The SFFaudio Podcast #831 – AUDIOBOOK/READALONG: The Aeneid by Virgil (Books V to VIII)

The SFFaudio Podcast #831 – The Aeneid by Virgil [Books V – VIII] read by George Allen (for LibriVox) and translated by John Dryden. This is the first third of the epic poem, books V to VIII (comprised of XII Books) running 4 hours 18 minutes, followed by a discussion of them. Participants in the discussion include Jesse and Scott Danielson

Talked about on today’s show:
books 5-8, three, the entire Aeneid, zip up all the things into one show, one long show?, the first half and the second half, how did we devide these?, at the end of book six the whole things changes, The Odyssey, having trouble getting into this, washing over, what happened?, find things, Great Courses series, Elizabeth Vandiver, 1-6 seems to be the interesting bit, 7-12 was the interesting bit, gung-ho Rome, an Avengers movie, power armour, couple of decades ago, the very ending, finding out about that, verym memorable, a good chunk, one of the books of this book, the shield of Aeneas, exemplifies what’s weird about this book, The Iliad is weird compared with The Odyssey, operating on its own, a cast of characters, a bunch of heroes, Achilles, Patrochlus, the other team, the gods, trying to get the stories about being men, the older dudes are there, know who they are, the story of individual heroes from individual towns, two Ajaxes, an everyman’s story, an individual’s story, every dude has a superpower, a massive seperation, Aeneas is not much of a man as a human being, he is piety personified, dutiful to the gods and destiny, a product of a bunch of things, checkboxes, running a race, certain checkpoints, these all things happened in Roman history, telling a story people already know, all the future visions that we see are contemporary, a propaganda piece, more like a bible, moral stories, how Greeks behave, Romans are already behaving, we are seeing some contemporary for Augustus, some ancient stuff, also shorter, both are in one, if we go into any individual passage and break it down a bit, the Dryden translation, the Fagles translation, end of book 8, page breaks from the bottom, a greenwood shade for long religion known, about a grove, a forest, such vistas, stands by the streams that wash the Tuscan town a holy horror to the grove, a holy forest, beautiful poetic, almost Lovecraftian, the first inhabitants, to Sylvanus vowed, the guardian of the flocks and fields, annual day, the particular setting, the Romans have a set of gods like the Greeks, a million percent legit, they are pantheists, everything is full of gods, the god of the sewers, if you work for the city as a sewer man, your duty is holy, a car or a badge, a holy priest of this goddess, that is not capitalism, everything is infused with religion, keep things great, intense secure, the allies that they’re getting ready for the coming war with the Latians, now from a rising ground, his wondering eyes around, from left to right, thither, weary horses fed, now it gets fun, where the shield description starts, the fated arms, within a winding vale she finds her son, presented with weapons by his mom, but the goddess Venus, off in a glade’s recess by a frigid stream, fighting swaggering Latin ranks, savage Turnus to a duel, a little more touching, she shews her heavenly form without disguise, desiring eyes, same information, in the form of someone else, in The Odyssey, as Mentor, Telemachus, who could it have been but the goddess Athena, this is literally her son, the god who made the armor is not his father (but her husband), he wants to see his mom, behold she says, having her first son embrace, his greedy sight, being made personal, he can’t hug her, she embraces him, radiant arms, she sets the weapons and armour, with that Venus reached to embrace her son, exactly the same information, his greedy sight, like Christmas, takes delight in the goddess’ gifts, what we really have to do is slow it down and think about what’s exactly happening, the crested helm that vomits radiant fires, the terrible crested helmet, solid bronze, like a dark blue cloud, given the perfect gift, good quality, his hands the fatal sword and corslet hold, manly thigh, mysterious mould, roman triumphs, burnished grieves of electrum, no words can tell its power…, the incredible description on what’s going on on the shield, the wars, Julian line, there is the story of Italy, seers and schooled in times to come, all the wars they waged, stock, Julius Caesar and his progeny, right up to the contemporary, this is poetry and not story, poetic devices built into the imagery, how exciting this would be to the Romans, walking around looking at sights familiar to them, an ancient world that’s already ancient, not a new land, an old land full of people already, should be a new land, prime of the world, the caves of Mars, the marshal twins, Romulus and Remus, the green grotto, dugs, lithe neck, licked her wolf pack into shape, intrepid of the swelling, licked at their tender limbs, she’s shaping them into men, pretty great, happening upstairs right now, they look like dogs, they might shape up, the foster dam, sucked secure, new Rome appears, the rape of the Sabine dames, accelerated quickly, a war succeeds, unexampled deeds, pray defend, this is the description of the land on the shield, an image being described, not far from there, he forged this shield, very good, the way to appreciate it, what happens in book, the part where Venus gives him the armour, Book 5 is all about Olympian style games, a funeral, funeral games, get gladiators, a ritual, go yell, form those pups, we see that hear in a moment, sorry, through this whole shield, brutally dragged, circus games were played, an anticipation of what’s about to happen, a projection into the future of this book, a war succeeds, breach of public faith, arms they pray defend, the Romans don’t exist yet, plight the peace, each other’s charger, they’re friends, early in this book, a fatted sow, imprecations on the purgered head, firey steeds, vulture’s fud, battling old king, same chiefs, stood in full armour, lifting cups, a charger here is not a horse, a cup, two four horse chariots, man of Alba you shouldn’t have kept your words, from brakes of thorns, punishment, viscera here and there, ready for that good Roman soil, restore the banished kings, the Roman you asserts their native rights, mounted a massive siege to choke the city, in freedom’s name, Roman history, to win by famine or fraud surprising, the flud, his likeness meancing, burst her chains, scap’d from their chain, for their guide, heroic Manleus, gud, held the capital’s heights, then Rome was poor, straw, gold, on the left before, on the right after, the silver goose before the shining gate, by her cackles saved the state, Paul Revere, not a major character in the American revolution, the new thatch bristled thick, the gold arcade, Gauls attack the gates, Gauls! Gauls!, ascend and seize the walls, Romans pretended like they never started wars, modern empires use today, Gulf of Tonkin, the Maine, we were attacked!, you can probably inflate any sort of incident you want, the gold dissembled well their golden hair, long alpine spears, striped shirts, long shields, a lot of gold, that’s also on the shield itself, gilding, a bas relief on this shield, little cartoons, the gold lied, hardby, nearby, naked throw their shields, targets dropped from heaven, dancing priests of Mars, here modest matrons in their soft litters, odorous gums, and chaste matrons riding in pillowed, far hence removed, the Stygian seats are seen, the furies hissing from the nether ground, the torments of the doomed, cringing before the furies, you?, the narrator stepping in, and Cato’s holy ghost is dispensing laws, a contemporary of Augustus, a reflection back of going to Hell, set apart the virtuous souls, finish this giant shield, new stanza, the dancing dolphins, cut the precious tide, the heaving sea, the blue deep foamed, swam the dolphins, cut the waves in two, amid the main, water, ocean, sea, their brazen beaks, watery plain, Battle of Actium, seething, molten gold, I, Claudius, the Battle of Kursk, D-Day, the Battle of Stalingrad, a definitive battle, whathisname and the lady, in pride of place, the propaganda end of this particular poem, young Caesar, his beamy temples, the Julian star, the senate and people too, high astern he stands, lustrous brows, Agrippa seconds him, his manly brows, forshows, performed in part for Augustus, have Virgil in, Virgil performs this part, we’re not forgetting about you Agrippa, how to win this battle, impelled by favouring winds, proud ensign, Agrippa marries a Julian, barbarian aides, the Bactrians from a far, the Egyptian wife, troops of every stripe, in his retinue, the end of the Earth, Cleopatra, camels, Arabians near, of tounges discordant, his ill-fate follows him, forky prows, the water glows, all launch in as one, cleaving triple beaks, a description of the battle, it seems as if the Cyclades again, afloat on the swells, showering flaming toe, fireballs are thrown, the fields of Neptune take a purple dye, her cruel fate, the snakes behind, clacking her native rattles, her destiny coming, the dog Anubis barks but barks in vein, the clash of the two cultures, the Romans were contemptuous of the Egyptians, so much food, massive pyramids and ancient culture, how they treated Caesarean, monster gods, great Minerva, Athena, Discord, Bellona is the wife of Mars, there in the heart of battle, with grim furies, Strife and Triumph rushing in, bloody lash in hot pursuit, the land of Dis, pours down his arrows, quit the watery fields, and scanning the melee, Apollo bent his bow, see her calling, tinting the winds, let her sheets run free, invokes the gales, heaves her breast for breath, sails, panting and pale with future of death, driven along by winds and waves and scudding through the throng, SCUD missiles from the first Gulf War, just opposite sad, hides the flying host, the Nile immersed in morning, all his rippling robes, all his conquered people, Nilus is the river god of the Nile, the sow with 30 white piglets, everything is alive, I’m gonna kill you, the god throws down fear, the retreat, his thanks expressed, 300 temples in the town he placed, in triple triumph, eternal vows, August is great because he’s dutiful to the gods, diverting us, three shining nights, the streets with praise, the theaters with plays, drenched in his gore, upon his throne, hangs the monumental crowns on high, the roads resounded, strewn with slaughtered steers, mounts them high on the lofty temple doors, the vanquished, and in tongue, the ungirt Numedian race, they got no pants, the tamed Euphrates, the Rhine, the Danes unconquered, a map, as motley, the nomad race, archers bearing quivers, bridling at his bridge, divinely wrought, unknown the names, he admires the race, a detail, out of the sky, oh, mom they’re the best, I don’t know who these guys are, more into it, we’re so distanced from it, the poetry, the rhyme, when the rhyme don’t work, blood and good, forced rhymes make you engage with the material more, point to two, the visit to the underworld, the games, part of their tradition, when the Romans want to turn the people to their side, hold a games, it has to be tied to something, an anniversary, a Roman religious festival, funerals and funeral memorials, we’re having a games, you pay for the games, before they were Romans, wrong by the Greeks with no honour, everything is calm now, the civil wars are over, I’m just like Aeneas, people who lose, over in Sicily, one guy slips in blood, everybody gets prizes, nobody on team Trojan, he brings everybody along, political propaganda, I can help every American, no child left behind, such a good boy, respectful of his troops and the gods, our Republic was at war, the most striking thing in the underworld, how Christian it was, not Heaven, nicer parts of the underworld, a little bit of an explanation, resembles the Catholic viewpoint of Purgatory, getting out of Purgatory, punishment for people who are bad, you did bad stuff in life, this is different from the Greek underworld, you don’t really want to be there, everybody goes there, from Book 6, line 850, taints, plagues, so long energized in the flesh, drilled in punishments, later Dante-esque, they must pay, Elysium’s broad expanse, headed to Heaven, striking, doesn’t fit, August isn’t Christian, compatible, Milton and the great Larry Niven, conversation with Julie, A Houseboat On The Styx by John Kendrick Bangs, enlightened pagans, prepping the way for Jesus, up or out vs. down or under, burying people, doing right by people’s bodies, isn’t buried, in real life, outsourcing these things, you don’t wash your own father’s body, you hire a service for that, disconnecting from the reality, dig up the corpse, this was my grandfather, say that to your son, uh huh, a part of him, Romans are deeply connected to the people they kill, duty for your country, my gods tell me we are destined for this land, remembering the end, the anticipation for that end, a genocide, they’re going to kill all these people, future allies, fate is such that, I made the land peacable, we were a house divided, Abraham Lincoln, started a war, unofficially punished, who’s monument is the biggest, the Lincoln memorial, not a figure of Washington, imposing, a giant statue of Lincoln sitting in a chair, a throne, U.S. Capitol, strip of land, quite symbolic, really something, become politicians, done the tour, has no impact, this stuff can wash over you, that lady was the mom of that dude, about this whole thing, multiple purposes, checkpoints it has to go through, this is not a fiction story, alternate history, filling in the gaps, Rommel is one of the characters, you can’t kill Patton, city state propaganda, a lot more like this whole book, more distancing, an individual on his way home, struggling with another people, an amalgam of those two, a duty to perform in the present, as Beowulf does, a Dane or a Jute, connected with that, a Celt and an Irish and a viking and a Swedish, viking is a verb, relationship with the gods, with Dido, got to run because of fate, sees her in the underworld, she’s with her husband, I’m sorry, not having the dead speak, he talks to his dad, pretty amazing, a paper copy, near the beginning, a huge throng of the dead, the Golden Bough, a huge hit in the early 20th century, assume it is connected to this, The Twelve Dancing Princesses by Bros. Grimm, wearing out their shoes, I will allow any man who can solve this mystery to marry one of my daughters, the punishment is death, fuck around find out if you don’t find out, a young soldier and a witch gives him advice, the witch says to him, don’t drink what they offer you, they will drug whoever is locked up with them, underneath their beds is a secret doorway into an underworld, a cloak of invisibility, steps on one the girl’s heel’s once, three trees, silver, gold and diamond, breaks off a branch from each, twelve boats in the lake, scooches down, that’s weird, twelve princess, they dance all night, ascending the stairs, that’s weird happens a third time, that smells like bullshit, three branches, Eric pointed out some interesting things, the dream world, an inversion, like Bilbo Baggins, sneaks in finds out, profits from it, behind it all, no sex before marriage, related to this story somehow, the visit to the underworld, filled the time, wandering them among them, Phoenician Dido, endless woods, through the shadows, see or seem to see, wept and approached the ghost with tender words with love, the final measure with the sword, the powers on high, the depths of earth, the will of the gods, these mouldering places so forlorn, stay a moment, running away from whom, the last word, with welling tears tried to soothe her rage, her features no more moved, set in stony flint, in a new light, I did this because its the gods’ will, I didn’t want to do it, the wills were aligned, so I’m out, he didn’t know what she was going to do, turning it into a Catholic podcast again, it’s getting close, now see through a glass darkly, what gods’ plan is, but you have to get your toenails clipped, defer, the gods are capricious, the development from Greek gods, Clash Of The Titans (1981), Venus loves Aeneas, the apple of Discord, beauty contest, very well said, Upon The Dull Earth by Philip K. Dick, Rick, practicing witchcraft, Dick conflates it with angels, she gets to close to these fairies/angels/ghosts, ritual of bloodletting, after she’s dead, recreates a scene from The Odyssey, talk to Sylvia again, talk to the dead, dead people in dream, turns the world into a nightmare, taking the form of someone else, leaps from that body to another, tries to escape, every passing car, rigid, waiting numbly, the cop has become her, sure he answered dully, familiar fingers, red nails, the hand he knew so well, sure, hurtled ahead, she hurried everywhere, she was omnipresent, please tell me, Rick, I’m back, it was a mistake, that’s all in the past, a wretched unhappy heap, huge cleated boots, sparkled white in the sun, a difficult place to find, filled up the bowl, briefly he glanced up, a face tear stained and frantic, waver and slide, trembling red mouth, the girl at the bowl bent to dry herself, threw herself on the chair, Rick she murmured, she shook her head bewildered, superpowerful, lost love, a girlfriend that haunts you, when we want to connect with ghosts they go everywhere with us, we see them everywhere, we as modern 21st century weirdos don’t connect with, what makes these powerful stories so powerful, in essence very very real, with the last three books, wade through the washes of words we flow over us, a white animal?, the sacrificial animal being white, a pigeon, white horses, in order to win this race, a companion piece to The Lord Of The Rings, the adventures of Fredigar Bulger, the hobbit that doesn’t leave, a smaller scale story, an Atlas of Middle Earth, when we fit all that chronology in, all this backstory that you have to fit in, the original folktale versions of The Iliad and The Odyssey, those are the definitive sources for those events, stories shaped, not an individual guy, it wasn’t a dude, a bunch of people telling a story, get really good at singing songs, Barbara Allen, similar to Robin Hood, useful for telling stories, not based on a true phenomenon, based on wishes, people who get slighted at parties, roses grow in graveyards, there was this great battle long ago, you have a famous hero, a particular dude, these two stories intertwine, reading Detective Comics, Legion Of Superheroes, The Brave And The Bold, the history of the Roman empire, ruling actual Gotham City, the funeral games in Book 5, games in The Odyssey, Odysseus participates in games, the axes, washes up on the beach, a princess, who is this stranger, his great prowess at all these sports, keeping the community together, sex with lots of goddesses, get this empire governed, definitely weird, Bewoulf has a dragon, in an epilogue almost, fairy tales and folk tales, commercial success, we’re having fun with this, what we did her, scheduled that Block, What Mad Universe, meta-science fiction, if there’s thirty white puppies…

Posted by Jesse Willis

The SFFaudio Podcast #347 – READALONG: The Man In The High Castle by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #347 – Jesse, Paul, and Marissa talk about The Man In The High Castle by Philip K. Dick.

Talked about on today’s show:
1962, Jesse and Paul’s first ever Philip K. Dick novel, rush reading, Juliana Frink, the book within the book, The Grasshopper Lies Heavy, The Book Of Changes, the book that we are within, more like something Olaf Stapledon would write, future histories vs. alternate histories, what the Japanese and Nazis have done, For Want Of A Nail by Robert Sobel, Mexico, a very odd strange alternate history, a textbook from an alternate world, acharacteristic Dick, The Rise And Fall Of The Third Reich, jewelry, taken from his life, Anne Dick, a soul wrenching scene, soul churning horrific embarrassing, working retail, R. Childan is horrible, he’s a monster, the least Philip K. Dick book, not a lot of boobs (but still some), not that much coffee, why this book is so powerful, we are so close to the characters souls, sympathy, who is the main character of this book?, Juliana, R. Childan, Mr. Baynes, Frank, Mr. Tagomi, so little interaction between the characters, we don’t know it is Frank, a clever move, everybody is fake, R. Childan is not Robert Childan, he speech pattern and thought pattern are Japanese, a lack of pronouns, Dick is a chameleon, Paul and Betty, the authentic American experience, soaking up, that’s not their names, Paul and Betty Kasura are more American than the American, Juliana is a fake judo instructor, she uses a knife, Hawthorne Abendsen, we know where he lives, Hawthorne Abendsen is Robert A. Heinlein for Dick (and Dick himself), children, Heinlein’s house in Colorado, Heinlein had loaned Dick money, Dick owed money to the IRS, We Can Build You, “To Robert and Ginny Heinlein…”, Wyoming, Dick is buried in Colorado, Fort Morgan, Colorado, Riverside Cemetery, damn, Dick’s sister, mom and dad, D.C., agrarian agronomy?, California, the dedication, “To my wife Anne, without whose silence…”, the jewelry business, getting excited, a bit sulky and a little bitter, a line from Childan’s mind, this sounds like its true,

They’re out of their minds, Childan said to himself. Example: they won’t help a hurt man up from the gutter due to the obligation it imposes. What do you call that? I say that’s typical; just what you’d expect from a race that when told to duplicate a British destroyer managed even to copy the patches on the boiler as well as—

the stamp on the boiler “Made in Aberdeen” or whatever, is this a true fact?, the objects, the pistol, Ed and Frank, the fake pistols are real pistols, the two lighters, Roosevelt’s lighter, historicity, historically interesting, the provenance, superstition of historicity, the real McCoy, you feel it, if Mr. Tagomi’s civil war era replica revolver can do the job…, Dick’s theme for the whole book, the theme that he’s always engaging, this stuff, actual facts of history, these events happened, the answer in this particular case…, historific truth, afraid to ask the question, this truth about the world, strangely meta-fictional, Tagomi escapes the meta-fictional world, a true and genuine object, the real state of affairs, cars and the freeway, our world is a nightmare, a depressing two world Cold War between the U.S. and England, C.M. Kornbluth’s Two Dooms, set in the 1940s, a future where the U.S. has lost the war, an alternate broken U.S., captured by the Germans, secret Jewish magical power, the world if we don’t is too terrible to contemplate, a repeated scene (or feeling), Mr. Baynes on the rocket, from Europe to San Fransisco, Lotze,”Oh, yes; that’s so. But racially, you’re quite close. For all intents and purposes the same.”

Lotze began to stir around in his seat, getting ready to unfasten the elaborate belts.

Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses… what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth… ?

But, he thought, what does it mean, insane ? A legal definition. What do I mean? I feel it, see it, but what is it?

He thought, It is something they do, something they are. It is-their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn’t it, I don’t know; I sense it, intuit it. But-they are purposely cruel … is that it? No. God, he thought. I can’t find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.

Their view; it is cosmic. Not of a man here, a child there, but air abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die G?e , but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick . The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.

he is a fucking Nazi!, at this point in the book…, he says he’s Jewish, is he Jewish?, a character is introduced.. the become who they really are, Joe Cinadella is an Italian who becomes an SS Aryan assassin, he’s becoming something, his genuine self, he’s actually an Italian who changes into a Nazi, transformation not revelation, Joe tells us about his family, what kind of music he like, an elaborate provenance?, Jesse thinks that Dick didn’t know who Joe was when he began writing, he became what he was in the book and world, Mr. Baynes is transformed, they actually are that way as well, the playing out of reality is undetermined, particle-wave duality, a “waveicle”, when you measure him a certain way, the truth is “revealed” collapsing the wavefront, observation determines the reality, the characters are in superposition state until Dick cast the yarrow stalks, when the world does it, Baynes is a Swede and a Jew and a Nazi, his elaborate cover, all of the characters are like that, Abendsen deflects, “I just murdered a man for you”, it happened to Heinlein, he’s almost inviting it, everybody knows his address, why does the SS send a Nazi hitman to kill this guy?, that’s not how they work, why is he telling Mr. Tagomi?, a stalking horse, Tagomi is a chess pawn, the most humane person, when Tagomi defies the German ambassador, the guy he frees is the guy who created the object, karmic circularity, changing as they are perceived, Nazism factionalized, a lot of technical terms, Dick did a lot of reading, the Abwehr, the SD, layers of terminology, Reinhard Heydrich, basically Hitler did a shitty job, draining the Mediterranean, skulls for cups, a sequel would have to be set in the Nazi part of things, sensitive and sympathetic, Speer, “yes he did slave labor, but he didn’t enjoy it.”, the two completed chapters of the proposed sequel, Herman Goering, Admiral Canaris, that sounds like a Dick novel (and a role playing game), GURPS Infinite Worlds, spreading Nazism to other worlds, staying in the heads of all these Nazis all the time, Heydrich sent Joe, Lotze is also an SD agent, everything is fake with a secret inside, internecine-Nazi?, the pilot for the Amazon series, it almost has no connection to the book, it’s about that piece of jewelry, it’s not a book it’s a movie, for the TV series, Paul’s guess… Abendsen has a portal to our world, sign Paul up, a little bit too fluffy and light, the Minority Report TV show is a trainwreck, you can’t really adapt this book, in development for a long time, Ridley Scott, a late-70s I, Claudius version shot on videotape, as soon as you start looking at what this book is actually about…, the American antiques thing is missing, Philip K. Dick reviewing his own novel, like a pair of glasses, what the book does to us, Paul’s speech about the pin, seeing into Childan’s head, they all laughed, this crappy play, what a monster you are, he’s been made a fool, false hopes dashed, Jesse replaces the words “pin or object” with “fiction or novel” and thus find’s Dick’s review of The Man In The High Castle within The Man In The High Castle, mere content deprived of form, it somehow partakes of tao, this novel has made its peace with the universe, this book has wu, by contemplating it we gain more wu ourselves, since we last about PKD, stones rejected by the builder, a rusty beer can by the side of the road, I have pondered this novel unceasingly, isn’t that exactly what he’s doing here?, it doesn’t have form, so true, Jesse thinks Dick was wrong, Dick almost never did anything like a sequel, think about how Hawthorne Abensen, this is Dick’s first real success, “give us more of the same” (the book industry as we know it), “I’m not sad”, The Ganymede Takeover by Philip K. Dick and Ray Faraday Nelson, formless and amorphous, this plotting gels so well, the I, Ching helped him, A Scanner Darkly, taken from life, a writer who is pretending to be a criminal, an organic shape, “what’s really going on here?”, she’s saying it right here, when Joe comes back with that haircut, at the heart of this novel, the two real action scenes, when Juliana is with Joe, he is sane and she is the opposite, she goes into the bathroom to kill herself, casting those yarrow stalks, Juliana’s last decision she makes, The Grasshopper Lies Heavy Ecclesiastes 12:5, “and the grasshopper shall be a burden”, a tiny little thing will have a great weight, the title of the book itself, why is the book called “The Man In The High Castle”?, the end of Farnham’s Freehold, “barbed wire and machine guns”, a meditative smile, he’s lying, he’s going to sit down when he meets Christ, it sounds like Heinlein, Juliana is literal minded and can’t understand Abensen’s jokes, are her boobs real?, she’s in post traumatic shock, the hymn,

Let us love our God supremely,
Let us love each other too;
Let us love and pray for sinners,
Till our God makes all things new
Then he’ll call us home to heaven,
At his table we’ll sit down.
Christ will gird himself and serve us
With sweet manna all around.

they never lived in a high castle, Abensen is fated to what will happen, this happened to Robert A. Heinlein, Stranger In A Strange Land, Popular Mechanics showed Heinlein’s house, a kid’s bicycle in the driveway, Dick gave Heinlein a kid, Heinlein tried to treat everyone with respect, for Heinlein every race is worthy, weird ideas about sex and gender, an equal rights for all races, equal dignity, the Vietnam War, when hippies start showing up on his door, just like when Juliana shows up, when Juliana calls, they don’t call the police and kick her out, pilgrims to Dick’s house, “he wants me to go to his house and say hi”, before you do that…, just to stand there and feel the historicity, where he came to rest, the final gloss, a fake high castle, the high castle is the skull, who is the man in the high castle?, the mind trapped within the skull looking out, Dick was never satisfied, zoology and philosophy, Plato’s Myth of the Cave, chained to the floor since birth, behind them are people carrying various objects on their heads and walking by, and behind them are fires, the believe the shadows on the wall are the real world, if one should manage to escape…, they wouldn’t believe, Juliana says I’m one of the few, Baynes says it too, what’s the TRUTH about this world, in fact it’s only me when writing this book, unlike Lovecraft or Poe, the intertextual thing going on, written by Heinlein or Pohl (or Kornbluth), peak performance of this particular feeling, this is the PKD book you can hand to anybody who has read a little bit of history, as the facts unfold, even that reality is fake, the George Guidall narration, the little prologue, that recording is from 1997, audiobooks at that time, the traditional market (for audiobooks) was the blind, a standard trope that has disappeared now, the back of the dust-jacket, a singular mark of American literature, an amazing book, re-reading it, so many layers, we’re done.

The Man In The High Castle by Philip K. Dick

SCIENCE FICTION BOOK CLUB, 1962 - The Man In The High Castle by Philip K. Dick

Posted by Jesse Willis

Review of The Beast of Calatrava

SFFaudio Review

Beast of CalatravaThe Beast of Calatrava: A Foreworld SideQuest
By Mark Teppo; Read by Luke Daniels
Publisher: Brilliance Audio
Publication Date: 26 February 2013
[UNABRIDGED] – 4 hours

Themes: / Mongoliad / knights Templar / alternate history / fantasy / Foreworld /

Publisher summary:

After a battle left Ramiro Ibáñez de Tolosa’s face terribly disfigured, the knight of the Order of Calatrava abandoned his sword for a pastoral existence. But his beastly appearance horrifies all those who cross his path — with the exception of his adoring and pregnant wife. Can he keep Louisa and their unborn child safe from the war that is coming to Iberia? As Ramiro prepares for his child’s birth, Brother Lazare of the Cistercian order searches for a means to inspire men as he travels with the crusading Templars. He seeks swords of legend — named blades carried by heroes of old — believing such symbols have the ability to rally men in a way no king could ever accomplish. But when he learns of the stories told of the mysterious monster that haunts the Iberian battlefields, he wonders what sort of power this new legend might contain — the legend of a man whose scarred face and cold demeanor cannot hide his heroic soul. 

Note: This book is available individually (as I listened to it) or as a part of the book SideQuest Adventures No. 1, which includes The Lion in Chains, this story, and The Shield-Maiden: A Foreworld SideQuest.

As with The Lion in Chains, this story is a “SideQuest” in the Foreworld Saga, basically a side story to the main-line books intended to give readers more information on certain characters. Unfortunately, unlike The Lion in Chains, even after I finished the book, I wasn’t 100% certain where this fit within the grand scheme of the world. The main characters in this story were not in the main Mongoliad books, and without taking some time to look at the print/ebook versions of this and the other books, I’m not sure I could draw a straight-line reference. I’m equally uncertain as to when, relatively speaking, this book takes place (relative to the events in The Mongoliad: Book One).

More frustratingly, I found myself lost while listening to this story. As happened other times during my reading of the Mongoliad main-series books, it was easy to get confused as to which character was which and who was who. If I haven’t said it before, this is a series begging for a good wiki with a character roster, and possibly a map. While these things may show up in a print/ebook edition, they were not easy to find on the web for quick perusal while listening (at least, I couldn’t easily find anything). The overall thrust is that it’s a story about a former knight, abandoned for dead when his order was defeated, who has turned into “The Beast of Calatrava,” basically a disfigured killer, killing to protect his property and the people (generally) of Iberia, no matter their creed. In parallel, the Templars have arrived in Iberia on a crusade, and brought with them some other soldiers, including some monks, on the search for a legendary weapon. Much of the book is dedicated to The Beast’s personal demons and the growing tension in the “Christian Army” that includes the Templars, monks, and other religious figures, and moves these characters around like chess pieces in seemingly unrelated matches. In the last 30 minutes or so of the audiobook, the story lines somewhat converge, and the ending comes more or less as might be expected.

I don’t know what to say about this story. It really seemed to wander, and was hard to follow along. While I was somewhat used to this in the main Foreworld books, I was able to accept temporary confusion, knowing it would get brought together later, and that my persistence would pay dividends. In this story, with everything being self-contained, that payoff wasn’t there, and in the grand scheme, I’m not sure why much other than the last 30 minutes of the story made any difference…and, since this story doesn’t relate directly to the main-line books, it didn’t feel like it made “sense” in the bigger picture. Without the tie-in to the larger world, this could have been any story set in the same world, so therefore didn’t feel as satisfying.

It will be interesting to see how the final book in SideQuest Adventures No. 1 plays out, whether it will be more like the first story (which was great) or this one (which was unsatisfying).

Posted by terpkristin.

Review of 1634: The Baltic War by Eric Flint and David Weber

SFFaudio Review

Cover art for 16341634: The Baltic War
By Eric Flint and David Weber; Read by George Guidall
Publisher: Recorded Books
Publication Date: 17 September 2013
[UNABRIDGED] – 26 hours 20 minutes
Themes: / alternate history / time travel / military

1634: The Baltic War, although a weighty volume in its own right, is but one stitch in the giant tapestry that is Eric Flint’s sweeping Ring of Fire series. The series imagines the tumultuous Thirty Years War in seventeenth-century Europe disrupted by the arrival of a small West Virginia town sent back in time from the year 2000 by a freak cosmic accident. As masterfully told in the series opener 1632, the injection of modern technology and ideas into this bleak post-Reformation world has immediate and far-reaching consequences. The synopsis for 1634: The Baltic War illustrates just how much things have changed.

The Baltic War which began in the novel 1633 is still raging, and the time-lost Americans of Grantville – the West Virginia town hurled back into the seventeenth century by a mysterious cosmic accident – are caught in the middle of it.

Gustavus Adolphus, King of Sweden and Emperor of the United States of Europe, prepares a counter-attack on the combined forces of France, Spain, England, and Denmark – former enemies which have allied in the League of Ostend to destroy the threat to their power that the Americans represent – which are besieging the German city of Luebeck.

Elsewhere in war-torn Europe, several American plans are approaching fruition. Admiral Simpson of Grantville frantically races against time to finish the USE Navy’s ironclad ships – desperately needed to break the Ostender blockade of the Baltic ports. A commando unit sent by Mike Stearns to England prepares the rescue the Americans being held in the Tower of London.

In Amsterdam, Rebecca Stearns continues three-way negotiations with the Prince of Orange and the Spanish Cardinal-Infante who has conquered most of the Netherlands. And, in Copenhagen, the captured young USE naval officer Eddie Cantrell tries to persuade the King of Denmark to break with the Ostender alliance, all while pursuing a dangerous romantic involvement with one of the Danish princesses.

This overview gives a sense of the novel’s sweeping scope, both geographically and in terms of content. In some ways, this book and the series as a whole brings to mind Neal Stephenson’s ambitious Baroque Cycle, but while Stephenson’s work focuses on scientific and cultural developments Flint and Weber, at least in this volume, are telling a story of war. This isn’t to say that culture is absent from the chapters of 1634. Indeed, the novel draws both insight and humor from the juxtaposition of modern popular culture and European values. In one early scene, for example, a concert features classic Baroque harpsichord followed by a modernist piano concerto featuring music by Chopin and closing with twentieth-century Christmas songs. It’s also amusing to hear Europeans try and puzzle out exactly who this Elvis Presley character was.

While, as I said, 1634: The Baltic War is a military novel, and does feature occasional scenes of violence and hardship, overall its tone is light and even casual despite the depth and complexity of the book’s subject matter. While this renders the book almost instantly accessible, I can’t help but feel that at times the lack of gravitas fails to do justice to the enormity (in its original sense) of the Thirty Years War. To return to the previous comparison, Stephenson’s writing in the Baroque Cycle is much more opaque and, well, baroque, but the style seems to suit the subject matter. On the plus side, the story benefits from Eric Flint’s considerable experience in writing alternate history along with David Weber’s military background. Despite the world’s massive scope, every corner of it feels lived in and fleshed out.

George Guidall takes on the arduous task of bringing together seventeenth- and twentieth-century characters and cultures in this melting pot of a novel, and as usual Guidall is up to the challenge. From the brusk military clip of Admiral Simpson to the slight lilt of the larger-than-life Gustavus Adolphus, Guidall makes every element of the story from both past and present come alive.

Listeners who love military fiction, alternate history, or time travel can’t go wrong with 1634: The Baltic War, though to fully appreciate the novel they would do well to begin with the first installment in the Ring of Fire series, 1632. As perhaps is inevitable with a series of this magnitude, there are flaws and aspects that fail to please. But this book is only one chapter in what might just be Eric Flint’s magnum opus.

Posted by Seth Wilson

The SFFaudio Podcast #191 – READALONG: The World Jones Made by Philip K. Dick

Podcast

The World Jones Made by Philip K. Dick
The SFFaudio PodcastThe SFFaudio Podcast #191 – Jesse, Tamahome, and Jenny talk about the Brilliance Audio audiobook, The World Jones Made by Philip K. Dick.

Talked about on today’s podcast:
Racy?, 1950s, hermaphrodites, relativism is mandated by the government, reverse Nazism, the Wikipedia entry for relativism, relativism as a tool against disbelief, L. Ron Hubbard, The Way To Happiness, communism, “good explorations”, Doug Cussick, political correctness, the opposite of communism?, China, Chinese communism, WWII, “Hitler was a precog”, escape your fate by embracing your fate, seeing into the future after your death, the devolution of a mind in a dead brain, a molluscular and mineral afterlife, grab bag of ideas, giant alien jellyfish, Brilliance Audio, pollen?, spores?, polyps?, planula!, Floyd Jones (is he the hero?), the Venus babies, the people in the Womb, seven mutants in a warehouse in San Fransisco, artificial animals, Venusian wallpaper?, hot and moist, The Truman Show, people have to get off of Earth, the Moon as the 51st state, King Newt running the Moon, pantropy, tropism, genetic modification, Nexus by Ramez Naam, More Than Human by Ramez Naam, Kim Stanley Robinson, More Than Human by Theodore Sturgeon, the ending, Jones as the new Jesus, contempt for the audience, The Rocky Horror Picture Show, kids getting off on power, suicide, Hitler’s death, “how could a precog be wrong?”, future knowledge of your own knowledge, its very confusing, is Cussick the main character?, rebellion by shoplifting, sexism, WWIII, “asparagus sucks!”, women as litmus paper, she always held the majority opinion, visiting a racist elderly relative, “No grandma! That’s wrong!”, irony, the nameless character has a fascinating story, why don’t we get a sense of the masses, paralleling the rise of Hitler, lebensraum, interesting scenes interspersed with less interesting scenes, domestic scenes vs. organizational scenes, Tyler’s story, the Venus children, paranoia, Shell Game by Philip K. Dick, redundant exists, The Three Stigmata Of Palmer Eldritch, Counter Clock World, We Can Remember It For You Wholesale, The Zap Gun, Do Androids Dream Of Electric Sheep?, Blade Runner, Robert Downey Jr., A Scanner Darkly, The Man In The High Castle, alternate history, most people who live in SF universes don’t read SF, a BBC adaptation of The Man In The High Castle, an epic story about a guy who makes jewelry, Terry Gilliam, Anthony Boucher, “a hasty and disappointing effort”, perk up vs. zone out, civil war or aliens?, a golden land of opportunity and adventure (and slime).

ACE - The World Jones Made by Philip K. Dick

Damon Knight on The World Jones Made

ACE Double - The World Jones Made by Philip K. Dick

Sphere - The World Jones Made by Philip K. Dick

Geheimproject Venus by Philip K. Dick

The World Jones Made by Philip K. Dick - Paperback Cover Art

Posted by Jesse Willis

The SFFaudio Podcast #189 – AUDIO DRAMA: Tim Prasil’s MARVELLOUS BOXES

Podcast

The SFFaudio PodcastDecoder Ring TheatreMarvellous BoxesThe SFFaudio Podcast #189 – Jesse, Tamahome, Jenny, and Tim Prasil talk about the six episode anthology series Marvellous Boxes, recorded and podcast by Decoder Ring Theatre. But first we play an episode, Facing Cydonia.

Talked about on today’s show:
The Magic Of The Movies, The Crasher, horror, stage play (post Meridian Radio Players), Thinking In Trinary, Decoder Ring Theatre, Gregg Taylor, the Cobol Club, OTR, radio commercials, flash fiction, CBC, The Age Of Persuasion, “Sunday! Sunday! Sunday!”, Plotting For Perfection (the short story), stage play, the Vera Van Slyke stories, occult detectives, Fitz-James O’Brien, audio dramatizations of the Vera Van Slyke stories, Black Jack Justice, The Red Panda Adventures, why be locked into the 1/2 hour audio drama format?, A Demon Once Removed, a one set one act play, Nicole (the peripheral character with a personality), Chekhov’s Gun, an alternate history, “Gregg Taylor need not be played by Gregg Taylor”, Orson Welles, history, Frozen Words Thawed, Remembering The Martians, an all black cast of MacBeth, The War Of The Worlds, H.G. Wells, The Tempest (as an alien contact story), William Shakespeare, a controversy over the character names in Facing Cydonia, Jenny will sing us a song, the boxes, “are there more boxes in you?”, ghosts, the button, the wax cylinder recorder, the Piltdown Man hoax, Sir Arthur Conan Doyle, an authentic hoax, Conan Doyle is the most gullible, the Cottingley Fairies, FairyTale: A True Story, Harry Houdini, Terry Jones, Lady Cottington’s Pressed Fairy Book, the EULA on wax cylinders, Thomas Edison, the most science-fictiony story, Plotting For Perfection, a femme fatale story without the femme fatale, “talk about your retro-causality”, “a box with a hole in it”, Andrea Lyons?, Scene Of The Crime, Remembering The Martians, racism, difference, tolerance, Doctor Who – The Power Of Three, fish people, are the Martians really dead?, binary fission, fruitful names, Jacob, Jason, Easter eggs, Finbar, The Silver Tongued Devil, The Sonic Society, Roger Gregg, it’s a pseudo-documentary, a joke/haiku, “conclusions should be drawn with a pencil not a pen”, Aliens Are Like Mirages, “it’s an indictment I’m just not sure what it’s an indictment of”, “if we had this power would we use it?”, the curiousness of the chaplaincy, prequels are for readers not writers, the miracle, the yup, human history in a nutshell, To Serve Man, narrative structure, why is X-Minus One a good name?, Marvellous Boxes as a name doesn’t have a super-punch, steampunky, “steamy contraptions”, Murdoch Mysteries (CBC TV), “a little less steam and a little more electricity”, Netflix in Canada sucks, Weeds, Walk Off The Earth.

Lady Cottington's Pressed Fairy Book

Posted by Jesse Willis