Matt Watts: CBC Radio Drama “Mothballed”

SFFaudio News

CBC Radio OneMatt Watts, creator, writer and star of Canadia: 2056, has posted a surprisingly upbeat (but downbeat) journal entry about the sad future of CBC Radio Drama to his blog. Sez Matt:

“…and with the CBC’s recent cutbacks, the questions have turned more to the future of radio drama in general.

The official announcement is that radio drama will be ‘reduced’.

Sadly, this doesn’t look to be the case.

The project that is in the pipeline will be seen through, and after that, Radio A&E has decided the best thing to do is to cut their losses, redeploy the staff into other positions and put drama on ice until funding is reinstated.

So, it looks like there’ll be no new radio drama for a while.

It’s a very sad time for me, and for my colleagues and friends in the drama department.

But, it’s a sign of the times, and instead of being bitter and angry, I think the best thing to do is to be understanding, and to try and hope for the best. This is genuinely one of those ‘greater good’ times.

For me, it means that I have to move on, and start looking for other mediums and formats to write in.

I will say, that writing for radio has been one of the great joys in my life. I could honestly write radio drama for the rest of my life, and be more than fulfilled and satisfied. I love it. Writing Steve, The First was an experience not unlike being thrown into a pool and discovering that you already know how to swim.

I’m one of the lucky few who found something they were good at, enjoyed it to the fullest and had a good run with it.”

Explaining why he thinks the cutback happened Matt said this:

“The sad truth, and reality, is that it [radio drama] doesn’t get that many listeners, and it doesn’t justify the cost. And these things have to be taken into account – these are the times we live in.”

My thinking is that there is actually quite an audience for audio drama, especially audio drama of as high a quality as Matt and his team at CBC Radio’ A&E department were producing. The main problem is that CBC’s radio drama are on the radio. I love the CBC and CBC radio programing in particular – but the reality is nobody I know listens to the radio anymore. We are listening to the podcasts of the radio shows. But ACTRA has not come to any agreement with CBC on podcasting, so none of the shows with acting in them are getting podcast!

The reality is that forcing an audience to tune in, in the middle of the afternoon, or late on a Sunday night is not the best way to showcase an audio drama anymore.

ACTRA needs to get it’s act together, go over to CBC radio (just a 7 minute cab ride), hammer out a deal on internet distribution and together SOLVE THIS SHIT. UPDATE: Apparently ACTRA has now “come to an agreement” with CBC, and what’s holding up CBC radio drama from being podcast is the writer’s guild. Yay! This is even better news because the Writer’s Guild of Canada HQ is only a “5 minute” walk away from the CBC HQ!

Writers Guild Of Canada to CBC Headquarters

CBC isn’t entirely off the hook though. More of CBC Radio needs to be podcast. CBC needs to be putting even more effort into living up to what the audience really wants:

The Canadian Podcast Corporation.

The future of CBC is online. The CRTC is all worried about Canadian content on the internet. I think we have the content and the talent, but what we don’t have is all that Canadian content on the internet.

To read Matt’s full POST head on over to his blog.

Posted by Jesse Willis

P.S. Oh and hey CBC!! After Matt’s last project gets delivered, don’t forget that CBC Radio still has something that’s already ready to play… CBC give us the J. Michael Straczynski radio drama series that’s already been produced and paid for!! – it’ll help tide us over til the financial crunch is over

CBC Radio One’s Q talks RIP a copyright manifesto and WATCHMEN

SFFaudio Online Audio

CBC Radio One - Q: The PodcastThis morning I got a phone call.

My mom: “Jesse turn on the radio.”

Jesse: “I’ll get the podcast.”

And here it is Q: The Podcast for Tuesday, March 3rd, 2009.

Do newspapers need public funding?* ‘RIP: A Remix Manifesto‘, Canadian doc about mash-up culture* Jesse Wente on comic-inspired movies* Watchmen illustrator Dave Gibbons.

Download |MP3| or subscribe:

http://www.cbc.ca/podcasting/includes/qpodcast.xml

Here’s the trailer for RIP…

On Watchmen: Everybody’s talking to artist Dave Gibbons (Q included) because author Alan Moore isn’t involved with the WATCHMEN movie. Moore has sworn off a lot of big corporations in fact. In the case of one deposition he’d had to give with regards to his dealings with the big corps he said – he would have been better treated had he “molested and murdered a busload of retarded children after giving them heroin.”

Which leads me to point out that the latest WATCHMEN merchandise, a DVD that turns the DC Moore/Gibbons graphic novel into a quasi-audiobook/animated movie. The credits for it do not include Alan Moore.

Posted by Jesse Willis

P.S. CBC, please FREE Apocalypse Al!

The SFFaudio Podcast #027

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #027 – Jesse and Scott are joined by Rick Jackson (The Time Traveler). Today we talk about new audiobooks, the ongoing CONAN situation, and libraries. Should libraries be renting Zunes to patrons?

Talked about on today’s show:
Ted Chiang, Eclipse 2, Blackstone Audio, The Green Hills Of Earth by Robert A. Heinlein, Apollo 8, Brotherhood Of The Wolf by David Farland, Bellewether by Connie Willis, Corsair by Clive Cussler, James Bond is fantasy?, Quantum Of Solace, Sahara, coming from Wonder AudioThe Fabulous Clipjoint by Frederic Brown, Tantor Media doing Robert E. Howard audiobooks, Conan Properties International versus Broken Sea Audio, New Zealand’s new copyright legislation, reductio ad absurdum, copyrights and trademarks, Clark Ashton Smith, downloading audiobooks through libraries, WMA format, Overdrive vs. NetLibrary, PC Gamer Podcast – ‘X-Box 360, Wii and Playstation 3 are giant DRM keys’, libraries rent DVDs?, ‘government shouldn’t be doing what business can do’.

Posted by Jesse Willis

CONAN attacks fans

SFFaudio News

Meego ConanAn intellectual property company has been harassing fans that were making audio versions of public domain Robert E. Howard CONAN stories.

They’d keep going, but the new fucked-up New Zealand copyright law will shut down their whole operation if the company complains.

Broken Sea Audio Productions, headquartered in New Zealand, has shut down all their Robert E. Howard projects after receiving another threatening letter from the lawyers for Conan Properties International LLC (aka Paradox Entertainment).

CPI is the limited liability company that claims all licensing powers over works by Robert E. Howard worldwide.

The whole situation is absolutely rotten. CPI is muscling a non-profit audio drama fan group that makes audio dramas and audiobooks, for fun, out of public domain stories, all so it can defend its trademark on “CONAN: The Barbarian” (the stories for which are in the PUBLIC DOMAIN).

Things might look different were it not for the horrendous new legislation set to be implemented on February 28th, 2009 March 27th, 2009 in New Zealand. The new NZ law makes websites that are accused of infringement subject to arbitrary-ISP pulldowns.

Here is the most recent letter from CPI/Paradox Entertainment |PDF| in its entirety.

What make this all the worse is that its an echo of a fight BSAP, in NZ, had thought it had already won. See, back in August 2008 BSAP received a similar cease and desist letter from the same firm. In that letter CPI threatened a lawsuit over the use of “CONAN” (for which they claim a trademark)…

letter1565.jpg

In response to it BSAP removed their unique, but still offending, “CONAN” logo and the CPI lawyers sent a follow-up letter. Saying…

CPI Lawyer Letter #2

After that, with the Conan audiobooks and audio dramas no longer displaying any “CONAN” label, all seemed well for the non-profit audio drama group. Paul Mannering, and staff, continued to cast Conan fans as voice actors and work on the script for a new audio dramatization based on another Robert E. Howard public domain work, Hour Of The Dragon.

Later, in November 2008, something rather cool happened. Paul Mannering got an email from the CPI/Paradox’s branding department offering BSAP a free “CONAN” license. It was to be a “royalty free” license too, that would forever keep a threat of lawsuit from CPI/Paradox at bay and allow BSAP to brand its Conan audio as “CONAN” audio.

But then, just yesterday, an unexpected email from the CPI lawyers arrived…

letter3a565.jpg

…dashing the possibility of a license AND renewing the threat of a lawsuit…

letter3b565.jpg

It seems to me that given that the Robert E. Howard stories are PUBLIC DOMAIN, that Howard is 73 years dead, had no spouse, nor children, that Broken Sea is giving away their productions to Robert E. Howard’s Conan fans – only one judgment is reasonable:

CPI LLC/Paradox Entertainment is being an asshole.

And that’s the situation as it now stands. All future BSAP audiobooks and audio dramatizations based on the PUBLIC DOMAIN writings of Robert E. Howard are canceled – or at least it’s all put on hold until someone can offer some legal advice to Paul Mannering and the Broken Sea creative team.

Posted by Jesse Willis

Mary Robinette Kowal – Novel = sold!!!!

SFFaudio News

Mary Robinette KowalMARY ROBINETTE KOWAL (1969 – ) A past contributor to SFFaudio, is an American John W. Campbell Award winning author who is currently serving as SFWA secretary. Kowal is also a puppeteer (non-Pierson’s) and has just sold her first novel to Tor books…

Dear Everyone I Know,

I have sold my novel!

Tor books, the largest SF publisher in the world, has bought “Shades of Milk and Honey,” which is my fantasy novel set in Jane Austen’s England. I’m delighted not only by the sale, but because my editor will be Liz Gorinsky who is not only personally charming, but also the editor for some of my favorite authors, like Cherie Priest. Needless to say, I am thrilled and have to tell EVERYONE I know.

I found out on January 30 but have been sitting on the news until we finalized some details. So you can look for my first novel to come out in 2010. So excited!

http://www.maryrobinettekowal.com/journal/novel-sold-best-birthday-present-ever/

Yours,
Mary

I asked Mary what the word was on the audiobook version. Here’s what she said:

“the initial idea for this came from a radio serial that I was writing.”

There is also a good possibility of an audiobook.

Cool and congrats!

Posted by Jesse Willis

Submissions guide for the Mark Time / Ogle Awards 2008

SFFaudio News

Mark Time AwardsJerry Stearns writes in to remind us that the Mark Time Awards submission deadline is fast approaching.

“The deadline for entering the Mark Time Awards and Ogle Awards competition is approaching: March 1, 2009 is the date for a postmark.

The Mark Time Awards are given each year for the best Science Fiction audio theater production of the year, and the Ogle Awards are for the best Fantasy and Horror audio theater production of the year. This will be the 12th Annual awards, announced at Convergence 2009, July 2 in Bloomington, MN.

Named for the character created by the Firesign Theatre, the awards are a celebration of the most popular genres in audio theater these days. The Ogle awards are named after Charles Ogle, who played the creation of Baron von Frankenstein in Thomas Edison’s 1910 silent film of that name. The winners will receive a plaque, a t-shirt, a letter from David Ossman (Mark Time himself) and the right to shamelessly promote their work holding the award out in front.

Convergence, an annual convention sponsored by MISFITS, the Minnesota Society for Interest in Science Fiction and Fantasy, is pleased to host the awards ceremony, and MISFITS is honored to be a supporter. Winners are invited to attend the convention to accept the award in person as part of the Opening Ceremonies. The convention also hosts a venue for playback of winners for convention attendees.

Five judges will listen, rank the entries, and come to a concensus of the winners by Mid-May. Recent judges have included Philip Proctor (of the Firesign Theatre), Tom Lopez (of ZBS) and Dani Cutler (of SFFaudio and the Society of Audio Addicts). Judging is based on the quality of the writing, performance, sound production, and originality of the whole package. Remember, this is SF & F we’re dealing with, so originality counts. Recreations and adaptations are considered, and judged both on the above criteria and considering the original source material. Audiobooks are NOT what we are looking for, but full cast audio theater.

To enter, go to the Mark Time website, http://www.greatnorthernaudio.com/MarkTime/MarkTime.html, and print out the online form. Send the form, a $25 entry fee, and FIVE copies of your entry (usually an audio or MP3 CD these days) to the address listed there. Postmark must be on or before March 1, 2009. Past winners, and the Mark Time SF Audio Hall of Fame are there as well.

Don’t miss the deadline. Enter now.”

Posted by Jesse Willis