Joe Haldeman short story Graves on StarShipSofa

SFFaudio Online Audio

Star Ship SofaThere are some stories and then there are some stories. Graves by Joe Haldeman is one of those stories!

If you want to listen to a great short story that won the Nebula in 1993 and the World Fantasy Award in 1993 then pop over to the StarShipSofa and treat yourself to one fine story.
Subscribe to the podcast via this feed:http://www.starshipsofa.com/rss

Posted by Tony C. Smith

Review of Mainspring by Jay Lake

SFFaudio Review

Mainspring by Jay LakeMainspring
By Jay Lake; Read by William Dufris
Audible Download – Approx. 13.5 Hours [UNABRIDGED]
Publisher: macmillan audio / audible.com
Published: December 2007
Themes: / Science Fiction / Fantasy / Alternate Universe / Steampunk / Religion / Angels / Science /

The mainspring of the Earth is running down, and disaster to the planet will ensue if it’s not rewound. To do the job the Archangel Gabriel approaches a young clockmaker’s apprentice and explains the problem. He can’t be that surprised, in a clockwork solar system, where the planets move in a vast system of gears around the lamp of the Sun – how could he be? This is a universe where the hand of the Creator is visible to anyone who simply looks up into the sky and sees the track of the heavens, the wheels of the Moon, and the great Equatorial gears of the Earth itself.

Clockmaker’s apprentice Hethor Jacques is graced by a visit from the Archangel Gabriel. Gabriel tells him that he’s been chosen to re-wind the running down mainspring of the earth. If it isn’t re-wound, the world will end – and as such he must find something called “the Key Perilous” (the Mainspring equivalent of our “Holy Grail”). A series of short introductions and good-byes later (with the help of a friendly librarian), Hethor is pressed into the service of a Royal Navy airship (the Bassett) and soon is heading south towards the equatorial wall, atop which the brass gear-works of the Earth and its orbital track meet. Beyond that barrier lies the mysterious ‘Southern Earth.’ Hethor’s quest will take him there and farther south – to the ends of the earth – one way or another.

In a clockwork world who could doubt the existence of God? None, but some still doubt the existence of angels. And that’s just what happens to Hethor. His master and betters think him at best a liar, at worst a thief, and poor young Hethor seems ill-equipped to save the universe. Luckily, a quick trip to the library and he’s on the right track…

Talk about hard to categorize! Jay Lake’s Mainspring offers an utterly unique vision of a world in which the Medieval ideas about how the universe works are literally manifest. Great premise, but it is an undercooked universe that I didn’t wholly buy. The alternate universe changes are interesting, but are not often well grounded. For instance, in the Mainspring world Jesus wasn’t crucified (nailed to a cross), he was ‘horofixed,’ (strapped to a wheel) – kind of makes sense right? Okay, that’s cool – but why, other than for style, did the United States never revolt from the English crown? Why the 19th century airships? Don’t get me wrong, I love airships, but there doesn’t appear to be a logic to their addition. We don’t find out much about the logic for the changes that aren’t obvious either. And that’s basically its problem. Mainspring has many elegant epicycles around its central action, but that action all lacks a core motivation. How can you suspend disbelief if the force of gravity is both an absent actor in the grand scheme (cosmically) but appears to act locally (people aren’t strapped down to the earth)? There are many flourishes, but there are also so many sidesteps to what should be natural consequences. This makes Mainspring have a mechanical, almost “rail-shooter”-novel feel to it. For instance, the novel insists that gravity isn’t what keeps the earth in orbit around the sun (it’s a massive brass clockwork instead), but what keeps the objects on the Earth on the ground? What keeps the airships up (or down)? None of this is answered – or even addressed. I kept hoping that some revelation, something central to the novel, would be revealed, right up to the final pages. Maybe this universe has an intensified magnetic force in it or something? Instead, no, nothing.

Also underdeveloped, and tragically so, is the religious thread. The consequences of seeing the mechanism of what is clearly “creation” in this world are not explored to any significant degree. Indeed, the ramifications from a created world, a world that ‘can run down’, are so lightly touched upon as to be non-existent. The focus is on the adventure of the naive Hethor, his meager beginnings and his sexual awakening. Mostly though, Mainspring is a series of encounters, and visual incredibilities. Like I was saying earlier, it is all undercooked. Jay Lake has vision and talent but this feels far more like his “Count Zero” novel than his “Neuromancer.”

Mainspring is one of the new batch of “exclusive to audible” titles. Veteran narrator William Dufris brings a calm assurance to the many characters who live in a world that seems normal to them, and crazy to us. Sound quality isn’t quite as good as from CD (but this title isn’t available on CD). Once installed, the audible.com download software and the audible checkout system integrate well. It isn’t quite “one click” ordering, but once you’ve made your choice you can have an audiobook on your portable media player and ready to play in less than 30 minutes. I use an iPod Nano, which displays the cover art and bookmarks the files perfectly. I could switch between a regular playlist, a podcast, and multiple audiobooks (from Audible) without losing my place. The experience of listening to and downloading an audiobook from Audible to your iPod is virtually identical to what iPod podcast users get.

Posted by Jesse Willis

The Green Man Review has Peter S. Beagle audio The Stickball Witch

SFFaudio Online Audio

The Green Man ReviewThe Green Man Review is offering the first of four promised Peter S. Beagle stories. The first reading, on the theme of “Springtime”. It will be published this Fall, in a paperbook collection from Tachyon Press entitled We Never Talk About My Brother. Check it out!

The Stickball Witch
By Peter S. Beagle; Read by Peter S. Beagle
1 |MP3| – [UNABRDIGED?]
Publisher: The Green Man Review
Published: March 2008

[via SFsignal]

Posted by Jesse Willis

Two Scottish writers, Iain M. Banks and Ken MacLeod, speak

SFFaudio Online Audio

Aye Write! (from the Bank of Scotland Book Festival), recorded on Sunday, March 9th 2008, has audio of Iain M. Banks and Ken MacLeod discussing their latest novels.

Two of Scotland’s leading writers discuss their new books. Iain M Banks’ Matter, the story of a crime within a war which means for one man a desperate flight and a search for the people who can clear his name, for his brother a constant threat of treachery and murder, and for their sister going back to a place she thought she’d abandoned forever. In Ken MacLeod’s The Execution Channel, fighting has spread across the Middle East and Central Asia to the borders of China. In the US, refugees from climate–change disaster subsist in FEMA camps. Images of official executions circulate on the Internet like al Qaeda videos. Interference in someone else’s war is never a simple matter. Both authors are on top form – Banks with a novel of great wit and serious purpose; MacLeod providing, as The Times said, ‘politically engaged, speculative fiction at its finest, with a conclusion that’s absolutely mind-blowing’.

Here’s the |MP3|,

[via SFsignal]

Posted by Jesse Willis

BBC Radio 4 – Journey into Space – Frozen In Time

SFFaudio Online Audio

BBC Radio 4According to the latest issue of the Radio Times an all new show in the long loved Journey into Space series is set to air this weekend! Fans of JiT first heard the show on BBC airwaves back in 1953. This new program (written by the same guy) continues the tradition. For fans, this is something not to be missed, for those who haven’t heard of it before check out the Wikipedia article. This will be available for a week after the broadcast via the BBC R4 “listen again” service.

Journey into Space – Frozen In Time
By Charles Chilton; Performed by a full cast
1 Broadcast – Approx. 60 minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 / The Saturday Play
Broadcast: Saturday April 12th 14:30-15:30 (UK TIME)
“The crew of 1960’s spacecraft Ares awakes from suspended animation in 2008. Jet Morgan – played by David Jacobs from the original cast – has been the only one left awake for the past 30 years. Unwittingly caught up in seismic deception, the Earth’s future could be in peril.”

Also, there’s an informative article about the making of this show (along with some nostalgia on the venerable Journey Into Space lineage) over on the Times Online website |READ IT|.

[via SFFaudio’s secret agent in the UK CODENAME: R.O.Y.]

Posted by Jesse Willis

Commentary: The Metamor City Podcast

SFFaudio Commentary

Metamor City Podcast[Editor’s Note: In this commentary one of SFFaudio’s highly valued behind the scenes contributors, Nick Gassman, talks on the record about a recent podcast fiction series he’s been enjoying.]

Imagine a world where magic has developed alongside technology. A world where the fabric of a city is maintained not only by gravity and physics, but also by magic. That’s the world that Metamor City is situated in.

It’s also a city where the police chief is a wolverine, the chief medical examiner is a vampire (her ‘special’ attributes make her outstanding at her job), and where the normal people are called ‘mundies’, for ‘mundanes’, having no special skills or attributes. Mundies, and a potentially unlimited range of mythical and fantastic creatures live cheek by fang together, and in general manage to get along OK. But where there’s tension and conflict, usually between races (if that’s the right word), then that’s where the interest lies for the fiction.

It’s a city full of potential for the exploration of many themes, and one which the author, Chris Lester, exploits to great advantage. The Metamor City podcast is a thorough, in depth look at the characters and events of this fantastic metropolis. Lester’s style isn’t about fast moving action. The mix of short and long stories take their time to explain, explore, dissect, discover. The motivations of characters are important here, and there will be dwelling on detail if Lester feels it necessary to create a believable world – which it is.

The focus of the stories is the city itself, and all the rich variety that it contains, rather than a particular character. Stories are told from different perspectives, and characters could be major, minor, or absent from one story to the next.

The first few podcasts are narrated (well) by individuals, and then change to a cast who speak for each character, whilst Lester retains his role as the linking narrator. The quality is superb, with the ‘acting’ only a whisker away from full professional, and with nothing left to be desired from the production, and integration of music and sound effects. These sounds always add to the dramatic effect, unlike many podcasts (and, indeed, professional productions), where they can be intrusive, typically due to excessive volume or inappropriate material (cue very lengthy sound effect of footsteps).

If you want fast paced action, this isn’t for you. But if, like me, you hunger for great storytelling, great production, and a setting full of potential, then you’ll want to put this podcast high on your list of priorities.

Subscribe to the podcast via this feed:

http://feeds.feedburner.com/metamorcity

Posted by Nick Gassman