Review of The Land That Time Forgot by Edgar Rice Burroughs

SFFaudio Review

Science Fiction Audiobooks - The Land That Time Forgot by Edgar Rice BurroughsThe Land That Time Forgot
By Edgar Rice Burroughs; Read by Brian Holsopple
3 CDs – 3.5 hours – [UNABRIDGED]
Publisher: Audio Realms
ISBN: 9781897304334
Themes: / Science Fiction / Pulp / Ju-jutsu /

Repeat after me: Pulp is a great genre, but not all pulp is great. And some of it isn’t very good at all, I’m afraid.

I lead with this because I’ve noticed that pulp often gets a free pass from its advocates. Fans will leap to the defense of poorly plotted, boring, or otherwise not well-written stories and pulp-inspired films with a simple, “well, it’s pulp”–as if this fact somehow makes the genre above criticism.

Now, I happen to be a big fan of pulp, but I can also recognize a flawed example when I see it. Even when its written by Edgar Rice Burroughs, one of pulp’s grand masters (see many of his wonderful Tarzan and John Carter stories).

I’m sorry to say that Burroughs’ The Land that Time Forgot is not very good. It’s not as bad as, say, Magic Kingdom For Sale: Sold, and I’ve read worse, but when compared to the best pulp has to offer–i.e., almost anything written by Robert E. Howard–The Land that Time Forgot simply does not measure up.

Part of my problem with this book may be the fact that I listened to an audio recording produced by Audio Realms, delivered in uninspired fashion by narrator Brian Holsopple. Audio Realms is also responsible for producing the fantastic series The Dark Worlds of H.P. Lovecraft, read by Wayne June (who is a terrific narrator), but I found this particular entry in their catalogue rather poor.

To be fair, Holsopple doesn’t exactly have Lovecraft at the top of his game to work with. Some of the dialogue in The Land that Time Forgot is so stilted and cornball that I found myself literally cringing behind the steering wheel while driving into work. Here’s one less-than-stellar example:

“You have evolved a beautiful philosophy,” I said. “It fills such a longing in the human breast. It is full, it is satisfying, it is ennobling. What wonderous strides toward perfection the human race might have made if the first man had evolved it and it had persisted until now as the creed of humanity.”

“I don’t like irony,” she said; “it indicates a small soul.”

“What other sort of soul, then, would you expect from ‘a comic little figure hopping from the cradle to the grave’?” I inquired. “And what difference does it make, anyway, what you like and what you don’t like? You are here for but an instant, and you mustn’t take yourself too seriously.”

She looked up at me with a smile. “I imagine that I am frightened and blue,” she said, “and I know that I am very, very homesick and lonely.” There was almost a sob in her voice as she concluded. It was the first time that she had spoken thus to me. Involuntarily, I laid my hand upon hers where it rested on the rail.

I mean, this stuff makes the lines delivered in Days of Our Lives seem like John Keats in comparison.

The Land that Time Forgot tells the tale of Tyler Bowen, an American on a merchant vessel whose ship is attacked by a World War I German U-boat. Bowen survives and with the help of some British sailors manages to overpower the U-boat’s crew. Bowen is eventually betrayed by one of his own men who smashes the U-boat’s instruments in an attempt to doom the ship’s crew. When Bowen finally learns who his betrayer is, the man on his deathbed reveals his secrets like an unmasked villain from Scooby-Doo:

“I did it alone,” he said. “I did it because I hate you–I hate all your kind. I was kicked out of your shipyard at Santa Monica. I was locked out of California. I am an I. W. W. I became a German agent–not because I love them, for I hate them too–but because I wanted to injure Americans, whom I hated more. I threw the wireless apparatus overboard. I destroyed the chronometer and the sextant. I devised a scheme for varying the compass to suit my wishes. I told Wilson that I had seen the girl talking with von Schoenvorts, and I made the poor egg think he had seen her doing the same thing. I am sorry–sorry that my plans failed. I hate you.”

And he would have succeeded if it wasn’t for you meddling kids.

Lost at sea and low on food and water, Bowen and his men land on the island of Caprona, a literal island that time forgot. It’s inhabited by dinosaurs of every age as well as ice-age beasts and men in various stages of evolution. Bowen then spends the rest of the book rescuing a stranded damosel from the hands of lustful Neanderthal men and hungry dinosaurs, as well as kicking the crap out of primitive men. Oh, I didn’t mention that Bowen happens to be a physical specimen and a master of judo? Here’s my favorite passage:

Three of the warriors were sitting upon me, trying to hold me down by main strength and awkwardness, and they were having their hands full in the doing, I can tell you. I don’t like to appear conceited, but I may as well admit that I am proud of my strength and the science that I have acquired and developed in the directing of it–that and my horsemanship I always have been proud of.

And now, that day, all the long hours that I had put into careful study, practice and training brought me in two or three minutes a full return upon my investment. Californians, as a rule, are familiar with ju-jutsu, and I especially had made a study of it for several years, both at school and in the gym of the Los Angeles Athletic Club, while recently I had had, in my employ, a Jap who was a wonder at the art. It took me just about thirty seconds to break the elbow of one of my assailants, trip another and send him stumbling backward among his fellows, and throw the third completely over my head in such a way that when he fell his neck was broken.

“Californians as a rule are familiar with ju-jutsu?” “I am proud of my strength and the science that I have acquired and developed in the directing of it?” “A Jap who was a wonder at the art?” Man, if this isn’t Mystery Science Theatre 3000 material than I don’t know what is.

About the only thing that The Land the Time Forgot has going for it is that it isn’t entirely boring, if you like one mindless action scene strung together after the next. But, in summation, if you’re looking for a good representative of the pulp genre, look elsewhere.

Posted by Brian Murphy

LibriVox: Masters Of Space by Edward Elmer Smith and Edward Everett Evans

SFFaudio Online Audio

LibriVoxAustralian reader/listener and correspondent, Dennis Stocks, points out that there’s a new release from LibriVox.org we should have a look at and a listen to…

Masters Of Space was co-authored by good friends E. Everett Evans and E.E. Smith, they collaborated on just this one novel, at least officially. Smith has his Lensman series, but Evan’s work isn’t nearly as well known. Evans’ major work solo was Man of Many Minds (which is one of our 2nd SFFaudio Challenge titles). If you like Masters Of Space, and think you might be capable, why not sign on board as the narrator for Man Of Many Minds, I’m sure the folks at LibriVox would give it a nice cozy server just like the did for this…

LibriVox Science Fiction Audiobook - Masters Of Space by E. E. “Doc” Smith and Edward Everett EvansMasters Of Space
By E. E. “Doc” Smith and E.E. Evans; Read by R.J. Davis
14 Zipped MP3 Files or Podcast – Approx. 6 Hours 43 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: November 2008
The Masters had ruled all space with an unconquerable iron fist. But the Masters were gone. And this new, young race who came now to take their place–could they hope to defeat the ancient Enemy of All?

Podcast feed:

http://librivox.org/bookfeeds/masters-of-space-by-edward-elmer-smith-and-edward-everett-evans.xml

Posted by Jesse Willis

The SFFaudio Podcast #011 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #011 – in which our desperate heroes attempt to display the manliness and fortitude, listing all the recent arrivals, and some recent listens.

Talked about on today’s show:
audiobooks, epic fantasy, science fiction, The Runelords, David Farland, Blackstone Audio, Brilliance Audio, Dragonheart, Todd McCaffery, Pern, Penguin Audio, Jim Butcher, Codex Alera, Furies of Calderon, Kate Reading, Random House Audio, The Widows Of Eastwick, John Updike, Peter Straub, Poe’s Children – an anthology, Stephen King, Star Wars – Millennium Falcon, James Luceno, Macmillan Audio, Robert Jordan, Brandon Sanderson, Michael Kramer, Richard Stark, Books On Tape, Frank Herbert, Heretics Of Dune, the Alan Smithee version of Dune (1984), Neal Stephenson, Anathem (28 CDs long!), The Book Of Lies, Brad Meltzer, Ender In Exile, Orson Scott Card, Team America World Police, Sherlock Holmes Theatre, Yuri Rasovsky, audio drama, 2000X, Repent Harlequin Said The Tick-Tock Man, Harlan Ellison, Mercedes Lackey, Foundation, Wizard’s First Rule, Terry Goodkind, Legend Of The Seeker, SFSignal.com, iTunes, Infinivox, Guest Law, John C. Wright, Audio Realms, Shadow Kingdoms, Robert E. Howard, Fallout 3, and Team America: World Police‘s song we’re gonna need a montage!

Posted by Jesse Willis

Recent Arrivals from Blackstone Audio: Bradbury, Card, Dick

SFFaudio Recent Arrivals

Three of the finest writers ever, from Blackstone Audio!

The Halloween Tree (audio drama) by Ray BradburyThe Halloween Tree
By Ray Bradbury; Performed by a full cast
2 CDs – 2 hours – [AUDIO DRAMA]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433232145

The Ships of Earth by Orson Scott CardThe Ships of Earth (Homecoming, Book 3)
By Orson Scott Card; Read by Stefan Rudnicki
10 CDs – 12 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433218866

Valis by Philip K. DickValis
By Philip K. Dick; Read by Tom Weiner
7 CDs – 8 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433253782

Posted by Scott D. Danielson

Review of If I Were You by L. Ron Hubbard

SFFaudio Review

If I Were You by L. Ron HubbardIf I Were You
By L. Ron Hubbard; Read by various
2 CDs – 2 Hours 7 Minutes [UNABRIDGED]
Publisher: Galaxy Press
Published: 2008
ISBN: 1592122906
Themes: / Fantasy / Consciousness Transference / Magic /
Circus dwarf Little Tom Little is the king of midgets, loved by crowds and carnival folk alike. Only he doesn’t just want to be a bigger circus star, he wants to be just like the circus’ tall and imposing leader. Trouble begins the moment that a set of ancient books containing the secret of switching bodies finds its way into Tom Little’s tiny hands. When he magically trades his small frame with that of the circus chief, finds himself in a giant-sized heap of trouble—his craving for height has landed him smack in the center ring surrounded by forty savage cats!

If I Were You (Approx. 95 Minutes) – Nancy Cartwright, best known as Bart on The Simpsons, voices Little Tom Little, the little person who has big dreams. Tom Little wants to become the circus ringmaster. So, when the resident circus magician is at death’s door and offers to teach Tom the ancient art of consciousness transference Tom jumps at the chance. Of course the having is not always as good as the wanting as things soon go awry for the tallest little person in the circus. A little drawn out, this tale was first published in a 1940 pulp magazine called Four Novels. It’s plot goes basically where you’d think it’d go. There’s nothing particularly wrong with it, but it doesn’t capture your imagination the way maybe you’d like.

The Last Drop (Approx. 32 Minutes) – This is a fast paced cartoonist fantasy in the tradition of Bugs Bunny, The Food Of The Gods and The Incredible Shrinking Man. A bartender receives a mysterious syrup in the mail from his brother in Borneo. After a little experimentation he discovers that it has the power to change the size of whoever consumes it. The Last Drop is cute, completely ludicrous, and fairly entertaining. As with the other Galaxy Press Hubbard collections, The Last Drop uses multiple actors, voice and sound effects – it’s not an adaptation, but easily could be adapted into a Pixar or Warner Brothers style cartoon. Normally I’d criticize the use of all these enhancements, but with the cartoonish nature of the story, these enhancements don’t spoil the storytelling as badly as they do in other more straight tales. One thing that is rather annoying though, the audio track doesn’t acknowledge the co-authorship of The Last Drop. There is, however, a small print notification on the bottom of the packaging. And, it’s significant. This is the only story that Hubbard collaborated on during his lifetime. The Last Drop was co-authored by L. Sprague de Camp.

The two CDs are handsomely packaged in a cardboard sleeve along with a booklet featuring a brief biography of Hubbard’s career and influences, and an essay by Kevin J. Anderson about the pulp era. The Anderson essay is rife with enthusiasm for the pulps. The author of the Hubbard biographical essay isn’t named, but is nevertheless informative and includes more than a dozen photographs. Curiously, the author of the bio detours for a quick attack at western author Max Brand, when talking about Hubbard’s western stories. This is the same booklet as appears in The Great Secret collection.

Posted by Jesse Willis

Review of The Graveyard Book by Neil Gaiman

SFFaudio Review

The Graveyard Book by Neil GaimanThe Graveyard Book
By Neil Gaiman; Read by Neil Gaiman
Audible Download – Approx. 8 Hours[UNABRIDGED]
Publisher: Harper Audio
Published: 2008
Themes: / Fantasy / Ghosts / Childhood / Revenge / Parenting / Afterlife / Humor / YA /

In a few words: Not as disturbing as Coraline (which is… a bit) and every ounce as entertaining as I hoped.

Now, details: The Graveyard Book is Neil Gaiman’s latest YA novel. The story is about Nobody Owens, a young boy who starts the novel as a toddler that ends up in a graveyard late at night, all by himself. I’ll let Gaiman tell you how that happens, because the journey is all the fun here. Nobody Owens grows up, and Gaiman’s ghosts do all the parenting.

Again, Gaiman manages to be both sinister and funny at the same time, like he’s telling you the worst thing you’ve ever heard, but with a smile and a wink. Here’s the first lines of Chapter 1:

There was a hand in the darkness, and it held a knife. The knife had a handle of polished black gold, and a blade finer and sharper than any razor. If it sliced you, you may not even know you had been cut. Not immediately.

You’d think what follows would be a bit grisly, and I suppose it is, but it’s all so fantastic that I smiled through most of that chapter, with the sort of glow I get around Halloween. A pair of ghosts (the Owens’s) raising a live boy, that boy growing up and learning his letters off gravestones and his life’s philosophy from the perspective of dead but well-meaning people; well, it’s just a great idea, and it’s perfectly presented by Gaiman. My kids love it too. This is the kind of book that will be revisited in my house often. In addition, I’d say that if you have a Harry Potter fan on your Christmas list, this book might be just the right fit, and it has the added bonus of introducing him or her to the likes of Neil Gaiman, which in turn could open that fan up to the rest of the world of books as well.

Gaiman also narrates, and like I’ve said elsewhere, he’s one of the few authors I’ve heard that could make a comfortable living as an audiobook narrator. I can’t imagine this audiobook being read by someone else, and I’m very happy that it isn’t.

Edited to add the SFFaudio Essential, which was forgotten by the reviewer. He has been sacked.

Posted by Scott D. Danielson