adventure – Page 7

Review of Sailing Alone Around The World by Joshua Slocum

SFFaudio Review

Sailing Alone Around The World
By Joshua Slocum; Read by Alan Chant
1 |M4B|, 22 Zipped MP3 Files, or Podcast – Approx. 7 Hours 52 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 9, 2007
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Joshua Slocum was the first man to sail around the world alone in a small boat. He personally rebuilt an 11.2 metre sloop-rigged fishing boat that he named the Spray. On April 24, 1895, he set sail from Boston, Massachusetts. More than three years later, he returned to Newport, Rhode Island, on June 27, 1898 having circumnavigated the world, a distance of 46,000 miles (74,000 km). In 1899 he described the voyage in Sailing Alone Around the World now considered a classic of travel literature. It is a wonderful adventure story from the Age of Sail and a book of which Arthur Ransome declared, “boys who do not like this book ought to be drowned at once.”

Podcast feed: http://librivox.org/bookfeeds/sailing-alone-around-the-world-by-joshua-slocum.xml

iTunes 1-Click |SUBSCRIBE|

I was listening to an episode of the CBC Radio One Ideas podcast, entitled Sailing Alone Around The World |MP3|, and was struck by the story of the first man to do that very thing. The program uses excerpts from Slocum’s book of the same name, and interviews those modern solitary sailors who’ve followed in Slocum’s wake. The fact that, in some sections of the sea, the next nearest human being to a lone sailor might be someone on the International Space Station, was an astounding revelation to me. The fact that there have been fewer solitary circumnavigators than there have been people in space, also astounding. So, not even half-way through the show I set my sights on LibriVox, where I searched for, found, and downloaded an M4B of the audiobook.

Slocum was an Canadian by birth and a naturalized American. In the late 19th century, upon finding himself out of work (the age of coal powered ships had begun in earnest), Slocum found there was no more call for a tall ship captain. One day Slocum finds himself having been gifted with an aged sloop. And so he sets about refitting it, hires himself out to himself plans to write a book (serialized in the Century magazine), loads up his cabin with food, supplies and lots of books, and sets sail on a solitary circumnavigation of the planet earth.

What he finds in the adventure is, simply put, real adventure! Slocum is alone for the entire trip except for The Spray itself, Slocum’s sloop, which is full of emotions (it feels happy when the sailing is good, and becomes anxious when in port too long). Similarwise he has a few passengers, there’s a hungry goat, a sneaky bilge rat, and a long suffering spider (it meets another just like it half a planet away from where it was born).

In his more than three years at sea Slocum meets with ship thieves, admirals, colonial governors, the widow (and adopted son) of Robert Louis Stevenson, friendly natives, hostile natives, officious bureaucrats, friendly bureaucrats, storms, reefs, sickness, and even a ghost!

Along the way he salute’s the sea god Neptune, ports at many memorable anchorages, including the island of the real life inspiration for Daniel Defoe’s Robinson Crusoe (Alexander Selkirk), and becomes an international celebrity.

Slocum’s narrative is helped by his enjoyable sense of humor and hindered by his prejudices. And while the various characters that he meets in the book may sometimes benefit from Slocum’s breezy writing style I got no real sense of the other side of the story. Incidents with thieves, one man steals his pistol, and one South American boy tries to steal his ship, come across as far less frightening than they might really have been. Indeed, there’s something of a deliberate storyteller to this travel narrative, something which reminds me of Sławomir Rawicz’s extraordinary adventure memoir The Long Walk (it may have been entirely made up). That said, the documentation seems far more present, and the journey here does seem to have actually occurred.

Narrator Alan Chant has an English accent and a relaxed reading style. There’s a bit of background noise in the recording, but the audio is very serviceable. Each chapter begins and ends with a bit of seabird song. Recommended.

A Brush With Fuegians

The Voyage Of The Spray

Posted by Jesse Willis

Dungeons & Dragons: Tomb Of Horrors by Gary Gygax [ACTUAL PLAY PODCAST]

SFFaudio Online Audio

You are a former player of pen and paper (and dice) role playing games.

You feel bummed out that you don’t (or can’t) play anymore (or as much as you’d like).

You have heard of “actual play podcasts*” but you haven’t listened to one before. And there has always been one module, in your collection, that you never got the chance to play, but always wanted to:

Tomb Of Horrors is considered one of the greatest Dungeons & Dragons modules of all time, as well as one of the most difficult.

The mound of the grinning skull awaits.

The Mound Of The Grinning Skull

Dare you listen?

AD&D Dungeon Module S1 – Tomb Of Horrors
By Gary Gygax; Dungeon Mastered by Monty Martin
13 MP3 Files – Approx. 29 Hours 39 Minutes [ACTUAL PLAY]
Podcaster: The Shattered Sea
Podcast: October – December 2010
In the far reaches of the world, under a lost and lonely hill, lies the sinister TOMB OF HORRORS. This labyrinthine crypt is filled with terrible traps, strange and ferocious monsters, rich and magical treasures, and somewhere within rests the evil Demi-Lich.

Introduction |MP3|
Session 1 Part 1 |MP3|
Session 1 Part 2 |MP3|
Session 2 Part 1 |MP3|
Session 2 Part 2 |MP3|
Session 2 Part 3 |MP3|
Session 3 Part 1 |MP3|
Session 3 Part 2 |MP3|
Session 4 Part 1 |MP3|
Session 4 Part 2 |MP3|
Session 5 Part 1 |MP3|
Session 6 Part 1 |MP3|
Session 6 Part 2 |MP3|

|PDF|

Tomb Of Horrors

*An “actual play podcast” is a recording of a role playing game session played either at a table or over the internet, most often audio only, featuring multiple players and Dungeon Master (or Game Master, Keeper etc.).

[Thanks to John ONeill at Black Gate for the reminder]

Posted by Jesse Willis

RA.cc + BBC R4: 15 Minute Drama: Modesty Blaise: A Taste For Death

Aural Noir: Online Audio

A Taste For Death - Fawcett

There’s a terrific radio drama series available via torrent over on RadioArchive.cc.

Broadcast late last year on BBC Radio 4, December 17 – 21, 2012, Modesty Blaise: A Taste For Death is truly lovely listening!

Modesty Blaise

I listened to the entire five part serial two or three times. That’s something I rarely do. Yet even after multiple listens this program has left me wanting more.

Blaise, as voiced by Daphne Alexander, is a confident, mysterious, and thoughtful secret agent. The supporting cast is top shelf, as is the sound design, editing, and music. This show is unmissably great.

In tone it’s probably not what you expect, being more of a cozy version of The Sandbaggers than a feminized James Bond. Not campy, exactly, as it is far too reverent for that.

Indeed, this particular adventure features far more than just 007 style espionage, romance, and action – it features friendship, teamwork, kindness, thoughtfulness, and a light-handed touch.

Best of all the producers aren’t at all above teasing the audience – the very first sounds from episode one are a total tease!

I love it.

Also cool, Modesty Blaise: A Taste For Death seems to be set in the period the novel of the same name was written (1969). Blaise, a child escapee from a WWII era displaced person camp, drives a “Jensen” (in my mind it’s a Jensen Interceptor).

Here’s the description from RA.cc:

She’s glamorous, intelligent, rich and very, very cool. Modesty Blaise has been called the female James Bond but she’s much more interesting than that. With her expertise in martial arts and unusual weapons, the ability to speak several languages and her liking for fast cars, twenty-something Modesty became a female icon long before the likes of Emma Peel, Lara Croft, or Buffy.

In Stef Penney’s brand new radio adaptation of Peter O’Donnell’s novel, Sir Gerald Tarrant, Head of a secret British agency, tempts Modesty out of retirement and into a job involving a young woman with extra sensory powers, an exotic desert location, and a larger than life public school villain, intent on murdering his way to a vast fortune. With its perfect cocktail of glamorous settings, hidden treasure, a twisting turning plot, and characters to root for, A Taste for Death is an action packed treat – and a guilty pleasure.

With an original score by Goldfrapp’s Will Gregory, arranged by Ian Gardiner, and performed by the BBC National Orchestra of Wales, conducted by Ben Foster.

Cast:
Modesty Blaise ….. Daphne Alexander
Willie Garvin ….. Carl Prekopp
Sir Gerald Tarrant ….. Alun Armstrong
Simon Delicata ….. Sam Dale
Steve Collier ….. Geoffrey Streatfeild
Dinah Pilgrim ….. Samantha Dakin
McWhirter ….. Alex Fearns
Skeet Lowry ….. Jeff Mash
Sir Howard Presteign ….. Nigel Anthony

A Taste For Death by Peter O'Donnell

Produced and Directed by Kate McAll

Modesty Blaise’s comics origin:

And here’s the movie trailer, yikes!

Posted by Jesse Willis

Recent Arrivals: Speculative! Collections

SFFaudio Recent Arrivals

We recently received four collections from Speculative! via Brilliance.

Murray Leinster Collection
Includes: The Pirates of Ersatz, The Aliens, Operation Terror
By Murray Leinster; Read by Jim Roberts and Ran Alan Ricard
13 hours

In The Pirates of Ersatz, Murray Leinster presents a fast-paced, light-hearted adventure story with a touch of Monty Python and much derring-do. The hero, Bron Hodon, comes from a planet where there is only one vocation – space piracy. His dream is to become an electrical engineer so he makes his way to a planet with a “perfect society” and invents a power source that should benefit all. The perfect society does not appreciate it, accuses him of creating “death rays” and forces him to flee to Darth, a much more primitive planet. There, and in space, he undergoes a number of rollicking adventures that make him wonder if space piracy – with a twist – might not be so bad after all. This tongue-in-cheek space adventure has often been compared to The Stainless Steel Rat by Harry Harrison.

The Aliens: Among other things, Murray Leinster is credited with the invention of “parallel universe” stories and in 1956 he won the prestigious Hugo Award for Best Novelette. Leinster wrote over 1,500 short stories in his career and two of the best, “First Contact” and “The Aliens”, deal with humanity’s first encounter with an alien race. In this story, the human race is expanding through the galaxy and so are the Aliens. When two expanding empires meet, war is inevitable. Or is it?

Operation Terror: Murray Leinster’s science fiction stories typically dealt with themes of frustration with human frailty and its limitations, cynicism vs. idealistic ethics, and romance. When a mysterious alien spacecraft lands in a lake in Colorado and the invaders begin using a paralyzing ray that no one can understand or stop, it takes an ingenious man like Lockley to save the girl and solve the mystery of the aliens.

Kurt Vonnegut Jr. Collection
Includes: The Big Trip Up Yonder, 2BRO2B
By Kurt Vonnegut, Jr.; Performed by Emmett Casey and Kevin Killavey
2 hours

The Big Trip Up Yonder: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this story. It was written in 1954 and first appeared in Galaxy Science Fiction. In the chronology of his works, it came between Player Piano and The Sirens of Titan. The story takes place in a future in which the population has grown so huge, due to an anti-aging product, that generations are forced to live together in crowded apartments. The family in this story is ruled by a dictatorial grandfather, the owner of the apartment and oldest of the clan.

2BR02B: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this little gem of of a story from 1962. In the chronology of his works, it came between Mother Night and Cat’s Cradle. The title is pronounced “2 B R naught 2 B” and references the famous phrase, “To be or not to be” in Shakespeare’s Hamlet. The story takes place in a future when diseases and aging have been eliminated and, as a result, the government has taken measures to insure population control

Edmond Hamilton Collection
Includes: City at World’s End; The Stars, My Brothers
By Edmond Hamilton; Performed by Jim Roberts
8 hours

City at World’s End: The midwestern town of Middletown is the “first strike” of a new super bomb. However, instead of destroying the town, the attack rips a hole in the space-time continuum, sending the town and it’s inhabitants to a distant Earth, cold and foreboding. The story of their struggle, survival, and ultimate success in rekindling the planet and dealing with the people and aliens of the future is the stuff of great science fiction. As you listen, see if you agree with the many who think this story was the origin of the Star Wars characters Chewbacca and Leia.

The Stars, My Brothers: Edmond Moore Hamilton was a popular science-fiction author during the “Golden Age” of American science fiction. “The Stars, My Brothers” is considered one of his best, and certainly most imaginative, stories. A spaceman is killed in space and frozen. He is left orbiting the space station where he was killed in the hope that a method will be found to bring him back to life. That day finally comes a hundred years later, when he awakens to a very different world and comes to realize he has become both a symbol and a pawn in a human/alien conflict.

Alan Edward Nourse Collection
Includes: The Coffin Cure, Image of the Gods
By Aland Edward Nourse; Performed by Ben Hurst
1 hour

The Coffin Cure: No one likes a cold. It has plagued mankind for generations. When Dr. Coffin and his colleagues finally devise a cure for this ailment, the discovery is met with excitement worldwide. A month later though, noses everywhere start to rebel. Can they find a cure for the cure and do it in time to save their own necks?

Image of the Gods: In this story, an earth colony discovers that their relationship with the mother planet has suddenly changed due to an overthrow of the Earth’s government. They decide not to go along with the new totalitarian regime and to declare their independence. They expect a fight for liberty and get it. However, their relationship with the natives of the planet, the “dusties”, changes the whole situation in a very dramatic way.

The SFFaudio Podcast #188 – AUDIO DRAMA: The Queen Of The Black Coast

Podcast

BrokenSea Audio Productions Conan The SFFaudio Podcast #188 – First podcast in 2008, in seven separate installments, here it is, the legendary, unconquerable epic that they didn’t want you to hear. It’s back, stronger, and wholly united into one massive adventure … the mighty BrokenSea Audio Productions adaptation of The Queen Of The Black Coast by Robert E. Howard!

Buscema, Look At Me

Buscema, It's Been A Good Life

Hugh Rankin illustration from Weird Tales

Buscema, My Heart Bleeds For You

Gerald Brom, And Their Memory Was A Bitter Tree

Buscema, Death On The Black Coast

Buscema, Shut Up Please

Ad for Queen Of The Black Coast by Robert E. Howard from Weird Tales, April 1934

Posted by Jesse Willis

The SFFaudio Podcast #187 – READALONG: Tarzan Of The Apes by Edgar Rice Burroughs

Podcast

The SFFaudio Podcast #187 – Jesse, Tamahome, Julie Hoverson, Luke Burrage, and David Stifel talk about the audiobook and podcast of Tarzan Of The Apes by Edgar Rice Burroughs.

Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:

“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”

A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, ~~Conan~~ Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,

All-Story, October 1912

Maureen O'Sullivan as Jane in Tarzan And His Mate

Dynamite Entertainment - Lord Of The Jungle

Posted by Jesse Willis