Commentary: Sir Walter Scott’s Ivanhoe

SFFaudio Commentary

Speaking of Sir Walter Scott and Ivanhoe… I’ve been much into Sir Walter Scott’s Ivanhoe over the last six months. I’ve watched three different video adaptations. One was a theatrical version from the 1950s, one was a TV movie from the early 80s and one a TV miniseries from just a few years ago. I am currently re-reading the black and white comic book adaptation by Pocket Classics and I’ve also snagged the audiobook from LibriVox.

LIBRIVOX - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by various
44 Zipped MP3 Files or Podcast – Approx. 19 Hours 25 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 09, 2009
The fortunes of the son of a noble Saxon family in Norman England as he woos his lady, disobeys his father, and is loved by another. Set in late 12C England and in Palestine with Richard Cœur-de-Lion at the Crusades.

Podcast feed: http://librivox.org/bookfeeds/ivanhoe-by-sir-walter-scott.xml

iTunes 1-Click |SUBSCRIBE|

[Thanks also to Annise and Snemand]

Besides being a rollicking adventure, a heartfelt romance, a rough history lesson and a plea for peace between Christians and Jews, Ivanhoe is also a series of fun etymological English lessons. Consider, the first few sentences of the novel’s dialogue. Ivanhoe begins with a conversation between two Saxon slaves:

“The swine turned Normans to my comfort!” quoth Gurth; “expound that to me, Wamba, for my brain is too dull, and my mind too vexed, to read riddles.”

“Why, how call you those grunting brutes running about on their four legs?” demanded Wamba.

“Swine, fool, swine,” said the herd, “every fool knows that.”

“And swine is good Saxon,” said the Jester; “but how call you the sow when she is flayed, and drawn, and quartered, and hung up by the heels, like a traitor?”

“Pork,” answered the swine-herd.

“I am very glad every fool knows that too,” said Wamba, “and pork, I think, is good Norman-French; and so when the brute lives, and is in the charge of a Saxon slave, she goes by her Saxon name; but becomes a Norman, and is called pork, when she is carried to the Castle-hall to feast among the nobles; what dost thou think of this, friend Gurth, ha?”

Above Gurth (the fool) explains to Wamba (the swineherd) the logic behind calling meat that’s still on the hoof and meat that’s on the table by two different English words. “Swine” is the Saxon word for pig and “porc” [pork] is the Norman [French] word for pig. Soon after this scene these two Saxon slaves are confronted by troupe of Norman knights who proceed to turn one of Wamba’s Saxon swine into proper Norman pork.

The novel features plenty of back and forth. Indeed the more I think about it, the more I think classic Doctor Who took it’s pacing from Ivanhoe what with folks: being kidnapped, ransomed, dressing in disguise, falling in love with their enemies, forgiving each other, and fighting in chivalric combat. There are plenty of villains too. With an unforgiving father, a witch-smelling warrior-priest [those pesky Knights Templar], an ignoble Norman nobleman (who redeems himself in the end), a kvetching Jew and his fetching Jewess daughter. Yeah, I love this story!

Here’s a cross section of the different audiobook versions of this influential 19th century novel:

Dove Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by David Warner
4 Cassettes – Approx. 6 Hours [ABRIDGED]
Publisher: Dove Audio (NewStar Media)
Published: 1997
ISBN: 9780787110635


Naxos Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by Jonathan Oliver
2 CDs – Approx. 2 Hours 39 Minutes [ABRIDGED]
Publisher: Naxos Audiobooks
Published: 1994
ISBN: 9626340258


Blackstone Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by Frederick Davidson
14 Cassettes – Approx. 20.4 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 1998
ISBN: 9780786195718


Ivanhoe [Parts 1 and 2]
By Sir Walter Scott; Read by Jim Killavey
14 Cassettes – Approx. 21 Hours [UNABRIDGED]
Publisher: Books On Tape / Jimcin Editions
Published: 1986
ISBN: 9780786195718

Brilliance Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by Michael Page
CDs or MP3-CD – Approx. Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2005
ISBN: 9781597370097 (cd), 1597370118 (mp3-cd)


HarperCollons Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by
Brian Cox
2 Cassettes – Approx. 3 Hours 7 Minutes [ABRIDGED]
Publisher: HarperCollins Audio
Published: 1992, 1996
ISBN: 0001049283


Ivanhoe And The Lists Of Ashby
By Sir Walter Scott; Read by Doughlas Fairbanks Jr.
2 33 1/3 RPM LP Records – [ABRIDGED]
Publisher: Caedmon
Published: 1977

Highbridge Audio - Ivanhoe by Sir Walter ScottIvanhoe
By Sir Walter Scott; Read by Ronald Pickup
2 Cassettes – [ABRIDGED]
Publisher: HighBridge Audio
Published: 1997
ISBN: 1565112113

And here’s a peek at the Pocket Classics edition (ISBN: 0883017393):

POCKET CLASSICS - Ivanhoe Pages 6 and 7

I wonder why there isn’t an audio drama version.

Posted by Jesse Willis

Review of The Invisible Man by H.G. Wells

SFFaudio Review

Science Fiction Audiobook - The Invisible Man by H.G. WellsThe Invisible Man
By H.G. Wells; Read by James Adams
5 CDs – Approx. 5.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433277528
Themes: / Science Fiction / Invisibility / Chemistry / Biology / Crime / 19th Century / Sussex / Morality / Personal Responsibility /

On a freezing February day, a stranger emerges from out of the gray to request a room at a local provincial inn. Who is this out-of-season traveler? More confounding is the thick mask of bandages obscuring his face. Why does he disguise himself in this manner and keep himself hidden away in his room? Aroused by trepidation and curiosity, the local villagers bring it upon themselves to find the answers. What they discover is a man trapped in a terror of his own creation, and a chilling reflection of the unsolvable mysteries of their own souls.

While nobody could really deny H.G. Wells was an amazing and talented Science Fiction author I think we can all agree that some of his fictions are superior to others. Among those that are not superior is The Invisible Man. This is not from any serious defect in the novel’s writing. Indeed, I cannot see anything that H.G. Wells has really done badly or that he could have done better. So, if it couldn’t have been done better then why isn’t it better? I think the problem stems from two interrelated factors: One is a serious technical gripe, something in the book and unavoidable, and the other being the smallness of that idea. Taken together they make it difficult to fully engage with. What holds back The Invisible Man from an utter perfection is at the weak premise at the very core of the novel, invisibility. Invisibility is both impossible and small. I’ve expanded on its impossibility in another essay. Its smallness is a problem I will tackle here.

Invisibility is a long standing meme in human culture: Plato describes invisibility in the legend of The Ring Of Gyges, Tolkien used a similarly endowed ring in The Lord Of The Rings, and even modern scientific versions of invisibility (the invisible-like camouflage in Predator) are still with us. The problem is invisibility isn’t a story, its barely a half of an idea in terms of ideas – its a place to take a story, but it isn’t a very fruitful one. I felt the same way when I read Richard Matheson’s The Incredible Shrinking Man |READ OUR REVIEW|READ OUR REVIEW|. I though: “A man shrinking, that’s new!” It was new and completely unfruitful. See the fallout from the idea of a man shirking inexorably towards nothingness is a feeling of emptiness. The man shrinks, the world gets bigger. A man shrinks, everyday objects become like mountains and house pets like dragons. Its interesting, to be sure, but it isn’t a story. Like invisibility, no amount of hand-waving can make the explanation scientifically plausible. Unlike, the The Incredible Shrinking Man however I can still recommend The Invisible Man – Wells is the master of Science Fiction. In The Invisible Man he takes a fatally flawed concept, invisibility, and writes the shit out of it. When Griffin, the scientist and anti-hero of the title goes about explaining his methodological reasoning in a Socratic dialogue, he is fully persuasive. Check this passage out:

“Phew!” said Kemp. “That’s odd! But still I don’t see quite … I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry.”

“Precisely,” said Griffin. “But consider, visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the light nor reflect much from the general surface, but just here and there where the surfaces were favourable the light would be reflected and refracted, so that you would get a brilliant appearance of flashing reflections and translucencies—a sort of skeleton of light. A glass box would not be so brilliant, not so clearly visible, as a diamond box, because there would be less refraction and reflection. See that? From certain points of view you would see quite clearly through it. Some kinds of glass would be more visible than others, a box of flint glass would be brighter than a box of ordinary window glass. A box of very thin common glass would be hard to see in a bad light, because it would absorb hardly any light and refract and reflect very little. And if you put a sheet of common white glass in water, still more if you put it in some denser liquid than water, it would vanish almost altogether, because light passing from water to glass is only slightly refracted or reflected or indeed affected in any way. It is almost as invisible as a jet of coal gas or hydrogen is in air. And for precisely the same reason!”

“Yes,” said Kemp, “that is pretty plain sailing.”

So, I’m of two minds on The Invisible Man. It derives its heart from a weak concept – and like the phlogiston theory of combustion it is discredited, and undeserving of serious consideration. Despite all this I still find myself willing to recommend you read the novella. The psychological rigor that Wells brings to the novel makes The Invisible Man quite possibly the first and last straight Science Fiction story worthy of our attentions.

Narrator James Adams is a capable reader, he reads the third person perspective text with what sounds like an authentic English accent. The clam-shell style case, for the library CD edition that I received, features a bit of fading text on the cover, a design inspired by the invisibility of the title. Unfortunately this makes the details hard to make out in anything other than a bright light environment. Blackstone Audio has four other formats available too: Cassette, MP3-CD, digital download (via Audible.com) and playaway (a kind of disposable MP3 player that can only play one book). Given the widespread availability of The Invisible Man by other audiobook publishers I’d like to have seen some value added materials, perhaps a specially commisioned introduction by Professor Eric Rabkin and or an afterward by Professor Michael D.C. Drout.

One thing I like about paperbooks that rarely (if ever) gets included in an audiobook is a map. Maps are fun and informative. One of the funnest paperback series ever was the old Dell Mapbacks. Here’s the Map from the back of Dell’s edition of The Invisible Man:

The Invisible Man by H.G. Wells - A Dell Book (MAPBACK)

Posted by Jesse Willis

Radio Drama Revival: The Adventure Of The Blue Carbuncle – a SHERLOCK HOLMES audio drama

Aural Noir: Online Audio

Radio Drama RevivalRadio Drama Revival has a new Sherlock Holmes podcast audio drama in it’s feed!

Sez host Fred Greenhalgh:

This week we bring back the Quicksilver Radio Theater in a most peculiar of Sherlock Holmes tales set during the Christmas season.

A fat goose, a random mugging, and a precious gem. How do all three relate, and who committed this most unusual crime?

Quicksilver Radio Theatre - The Adventure Of The Blue CarbuncleOne caveat folks: This is an all-American production (Quicksilver is based out of New York). Don’t expect too much in the way of spot-on English accents. Part 2, presumably the concluding portion of the adventure, will likely be in the feed next weekend… PART 2 is HERE!

Radio Drama Revival – Episode #152 In Search Of The Blue Carbuncle
Part 1 |MP3| Part 2 |MP3|

And…

Quicksilver Radio Theatre - The Adventure Of The Speckled Band AUDIO DRAMARDR had another Sherlock Holmes AD back in 2008, created by the same Quicksilver team: The Speckled Band Part 1 |MP3| Part 2 |MP3|

Podcast feed:

http://feeds.feedburner.com/RadioDramaRevival

Posted by Jesse Willis

BBC Radio 4: The Three Knots

SFFaudio Online Audio

Radio Times - Afternoon Play: The Three Knots - reviewed by Jane AndersonBBC Radio 4Next Tuesday BBC Radio 4’s Afternoon Play is The Three Knots. This atmospheric drama is set against the backdrop of the “Disruption” during which Scotland’s church split in two. It’s inspired by a real community who, having been refused any land to worship on by the laird, commissioned a floating kirk which they harboured in Loch Sunart.

BBC Radio 4 - Afternoon Play: The Three KnotsAfternoon Play: The Three Knots
By Linda Cracknell; Performed by a full cast
Broadcaster: BBC Radio 4 / Afternoon Play
Broadcast: December 22, 2009 @14:15-15:00
Drama about faith and the supernatural by Linda Cracknell, set in 19th-century Scotland. Two men stranded on a mountain on a stormy December night meet a mysterious old woman who believes she can control the elements.

Cast:
Angus …… Finn den Hertog
Thomas …… Robert Jack
Old Woman …… Gerda Stevenson
Elizabeth …… Hannah Donaldson
Minister …… Jimmy Chisholm

Directed by Kirsty Williams

Sez the author, Linda Cracknell, on her blog:

I spent two days at the end of last week at the BBC in Glasgow to sit in on the recording of my new play The Three Knots. It was great fun to return to that world after several years away. I heard the words I had hounded down and harnessed through numerous drafts springing into new life, was awed that they could mobilise five actors, a Director, three audio staff, an administrator and a whole world of electronic sound effects into a collaborative act of creation. To witness the nuances of meaning and subtext teased out through the sensibilities of the actors and Director; to remember that fewer words often mean more power; and to find that a terrifying storm can be invoked by layerings of sound, is a huge privilege. For the solitary fiction writer, this is a radically different, and a most exciting way of working.

The Three Knots is the realisation of an idea seeded at least three years ago when, while looking through back copies of the Scots magazine in the National Library of Scotland for something else, I stumbled upon an engraving of a remarkable vessel arriving on Loch Sunart in the West Highlands in 1846. It remained anchored there for ten years, and played a highly significant role in the spiritual and political life of the local community. I was intrigued. I have written about how it captivated me before, here. I walked the hills there, and started to inhabit the place with my imagined characters, until they grew, gathered to themselves relationships, conflicts, mythical associations, and so shaped a story.

Sounds like it might be good eh?

[Thanks Roy!]

Posted by Jesse Willis

Changersurfer Radio: Lecture – Those Who Cannot Remember Doc Savage Are Condemned To Repeat Him by Jess Nevins

SFFaudio Online Audio

Jess Nevins, librarian and author of the forthcoming The Encyclopedia of Pulp Heroes (2010), gave a scholarly lecture on the earliest origins and strange evolution of the superhuman/superhero meme. Starting in the the early 19th century with a perceived need for better military training, and progressing into the middle of the 20th century, Nevins explains, among other things: Why Doc Savage lost his superpowers (but kept his physique), why The Shadow needed the ability to “cloud men’s minds”, the development of Muscular Christianity and the Physical Culture movements, and even the minor role Sir Arthur Conan Doyle played in all this! There’s lots more in the there too – it’s fascinating!

Changesurfer RadioThose Who Cannot Remember Doc Savage Are Condemned To Repeat Him: The 20th Century Backlash Against Posthuman Bodybuilders
By Jess Nevins
1 |MP3| – Approx. 30 Minutes [LECTURE]
Podcaster: Changesurfer Radio / Institute For Ethics & Emerging Technologies
Podcast: Dec 13, 2009
Recorded: December 4, 2009
Provider: Archive.orgOne bit of local colour that I can add to this fun lecture is a kind of a capper to the story of the Physical Culture and Muscular Christianity movements. Their was a curious practice at the Vancouver YMCA, patrons were encouraged to exercise in the nude. This eventually led a young man named Victor Willis (no relation) to immortalize the results in this song:

[via SFsignal.com]

Posted by Jesse Willis

BBC + RR.cc: McLevy: a 19th century detective series based on a real detective

Aural Noir: Online Audio

The Inspector McLevy MysteriesPaul Bishop, who runs the addictive Bish’s Beat blog, writes about an unfamiliar audio drama series that sounds right up our dark alley!

Sez Paul:

“McLevy!

THESE TOP NOTCH AUDIO DRAMAS FROM BBC 4 SURROUNDING INSPECTOR MCLEVY, A TACITURN, VICTORIAN, EDINBURGH SLEUTH, HIS GIRLFRIEND BROTHEL OWNER JEAN BRASH, AND HIS SIDEKICK CONSTABLE MULHOLLAND, ARE A JOY. ORIGINALLY BROADCAST FROM 1999 TO 2006, GOOD WRITING, GOOD CASTING, AND GOOD DIRECTION MAKE THIS FORTY-FIVE MINUTE SHOW A MUST FOR YOUR BBC DOWNLOADER . . .”

Indeed! Though I think a visit to RadioArchive.cc will be even more effiecent!

RadioArchives.ccFrom “Snuffbox” a collector and moderator on RadioArchive.cc:

The dark broodings of James McLevy, a dour Scots detective created by writer James Ashton, are based loosely on the stories of a real-life police inspector. James McLevy was a County Armagh-born builder’s labourer who embarked on a police career in the 1830s and published several collections of his cases.

Ashton’s McLevy, however, is a far deeper and darker character, a man obsessed with meting out justice, and with demons of his own.

Brian Cox is superb as the brooding coffee addict McLevy, ably supported by his sharp side-kick Constable Mulholland. Running throughout the series is McLevy’s love-hate cat-and-mouse realationship with the delicious Jean Brash, propriortress of Edinburgh’s premier bawdy-hoose.

Cast:
McLevy … Brian Cox
Mulholland … Michael Perceval-Maxwell
Jean Brash … Siobhán Redmond
Lt. Roach … David Ashton

Pilot 1999
1. McLevy
1st Series 2000
2. For Unto Us
3. The Trophy Club
4. The Second Shadow
5. The Burning Question
2nd Series 2002
6. A Good Walk Spoilt
7. Wild Justice
8. The Wild Spark
9. Stab in the Back
3rd Series 2003
10. Behind the Curtain
11. A Voice from the Grave
12. The Dark Shadow
13. Servant of the Crown
4th Series 2006
14. A Piece of Cake
15. The Sea Change
16. Sins of the Fathers
17. The Devil’s Disguise
5th Series 2009
18. To Keep Him Honest
19. Picture of Innocence
20. The Chosen One
21. The Reckoning

2 episodes are also available on CD |HERE|

[via Bish’s Beat]

Posted by Jesse Willis