another and their society. There are a few better hard science fiction stories, and a few better soft science fiction stories, but there are fewer science fiction stories as well constructed and emotionally satisfying as this one.

The 20th anniversary of the novel’s re-publication brought about this audiobook. It is regrettable that the cover art of this edition is as generic as it is because the folks at Audio Renaissance have quite literally have brought greatness to the text. They’ve included an introduction and a postscript read by Card himself, both of which place the novel and the audiobook in its context as well as enlightening us to the author’s method of its construction. Multiple readers lead by Stefan Rudnicki work perfectly to vocally illustrate each chapter, character and scene. Stefan Rudnicki, Harlan Ellison, Gabrielle De Cuir, David Birney and the rest of the readers have given us an audiobook perfectly rendered. In what is the pattern for the Enderverse novels adapted for Audio Renaissance readers trade off at the ends of chapters, and when two unplaced voices are unattributed – except by what they actually say – two actors engage in conversation. Multi voiced readings have never been better.

And so it is with great pleasure that we enter this Special 20th Anniversary edition of Ender’s Game as the first into the ranks of the SFFaudio Essential audiobooks.

Posted by Jesse Willis

Here at SFFAudio, we have considered several different ways to present what we think are the finest audiobooks out there. At one time we had a favorites list, then we considered rating each audiobook using a 5-star system. The SFFAudio Essential designation is what we landed upon. An audiobook earning a place on the SFFAudio Essential list is a five-star gem of an audiobook – a great place to start if you are new to science fiction and fantasy audio, and a necessary addition for collectors.