Review of Starship: Mutiny by Mike Resnick

SFFaudio Review

Starship: Mutiny, Book 1 by Mike ResnickStarship: Mutiny, Book 1
By Mike Resnick; Read by Jonathan Davis
Audible Download – 7 Hours 35 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: April 2008
Themes: / Science Fiction / Military SF / War / Galactic Civilization / Space Opera / Aliens /

The date is 1966 of the Galactic Era, almost three thousand years from now, and the Republic, created by the human race – but not yet dominated by it – finds itself in an all-out war. They stand against the Teroni Federation, an alliance of races that resent Man’s growing military and economic power. The main battles are taking place in the Spiral Arm and toward the Core. But far out on the Rim, the Theodore Roosevelt is one of three ships charged with protecting the Phoenix Cluster – a group of 73 inhabited worlds. Old, battered, some of its weapon systems outmoded, the Teddy R. is a ship that would have been decommissioned years ago if weren’t for the war. Its crew is composed of retreads, discipline cases, and a few raw recruits. But a new officer has been transferred to the Teddy R. His name is Wilson Cole, and he comes with a reputation for heroics and disobedience. Will the galaxy ever be the same?

There’s a light serialized feel to Starship: Mutiny, and I just don’t mean it’s the first in a series. There are distinct but successive adventures in this novel, rather than one over-arching plot. I like that a lot. I can’t say that Resnick’s broken any new ground, but what he does is bring an immediacy and intelligence to the Military SF sub-genre. Resnick is a master of dialogue and banter, his plots are fleshed out almost entirely by character interaction. Even scenes where Wilson Cole (the lead) is alone play out in an inner-dialogue. It makes for a quick compelling listen. The emotional roller coaster, so often present in Resnick short stories, is absent; but all the gravitas of his intellectual legacy informs the action. It’s as if SF’s own Tolstoy were writing Horatio Hornblower by way of The Odyssey.

Audible Frontiers, when possible, gets authors to introduce their work. Here it means we get insight into the motivation to write Starship: Mutiny from Mike Resnick himself. This is Resnick’s first Military SF book, and about that sub-genre he says: “I found a lot of it very same, filled with endless descriptions of military tactics and blood ‘n gut heroics. And that didn’t interest me at all. I’m much more interested in leadership than tactics. I’ve always prized intelligence more than physical force.” And that’s what is delivered. The narrator, Jonathan Davis, best known for his many Star Wars audibooks, is a familiar voice in this genre. Spaceship battles, alien accents and technojargon flow easily into the microphone. The whole novel took me less than 36 hours to consume, its highly addictive listening and I confess I was downloading the follow-up book before I’d even finished this one. For a novel so light in ideas, the heart of SF, it’s hard to call it “unmissable,” but on the other hand it masterfully achieves precisely what it intends to; it’s intelligent and entertaining Military SF – and that is still no small feat. Starship: Mutiny: Highly recommended!

Posted by Jesse Willis

Recent Arrivals – Mike Resnick, Edgar Allan Poe

SFFaudio Recent Arrivals

Recently plopped into the SFFaudio Audible Account…

Starship: Mutiny, Book 1 by Mike ResnickStarship: Mutiny, Book 1
By Mike Resnick; Read by Jonathan Davis
Audible Download – 7 Hours and 35 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: April 2008
The date is 1966 of the Galactic Era, almost three thousand years from now, and the Republic, created by the human race – but not yet dominated by it – finds itself in an all-out war. They stand against the Teroni Federation, an alliance of races that resent Man’s growing military and economic power. The main battles are taking place in the Spiral Arm and toward the Core. But far out on the Rim, the Theodore Roosevelt is one of three ships charged with protecting the Phoenix Cluster – a group of 73 inhabited worlds. Old, battered, some of its weapon systems outmoded, the Teddy R. is a ship that would have been decommissioned years ago if weren’t for the war. Its crew is composed of retreads, discipline cases, and a few raw recruits. But a new officer has been transferred to the Teddy R. His name is Wilson Cole, and he comes with a reputation for heroics and disobedience. Will the galaxy ever be the same?

Starship: Pirate, Book 2 by Mike ResnickStarship: Pirate, Book 2
By Mike Resnick; Read by Jonathan Davis
Audible Download – 8 Hours 45 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: April 2008
Seeking to find a new life for themselves, Cole and comrades remake the Teddy R. as a pirate ship and set sail for the lawless Inner Frontier. There, powerful warlords, cut-throat pirates, and struggling colonies compete for survival in a game where you rarely get a second chance to learn the rules. But military discipline is poor preparation for a life of pillaging and plundering, and Cole’s principles limit his targets. Seeking an education on the nature of piracy, Cole hunts more knowledgeable players: the beautiful but deadly Valkyrie, the enigmatic alien fence David Copperfield, and the fearsome alien pirate known as the Hammerhead Shark.

Audible Frontiers - Starship: Mercenary, Book 3 by Mike ResickStarship: Mercenary, Book 3
By Mike Resnick; Read by Jonathan Davis
Audible Download – 8 hours 36 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: April 2008
Military discipline and honor have been a poor match for Capt. Wilson Cole’s life of pillaging and plundering. Seeking a better way of life, the Teddy R. has become a mercenary ship, hiring out to the highest bidder. Whether it’s evacuating a hospital before war can reach it, freeing a client from an alien prison, or stopping a criminal cartel from extorting money from a terrified planet, the crew of the Teddy R. proves equal to the task. Along the way, they form a partnership with the once human Platinum Duke, team up with a former enemy, and make the unique Singapore Station their headquarters. The life of a mercenary is not always predictable. Circumstance now pits Cole and the Teddy R. against the former Pirate Queen, Valkyrie. Soon the fragile trust that has grown between these two legends is put to the test as they find themselves on opposite sides of a job.

And received by mail from Audio Book Case…

Into That Darkness Peering: Nightmarish Tales Of The Macabre Volume IIInto That Darkness Peering: Nightmarish Tales Of The Macabre Volume II
By Edgar Allan Poe; Read by Wayne June
1 CD – [UNABRIDGED]
Publisher: AudioBookCase
Published: June 2008
Includes four tales of the supernatural, shock and horror:
The Conqueror Worm, The Tell Tale Heart, The Imp Of The Perverse and Hop Frog

Posted by Jesse Willis

Review of Calculating God by Robert J. Sawyer

SFFaudio Review

Audiobook - Calculating God by Robert J. SawyerCalculating God
By Robert J. Sawyer; Read by Jonathan Davis
Audible Download – 12 hours – [Unabridged]
Publisher: Audible Frontiers
Published: 2008
ISBN: None
Themes: / Science Fiction / Aliens / Paleontology / Religion / Philosophy / Space Travel /

One of the things I enjoy most about reviewing audiobooks is that I get to revisit novels that I’ve read and loved in the past. When these beloved novels are given great readers (not always the case), I can’t wait to get at them. Calculating God is one of those novels, and Jonathan Davis is an excellent narrator, so this audiobook leapt to the top of my TBR list the moment I realized it existed.

Jonathan Davis burst onto the science fiction scene with his stellar narration of Neal Stephenson’s Snow Crash (SFFaudio review here). Since then, in the science fiction genre, he’s been almost exclusively reading Random House’s Star Wars abridgments. He reads them well, but I was thrilled to see him step away from that and narrate another of science fiction’s great novels. He is one of our very best narrators and this is a fine performance. I was rapt the entire time, and even near tears at one moment in the book.

When I read this novel for the first time, I was a bit taken aback. I am a Catholic and I’ve been reading science fiction all of my life. I have never had a problem reconciling science and religion and have been both perplexed and dismayed that Christianity is portrayed so often as being incompatible with science. It’s certainly true that for many Christian churches this conflict is real, but those churches are not Catholic churches, despite the most famous illustration of the conflict being the Catholic treatment of Galileo. I tell everyone who cares that Galileo was an aberration in the history of the Church (not the norm), but still, it was a colossal (though admitted) mistake. But for myself, science and religion are NOT in conflict. I’ve included a link at the bottom of this review to an interview of Brother Guy Consolmagno, a Vatican astronomer that aired on CBC Radio as an illustration of a Catholic’s relationship with science. Robert J. Sawyer is mentioned in the interview as well.

Back to the novel at hand: The reason I was taken aback when I first read this book was that it’s the first novel I’ve ever read in which the aliens believe in God. That in itself makes this book interesting enough to pick up. Imagine – an alien lands on your front doorstep and starts to question your doubts about the existence of God. Most science fiction portrays religion as something that is grown through or evolved past. By the time an alien species is mature enough for stellar travel, surely they have jettisoned religion? There’s no place for such a thing in a rational, scientific universe. Right?

Well, not according to this novel. Sawyer presents, in a very entertaining and interesting way, arguments for and against God’s existence. The main character (Tom Jericho) is a paleontologist who is dying of cancer. An alien (named Hollus) lands near the Royal Ontario Museum and strolls right in, asking to see the fossils. And off the novel goes. Jericho and Hollus spend much of the novel together looking at fossils and discussing various topics that range from the wide, including mass extinctions and evolution, to the intimately personal, like the approaching death of Jericho. I can think of no better way to present these topics than this lively novel, and I’ll recommend it to anyone interested in thinking about these things, no matter which side of the fence they are on.

Sawyer uses science fiction to create circumstances that make us readers think about important ideas in different ways and from different perspectives. That’s exactly the kind of science fiction I love to read, and why I’ll keep coming back to Robert J. Sawyer for more. I’m very happy to have had a chance to revisit this novel, and even happier to be able to award it our SFFaudio Essential designation.

Audible.com has published a few more of Robert J. Sawyer’s novels: The Neanderthal Trilogy is there (Hominids, Humans, and Hybrids). They also have his Nebula winning novel The Terminal Experiment, published by Recorded Books. We reviewed it back in 2003.

Robert J. Sawyer’s Calculating God page: LINK

A link to a CBC interview of Brother Guy Consolmagno, Vatican Astronomer: LINK

Posted by Scott D. Danielson

Audible.com and Blackstone Audio Royalties

SFFaudio News

Audible.comBlackstone AudiobooksRobert J. Sawyer, in answer to a question about the royalties he gets on the sale of his audiobooks, writes:

…on royalties, Audible pays –% (either of the flat-out purchase price, or the purchase cost of the applicable “Audible Listener Credit” applied). Audible doesn’t do any physical product. Blackstone Audio does, though, and they pay:

Rental and Retail 10% of net receipts
Direct internet download 15% of net receipts
Download via (sublicensed) 3rd party 40% of net receipts (that is 40% of whatever they get from Audible or other online retailers).

Net receipts is a tricky phrase: it’s NOT that I get 10% of the price you, the consumer, pays on the cassettes/CDs, but 10% of the portion of that price the bookseller passes on to the publisher — making the effective royalty about 6% of cover price.

So, the royalties are pretty darn small, but, then again, they’re small on books, too (8% on mass-market paperbacks is typical; 7.5% on large format trade-paperbacks; 10% on hardcovers – although at least those amounts are percentages of cover price).

All that said, I’m into five figures on audio-book income actually received so far this year, so I’m not complaining too much (although all of that is advances against royalties, or other licensing fees).”

$??,??? just in audiobook revenues in less than 5 months!

[via the Robert J. Sawyer Yahoo! Group]

Posted by Jesse Willis

UPDATE ON JUNE 4th 2008 Rob Sawyer asked me to remove the Audible.com figures from this post (due to a non-disclosure agreement he has with Audible.com). I’ve done so because I’m nice and he asked me nicely. I like Rob and don’t want to screw up something he was kindly, but mistakenly, telling his readers about.

Review of The Hemingway Hoax by Joe Haldeman

SFFaudio Review

The Hemingway Hoax by Joe HaldemanThe Hemingway Hoax
By Joe Haldeman; Read by Eric Michael Summerer
Audible Download – 4 Hours 31 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: April 2008
Themes: / Science Fiction / Earnest Hemingway / Time Travel / Alternate Universe / Parallel Worlds /
The hoax proposed to John Baird by a two-bit con man in a seedy Key West bar was shady but potentially profitable. With little left to lose, the struggling, middle-aged Hemingway scholar agreed to forge a manuscript and pass it off as Papa’s lost masterpiece. But Baird never realized his actions would shatter the history of his own Earth – and others. And now the unsuspecting academic is trapped out of time – propelled through a series of grim parallel worlds and pursued by an interdimensional hitman with a literary license to kill.

This here is our first review of an Audible Frontiers title, Audible Frontiers is a new imprint of Audible.com, bringing hard to find and never before recorded SF audiobooks to their website and iTunes exclusively. The Hemingway Hoax is a strong beginning too, this is a Hugo and Nebula Award winning novella/short novel that interweaves historical fact and SF elements into an exotic elixir not unlike absinthe. In very real literary history, 1921 Paris to be precise, Earnest Hemingway’s wife lost a bag containing all the manuscripts and carbon copies for Hemingway’s first novel and several short stories. Seventy-five years later, in a 1996 Key West storyland, a Hemingway scholar named John Baird meets a conman named Castle who wants Baird to forge copies of Hemingway’s “lost” manuscripts. With his younger wife all for it, and with some major interest in the logistics of the project himself, Baird sets out to commit the fraud only to find himself face to face with an ethereal version of Hemingway himself! This being, who turns out to be from outside of time – or wherever, tells Baird that he ‘must not perpetrate the hoax, upon pain of death.’ But even the threat of death, and death itself won’t stop Baird, as the Hemingway Hoax is on!

I can see why this tale won a Hugo, this has all the Haldeman touches, intelligent and literate fiction, easy humor and good storytelling. Time travel and parallel worlds are about the oldest tropes of SF, but Haldeman staked out some ground in both domains, and they pay-off. I’ve read a few Hemingway stories, and the pastiche that appears here and there in the novella sound just like Hemingway to me. This, coupled with the candid BONUS AUDIO of Joe Haldeman talking about the inspiration for the novel that precedes the audiobook proper makes The Hemingway Hoax definitely worth checking out. Baird is a stand-in for Haldeman, both are professors of literature at New England universities, both served in Vietnam, both are intrigued by Hemingway and his lost papers. This makes for the most Philip K. Dickian Haldeman tale I’ve ever read. In terms of the production itself, this is a straight reading, with some light music added over the opening sentences and the final paragraphs. Other than a couple of very minor pronunciation errors Eric Michael Summerer (a new voice in audiobooks) narrated beautifully. He voiced five major characters, three male and two female, and they all sounded naturalistic and different. Audible Frontiers should use Eric Michael Summerer again.

Update (here are the illustrations from the publication is Asimov’s):
Asimov's 1990-04 - Cover illustration by Wayne Barlowe
Asimov's 1990-04 - interior illustration by Terry Lee
Asimov's 1990-04 - interior illustration by Terry Lee
Asimov's 1990-04 - interior illustration by Terry Lee

Posted by Jesse Willis