artificial intelligence – Page 6

Review of Blake’s 7: The Early Years: Zen: Escape Velocity

SFFaudio Review

SFFaudio Essential Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1)
By James Swallow; Directed by Andrew Mark Sewell; Performed by a full cast
1 CD – Approx. 1 Hour [AUDIO DRAMA]
Publisher: B7 Productions
Published: April 26, 2010
ISBN: 978190657709
Themes: / Science Fiction / Artificial Intelligence / Cloning / War / Aliens /

Based on Terry Nation’s seminal 70s science fiction TV series, The Early Years is a prequel series of audio stories that explores the origins of key Blake’s 7 characters prior to them meeting rebel leader Roj Blake. This latest entry to the ever-expanding series takes a new twist, concentrating on a character that doesn’t breathe or have any parents, the synthetic intelligence known only as Zen. When Roj Blake first stepped on board the mysterious, derelict alien spaceship Liberator, his every movement was monitored by the ship’s controlling intelligence, Zen Luckily, Blake and his rebel crew managed to gain the ‘confidence’ of this creation from an alien world and so he was able to use the Liberator in their quest for justice against the Federation. But the origins of Zen have remained a mystery, until now. What terrible catastrophe left the Liberator drifting and shattered? What drove the ship’s intelligence to murder its original crew? What dark secrets lie at the heart of this alien machine? And are Blake and his crew really safe on board the Liberator?

Often, you’ll want to know somebody’s back-story, and then later, when you actually get it – in a prequel story – you’ll find that it is far, far, far less interesting than whatever was going on in your imagination. For me, the years between 1980 and 1999 were ones filled with near-reverence for a fascinating character, the ultimate baddie: Darth Vader. But no amount of apologetics can possibly remove the sickly saccharine story of a nine-year-old Darth Vader filled with “a high concentration” of midichlorians. Yuck. And yet “prequel” is not always a dirty word. I don’t feel that way about The Young Indiana Jones Chronicles, and likewise the Blake’s 7 prequel stories (1.1 |READ OUR REVIEW|, v.1.2 & 1.3 |READ OUR REVIEW|, 1.4 |READ OUR REVIEW|). By far the most mysterious character in the original TV series was Zen, the artificial intelligence. Zen was pretty closed-circuit about its past, not revealing much over the two years it appeared in the series (1978 – 1980). In life Zen “projected a dour, non-committal personality” and would “reply to certain questions with the phrase ‘That information is not available.'” This left left open the possibility that Zen was hiding secrets or “secretly executing its own agenda.” In this magnificent audio drama we are given a genuinely interesting explanation as to why Zen was so very melancholic, why the ship was found crew-less, seemingly abandoned and drifting near Cygnus Alpha.

Zen: Escape Velocity clearly reveals the frightening truth about all of Zen’s character quirks and its cryptic answers from the TV series. But it also shows more. Back in 2008 I reviewed the Blake’s 7 – Audio Adventures boxed set |READ OUR REVIEW| – the first three episodes of the new B7 audio drama series. One detail found within that review was that Zen was, unlike the original series, suicidal at the time of its discovery. Listening to Zen: Escape Velocity you will discovery exactly why that was so.

Six actors, Zoë Tapper, Jason Merrells, Tracy-Ann Oberman, Alastair Lock, Sam Woodward and Pamela Banks play different members of the original crew of the Liberator (back when it was still called “Deep Space Vehicle 2” and when Zen was called “SHIP-MIND”). The story, told by a careful cross-cutting backwards and forwards in time, shows the original crew welcoming their new PILOT, Zoë Tapper, aboard DSV2. Strangely, she is having memory problems and needs shepherding by the ship’s doctor. As the crew takes its positions and readies themselves for battle, we learn about their fascinating society. This is wonderful social Science Fiction like nothing exactly I’ve read or seen or heard before!

Zen (SHIP-MIND) only used the first-person, singular personal pronoun (“I”) once on the television series – it is used multiple times in this production. Zoë Tapper (who appeared in another Terry Nation re-imagined series) and Jason Merrells (playing the doctor), are the central sympathetic heroes of Zen: Escape Velocity. Alastair Lock, who also acts as a post-producer, musician and sound effects man for the CD, portrays SHIP-MIND (Zen). Sounds are rich, deep and best experienced in a quiet room. The stereo effect and a good set-of headphones,as I used, will bring an immense visual experience that belies the fifty-six minute running time. A five minute “Bonus Music Track” (original to this episode) rounds out the disc.

Posted by Jesse Willis

The SFFaudio Podcast #136 – READALONG: Neuromancer by William Gibson

Podcast

The SFFaudio Podcast #136 – Jesse, Tamahome, Eric S. Rabkin, and Jenny talk about Neuromancer by William Gibson.

Talked about on today’s show:
What was really going on in 1984, the introduction to the audiobook, 3 MB of RAM, Commodore 64, Apple IIe, TI-99/4A, the 10 Year Anniversary Edition of Neuromancer, video arcade vs. arcade, Tank War Europa, Spy Hunter, Sinistar, BBC audio drama adaptation of Neuromancer, cyberpunk, Jenny couldn’t connect with Case the first time, Alfred Bester, the revolutionary effect of Neuromancer, “a very special book”, Mexico City, “an important novel”, Yevgeny Zamyatin’s We, The New Yorker’s parody of Neuromancer, the New Wave, “one great new idea per book”, Samuel “Chip” Delany, The Einstein Intersection, The Lovesong Of J. Alfred Prufrock by T.S. Eliot, “The sky above the port…”, Blade Runner, “time to murder and create”, Hesiod, “And he never saw Molly again.”, an untethered morality, the Rastafarian religion, WWI, virtual worlds, Second Life, Gibson’s intentions, Gravity’s Rainbow by Thomas Pynchon, conspiracy, The Crying Of Lot 49, William S. Burroughs, Naked Lunch, “the silent frequency of junk”, The Wonderful Wizard Of Oz, Dorothy’s shoes, L. Frank Baum, “the face of evil is the face of total need”, The Electric Kool-Aid Acid Test by Tom Wolfe, “slouching through the streets of Paris”, Case is a “man of decided inaction”, God was Adam’s employer, Dixie Flatline wants to die, Free Will, Eric felt for Case, 1980s, Watergate, a totemic fascination with color and material, branding, Pattern Recognition, the Sanyo spacesuit, Hosaka is a computer?, a dead channel would be blue (today), Ian Fleming, James Bond, Walther PPK, “elegance and cosmopolitanism”, John Brunner’s Stand On Zanzibar, Escape From New York, Johnny Mnemonic, the fear of what technology is going to bring, Case’s youth, detritus vs. kipple, Philip K. Dick, Martian Time-Slip, Galactic Pot-Healer, “you can’t prove that the United States exists” in Neuromancer, Case was a street-kid, Gibson has built something that has mythic power, the lame Braun robot, Molly -> Mother -> Mary, SSN vs. SIN, a Case study (pun), he has been assigned a SIN, Oedipus, they function as if they were physical, Case: “You know you repeat yourself man.” Dixie: “Yeah, it’s my nature.”, the Sprawl trilogy and “when it changed”, when is Neuromancer set?, “a rich kid’s hideout”, real kipple vs. fake kipple, “built by carpenters to look rustic”, 18th century fake ruins, Versailles (and the Hameau de la reine), the Tessier-Ashpool are fucked up, Mona Lisa Overdrive, cloning, Count Zero, “they dumped themselves into this matrix”, communication technologies begin with porn, A Chorus Line, SimStim gets short shrift in Neuromancer, Strange Days, Molly’s meat-puppet memories, 1-900 numbers, the lotus eaters, Circe, the Sirens song, The Lion of Comarre by Arthur C. Clarke, the heisters are motivated or moved by their A.I. puppet-master, Case’s motivation, Molly’s motivation, Corto/Armitage’s motivation, like Rabbit in Vernor Vinge’s Rainbow’s End, these characters want to believe in their own free will, Neuromancer‘s motivation, “who’s the bad guy in this book?”, “who isn’t?”, the shuriken is the only moral totem in the book, dystopia vs. dystopic, “the wavelength of amphetamine”, spit instead of cry, Jenny is kind of cheating (because she’s read the sequels), is Molly wrong for Case?, Eric questions the new pancreas, it’s Noir (because everyone smokes), Jo Walton’s review of Neuromancer (see the top and comment 59.), Jesse appreciates the world (and the great motivation of the plot), Eric likes Case (in part) because he’s the only one who doesn’t want to physically hurt anyone else, O’Neil colony, the fake French youths, Case is not Neo, The Matrix is a fairy tale with a prophecy whereas Neuromancer is Science Fiction, the Sprawl Trilogy vs. The Matrix Trilogy, Star Wars, “stuck in bullet time”, V: For Vendetta is a fantastic movie, Jenny thinks we should listen to the soundtrack to The Matrix, “the machine and the moment”, Tama thought the second half of Neuromancer dragged, Mary Shelley’s Frankenstein is also Necromancer‘s antecedent ,”what do we owe to what we create?”

Neuromancer

Julian Assange has a copy of Neuromancer by William Gibson

NEUROMANCER - illustration by Barclay Shaw

Posted by Jesse Willis

The SFFaudio Podcast #127 – READALONG: Rainbows End by Vernor Vinge

Podcast

The SFFaudio Podcast #127 – Jesse, Scott, Tamahome, and Prof. Eric S. Rabkin discuss Vernor Vinge’s Rainbows End (no apostrophe).

Talked about on today’s show:
“Welcome to our belief circle”, pronouncing “Vinge”, why Eric picked the book, how to appreciate it, Jesse: “I’m not super impressed”, the Neuromancer connection, Robert Gu (the grouchy poet), The Rabbit, mind control, “affiliances”, this book is happy, “it’s a noir book (Neuromancer)”, the nature of Rabbit, the book is told in free indirect style (vs 3rd person limited vs 3rd person omniscient) (I guess “3rd person limited omniscient” is a contradiction), Sherlock Holmes, POV of Rabbit, a missing MacGuffin, we spoil both Neuromancer and Rainbows End, the book’s other inspirations, Alice In Wonderland, projected realities (belief circles), Vinge: “a very mellow extrapolation”, The Moon Is A Harsh Mistress (huh?), Mike the computer, the Jewish doxie of shim sung, Jesse: “I’m liking it more”, the original novella Fast Times At Fairmont High, Bob And Carol And Ted And Alice (sexy!), The Bear Came Over The Mountain by Alice Munro, nursing homes, “a proto-typical mainstream story”, no one likes Robert Gu, Rollback by Robert Sawyer, Vinge’s writing strengths, “big steaming mounds of infodump”, Faulkner’s Light In August, Away From Her (film of Munro story), let’s hear it for Canada, Dune, “The Doomsday Machine” (Star Trek), Saberhagen’s Berserkers, “destruction of the past for the future”, libraryoem = human genome, “tempest in a teapot”, the Geisel Library is named after Dr. Seuss, biological vs technical, “visceral”, The Space Merchants, Terry Pratchett, “DRM’d to the bone”, is it a dystopia?, reach out and touch someone, the word “apostrophe” in poetry, “that’s an extra cuteness”, the absent transitive like “do you ride?”, How do you write good science fiction?, Robert A. Heinlein, Virtual Light, Google Goggles app, Layers app, A Christmas Carol, The Mysterious Stranger by Mark Twain, “the snake of knowledge”, Eric takes notes when he reads, taking notes in an audio book (the Audible app can, Eric), ebook vs paper book, search skills, letmegooglethatforyou.com, Eric’s computer has all the answers, The Diamond Age, politics, Winston Blount, Miri, growth, Xiu Xiang, “Rainbows End is a pot of gold”, a heavenly minefield, rebirth, The City And The Stars by Arthur C. Clarke.

Posted by Tamahome

X-Minus One: The Lifeboat Mutiny by Robert Sheckley

SFFaudio Online Audio

The Lifeboat Mutiny is a part of Robert Sheckley’s “AAA Ace Series.” The series has eight stories, each involving two partners in the far future encountering various unusual problems. One fan on LibraryThing described the series as being about “two of the unluckiest fellas who ever set out to make a fortune” – I’m still exploring the series, but I note that some non-AAA Ace Sheckley stories also seem to fit into that category – stories like Warrior Race and Untouched By Human Hands!

I find X-Minus One’s shows to be very hit or miss, but this Robert Sheckley story completely works. In fact, I’ve used the script for The Lifeboat Mutiny in school. Kids love it, adults love it. My only nit-pick with this adaptation is that the actor playing the lifeboat is not nearly emotional enough – he totally underplays the scripted dialogue – when I do this part, I always play the lifeboat as highly emotional.

X-Minus One – The Lifeboat Mutiny
Based on the story by Robert Sheckley; Adapted by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [UNABRIDGED]
Broadcaster: NBC Radio
Broadcast: September 11, 1956
Provider: Archive.org
Two planetary surveyors purchase a second-hand lifeboat to survey a water planet not knowing that the ship contains an artificial intelligence created for a war five hundred years in the past.

First published in Galaxy Science Fiction’s 1955 issue with an illustration by Kossin:

Galaxy Magazine - April 1955 - The Lifeboat Mutiny by Robert Sheckley

Galaxy April 1955 - The Lifeboat Mutiny - Illustration by Kossin

Here’s The Middlebury Radio Theater‘s recording of the script too:

The Lifeboat Mutiny
Based on the story by Robert Sheckley; Adapted by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 20 Minutes [UNABRIDGED]
Podcaster: The Middlebury Radio Theater Of Thrills And Suspense
Podcast: February 5, 2011

Posted by Jesse Willis

The SFFaudio Podcast #091 – READALONG: Oath Of Fealty by Larry Niven and Jerry Pournelle

Podcast

The SFFaudio Podcast #091 – Scott and Jesse talk about the new Audible Frontiers audiobook Oath Of Fealty by Larry Niven and Jerry Pournelle.

Talked about on today’s show:
Footfall by Larry Niven and Jerry Pournelle, The War Of The Worlds by H.G. Wells, Robert A. Heinlein, The Godwhale by T.J. Bass, Half Past Human by T.J. Bass, overpopulation, genetic engineering, artificial intelligence, FROMATES (“Friends of Man and the Earth” – an anti-technology group of eco-terrorists), arcology, Todos Santos, Los Angeles, California, are arcologies a stepping stone to generation starships?, SimCity 2000, Sid Meier’s Civilization, architecture + ecology = arcology, Coruscant (the city planet), Tantor (the elephant), Trantor (the city planet), Tantor Media, Mega City One (Judge Dredd), being a free accountant for the government, bylaws vs. customs and culture, engineering, “we can’t write a story that is just setting”, Luke Burrage (of SFBRP), is a cruise ship an arcology?, the reality of reality vs. the dreams of utopia, “Crisis in utopia…”, existing means interacting, the hermit kingdoms, transportation, Zipcar, cultural vs. technological developments, living differently in an urban environment, arcology as shopping mall, security conscious vs. security theater, safety as a selling point, TSA, terrorism, a Heinleinian uncomfortablenesses, THINK OF IT AS EVOLUTION IN ACTION, “humanity is more than just one type of person”, what’s wrong with Oath Of Fealty, not unrealistic vs. realistic, eco-terrorism, resentment and the response to resentment is yucky in Oath Of Fealty, what are the references to blacks and lesbians doing in this book?, Job: A Comedy Of Justice, “the Disney connection”, Disney World, Walt Disney, Epcot, gated communities, Celebration (Florida), brain drain, Canadian immigration policy (is draining the third world of its best educated), colonizing Mars, Jerry O’Neill’s space colonies, “not anything like reality”, overpopulation, community tool libraries, Abu Dhabi, Dubai, Stephen Hawking, NASA spinoffs, spiritual reasons for space travel, Beijing olympics opening ceremony, cut the defense budget to actual defense, “we need an alien threat”, China’s moon program, McMurdo Station (Antarctica), Herzog’s Encounters At The Of The End Of The World, the Canadian (Sir George Reedy) is the most unrealistic thing in Oath Of Fealty, there are no knights for Canada, the Order Of Canada, the case of Conrad Black, House Of Tones blog (interview with Larry Niven and Jerry Pournelle), the role of GOOD editors, Robert A. Heinlein did the editing on The Mote In God’s Eye by Larry Niven and Jerry Pournelle (!), series aren’t a new thing, Anne Of Green Gables, The Great Brain, Tarzan, the Barsoom series, The Wizard Of Oz, expecting the series and not demanding the series is the cart leading the horse, John Joseph Adams (should be a guest on the SFFaudio Podcast), Orson Scott Card as an editor, Technovelgy.com’s Oath Of Fealty entry, the audiobook version of Oath Of Fealty, GLADOS, Portal, artificial intelligence, the speech recognition on the Google App is amazing (!), Google Goggles, cyborg, “BrainPal”, Old Man’s War by John Scalzi, telling Oath Of Fealty from a different POV, check out the DRAMATIS PERSONAE for Oath Of Fealty below, this book needs more average folks, Cory Doctorow, “a lot more agitation and a lot less Heinlein”, do it as a YA novel, UCLA, the Weather Underground, drink coffee while you waldo on the moon, slidewalk, The Moon Is A Harsh Mistress, The Caves Of Steel by Isaac Asimov |READ OUR REVIEW|, Lucifer’s Hammer by Larry Niven and Pournelle.

The Todos Santos Arcology from the cover of the 1986 Pocket Books paperback

Dramatis Personae
Joe Dunhill — Probationary Officer, Todos Santos Security
Isaac Blake — Lieutenant, Todos Santos Security
Preston Sanders — Deputy General Manager, Todos Santos Independency
Tony Rand — Chief Engineer, Todos Santos
Arthur Bonner — General Manager, Todos Santos
Frank Mead — Comptroller, Todos Santos
Delores Martine — Executive Assistant to the General Manager, Todos Santos
Barbara Churchward — Director of Economic Development,Todos Santos
MacLean Stevens — Executive Assistant to the Mayor of the City of Los Angeles
Sir George Reedy — Deputy Minister of Internal Development, Canada
Genevieve Rand — Tony Rand’s former wife .
Alice Marie Strahler — Executive Assistant to Tony Rand
Allan Thompson — Student
Sandra Wyatt — Assistant General Manager, Todos Santos
James Planchet — City Councilman, Los Angeles
Mrs. Eunice Planchet — James Planchet’s wife
George Harris — Businessman and convicted tax evader
Thomas Lunan — Newsman
Amos Cross — Chief, Todos Santos Security
John Shapiro. LLD. — Counsel, Todos Santos
Samuel Finder, M.D. — Medical Resident, Todos Santos
Hal Donovan — Lieutenant, Robbery/Homicide, Los Angeles Police Department
Cheryl Drinkwater — Todos Santos resident
Armand Drinkwater — Waldo Operator
Glenda Porter — Tattoo Artist
Sidney Blackman — District Attorney, County of Los Angeles
Penelope Norton — Judge, Superior Court, State of California
Phil Lowry — Newsman
Mark Levoy — Publican; former Yippie
Ronald Wolfe — General, American Ecology Army
Arnold Renn, Ph.D. — Professor of Sociology, UCLA
Rachael Lief — Bulldozer operator
Mrs. Carol Donovan — Lt. Donovan’s wife
Vito Hamilton — Captain, Todos Santos Security
Vincent Thompson — Subway mugger

Posted by Jesse Willis

Review of Brad Lansky and the Anti-Starc by J.D. Venne

SFFaudio Review

Brad Lansky and the Anti-Starc
By J.D. Venne; Performed by a full cast
1 Hour 44 Minutes – [AUDIO DRAMA]
Publisher: Protophonic
Published: 2010
Themes: / Science Fiction / Hard SF / Audio Drama / Starships / Stars / Artificial Intelligence / Life /

These are troubled times. MARA, the mighty blue supergiant of the Torvus Iubar system is dying, as are the other thirteen ambistars that make up the Ambistar Collective. Billions of lives are in peril. What conceivable force could cause the simultaneous death of fourteen ambistars thousands of light-years apart?

Attention Audiofiles: here is something to sink your ears into. Superior audio design is the hallmark of J.D. Venne’s Brad Lansky audio series, and this latest title (Brad Lansky and the Anti-Starc, the 4th installment) is the best yet. Through rich audio, Venne tells the continuing story of Brad Lansky and his crew, who this time are in search for the cause of the impending destruction of an amazing network of stars.

This audio drama is not your typical fare. The effects, music, and actors combine for an audio experience that reminds me a bit of Meatball Fulton’s Ruby series. Not in subject matter, but in presentation: there and here, the audio is the thing. The sound is as interesting as the story, and Venne’s story is pure hard science fiction. Be sure to use a good set of headphones, and enjoy the ride!

For more info, including samples and purchase data, visit protophonic.net!

Posted by Scott D. Danielson