Commentary: The Ethics Of Torrents

SFFaudio Commentary

Look at this screenshot. Just look at it!

The Pirate Bay - Ethics

It’s screenshot of a torrent for an audiobook about ethics. The audiobook in question (one from Recorded Books’ The Modern Scholar series) is entitled Ethics, A History Of Moral Thought. It’s a course by Peter Kreeft, a professor of philosophy at Boston College and the uploader is listed as “anonymous”.

Why did he or she upload it?

Why did he or she do so anonymously?

Was uploading it wrong?

Am I wrong to download it?

Am I wrong to even point it out?

You may have answers to these questions. If you do they’re probably swirling around somewhere inside of you – but if they are of the sort of answers that are ready to latch on to just about any reasonable sounding analogy, the kind of analogy that matches the conclusion you want to come to, I’m betting they are the wrong answers.

If your answers to those questions don’t originate in your brain (figuratively) as much as they do your gut (again figuratively) we’d probably call those answers moral answers.

If, on the other hand, your answers have a structure to them, are logically argued towards (rather than just intuitively felt) and have some basis in experience we’d probably call those ethical answers.

Let’s go through the old argument:

1. Theft is wrong.
2. Using torrents is stealing.
_________________________
3. Therefore torrents are wrong.

This argument sounds good. It is simple and has a morally satisfying conclusion.

But if the premises have something wrong with them, we must reject the conclusion.

The problem is with premise #2 .

Torrents are/is a technology, like podcasts and email. Technology doesn’t usually come in only one flavour, just good or wholly evil. Torrents are the same. Copyright owners torrent their own material – that isn’t wrong. Public domain material is torrented – that isn’t wrong. So torrents themselves aren’t the problem. Even if we associate 99% of all torrenting with wrongful behavior that doesn’t make the technology wrong. Etc. Etc.

So what is wrong exactly? Is it that copying is theft?

Let’s go through that argument:

1. Theft removes a thing from someone’s use.
2. Digital copying does not destroy the original.
__________________________________
3. Therefore digital copying is not stealing.

Makes sense right? So theft, at least the precise meaning of it isn’t the problem. How about this argument:

1. Harm is wrong.
2. To infringe upon copyrighting causes harm.
___________________________________
4. Therefore copyrights shouldn’t be violated.

I like this one. I think a lot of other people like it to. My only problem is with premise #2. What does it mean exactly?

Does it mean that someone is physically wounded? Clearly not. I’m betting this isn’t a physical thing at all. Maybe it is something else, or maybe it’s purely financial.

Is there a financial harm?

Maybe!

Let’s have a look at that one such argument:

1. Copyright generates revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright helps copyright holders financially.

And if you believe #1 I’ll happily lease this post for 1¢ per day (minimum 100 days please). Premise #1 in the above argument just isn’t true. It can be true, but it sure doesn’t make for as compelling an argument:

1. Copyright can generate revenue for copyright holders.
2. Infringing on copyright subverts copyright.
___________________________________
3. Therefore not infringing copyright could help copyright holders financially.

That’s enough to start with.

If you would definitely not have paid for Ethics, A History Of Moral Thought would it have helped the copyright holder?

If you definitely would have paid for Ethics, A History Of Moral Thought, then why haven’t you?

If you once considered it, but didn’t buy it, I’m betting it is either price or convenience that’s prevented you.

Both can influence ethical arguments, but often don’t because they complicate matters.

Consider:
$49.95 + shipping used CD on Amazon (no DRM but slightly inconvenient format) – copyright remuneration $0.00
$38.95 on Audible (with DRM) – copyright remuneration UNKNOWN
$30.36 + shipping used on cassette (no DRM but inconvenient format) – copyright remuneration $0.00
FREE on Audible for first time customers (with DRM) – copyright remuneration UNKNOWN
FREE on ThePirateBay.org (with no DRM and no inconvenience) – copyright remuneration $0.00
FREE at your public library (variable formats and convienience) – copyright remuneration UNKNOWN

What we end up with is a lot of question marks. And if you suspect that the answers to the three UNKNOWNS above aren’t likely to be equal I agree with you. But what I find more interesting is that two of those $0.00 answers actually don’t generate any moral disgust in most people and I think that may be where our answer lies.

Yeah, I said it. The used versions of books are neither immoral nor unethical!

And why is it exactly that the arguments in favour of making the purchase of used books unethical have all failed to change our minds?

Now weigh those variable UNKNOWNS against these knowns:

Negatives regarding download of copyrighted material via torrent:

1. Copyright holders do not directly benefit monetarily.
2. You may be, depending on jurisdiction, in violation of a law – which may be scary.
3. You may feel guilty.

Positives regarding download of copyrighted material via torrent:

1. Convenience – torrents are fast and easy, they are often better labelled versions of the content, they lack DRM.
2. Price – torrents are free.
3. Intangibles – sharing makes you feel good, other torrent users benefit, copyright holders may benefit indirectly.

If our reasoning happens inside a big bag of blackness our reasoning is going to be poor. Ethics is hard. I’d like to hear some arguments.

What’s your answer to these questions?

Posted by Jesse Willis

SFBRP #138: Review of The Sword Of The Lictor by Gene Wolfe

SFFaudio Online Audio

The Science Fiction Book Review Podcast Luke Burrage is doing something very cute with his latest podcast, it’s a review of The Sword Of The Lictor (Book 3 in the “Book of the New Sun” series). Did he mention he’d had sex with his girlfriend last night? … Yes, he did. … Then I thought, “Hey?! What happened to the standard Luke intro?” And, “What’s with all the mentioning of his having had sex with his girlfriend last night?”

Is Luke being random?

Or is this something a little deeper?

I began laughing about half-way through when I think I twigged to what he was pointing at. Luke’s having some metafun.

Indeed:

I don’t want to spoil it too much, but I thought it was delightful. He drops some random things in there, playing with our expectations – all without spoiling it too much. He’s telling his own story, the review is flawed in some ways, but you actually start seeing a bit of his genius in a way. I thought I knew where the review was going but by the end of the podcast I must admit that he is way cleverer than I am. It’s a classic (review). Don’t blame me if you don’t stick with it.

That all said, do not make this your first SFBRP podcast – start elsewhere.

Have a listen |MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Posted by Jesse Willis

Audibook Creation Exchange

SFFaudio News

ACX.com - Audiobook Creation ExchangeACX.com, Audiobook Creation Exchange, is Audible.com’s new website to promote audiobook production. It came out of beta recently (sometime between the Spring and July 2011) and has since added thousands of potential audiobooks to its catalogue. From the about page:

“ACX is a marketplace where professional authors, agents, publishers, and other Rights Holders can post fallow audiobook rights..

At ACX, those unused audio rights will be matched with narrators, engineers, recording studios, and other Producers capable of producing a finished audiobook, as well as with audiobook publishers.

The result: More audiobooks will be made.

Too many authors have been left out of the quickly growing and culturally repositioned digital audio market. Until now.

ACX puts you in the driver’s seat. If you’re a Rights Holder, you choose how you produce your audiobook—whether on your own or by engaging a Producer on ACX—and you choose among two royalty models.

If you’re a Producer, ACX allows you to post a profile and be seen. Plus, you can be proactive and audition on ACX for posted titles.”

The site is vast and deep, already listing thousands of books that are potential audiobooks. And seemingly every possible question has been at least cursorily covered. Narrators, audiobook companies, and authors will all have something to see here – ACX may revolutionize the business of audiobooks.

There are already more than a half dozen instruction videos like this:

And check out this rather hilariously scripted ad for how the site works:

[Props to BoingBoing.net, Juke! and the WaybackMachine]

Posted by Jesse Willis

New Releases: Macbeth by A.J. Hartley and David Hewson

New Releases

AUDIBLE - Macbeth by A.J. Hartley and David Hewson Macbeth: A Novel
By A.J. Hartley and David Hewson (adapted from the play by William Shakespeare); Read by Alan Cumming
Audible Download – Approx. 9 Hours 45 Minutes [UNABRIDGED]
Publisher: Audible.com
Published: June 2011
Writing directly for audio, co-authors David Hewson and Andrew Hartley have taken Shakespeare’s Macbeth and fleshed it out into a full-blown work of historical fiction. It’s an original, gritty take on one of literature’s greatest stories. The authors add inventive details and key scenes that for centuries have played out offstage, delivering new insights into the motivations and actions of almost every character. Emmy Award nominee, Audie Award winner, and experienced Shakespeare performer Alan Cumming (TV’s The Good Wife) plays it all to the hilt, complete with engrossing (and authentic) Scottish accent. This is Shakespeare as you’ve never heard it. Includes a introduction by David Hewson and an afterword by A.J. Hartley.

Posted by Jesse Willis

The SFFaudio Podcast #102

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #102 – Scott, Jesse and Tamahome talk about new audiobook, book, and comic book releases.

Talked about on today’s show:
The Infinite Worlds Of H.G. Wells, Sherlock Holmes, Memory by Donald E. Westlake, Hard Case Crime, A Good Story Is Hard To Find, nihilism, SFSignal’s 122 books that bring Scott to tears, All The Lives He Led by Frederik Pohl (a semi-nihilistic novel), Yellowstone, “half minus negative zero”, A Matter Of Time by Glen Cook, The Black Company, Abel One by Ben Bova, blood and flesh and shirtless, Deathless by Catherynne M. Valente, BoingBoing, Russian Ark, Enigmatic Plot vs. Enigmatic Pilot, Enclave (aka Razorland) by Ann Aguirre, The Maze Runner by James Dashner, The Scorch Trials, The Hunger Games, Hunt The Space Witch and Other Stories by Robert Silverberg, WWW: Wonder by Robert J. Sawyer, Starstruck, Blair Butler, “Geoff Boucher’s Los Angeles Times Hero Complex ‘Get Your Cape On’ pick of the week”, The Quantum Thief by Hannu Rajaniemi, Macmillan Audio, Audible.com, Brilliance Audio, Warriors edited by George R.R. Martin and Gardner Dozois, Forever Bound by Joe Haldeman, Lawrence Block, O. Henry-ish, “I see no reason to buy through iTunes” (vs. Audible.com), Limitless (aka The Dark Fields) by Alan Glynn, F. Scott Fitzgerald, Flowers For Algernon, Understand by Ted Chiang, acquiring a whole bag of pills, “smart people are neat”, Tantor Media, History Is Wrong by Erich von Däniken, Jesse becomes momentarily depressed, The Guns Of August by Barbara W. Tuchman, John Lee, the John Cleaver series, have world events have sped because of modern technology?, Libya, Tripoli, “The Graveyard Of Empires”, “from the halls of Montezuma to the shores Tripoli”, NPR, A History Of The World In Six Glasses by Tom Standage, beer, wine, spirits, tea, coffee, cola, the Today In Canadian History podcast, the Canadian Navy, I Don’t Want To Kill You by Dan Wells, I Am Not A Serial Killer, “normally I don’t do this”, Dexter, the Writing Excuses podcast, Homeward Bound by Harry Turtledove, alternate history, We by Yevgeny Zamyatin, Grover Gardner, Eric S. Rabkin, George Orwell’s 1984, Herland by Charlotte Perkins Gilman, William Dufris, binary fission, Tantor Media is very innovative in including ebooks with their audiobooks, we need a new demarcation to desperate urban fantasy romance from SF, “conspiracy and ignorance based books”, The Prefect by Alastair Reynolds, Tales From A Thousand Nights And The Night (aka 1,001 Nights!) translated by Richard Burton, The Thousand Nights And A Night is the first fix-up novel, Nostromo by Joseph Conrad, South America, Three Men In A Boat (To Say Nothing Of The Dog) by Jerome K. Jerome, To Say Nothing Of The Dog by Connie Willis, Have Spacesuit, Will Travel by Robert A. Heinlein, Atlantis And Other Places by Harry Turtledove, Slave To Sensation shouldn’t be a science fiction novel, Orson Scott’s Card Intergalactic Medicine Show, Rejiggering The Thingamajig by Eric James Stone on Escape Pod #277, body-swapping, I Will Fear No Evil by Robert A. Heinlein, gender-swapping, For Us The Living: A Comedy Of Customs by Robert A. Heinlein, Heinlein’s old theme: “naked people talking to each other”, Heinlein likes to examine social preconceptions and social prejudices, “not a Heinlein classic but still classic Heinlein”, Eifelheim, Luke Burrage, Idiot America by Charles P. Pierce, George Washington riding a dinosaur, The Broken Sword by Poul Anderson, contemporary with Tolkien (rather than derivative of Tolkien), Michael Moorcock, Eric Birghteyes by H. Rider Haggard, Bronson Pinchot, The Plague Dogs by Richard Adams, anthropomorphic fiction, quasi-Science Fiction, quasi-Fantasy, Coyotes In The House by Elmore Leonard |READ OUR REVIEW|, The Call Of The Wild by Jack London, We Three by Grant Morrison, Transmetropolitain, Warren Ellis, Tama’s pet peeve in comics is silent panels, Audible Frontiers, The Death Of Grass by John Christopher, The Tripods, The Sam Gunn Omnibus, The Steel Remains, Cliffs Notes are now available as audiobooks, Brave New World, The Spiral Path by Lisa Paitz Spindler, Eat Prey Love by Kerrelyn Sparks, William Coon’s Eloquent Voice titles, Andre Norton’s The Time Traders, Gilgamesh The King by Robert Silverberg |READ OUR REVIEW|, Philip K. Dick, Henry James, Anton Chekov, Paul of Cthulhu, Yog-Sothoth.com The Whisperer In Wax, wax cylinder tech, Embedded by Dan Abnett, SFSignal.com.

Posted by Jesse Willis