Review of Phantoms by Dean Koontz

SFFaudio Review

Brilliance Audio - Phantoms by Dean KoontzPhantoms
By Dean Koontz; Read by Buck Schirner
12 CDs – 15 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: January 2008
ISBN: 9781423339267
Themes: / Horror / Suspense / Science Fiction / Mass Disappearance / California /

They found the town silent, apparently abandoned. Then they found the first body strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California. At first they thought it was the work of a maniac. Or terrorists. Or toxic contamination. Or a bizarre new disease. But then they found the truth. And they saw it in the flesh. And it was worse than anything any of them had ever imagined…

I went into this novel with low expectations. Our resident Dean Koontz aficionado was telling me that Phantoms wasn’t one of Koontz’s best works. That’s the bright side about low expectations – it makes the mediocre seem better. My biggest complaint isn’t really with the story at all – but rather with its length. 15 hours is a bit too long for a novel with this content and plot – there’s a whole separate subplot about an escaped criminal and his subsequent interactions with a biker gang. These parts of the book get mentioned a couple of times by the main narrative – but are otherwise un-interactive until the end of the novel. That whole subplot might have made an interesting short story, if separate, but it ends up being a side-note that doesn’t come to any real fruition, except in what felt like a tacked on end piece. Still, the main narrative is rather compelling. Dr. Jennifer Page, who lives and works in the small resort town of Snowfield, California, is returning from the big city and in doing so she’s taking with her much younger sister Lisa. Their mom has recently died and Jenny plans to raise her younger sister in the small town. Unfortunately, their arrival in Snowfield yields a much more horrifying and surprising disaster than the mere death of their mom. Everyone in town is missing! Well, almost everybody is missing anyway, with those few who aren’t entirely disappeared being completely dead – having been killed in grisly or bizarre fashions. The only clue to what has happened in Snowfield, while Jenny has been out of town, is a near incomprehensible message scrawled onto a bathroom mirror.

Fans of certain H.P. Lovecraft stories, John Carpenter’s The Thing, and Stephen King‘s The Mist will likely quite enjoy this tale. Thinking back on myself, it feels as if Phantoms would have made an excellent late 1960s or early 1970s Doctor Who serial. What I liked most about it was not the atmosphere of spookiness (that seems a high point to a lot of folks), but rather the care and attention to the back story and the explanations which Koontz put into the lead up to the events in snowfield. I can’t recall a lot of other novels that have dealt with the “mass disappearance” phenomenon. I do recollect one film on the topic, The Quiet Earth (it is terrific) but has a far different execution and feel than does Phantoms. Speaking of film, I recommend you shy away from the film version of Phantoms entirely – it trims down the plot (which you’d think would be good) – but manages to feel rather crappy all-around, despite being adapted to film by Koontz himself.

Phantoms gave Dean Koontz a reputation as a horror writer, Koontz describes the novel as “one of the ten biggest mistakes” of his life because, it earned the label horror writer, which he says he “never wanted, never embraced, and [has] ever since sought to shed.” I can see it. The actual novel is definitely working within the rules of Science Fiction. Sadly, suspense, which Koontz does embrace, is often confused with horror – and hence his problem. The initial publication of Phantoms in 1983 garnered the novel several positive reviews. But only Analog’s review clearly recognized Koontz’s attempt to put technology and science to the fore in Phantoms. Narrator Buck Schirner sounds a whole lot like Mel Blanc. He’s got a good range, and changes his voice for different character genders, ages, and accents. The cover on this audiobook is sadly wholly uninformative, as is the bland title. The novel should have been called “The Ancient Enemy” and the cover should have depicted an open sewer grate, or a sink full of jewelry.

Posted by Jesse Willis

LibriVox: Short Science Fiction Collection Vol. 009

SFFaudio Online Audio

LibriVoxWith 9 volumes of short stories now out there’s no doubt there’s a plethora of SF listening available over on LibriVox.org. I love these collections, they have a good variety and not too much repetition …. oh wait, I take that last part back. It’s the constant repetition that is impairing these collections. LibriVoxateers, please stop recording Kurt Vonnegut’s 2BR02B. Otherwise, keep up the great work!

Sounding good in this collection are Jerome Lawson’s reading of The Cosmic Express and the quick humor of Frederic Brown’s Earthmen Bearing Gifts. The standout though is Irving E. Cox’s Impact. It is a tale about a deserter from an interstellar trading ship who causes the ship’s captain no end of troubles. It’s a cool old story despite the wretchedly old-fashioned woman teacher character (she’s jealous, blackmailing and shrewish).

LibriVox - Short Science Fiction Collection Vol. 009Short Science Fiction Collection Vol. 009
By various; Read by various
10 Zipped MP3s or Podcast – Approx. 4 Hours 25 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20th 2009
Science fiction (abbreviated SF or sci-fi with varying punctuation and case) is a broad genre of fiction that often involves sociological and technical speculations based on current or future science and technology. This is a reader-selected collection of short stories that entered the US public domain when their copyright was not renewed.

LibriVox - 2BR02B by Kurt Vonnegut Jr. 2BR02B
By Kurt Vonnegut; Read by smokemonkey
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Previous FREE MP3 versions of this story are HERE, HERE, and HERE and HERE. You can stop recording this very mediocre story now people.

LibriVox Science Fiction - The Cosmic Express by Jack WilliamsonThe Cosmic Express
By Jack Williamson; Read by Jerome Lawsen
1 |MP3| – Approx. 26 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20, 2009
Originally published in Amazing Stories in November 1930, later reprinted in the December 1961 Amazing Stories. Unfortunately this reading excludes the 1961 introduction to the tale by Sam Moskowitz. You can read that HERE.

The Day Time Stopped Moving
By Bradner Buckner; Read by Tom Weiss
1 |MP3| – Approx. 43 Minutes [UNABRIDGED]

LIBRIVOX Science Fiction - Earthmen Bearing Gifts by Frederic BrownEarthmen Bearing Gifts
By Fredric Brown; Read by Alan Winterrowd
1 |MP3| – Approx. 6 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20, 2009
First published in the June 1960 issue of Galaxy magazine. “Mars had gifts to offer and Earth had much in return—if delivery could be arranged!” Another reading is available HERE.

LibriVox Science Fiction - Impact by Irving E. CoxImpact
By Irving E. Cox; Read by Tom Weiss
1 |MP3| – Approx. 54 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20, 2009
From Amazing Science Fiction Stories, January 1960. They were languorous, anarchic, shameless in their pleasures . . . were they lower than man . . . or higher?

Longevity
By Therese Windser; Read by Betsie Bush
1 |MP3| – Approx. 4 Minutes [UNABRIDGED]
From Amazing Science Fiction Stories May 1960. A morality tale—1960 style.

LibriVox Science Fiction Short Story - The Measure Of A Man by Randall Garrett The Measure of a Man
By Randall Garrett; Read by Barbara King Gardner
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20, 2009
From April 1960 Astounding Science Fiction magazine. “What is desirable is not always necessary, while that which is necessary may be most undesirable. Perhaps the measure of a man is the ability to tell one from the other … and act on it.” Another version is available HERE.

LibriVox Science Fiction - No Moving Parts by Murray F. YacoNo Moving Parts
By Murray F. Yaco; Read by Tom Weiss
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20th 2009
From Amazing Stories May 1960. We call them trouble-shooters. They called ’em Gypsies. Either way, they were hep to that whole bit about….

LibriVox Science Fiction - The Nothing Equation by Tom GodwinThe Nothing Equation
By Tom Godwin; Read by Daniele F.
1 |MP3| – Approx. 22 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20th 2009
From Amazing Stories December 1957. The space ships were miracles of power and precision; the men who manned them, rich in endurance and courage. Every detail had been checked and double checked; every detail except—

LibriVox Science Fiction - The Stoker And The Stars by Algis BudrysThe Stoker and the Stars
By Algis Budrys; Read by Jason Mills
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 20th 2009
From Astounding Science Fiction February 1959. When you’ve had your ears pinned back in a bowknot, it’s sometimes hard to remember that an intelligent people has no respect for a whipped enemy … but does for a fairly beaten enemy.

Podcast feed:

http://librivox.org/bookfeeds/short-science-fiction-collection-vol-009.xml

Posted by Jesse Willis

Review of Thinner by Stephen King

SFFaudio Review

Thinner by Stephen KingThinner
By Stephen King; Read by Joe Mantegna
9 CDs – 10 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2009 (reissue from 1984)
ISBN: 9780143143901
Themes: / Fantasy / Horror / Gypsies / Curses / Magic /

I put off reading Stephen King’s Thinner for the better part of two decades. The dust jacket description—lawyer runs down gypsy and is cursed to become, well, thinner—seemed like a decent short story stretched out into a novel. The premise just didn’t grab me.

As it turns out, my fears proved ill-founded. Thinner is an entertaining little novel that is, at its heart, about big concepts, including guilt, the dangers of not accepting responsibility for one’s actions, and the ruinous, generation-spanning cycle of destruction wrought by revenge. Thinner is positively short by King standards (about 300 pages), moves quickly, and contains a couple nasty little shocks that keep you on your toes and leave you feeling unsettled.

I’ve stated before that Stephen King was, in his early career, batting very nearly 1.000 as a writer. If you take a look at his work from 1973’s Carrie through 1987’s Misery and The Eyes of the Dragon, King was consistently great. I submit that The Tommyknockers (1988), written at the height of his drug and alcohol problems, was the first true misstep in King’s career. Now that I’ve finally read Thinner (released in 1984), I find that my rule holds true. It’s a fine book from King’s classic period.

Thinner tells the story of Billy Halleck, an overweight lawyer who gets distracted while driving home (his wife is giving him a handjob) and accidentally runs down an old gypsy woman crossing the street. Halleck avoids what should have a manslaughter conviction because the judge is an old golfing buddy and lets him off the hook. But Halleck can’t escape the scales of justice. The ancient father of Halleck’s victim curses Halleck by laying a scaly finger upon him and uttering the single word, “thinner.”

In the coming weeks, Halleck’s weight begins to drop alarmingly. When the doctors rule out cancer, Halleck realizes that the gypsy’s curse has taken root. The rest of the novel features Halleck chasing down the gypsies to get the curse lifted as his weight plunges from a high of 252 pounds to half that.

King has the problem of trying to convince the reader that a steadily weakening lawyer from a wealthy Connecticut suburb is capable of exerting enough pressure on a stubborn gypsy clan to lift the curse. He neatly sidesteps this problem by introducing the character of Richie “The Hammer” Ginelli, a minor mafia boss and a former client of Halleck’s. Ginelli assists Halleck by lending his unique and persuasive “services” learned in the hard-knock school of organized crime.

There’s a lot to recommend in Thinner. Taduz Lemke, the old gypsy with the power to curse, is a wonderful character, an ancient soul (over 100 years old) from the old world, the last of the Magyar chiefs. Although he’s initially unlikeable, King renders Lemke and the rest of his gypsy clan sympathetic. Though they are dirty and uneducated, and routinely skirt (and cross) the boundaries of the law, the gypsies are treated with open hostility from the hypocritical communities that they visit. Men like Halleck view the gypsies as an unwelcome disease in their safe and pure suburban communities, which are actually corrupt at the core with their unequal systems of justice, “old boy” networks, and inherent prejudices. When Halleck claims that Lemke’s daughter is equally at fault for the accident, since she didn’t look before crossing the street, he shows his unwillingness to accept responsibility for his own actions. Worse, Halleck took advantage of an unfair system of justice and never had to pay for his (and his wife’s) carelessness. Lemke’s curse is a painful lesson in admitting one’s guilt: “There is no push, white man from town,” Lemke says, again and again throughout the story. “No push.”

If you’re a Generation X-er you’ll appreciate the 1980’s time machine that is Thinner. In it you’ll find references to Apples and TRS-80s, Thunderbirds and Novas. Halleck’s family physician casually blows cocaine during a checkup and it doesn’t seem out of place here, given the period. Halleck’s daughter is mentioned as playing a year long game of Dungeons and Dragons.

Thinner contains very little horror until the end and is more accurately classified as a thriller, which may be why King adopted his (unsuccessful) pseudonym Richard Bachman during the book’s initial release. In Thinner, King was attempting something a bit outside his reputation as a horror author.

Veteran actor Joe Mantegna provides the narration for Thinner and he is magnificent, particularly in his portrayal of Ginelli (no surprise here, given that Mantegna has appeared in various gangster films). I’ve previously railed against the inclusion of music in audio books, but this version by Penguin makes excellent use of it, in particular its use of a chilling, off-putting theme whenever the gypsies—or Halleck’s alarmingly plunging weight—are mentioned.

Posted by Brian Murphy

Commentary: Where are all the Charles Stross audiobooks?

SFFaudio Commentary

Charles StrossHere’s a question nobody’s been asking (but should have). Where are all the Charles Stross audiobooks?

Seriously, the guy is super talented. There have only been three commercially released Charlie Stross audiobooks (all from Infinivox). The were terrific, but they’re not enough.

If Saturn’s Children and Halting State were available as audiobooks they’d shoot up to the top of my listening stack.

Forget individual testimony for a minute, let’s just look at the awards…

Stross’ novella The Concrete Jungle won the Hugo award for its category in 2005. Accelerando won the 2006 Locus Award for best science fiction novel.Glasshouse won the 2007 Prometheus Award. The novella Missile Gap won the 2007 Locus Award for best novella. His novels Singularity Sky and Iron Sunrise garnered back to back Hugo Award nominations in 2004 and 2005. Am I missing something here? Is Stross not due for some more professionally made audiobooks?

In anticipation of a big flood of Strossian goodness over the next couple of years I’ve just now made a CHARLES STROSS author’s page, where I’ll put up details of all the Strossian audio we know about.

Posted by Jesse Willis

LibirVox: This Crowded Earth by Robert Bloch

SFFaudio Online Audio

LibriVoxLibriVox is really picking up the pace of audiobook production. Happily, more and more of these free public domain audiobooks being released have a single narrator. This latest audioboo is a title listed in our 3rd Annual SFFaudio Challenge, it’s a cool short novel by the legendary Robert Bloch – that makes it’s narrator, Gregg Margarite, eligible for a prize! Wanna prize Gregg?

Incidentally, I’ve now put up a ROBERT BLOCH author’s page, where you can find more Bloch on audio, and I’ve added a 1-click subscribe version to our LibriVox + SFFaudio = Instant iTunes Audiobook page too.

LibriVox Science Fiction - This Crowded Earth by Robert BlochThis Crowded Earth
By Robert Bloch; Read by Gregg Margarite
12 Zipped MP3 Files or Podcast – Approx. 3 Hours 35 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 05, 2009
Robert Bloch (1917 – 1994) was a prolific writer in many genres. As a young man he was encouraged by his mentor H. P. Lovecraft, and was a close friend of Stanley G. Weinbaum. He also wrote many screenplays including Hitchcock’s Psycho, and scripts for the original Star Trek. He received the Hugo Award, the World Fantasy Award, the Bram Stoker Award, and he is a past president of the Mystery Writers of America. Published in Amazing Stories in 1958, This Crowded Earth is a thriller set on an overpopulated Earth of the future.

Podcast feed:

http://librivox.org/bookfeeds/this-crowded-earth-by-robert-bloch.xml

Posted by Jesse Willis

Review of Starman Jones by Robert A. Heinlein

SFFaudio Review

Blackstone Audio - Starman Jones by Robert A. HeinleinStarman Jones
By Robert A. Heinlein; Read by Paul Michael Garcia
7 CDs – 8.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433230387
Themes: / Science Fiction / Space Travel / Aliens / Dystopia /

It was a desperate time, when one’s next meal and the comforts of home couldn’t be taken for granted. Max Jones, a practical, hard-working young man, found his escape in his beloved astronomy books. When reality comes crashing in and his troubled home life forces him out on the road, Max finds himself adrift in a downtrodden land. Until an unexpected, ultimate adventure carries him away as a stowaway aboard an intergalactic spaceship—but to where? And when? And how could he ever get back? With the ship’s pilot dead and his charts and tables all destroyed, Max must call upon all of his untested knowledge and skills in order to survive.

There’s nothing like going back to that old-time Science Fiction. Heinlein’s novels are steeped in the inspissate brew of American idealism. Puritanical hard work, honesty and humility are mixed with the libertarian and the liberal, the conservative and the anarchistic. These aren’t just the bywords of Heinleinian characters, they’re the fundamentals of their character – all that, and tempered too with happy portions of both skepticism and hucksterism. A Heinlein character is just as likely to be a gruff middle aged con-man (honest in his own fashion) as a naive wundderkind. The naive wundderkind is often found with a variously doting, tolerant, and even brighter sweetheart. We find all three, the canny conman, the boy genius and his devoted young woman, along with a whole lot more in Starman Jones.

There are three main sections of Starman Jones. Most of the folks who talk about the novel talk about the middle section – where Max works his way up the chain of command in a luxury spaceliner. Indeed, this is what gives the novel its title. The third section, set on board a primitive alien planet has some nicely interesting aliens (a whole novel could have been done there). Personally I liked the first third, set on a vaguely dystopic planet Earth. This is a land of no-opportunity, in order to get a decent job you have to inherit it. Vested interests, taking the form of professional guilds, seem to have staked out every possible avenue for advancement. Sure, there are people there willing to bend the rules to kind-hearted kids like Jones, but the general rule is a complacency towards pervasive corruption. At one point during this first third a kindly truck driver, hopped up on amphetamines, gets Max to help him break the rules of the road (that you have to pull over and sleep once in a while). That scene and another, gives an odd kind of atmosphere of low-level-corruption that Heinlein seems fairly comfortable with. Later still, with the only ticket off the sewed-up planet Earth is via false documents and bribery – Max goes for it, to the detriment of his conscience only after the fact.

In other juvenile novels, like Citizen Of The Galaxy, a Heinleinian protagonist will stay “dirtside” where he’ll grift and finagle his way through life – justifying each action step by step – here and frankly in every single Heinlein story that I’ve ever read, the bad guys are never bad because of the greed or corruption per se, but rather because they are dumb, ignorant and vain.This is a Heinlein failing I think. His cardboard cut-out villians are too dim, too dull-humored and too officious to be any real threat. There are at least two of these lame-brains in this novel. That got me to thinking. If one were to rewrite a Heinlein novel from the strawman’s point of view – it’d be extremely obvious who Heinlein had meant the hero to be [namely Heinlein’s own ideas and values – however ambivalent they are]. But, don’t let this criticism let you think I don’t like Starman Jones because, warts and all, I really did enjoy it.

Paul Michael Garcia is ably suited to reading Heinlein’s well chosen words – giving the dialogue-heavy prose a banter-like give and take. Garcia’s range too is very impressive, voicing Max Jones as youthful and energetic, his older pal Sam as languid and confident, the girl, the mom, the step-dad, the alien spacepet, and everyone else – all in unique voice. It really is the ideal reading. I’ve been a fan of Garcia’s narration since Blackstone picked him for Kirinyaga. Despite a lot of technical jargon, especially while talking astrogation, I only heard one tiny mispronunciation in the whole novel. Concomitant meaning “occurring or existing concurrently.” Garcia read it as “konk-mittant.” The original art that Blackstone has given Starman Jones looks good, if a bit generic, but a closer inspection – past the silhouetted landscape and into the roiling clouds will admit a bit more detail in the night’s overcast sky.

Posted by Jesse Willis