LibriVox: Short Science Fiction Stories Collection #005

SFFaudio Online Audio

The “Short Science Fiction Collections” from LibriVox are FREE and FUN! Here’s the latest, which includes mostly new stories (a couple of stories previously recorded by other narrators). My recommended listens from this collection include: Summit, Crossroads Of Destiny and A Matter Of Magnitude. Also, listen to The Untouchable and Quiet, Please, if only for the voice of new narrator Jerome Lawson. Lawson is trying and achieving distinctive voices for each character – it’s not polished to perfection yet, but he’s really got something there. Lawson also has great sound set-up too. I’d like to hear more of his work in the next collection – or in novella or novel length work. And, thanks to all the narrators and the administrators at LibriVox for these! We appreciate it folks!

LibriVox Short Science Fiction Stories Collection #005Short Science Fiction Collection Vol. 005
By various; Read by various
10 Zipped MP3s or Podcast – Approx. 5.5 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
“Science fiction (abbreviated SF or sci-fi with varying punctuation and case) is a broad genre of fiction that often involves sociological and technical speculations based on current or future science or technology. This is a reader-selected collection of short stories, originally published between 1931 and 1962, that entered the US public domain when their copyright was not renewed.”

Stories included:

LibriVox - 2BR02B by Kurt Vonnegut Jr. 2BR02B
By Kurt Vonnegut Jr.; Read by Hoosemon
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
In the not so distant future an over-populated planet requires that every birth be balanced by a death. When Edward K. Whelig, Jr.’s wife births triplets he needs to find three people willing to enter a local suicide booth and give him the receipt…

The Burning Bridge by Poul AndersonThe Burning Bridge
By Poul Anderson; Read by Alex C. Telander
1 |MP3| – Approx. 52 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
Usually there are two “reasons” why something is done; the reason why it needs to be done, and, quite separate, the reason people want to do it. The foul-up starts when the reason-for-wanting is satisfied … and the need remains! This story was first published in Astounding Science Fiction magazine’s January 1960 issue.
*From Worlds of If, January 1962.

Circus
By Alan E. Nourse; Read by RK Wilcox
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
Not a strange-looking man, Morgan thought. Rather ordinary, in fact. A plain face, nose a little too long, fingers a little too dainty, a suit that doesn’t quite seem to fit, but all in all, a perfectly ordinary looking man. *First published in 1963 in “The Counterfeit Man -More Science Fiction Stories”.

Crossroads of Destiny by H. Beam PiperCrossroads of Destiny
By H. Beam Piper; Read by Alex C. Telander
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
No wonder he’d been so interested in the talk of whether our people accepted these theories! *First published in the July 1959 issue of Fantastic Universe Science Fiction magazine.

Egocentric Orbit by John CoryEgocentric Orbit
By John Cory; Read by Elanor
1 |MP3| – Approx. 6 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
It took a long time for human beings to accept that our little piece of meteoric rubble wasn’t the exact and absolute center of the Universe. It does appear that way, doesn’t it? It may not take so long for a spaceman to learn … First published in Astounding Science Fiction’s May 1960 issue.

A Matter Of Magnitude
By Al Sevcik; Read by RK Wilcox
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
When you’re commanding a spaceship over a mile long, and armed to the teeth, you don’t exactly expect to be told to get the hell out … *First published in the pages of Amazing Science Fiction Stories, January 1960.

Quiet, Please
By Kevin Scott; Read by Jerome Lawsen
1 |MP3| Approx. 6 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
Groverzb knew what he wanted—peace and quiet. He was willing to scream his head off for it!
*First published in Worlds of If magazine’s November 1961 issue.

The Untouchable by Stephen A. Kallis, Jr.The Untouchable
By Stephen A. Kallis, Jr.; Read by Jerome Lawsen
1 |MP3| – Approx. 11 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
“You can see it—you can watch it—but mustn’t touch!” And what could possibly be more frustrating … when you need, most violently, to get your hands on it for just one second… *From Analog magazine’s December 1960 issue.

Summit by Mack ReynoldsSummit
By Mack Reynolds; Read by RK Wilcox
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
Almost anything, if it goes on long enough, can be reduced to, first a Routine, and then, to a Tradition. And at the point it is, obviously, Necessary. *First published in Astounding Science Fiction’s February, 1960 issue.

The Yillian Way
By Keith Laumer; Read by John Larmour
1 |MP3| – Approx. 37 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: April 2008
The ceremonious protocol of the Yills was impressive, colorful—and, in the long run, deadly!

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http://librivox.org/bookfeeds/short-science-fiction-collection-vol-005.xml

Posted by Jesse Willis

Review of Melting Stones by Tamora Pierce

SFFaudio Review

Melting Stones by Tamora PierceMelting Stones
By Tamora Pierce; Read by Grace Kelly and the Full Cast Audio family
8 CDs – 8.5 hours – [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2007
ISBN: 9481394180051
Themes: / Fantasy / Young Adult / Magic / Earth / Volcano /

I’m always excited when a new audiobook from Full Cast Audio comes across my desk, but this one was special, because the book doesn’t even exist in print at this time. Nope – this is an audio exclusive, folks! Tamora Pierce wrote this book with the Full Cast Audio family in mind, and it’s a wonderful audiobook.

The book’s main character is Evvy (a short form for Evumeimei), a young girl who is a stone mage. The book begins with her traveling on a boat, which is a difficult thing for a stone mage, because the separation between her and the rocky ground where here magic is effective is too great. She is accompanied Luvo, a heart of a mountain, who has very powerful magic, and a water mage named Dedicate Myrrhtide. The group ends up on an island called Starns Island after being drawn there by earth movement felt when the water was shallow enough. From there the adventure really kicks in, as the small band of mages try to calm the moving earth.

The audiobook is done in the distinctive Full Cast Audio style – it’s unabridged, but read by a full cast. I fear sounding like a parrot, but every review I write of a Full Cast Audio audiobook needs to convey the absolute quality of the audio experience that you get with one of these books. Full Cast Audio consistently enhances the text they are performing. Their audiobooks are unique, and a joy to hear.

Melting Stones is no exception. Grace Kelly performs Evvy, and therefore has the main narrating duties, since the book is told from Evvy’s point of view. Tamora Pierce gave Grace much to work with, and work with it she does. She offers a captivating and believable performance as the plucky young stone mage. Surrounding her is a large cast that, without exception, performs well. Seamless editing makes it all work together, giving us another excellent piece of work from Full Cast Audio.

Posted by Scott D. Danielson

Review of Mirror Dance by Lois McMaster Bujold

SFFaudio Review

Mirror Dance by Lois McMaster BujoldMirror Dance
By Lois McMaster Bujold; Read by Grover Gardner
15 CDs – about 18 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433205699
Themes: / Science fiction / Space travel / Cloning / Military /

Mirror Dance may be many things, but it is primarily the story of a clone named Mark Vorkosigan and his struggle to discover his own identity. To find himself, he must come to grips with his tortured upbringing, his harrowing training to become a spy and assassin, and the long shadow of the man he was cloned from — a diminutive, homely, yet fiercely inspiring man named Miles Vorkosigan. In the process, he plans a daring infiltration that devolves into pitched battle on an enemy planet, all laid out with action, tactical clarity, and emotional impact that puts some so-called “military SF” I’ve heard to cowering shame. But that’s not all for Mark. He must also find his way through courtly intrigue, survive an uneasy adoption by Miles’s parents, perform some deft detective work, haltingly begin an unlikely little romance, and endure psychologically horrific torture.

Grover Gardner provides the voice that leads us on this tortuous journey. Giving distinct personalities to a pair of genetically identical protagonists is a tall order, yet between Bujold’s words and Gardner’s nuanced performance, the two lead characters remain effortlessly distinct. What’s more, the secondary characters are portrayed with the same care. It is hard to imagine a better reading of this material.

But is there really any doubt about the outcome of these crises? The liner notes are as comforting as a quick look at the final chapter: This book is part of a larger series with the same characters. I read that to mean there would be little chance the author would kill off a vital cash cow.

I know, I know, the demands of the publishing industry have made series works the lifeblood of genre fiction. I’m sure they bring in lots of new SF readers and maybe even some good books here and there, but what do we sacrifice in the process? In this book, it is any palpable sense of suspense or purposeful haste in the proceedings. In general, I think it is risky, new ideas that challenge and expand our concept of what SF and fiction can do. Are the larger sales numbers really worth the cost?

That doesn’t mean this book is a waste of time. The characters are well explored, the situations are thought provoking, and the tone ranges from disarmingly tender to chillingly perverted. You will care about Miles, Mark, their family, and their friends. You will hate their enemies. But at the same time, the sometimes languid pacing and the foreknowledge of the outcome will not make listening to this book an urgent necessity. Bujold can think, she can plot, and she can definitely write. But this book will leave you wishing she’d used all that talent to write something a little bolder.

Posted by Kurt Dietz

Rounding up Mike Resnick audio – it’s a feast for your ears!

SFFaudio Online Audio

Mike ResnickToday we’ve made another new addition to our AUTHOR PAGES. This time it’s all about SF superstar MIKE RESNICK! On the page about him you’ll find interviews with the man, convention panels with him on em, audiobook listings, and best of all an even dozen FREE MP3 short stories by Mike Resnick!

Check it all out HERE or by clicking the AUTHOR PAGES tab above.

Posted by Jesse Willis

Joe Haldeman short story Graves on StarShipSofa

SFFaudio Online Audio

Star Ship SofaThere are some stories and then there are some stories. Graves by Joe Haldeman is one of those stories!

If you want to listen to a great short story that won the Nebula in 1993 and the World Fantasy Award in 1993 then pop over to the StarShipSofa and treat yourself to one fine story.
Subscribe to the podcast via this feed:http://www.starshipsofa.com/rss

Posted by Tony C. Smith

Review of Mainspring by Jay Lake

SFFaudio Review

Mainspring by Jay LakeMainspring
By Jay Lake; Read by William Dufris
Audible Download – Approx. 13.5 Hours [UNABRIDGED]
Publisher: macmillan audio / audible.com
Published: December 2007
Themes: / Science Fiction / Fantasy / Alternate Universe / Steampunk / Religion / Angels / Science /

The mainspring of the Earth is running down, and disaster to the planet will ensue if it’s not rewound. To do the job the Archangel Gabriel approaches a young clockmaker’s apprentice and explains the problem. He can’t be that surprised, in a clockwork solar system, where the planets move in a vast system of gears around the lamp of the Sun – how could he be? This is a universe where the hand of the Creator is visible to anyone who simply looks up into the sky and sees the track of the heavens, the wheels of the Moon, and the great Equatorial gears of the Earth itself.

Clockmaker’s apprentice Hethor Jacques is graced by a visit from the Archangel Gabriel. Gabriel tells him that he’s been chosen to re-wind the running down mainspring of the earth. If it isn’t re-wound, the world will end – and as such he must find something called “the Key Perilous” (the Mainspring equivalent of our “Holy Grail”). A series of short introductions and good-byes later (with the help of a friendly librarian), Hethor is pressed into the service of a Royal Navy airship (the Bassett) and soon is heading south towards the equatorial wall, atop which the brass gear-works of the Earth and its orbital track meet. Beyond that barrier lies the mysterious ‘Southern Earth.’ Hethor’s quest will take him there and farther south – to the ends of the earth – one way or another.

In a clockwork world who could doubt the existence of God? None, but some still doubt the existence of angels. And that’s just what happens to Hethor. His master and betters think him at best a liar, at worst a thief, and poor young Hethor seems ill-equipped to save the universe. Luckily, a quick trip to the library and he’s on the right track…

Talk about hard to categorize! Jay Lake’s Mainspring offers an utterly unique vision of a world in which the Medieval ideas about how the universe works are literally manifest. Great premise, but it is an undercooked universe that I didn’t wholly buy. The alternate universe changes are interesting, but are not often well grounded. For instance, in the Mainspring world Jesus wasn’t crucified (nailed to a cross), he was ‘horofixed,’ (strapped to a wheel) – kind of makes sense right? Okay, that’s cool – but why, other than for style, did the United States never revolt from the English crown? Why the 19th century airships? Don’t get me wrong, I love airships, but there doesn’t appear to be a logic to their addition. We don’t find out much about the logic for the changes that aren’t obvious either. And that’s basically its problem. Mainspring has many elegant epicycles around its central action, but that action all lacks a core motivation. How can you suspend disbelief if the force of gravity is both an absent actor in the grand scheme (cosmically) but appears to act locally (people aren’t strapped down to the earth)? There are many flourishes, but there are also so many sidesteps to what should be natural consequences. This makes Mainspring have a mechanical, almost “rail-shooter”-novel feel to it. For instance, the novel insists that gravity isn’t what keeps the earth in orbit around the sun (it’s a massive brass clockwork instead), but what keeps the objects on the Earth on the ground? What keeps the airships up (or down)? None of this is answered – or even addressed. I kept hoping that some revelation, something central to the novel, would be revealed, right up to the final pages. Maybe this universe has an intensified magnetic force in it or something? Instead, no, nothing.

Also underdeveloped, and tragically so, is the religious thread. The consequences of seeing the mechanism of what is clearly “creation” in this world are not explored to any significant degree. Indeed, the ramifications from a created world, a world that ‘can run down’, are so lightly touched upon as to be non-existent. The focus is on the adventure of the naive Hethor, his meager beginnings and his sexual awakening. Mostly though, Mainspring is a series of encounters, and visual incredibilities. Like I was saying earlier, it is all undercooked. Jay Lake has vision and talent but this feels far more like his “Count Zero” novel than his “Neuromancer.”

Mainspring is one of the new batch of “exclusive to audible” titles. Veteran narrator William Dufris brings a calm assurance to the many characters who live in a world that seems normal to them, and crazy to us. Sound quality isn’t quite as good as from CD (but this title isn’t available on CD). Once installed, the audible.com download software and the audible checkout system integrate well. It isn’t quite “one click” ordering, but once you’ve made your choice you can have an audiobook on your portable media player and ready to play in less than 30 minutes. I use an iPod Nano, which displays the cover art and bookmarks the files perfectly. I could switch between a regular playlist, a podcast, and multiple audiobooks (from Audible) without losing my place. The experience of listening to and downloading an audiobook from Audible to your iPod is virtually identical to what iPod podcast users get.

Posted by Jesse Willis