Canadia: 2056 in the music section of the iTunes store

SFFaudio News

CBC Radio - Canadia 2056As our twitter subscribers already know the first 5 episodes of Canadia: 2056, the CBC’s last great Science Fiction (and comedy) series |READ OUR REVIEW|, are now available in the “spoken word” section of the iTunes store.

Spoken word is, of course, not the right category for Canadia: 2056. In fact it’s a terrible section for this great series. It is low traffic section and it has had titles removed from it (when Audible.com has complained to Apple about titles in it violating their contractual monopoly on audiobook and audio drama content). Even worse these tracks will not have bookmarking features as found on audibooks in the audiboook section. Despite all these problems and the general caveats associated with downloading from the music store of iTunes (vs. the relative safety of Audible.com) you may want to snap these first 5 tracks up. Presumably if these first five tracks sell well CBC will put up the rest of season 1 and maybe even season 2!

Or you could just get the DRM free versions on CD through the CBC store HERE. It is more expensive that way, but it is 100% complete and it won’t disappear if you have a hard drive crash.

Update:
Matt Watts, the writer and star of Canadia 2056 points out that the files on iTunes are in fact DRM free! And that it’s just $4.99 for 5 episodes. That’s pretty damn good for DRM free!

Posted by Jesse Willis

P.S. CBC has failed to release the J. Michael Straczynski series The Adventures Of Apocalypse Al. For shame CBC! For shame!

Review of Hyperion by Dan Simmons

SFFaudio Review

Hyperion by Dan SimmonsSFFaudio EssentialHyperion
By Dan Simmons; Read by Various
19 CDs – 21 hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2009
ISBN: 9781423381402
Themes: / Science Fiction / Artificial Intelligence / Aliens / Religion / Starships / Simulations / Transportation /

Seven people, all headed to the planet Hyperion to visit the Shrike, find themselves on the same ship. Regular pilgrimages are made to the Shrike, but these seven have been granted a visit to the Shrike together. To find out why this is, they all agree to tell each other their personal stories of what brought them. The result is a Canterbury Tales in space. A priest, a soldier, a poet, a scholar, a detective, and a consul each tell their story; all separate, all intensely personal, all very different, yet all involving the Shrike in some way.

The book is set in the distant future, and the ideas are plenty. There’s farcasting, where doorways are created to other worlds. One character has a house where every room is on a different world. Costs a fortune, but it can be done. There are artificial intelligences, starships, and sims. Against this backdrop is the Shrike, an alien creature that lives in the Time Tombs, and the seven on a pilgrimage who land in a city on the planet Hyperion, then make their way to see the Shrike over land. “Pilgrimage” is definitely the right word here, because the whole book has a mythic-religious quality. Each person is dealing with very difficult stuff, and what each person hopes to gain from the Shrike when they finally get to see it is nothing short of intervention of a higher power.

Audible Frontiers did a wonderful job with this audiobook. It used to be available only through Audible, but now Brilliance Audio is offering a hardcopy version on CD, which is how I listened. Each story is told by a different character, and each one uses a different narrator. The narrators were all excellent, so this is a perfect presentation of this book.

All seven of the stories are fascinating, well-written stories. There isn’t a weak one on the bunch. This is a top-shelf science fiction novel, up there with the greatest books of the genre.

Highly recommended, without question an SFFaudio Essential! The single caveat is that you must plan to read the next book in the Hyperion Cantos, (called The Fall of Hyperion), because the story doesn’t end with the end of this book. The Fall of Hyperion is also available from Audible (digital) and Brilliance Audio (CD), as are the two books that complete the series, Endymion and The Rise of Endymion. This is the only one I’ve read, but I expect I’ll be reading them all.

Posted by Scott D. Danielson

Aural Noir Review of Paranoia by Joseph Finder

Aural Noir: Review

Macmillan Audio - Paranoia by Joseph FinderParanoia
By Joseph Finder; Read by Scott Brick
Audible Download – 13 Hours 8 Minutes [UNABRIDGED]
Publisher: Macmillan Audio
Published: July 2009
Provider: Audible.com
Themes: / Thriller / Espionage / Business / Crime / Corporate Culture /

Adam Cassidy is 26 and a low-level employee at a high-tech corporation who hates his job. When he manipulates the system to do something nice for a friend, he finds himself charged with a crime. Corporate Security gives him a choice: prison – or become a spy in the headquarters of their chief competitor, Trion Systems. They train him and feed him inside information. Now at Trion, he’s a star, skyrocketing to the top. He finds he has talents he never knew he possessed. He’s rich, drives a Porsche, lives in a fabulous apartment, and works directly for the CEO. He’s dating the girl of his dreams. His life is perfect. All he has to do to keep it that way is betray everyone he cares about and everything he believes in. But when he tries to break off from his controllers, he finds himself in way over his head, where nothing is what it seems and no one can really be trusted. And then the REAL nightmare begins…

I quite enjoyed this audiobook. That surprised me quite a bit. I was fairly skeptical going in. Books about business are often too much like self-help books. At worst they can be all full of untestable advice, formulaic reformulations of Sun Tzu’s The Art Of War, dogmatic variations on Machiavelli’s The Prince or even, horror of horrors, creating their own Baconian-style methodology (writing lists of commonalities). But, I told myself, this is a business thriller and not a business book, so I gave it a try. Now,after reading this thriller I think I’d be up for reading a good book on real world corporate espionage. It might be more interesting than any other kind of non-fiction business book I’ve read. A few other things struck me about Paranoia. First, Joseph Finder can write. This isn’t Oprah fiction, this literature that fits in somewhere in between John Grisham and Nelson DeMille. Second, there are a few twists and turns along the fairly predictable path. Some of these came rather unexpectedly. Those being generally in a good way. Third, Adam Cassidy, our flawed hero, is a fairly likable protagonist. This is helped by having the story told first person (and narrated the ever lovable Scott Brick). As to the novel’s formula, there were a couple of rough patches. At several points throughout the novel Finder seems to make a special effort to distance Cassidy from the techie world he works in. This felt a bit odd for the story, but it seems like a ploy to make a thriller set in the iPhone world more mainstream than it really is. At certain points Finder has Cassidy far less familiar with his tech business than he should be. In my experience techies usually don’t think of their toys as mere tools. I’ve never worked for Palm or Apple or Research In Motion (they make the BlackBerry), but I’m betting that the folks who work there are a lot more techie than Adam Cassidy. Another issue, the family and friends felt constructed into the plot – put there to provide a break from the main thrust of the story. Despite this I found myself not too upset with the author’s manipulation. Scott Brick again probably helped here. I’m not convinced he’s the best narrator for a lot of novels I hear him reading, but for those told first person, I must admit he’s got to be one of the best. Lastly, as with the character being blatantly aimed at the mass market, rather than more realistic for his position, there is comparable problem with the novel’s title. Sure there is a bit of paranoia in Paranoia – but that title has more to do with crappy generic book titling culture than the book itself. Corporate suits get there way on this all the time, and we consumers aren’t calling them on it. I would much rather read We Can Remember It For You Wholesale than Total Recall. The first tells me something about the story.

I picked up Paranoia during Audible.com’s free giveaway of the audiobook a few weeks back. After getting my first taste for free I think I’d be willing to pony up an Audible credit for the next Joseph Finder novel to come out. One Audible reviewer gave the novel a low star review because it has “more F-Bomb’s in it than any other book that I’ve read.” Thinking back, I can’t say I remember that many. The odd “Fuck!” now and then was present, but given the circumstances Cassidy is dealing with from chapter to chapter leaving them out would have been far more noticeable than having them there. Real drama tends to have swearing. I don’t usually like to talk about adaptations of audiobooks into other mediums. My ususal thinking is that fiction is best in the audiobook form, but I realized about two thirds of the way through that Paranoia might be improved further. There is a chapterized serial cliff-hanger feel to it that is similar to that of some of the best of modern television programs (the likes of Dexter, Breaking Bad and Weeds). Thematically, of course, this theoretical television adaptation would be far more similar to the short lived Fox TV series Profit. If there is going to be an adaptation of this novel, I suggest it be to cable TV, if only to keep the all the swearing.

Posted by Jesse Willis

The SFFaudio Podcast #035

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #035 – Jesse and Scott talk new releases and recent arrivals with 2 of the 3 internet celebrities that were on last week’s podcast:

Gregg Margarite (LibriVox.org narrator and book coordinator),

and Luke Burrage (professional juggler and host of the Science Fiction Book Review Podcast) discuss…

Talked about on today’s show:
recent arrivals and new releases, Audible.com, The Fountains Of Paradise, A Fall Of Moondust, Arthur C. Clarke, space elevator, Dyson sphere, augmented reality, William Gibson’s Virtual Light |READ OUR REVIEW|, Minding Tomorrow by Luke Burrage, audiobook narration, The Prisoner, disaster, The Poseidon Adventure on the moon, the “BRADBURY 13” radio drama series, A Sound Of Thunder [BRADBURY 13] based on the story by Ray Bradbury, A Gun For Dinosaur by L. Sprague de Camp, A Galaxy Trilogy Vol. 3 includes (Giants From Eternity by Manly Wade Wellman, Lords Of Atlantis by Wallace West, City On The Moon by Murray Leinster), Tom Weiner, Hater by David Moody, apocalypse, zombies, Stephen King’s Cell |READ OUR REVIEW|, Left 4 Dead, what makes zombies so compelling?, Of Bees And Mist by Erick Setiawan, book reviewing (using stars or scores), Metacritic.com, A Dribble Of Ink, Subterranean Press, The Sharing Knife Vol. 4 Horizon by Lois McMaster Bujold, The Curse Of Chalion by Lois McMaster Bujold |READ OUR REVIEW|, Star Trek by Alan Dean Foster, Alien by Alan Dean Foster, Star Trek: The Animated Series, Predator by Paul Monette, The Abyss by Orson Scott Card, The Abyss (the movie), endings, the goldfish effect, Science Fiction exposes you to a world, Fantasy immerses you in a world, Star Wars: Fate of the Jedi: Abyss, The Terror by Dan Simmons, abridgements, Simon Vance, Hyperion by Dan Simmons, Q Squared by Peter David, John de Lancie, LibriVox.org, Short Science Fiction Collection Vol. 025, Belonna Times, Brigands Of The Moon by Ray Cummings (read by Seth1864), The Pirates Of Erzats by Murray Leinster (read by mylantus), slide rules and calculators and abucci, Korean finger counting, Photoshop as a calculator, what jugglers are like, sculptor Jonathan Borofsky, The Pleasure Of My Company by Steve Martin, Magic square, Benjamin Franklin, Mandelbrot set, an entire issue of Astounding Stories of Super-Science – September 1930 as an audiobook, the Speech Accent Archive. An excerpt from Star Trek by Alan Dean Foster (the audiobook novelization of the 2009 film)

Posted by Jesse Willis

FREE @ Audible.com: 20,000 Leagues Under The Sea [IN SPANISH]

SFFaudio Online Audio

S’il vous plaît excusez-moi. Je ne parle pas bien le français. En fait, je suce à elle. Mais j’ai encore moins en espagnol. Mais je veux encore parler de ce drame audio. C’est une version GRATUITE de 20,000 Leagues Audio Drama Jule Verne Under The Sea est disponible à l’Audible.com – en espagnol. Confus? Oui, moi aussi.

Fono Libro - 20,000 Leagues Under The Sea [IN SPANISH]20 Mil Leguas Viaje Submarino [20,000 Leagues Under the Sea in Spanish]
Based on the novel by Jules Verne; Performed by a full cast
FREE Audible Download – Approx. 1 Hour 40 Minutes [AUDIO DRAMA]
Publisher: FonoLibro Inc.
Published: 2007
Provider: Audible.com
FonoLibro se enorgullece en presentar el audiolibro en español 20,000 Leguas de Viaje Submarino de Julio Verne considerada la primera y mejor novela de ciencia ficción de la literatura universal. Era el año 1866, y el océano pacifico estaba aterrorizado por monstruo marino. El gobierno americano envía a bordo del buque de guerra Abraham Lincoln al especialista en vida marina Pierre Aronnax a que investigue este hecho. Cuando esta nave es hundida por esta misteriosa criatura, el Profesor Aronnax y otros dos supervivientes descubren que no era un monstruo, sino un maravilloso submarino, el Nautilus, comandado por el enigmático Capitán Nemo. Nemo se rehúsa a llevar los sobrevivientes a tierra, sin embargo los lleva a bordo del maravilloso submarino en un fantástico viaje lleno de aventuras, tormentas, monstruos marinos, tesoros, y hasta la fabulosa ciudad perdida de Atlantis. FonoLibro les trae la obra maestra de Julio Verne en una impresionante dramatización, con un elenco completo, maravillosa música y efectos especiales que le harán sentir que esta en el fondo del mar a bordo del Nautilus viviendo esta maravillosa aventura.

Posted by Jesse Willis

Aural Noir Review of Drive by James Sallis

Aural Noir: Review

Blackstone Audio - Drive by James SallisDrive
By James Sallis; Read by Paul Michael Garcia
Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /

“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”

Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.

Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.

Posted by Jesse Willis