audiobook – Page 193

Review of A Princess of Mars by Edgar Rice Burroughs

SFFaudio Review

A Princess of Mars
By Edgar Rice Burroughs; Read by John Bolen
6 CD’s – 6 hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2001
ISBN: 1400100186
Themes: / Science Fiction / Mars / Aliens / Swordplay / Classic /

There are few classic novels with as much influence as Edgar Rice Burroughs’ A Princess of Mars. First published in 1912 (serialized in All-Story magazine with the title Under the Moons of Mars), Burroughs sparked the imagination of many of science fiction’s golden age writers, including Ray Bradbury and his Martian Chronicles. The audiobook cover is a detail from the 1919 Grosset & Dunlap cover.

A Princess of Mars is an imaginative adventure novel in which John Carter, a Virginian military man who starts the story running from Indians in the Arizona desert, is magically transported to Mars. Burroughs does not go into detail on the mechanics of the transportation, but does go into great detail about the inhabitants of Mars, called “Barsoom” by its natives.

There are two races on Mars – a four-armed green warrior race, and a red human-like race. The princess of the title is Dejah Thoris of Helium, whose beauty captures John Carter when he sees her taken by him in chains by some four-armed Barsoomians.

The novel is filled with damsel-in-distress/derring-do-male-hero sensibility that is laughable at times, but still the story holds up as a classic of the genre. Burroughs’ description of an alien culture is a forerunner of an entire category of science fiction, and I found it entertaining on that level. I also felt a great deal of nostalgia, because I read this book a few times as a early teen, along with the other ten Mars volumes, and a Tarzan or three.

John Bolen performs the whole book as John Carter, with a southern gentlemanly manner that the character demands. This means not only Carter’s attitude, but his southern accent, which took me a few minutes to settle into.

Check out Tantor’s science fiction and fantasy section for more Edgar Rice Burroughs titles.

Posted by Scott D. Danielson

Review of A Feast for Crows by George R.R. Martin

Fantasy Audiobook Review

A Feast for Crows
By George R.R. Martin; Read by John Lee
26 CDs – Approx. 31 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2005
ISBN: 0739308742
Themes: / Fantasy / Epic Fantasy / Medieval setting / Power Struggle / Dragons /

There’s a long story behind A Feast for Crows, but I’ll make it short. George R.R. Martin, while writing the fourth installment of the superior A Song of Ice and Fire epic fantasy series, found it was getting too long. Long enough, in fact, that if he published it as-was, it would need to be broken up into two volumes. So, rather than break the book into two pieces at the middle, he split the book by character, including the complete story of select characters in one volume, leaving the rest of the characters to appear in the next volume. A Feast for Crows, then, is the fourth book, and a new fifth book (A Dance with Dragons) will be published relatively soon. This novel is a bit shorter than the previous volumes, but still clocks in at 31 hours on unabridged audio.

Roy Dotrice read the first three volumes in the series, but this time British actor John Lee narrated. I’m not sure why the change was made; the narrators were very different. While Dotrice has a rough, earthy delivery, Lee’s style is smooth and skilled. Both narrators succeed with Martin’s story, because with such a large number of characters, ranging from royalty to peasants, each found places to shine.

The myriad of characters brings me to my next point. This is the first of these large novels that I’ve heard before I read. Some listeners have complained that the novels are difficult to follow on audio because there are so many entrances, but I didn’t feel that way until now. With this novel, I found that the portions of the book that involved characters I didn’t know from previous books were indeed difficult to follow. When a character I knew arrived on the scene, I was fully engaged with the story.

There is a very simple remedy to this. There are acres of real estate on the packaging for large audiobooks. Why not include a Cast of Characters (Dramatis Personae)? Why not include the maps from the print version? Both of these items would have been welcome.

I thoroughly enjoyed this book. I am a huge fan of Martin’s, and especially this series. I felt that this one started a bit slowly, but ended with a bang. I reveled in being in Westeros again. Many of the characters I like were not included in this novel, which both disappointed me and heightened my anticipation for the next volume. A Feast for Crows delivers much – I was riveted to the last third of this audiobook – but I can’t help to feel that it is incomplete, because of the missing characters and because it is the middle of a long wonderful saga that I am patiently waiting to see through.

Posted by Scott D. Danielson

Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

A Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of King Kong by Edgar Wallace and Merion C. Cooper

SFFAudio Review Header

King Kong
By Edgar Wallace and Merion C. Cooper; Read by Stefan Rudnicki
5 CD’s, 5.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 0786175362
Themes: / Science Fiction / Horror / Movie making / Gorillas / Dinosaurs / Commentary /

This audiobook has two phrases emblazoned on the cover: “Special Blackstone Collector’s Edition Audiobook” and “The Greatest Horror Story of All Time!!” (both exclamation points are there…) Of the first phrase I can say that this audiobook is certainly special. Not only does it include the unabridged audio version of the novelization of the original King Kong film, but it also includes a bonus disc containing commentary from Ray Bradbury, Ray Harryhausen, Orson Scott Card, Larry Niven, Catherine Asaro, Harlan Ellison, Jack Williamson, and Marc Scott Zicree. Is it the greatest horror story of all time? Not in my eyes, but the words fit nicely on this gorgeously packaged audiobook.

The original King Kong film (1933) holds a special place in a lot of hearts. I don’t share those feelings, possibly because the film predates me by 35 years. I recall more details about the 1976 remake starring Jessica Lange than I do the original. I was 10 in 1976 and, since that version of King Kong was mediocre, it stirred little in me. News of Peter Jackson’s remake didn’t excite me.

But this audiobook has awakened my interest in a big way, for two reasons. First, the story itself. Engagingly read by Stefan Rudnicki, the story of Kong, Denham, Ann Darrow, and Jack Driscoll is really a good story. The filmmaker Denham’s recklessness, actress Ann Darrow’s willingness to go along, and Jack Driscoll’s love keep things very interesting. Kong, of course, is the character around which the story revolves, and his journey from island to New York City and from beast to human-like ape fascinates.

The second thing that sparked my interest is the commentary. I loved the commentary included here. All of the people I mentioned above had a different and interesting take on King Kong, from Harlan Ellison’s declaration of the original film’s perfection to Catherine Asaro’s discussion of power unused. After listening to this, I’m now eager to see the new film, and even more eager to watch the original.

It would be an excellent thing if other books are given similar treatment. Unabridged classic science fiction novels with commentary would add a new and greatly appreciated dimension to the audiobook experience. Kudos to Blackstone for giving us this Special Edition.

Posted by Scott D. Danielson

LibriVox bills itself as "acoustical liberation …

Online Audio

LibriVox bills itself as “acoustical liberation of books in the public domain”, we bill it as “really cool”! The LibriVox volunteers read and record chapters of books in the public domain using the equipment they have at home, and then release the files as FREE audiobooks. The objective is to eventually make all books in the public domain available in the audio format. Several Science Fiction and Fantasy titles are already under way, and few have already been completed. Here’s a peek:

Completed Novels:
The Road To Oz by L. Frank Baum
A Christmas Carol by Charles Dickens
Frankenstein by Mary Shelley

Completed Shorts:
A Modest Proposal by Jonathan Swift

Multiple Narrator Forthcoming:
Alice’s Adventures In Wonderland by Lewis Carroll
Peter Pan by J.M. Barrie
The Trial by Franz Kafka
Dracula by Bram Stoker
A Journey To The Interior Of The Earth by Jules Verne

Single Narrators Forthcoming:
Flatland by Edwin A. Abbott
The Snow Queen by Hans Christian Anderson
Sky Island by L. Frank Baum
The Wizard Of Oz by L. Frank Baum
Beowolf
Anthem by Ayn Rand
A Connecticut Yankee In King Arthur’s Court by Mark Twain
The Invisible Man by H.G. Wells
The Time Machine by H.G. Wells
The Velveteen Rabbit by Margery Williams

posted by Jesse

Review of The Unnameable: Four Tales by H.P. Lovecraft

SFFaudio Review

The Unnameable: Four Tales by H.P. Lovecraft
By H.P. Lovecraft; Read by David Cade
1 CD – 1 Hour 16 Minutes [UNABRIDGED]
Publisher: Tales Of Orpheus / www.DavidCade.net
Published: 2005
ISBN: 0955209005
Themes: / Fantasy / Horror / Cthulhu Mythos / Cats / Music /

“We were sitting on a dilapidated seventeenth – century tomb in the late afternoon of an autumn day at the old burying ground in Arkham, and speculating about the unnamable.”

Dumb move guys, being in Arkham was the first mistake. Hanging out at the cemetary at twilight was the second. You don’t get a third with Lovecraft. Fortunately we get both a third and a fourth! This collection contains four complete Howard Philips Lovecraft short stories! Included are:

“The Book”
Told in a creepy first person, a disembodied voice, a voice that decries the day it discovered “the book”, in a library beside a great black oily river. The voice has forgotten its family, its life, even its own name. You will never forget this story. Probably written in 1933, a point at which Lovecraft was at the height of his powers, it shows.

“The Music Of Erich Zann”
One step from vagrancy, our anonymous narrator, recalls a fellow lodger Erich Zann. They shared a decrepit building on a mysterious French street, but Zann’s eerie music was not nearly as haunting as horror that chased him. First published in 1921, still
powerful.

“The Cats Of Ulthar”
A cryptic fable that gives reason to why killing a cat may be the most dangerous thing one can ever do. There are two kinds of people in the world: Dog people and
cat people. H.P. Lovecraft was obviously a cat person. Cats are mysterious, small but quite powerful and work best at night, just like this story. First published
1920.

“The Unnameable”
Randolph Carter, who we already know from The Statement Of Randolph Carter recalls the events which followed their visit to an Arkham, MA cemetary. This is the only story in this collection considered part of the Cthulhu Mythos and Carter is probably the only character to survive two brushes with the who should not be named. First published 1923.

British actor David Cade reads all four tales. There is some question in my mind on one matter, does having an English accent whilst reading very American stories necessitate a conflict? It probably would if there was much dialogue – but seeing as Lovecraft was far friendlier with exposition than he was with speaking parts it isn’t much of an issue at all. Cade is effective at bringing the mostly expository prose to gruesome life. All four stories are framed by muscial excerpts that are very well matched to the thematic material. One thing that bothered me greatly though was the lack of titles, each track is distinctly seperated by music, but the stories themselves are not named in the audio, one must look at the back of the CD case to find out which story you are listening to – something a blind listener would be unable to do.

Posted by Jesse Willis