Review of Star Trek: Captain’s Glory by Shatner with Reeves-Stevens

Science Fiction Audiobook Review

Science Fiction Audiobook - Star Trek: Captain's Glory by William Shatner with Judith and Garfield Reeves-StevensStar Trek: Captain’s Glory
By William Shatner with Judith and Garfield Reeves-Stevens
Read by William Shatner
3 CD’s – 3 hours – [ABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2006
ISBN: 0743539621
Themes: / Science Fiction / Star Trek / Space Travel / Aliens /

40 years of Star Trek. In the last year I’ve heard quite a bit about that, and it really is amazing when you sit down and think about it. In 40 years, there have been five television series, ten movies, and hundreds of novels, and even though the last series was cancelled, the franchise still has a very strong fan base. Truly something. Why is it so popular? To me, the answer is simple, and threefold. First, it was the first television show I ever watched that spoke to me about bigger issues. Sure, it wasn’t always lofty, it wasn’t always touching. But sometimes it was, and I liked it. Second, it was optimistic. It presented a future where many of the daily troubles we deal with are ancient history. And third, despite the optimistic future, the characters were people, even if they were aliens. Kirk, Spock, and McCoy are still amongst my favorite all-time characters, even after all the fiction (science or not) I’ve consumed since discovering the series back in the 70’s.

Kirk, Spock, and McCoy are all in Captain’s Glory, the latest Shatner/Reeves-Stevens collaborative Star Trek novel. Like most of the previous Star Trek Simon and Schuster Audio titles, this one is abridged, and presented with sound effects and music. William Shatner narrates, and does a fine job with it. Of course, he performs Kirk to perfection. Since Kirk is the main character, that works out real nice, but the novel is populated with characters from all the incarnations of Star Trek on the screen (except for Enterprise) and don’t expect good impersonations. Janeway, Picard, Riker, Troi, Spock, McCoy, Scotty, and others are all here.

The authors do a good job using characters that should be there in the timeline. The story takes place after Star Trek: Nemesis, but at the same time on a timeline that belongs to these novels alone. Scotty was moved forward in time in a TNG episode, and Kirk was in a movie. (Listen to Shatner’s The Return to find out how and why Kirk is still alive…) Spock is long-lived and appeared in a TNG episode, as did McCoy, even though he was quite old. This novel refers often to events that occurred not only on the screen, but also in previous novels in the ongoing series.

The story is classic Star Trek material. An entity with incredible power cruises through the galaxy, causing all kinds of havoc. Warp engines are failing all over the quadrant as the entity does its thing. Then Kirk and friends get involved. When his son is taken (see previous books), all bets are off as Kirk’s actions to get him back pit him not only against the entity, but against Starfleet and Picard.

The abridgement is quite well-done. I had no problem following any of it, and I enjoyed it a great deal. I felt that this was the best of the Shatner novels, with the exception of The Return. It was good fun.

Wow. I just wrote an entire review of a Star Trek novel without mentioning how much I hope the next movie isn’t a prequel. Maybe next time.

Links:

  • SFFaudio’s very own Star Trek page – if it’s Star Trek, and on audio, you can find it here.
  • Simon and Schuster’s Star Trek page – an informative page on the hundreds of Star Trek novels published by Simon and Schuster

    Posted by Scott D. Danielson

  • Crazy Dog Theater creates Gothic Tuesdays through October via Ireland’s RTÉ Radio 1

    Online Audio

    Online Audio - RTÉ Ireland Radio 1Our UK correspondent, Roy, sez that RTÉ Radio 1 (Ireland Public Radio) is airing a new series throughout October. Ireland’s award winning Crazy Dog Audio Theatre has created “Audio Gothic” a series of five radio plays. Each of the plays is written, directed and produced by Roger Gregg, recently hailed on BBC Radio 4 as ‘one of a handful of truly great radio dramatists.’

    Varying in styles from dark comedy to sombre character studies, each play focuses on individuals who struggle with loneliness, loss and self-delusion. Each production features all of the hallmarks of Crazy Dog Audio Theatre; original music scores, location recordings, state-of-the-art sound design and some of the very best Irish and international voice talents.

    Audio GothicRoy writes: “Given Crazy Dog’s track record this should be well worth investigating at least. However, I’m not sure that the Tuesday Play slot is necessarily archived for later listening or mp3 download even though from the ‘past shows’ link previous Crazy Dog productions such as Diabolic Playhouse still appear to be available from 2004.”

    Crazy Dog has posted the entire 5 episode description on their website.

    Tuesday 3 October:

    SEANY BOY
    Unable to deal with his grief, Seany Boy, an elderly Cork farmer, has retreated into his fantasy of being a gun toting, singing cowboy of the Old West. Seany is dismissed as a colourful eccentric until he draws a gun to intervene in a racist attack on an asylum seeker and the consequences rapidly spiral out of control. Liam Heffernan stars in this modern tale of the West.

    Tuesday 10 October:

    BRAD’S BOOK OF LIES
    Following a nervous breakdown, the world’s greatest marketing guru awakens to the fact that the only truth he’s ever known is how to best tell lies. He resolves to become a new person but soon discovers that the world around him will not let his old self die. Simon O’Gorman stars in this dark comedy.

    Tuesday 17 October:

    MARY MAGUIRE SURROUNDED BY LOVED ONES
    A moving portrait of a lonely Dublin woman spending a day reunited with her long-lost nearest and dearest. Karen Ardiff stars as Mary Maguire in this tale of loss and love.

    Tuesday 24 October:

    MARSYAS: THE HIPPEST SATYR
    A modern jazz retelling of the Greek myth of Marsyas, a humble satyr who comes under the spell of a cursed magical horn. Leading Irish guitarist Giordai Ua Laoghaire is the featured musician in this comic musical fable of pride and self-delusion.

    Tuesday 31st October:

    MARINETTE 1.1.
    A special Halloween tale of voodoo and vengence. A maladjusted computer expert comes to believe he’s being guided by a vengeful voodoo spirit named Marinette. Phil Proctor of RUGRATS stars in this voodoo tale for Halloween.

    Thanks for the heads-up Roy!

    posted by Jesse Willis

    Review of Strawberry Automatic by T. Ray Gordon

    Science Fiction Audiobook Review

    Science Fiction Audiobook - Strawberry Automatic by T. Ray GordonStrawberry Automatic
    By T. Ray Gordon, Full Cast Production by Richard Sellers
    1 CD – 78 Minutes [UNABRIDGED]
    Publisher: Apex Audio Theatre
    Published: 2005
    Themes: / Science Fiction / Androids / Terraforming Mars /

    The Automatics are androids, and trained fighting machines. When they fought for their own rights, they were, of course, declared non-personal non grata and the ones that could left Earth for other parts of the Solar System colonies. Strawberry Automatic is tall with flaming red hair, beautiful and deadly as they come. On Mars there is a company running the terraforming operation. Naturally someone wants to speed up the process using illegal nukes, and someone else wants to stop them.

    I say “of course” and “naturally” because as I listened to this CD I had no trouble keeping slightly ahead of the story line. I kept thinking “This is a 1950s sci-fi story.” On his CD sales website, producer and narrator Richard Sellers says that T. Ray Gordon wrote 72 original manuscripts during the 1950s, which have never been published until now. So I was right. And as seems to be the cliché with pulp and radio writers, he was alcoholic and killed himself in 1961.

    As a story Strawberry Automatic is a fairly good sci-fi adventure. As a script it relies too much on narration, some of which could have been written into dialogue or eliminated to keep the story moving faster. This might have made the script longer, though, and it appears they had decided to keep it to one CD. The production values are high, as the producer works as a voiceover artist and knows his trade. He also narrates the story. The acting is quite good, and it shows that Sellers knows his community of good performers. They just need someone to help them develop the script a bit before moving on.

    The production values and the fact that it was not a story that had ever been produced before garnered it an Honorable Mention for the 10th Annual Mark Time Awards for Science Fiction Audio this year. Click here for more info.

    The first of Gordon’s stories made for audio by Apex Audio Theatre, Inhumanity Quest, was also produced by Richard Sellers, and it shares many of the qualities mentioned here regarding the story, the production quality, and the performances.

    I liked the production a little better the second time I heard it, as I could listen a bit more critically. It is well done. But I don’t know if I could listen to 72 of this kind of tale.

    BBC Radio 4 re-airs the Philip K. Dick documentary Confessions Of A Crap Artist

    Online Audio

    Online AudioBBC Radio 4 has re-aired the half-hour documentary we told you about back in January on the transcendant experience near the end of Philip K. Dick‘s life. “Confessions of a Crap Artist” by Ken Hollings isn’t specifically about the PKD novel of the same name but it is a documentary about the last years of his life he encountered something so strange and troubling he couldn’t stop writing about it.

    You can use the “Listen Again” feature on the BBC4 website HERE to hear it.

    posted by Jesse Willis

    WorldCon Fallout: Steve Eley Can’t Dance

    SFFaudio @ Worldcon 2006

    Hector with his signed iPod During WorldCon 2006 I got to meet a boatload of people I knew only through the internet or from their writing. But I also met some people I didn’t know about beforehand. One such was Hector from TheCrowsDream.com. Hector is a fellow fan of Escape Pod and I met him during one of the suite parties. He’s posted a particularily passionate entry about what the event meant to him on his blog.

    Hector writes:

    “Steve’s calls his podcast Escape Pod, and it has consistently delivered awesome science fiction for quite a while now. Steve pays for the stories he uses. In the beginning he only paid $20, but he is up to $100 thanks to donations from his listeners. He has been able to expand his array of readers, and to do cool things, like publishing the five Hugo nominated short stories for 2006.

    When I found out that Steve was going to be at World Con, I knew that I wanted to meet him, and to thank him for his work. Jokingly, I told my one of my friends that I was going to get him to sign my iPod. I went to one of his panels, and I did it. I had Steve sign the back of my iPod. He said it made his day, and I’m glad. The trouble started when I went to the podcast party suite in the convention hotel. Don’t take me wrong, I meet the coolest people ever, but, at one point, one of the new editors of escape pod–it has an actual editor now, cool guy– introduced me to the editor of Fantasy and Science Fiction Magazine as “Steve’s groupie.” I didn’t like that. In my mind groupies are bellow every other level of geekdom I’ve reached, and believe me, playing Dungeons and Dragons while reading Spider Man in not as low as you can go. I know. I’ve been there, but a groupie?

    As time went by conversation made me forget the new low I had achieved. The Escape Pod team is great. The party suite was filled with incredible and intelligent people, like Steve’s wife, Anna, who briefly encouraged me to go on with my Sci -Fi podcast in Spanish. She is as cool as Steve, I was beginning to see why I’d want to be a groupie, or a hanger-on, or whatever.

    I was uncomfortable with the groupie thing though, I was uncomfortable because, in a way, I confess, it was true. I wanted to walk up to Steve and thank him for what he is doing. I wanted to thank him for doing something for speculative fiction out of love, not profit. I wanted to thank him for keeping me company with his podcast when I had no friends in NJ, and for filling his introductions to the show with the kind of long-gone idealism and élan only people like Robert_A._Heinlein, and Ray Bradbury seem to have. I didn’t though. I didn’t say anything because I didn’t want to be the weird fan-boy who makes authors feel weird, so I barely spoke when he was around.

    As the night wore on, and after I met more amazing people, I saw Steve dancing. He can’t dance, but he was doing it anyway. He was standing on one foot doing the twist. For a second, I thought that he was having convulsions. And just when a clear insight about the nature of the Universe and humanity was about burst in to my mind like an explosion of shinning stars, that stupid, stupid country song about dancing by Lee Ann Womack burst in to my consciousness, and it ruined the moment.

    I was in a suite surrounded by strangers. I had asked Steve to sign my iPod, and I was embarrassed. I mean, everyone greeted me as the ‘iPod guy’. But Lee Ann wouldn’t give up on me. Her twangy melodies overcame my own mental processes, and I realized what being a groupie and a fan-boy is all about. It is about taking the time to listen to what the back-bone of science fiction has to say. It’s about learning to tell stories though short fiction, and about having the guts to hold on to the values that people like Heinlein displayed so valiantly. It’s about creating something out of love, not profit. It’s about sharing your passion. It’s about doing something for your community even when you don’t know if you can do it well or if it is going to make a difference. I didn’t have to be embarrassed by my fan-boyishness. The people in the suite paid $200 plus accommodations and travel to be there. They had bleed their hearts on the page by reading it or writing it. I realized that I wasn’t the only fan boy there. Everyone else was a fan, and Steve was one of the biggest ones. Scott, the editor who called me a “groupie” turned out to be one of the nicest and friendliest people in the whole party. (Plus, he got my jokes).

    I think I was embarrassed because since I was little, people–the big meanies– made fun of me for liking, no not liking, LOVING imaginary worlds. Even when I finally quit trying to be cool, and embraced my geekiness, there still was an undercurrent of shame running though me. A speck of conciseness that still wanted to be some one else, but that night, it went away. That night I didn’t care that my favorite reality show is about super heroes, or that I carry a sci-fi or fantasy book everywhere I go. I was in good company, and that’s all that mattered. The funny thing is that I saw the parts of myself that are not geeky. I saw the teacher, and the Buddhist. I saw the future husband and father, and I saw how important my choice of literature has been in my life. I saw who I am, and was okay with that.”

    I’m okay with it too. There’s a bit more to Hector’s post over on his blog. Steve Eley even posted a comment that about sums up my feelings as well. We won’t be strangers next time Hector!

    Firefly Old Wounds creators interviewed on The Signal Podcast

    SFFaudio Online Audio

    Firefly / Serenity : The Signal PodcastThis latest episode of The Signal podcast contains an interview with Andrew Dorfman and Jack Ward from Firefly: Old Wounds. Hosts Les and Kari talked to Andrew and Jack about the creation of the audio drama for nearly 90 minutes! You can download the episode HERE. Or to subscribe to The Signal Podcast plug this feed into your podcatcher:

    http://signal.serenityfirefly.com/podcast.xml