The SFFaudio Podcast #064 – Scott and Jesse talk with Julie Davis and Luke Burrage about The Stars My Destination by Alfred Bester!
Talked about on today’s show:
Forgotten Classics, Science Fiction Book Review Podcast, Richard K. Morgan’s The Steel Remains, The Invisible Man, Robert Sheckley’s The Status Civilization, exploding volcanoes, Gulliver Foyle, jaunting as teleporting, BAMF, The Uncanny X-Men, Jumper by Steven Gould, Charles Fort Jaunte (is a reference to Charles Fort), Fortean Times, The Tyger by William Blake,Tā moko (Maori facial tattoo), religion, swearing, tabernac, future swearing, Louis Wu in Larry Niven’s Ringworld, the frivolity of the wealthy, satire, sailing as conspicuous consumption, telepathy, Paul Williams, The Stars My Destination as a “pyrotechnic novel”, the power of the narrative imagery, the audiobook (a Library of Congress Book for the Blind version), the heirs of Alfred Bester are fighting over the rights, transformation, Gulliver’s Travels by Jonathan Swift, “Most scientific!”, Alfred Bester’s years writing comics, WWII, the Wikipedia entry for The Stars My Destination, synesthesia, the long forgotten histories of synesthesia, Of Time, And Gully Foyle by Neil Gaiman, cyberpunk, a hard-boiled Philip K. Dick novel, passive schlubs, The Count Of Monte Cristo by Alexandre Dumas, Pyrenees, the induction scene in William Shakespeare’s The Taming Of The Shrew, a shotgun approach to transformation, The Stars My Destination as meta book, Peter F. Hamilton, the renaissance man, Classics Illustrated #3 The Count Of Monte Cristo, Fourmyle of Ceres, PyrE, (the inspiration for Pyr Books?), Napoleon Bonaparte, thought turning into action, our overcrowded future, Second Life, Surrogates, only in a cyberpunk future, retroactive foreshadowing, the 1991 BBC Radio Drama version of Alfred Bester’s Tiger Tiger, the old language, Hyperion by Dan Simmons, The Canterbury Tales by Geoffrey Chaucer, Pyrene, cyborgs, wired nerves, bullet time, you can’t spoil a book like this.
Posted by Jesse Willis
I get the sense that Rastignac The Devil is a satire, using the furniture of Alexandre Dumas’ The Three Musketeers. But I feel really embarrassed about not knowing what is going on, sub-textually, in this interesting, but baffling, novella by Philip José Farmer. Is it all an allegorical satire of some event in 17th century France?
