PodCastle Features “The Grand Cheat” by Hilary Moon Murphy

SFFaudio Online Audio

Podcastle PodCastle, the fantasy fiction podcast, features “The Grand Cheat” by Hilary Moon Murphy read by Rajan Kahnna |MP3|.

You can subscribe to the feed at http://feeds.escapeartists.net/PodCastle_Main

Posted by Charles Tan

Canadia 2056 and the joys of time-shifting

SFFaudio Commentary

Ben Rai’s winning entry in the CANADIA 2056 Future Graphic Contest

One of the most compelling reasons to listen to podcasts is the ability to enjoy programs where and when you want them. I’ve been listening to The Zombie Astronaut‘s unofficial podcast feed for Canadia: 2056. This is a radio drama written by comedy genius Matt Watts. The show just wrapped up its second season on CBC Radio One. The podcast feed for the show has made Canadia 2056 completely accessible on my schedule. And like any podcast the show is now completely pause-able, rewindable, and re-listenable. I had to do all three this morning!

I was listening to episode 19 of the show and I was laughing so hard I had to pause it. About three minutes later, after the convulsions had stopped, I rewound and listened to what I’d missed. Here’s the scene that got me…

But first some background… the ships’ surgeon, Doc Gaffney, attends to a suicidal crew member named Skip Connors (she’s suicidal because she’s become a mere brain in a jar), just prior to the scene’s opening she’d been left alone in the Captain’s quarters with a obedient robot and a jealous computer |MP3|.

Like I said, I had to pause it, rewind, and listen again. Because it was a podcast, I could.

My enjoyment of all 24 episodes of Canadia: 2056 would be almost impossible without the podcast feed. And I’m not alone in this. I’ve read threads all over the net about the show, and the people who’ve heard the show. The people who heard it on the radio keep saying how much they like Canadia: 2056. But, I’ve also read about how these same folks ‘missed an episode’ here or there. People wanted to catch it when it was on, but just couldn’t. They can’t re-arrange their lives to listen to the radio, that’s really not how radio works. Even if radio is not appointment listening, Canadia 2056‘s podcast is well worth listening to. Give yourself a treat, go subscribe to the unofficial podcast of Canadia 2056. It’s so kruckin’ awesome!

Subscribe via this feed:

http://thezombieastronaut.com/podcasts-only/rss2.aspx

Posted by Jesse Willis

Clarkesworld July 2008 features When The Gentlemen Go By by Margaret Ronald

SFFaudio Online Audio

Clarkesworld # 22, the July 2008 issue, has an audio short story on offer…

Clarkesworld issue #22When The Gentlemen Go By
By Margaret Ronald; Read by Cat Rambo
1 |MP3| – [UNABRIDGED]
Publisher: Clarkesworld Magazine
Published: July 2008

So who of you’ll do a listener review of this and post a comment below?

Posted by Jesse Willis

Review of Fangland by John Marks

SFFaudio Review

Science Fiction Audiobook - Fangland by John MarksFangland
By John Marks; Read by Ellen Archer and others
10 CDs – Approx. 12.5 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 1400103592
Themes: / Horror / Fantasy / Vampires / Romania / New York / Television /

In the annals of business trips gone horribly wrong, Evangeline Harker’s journey to Romania on behalf of her employer, the popular television newsmagazine The Hour, deserves pride of place. Sent to Transylvania to scout out a possible story on a notorious Eastern European crime boss named Ion Torgu, she has found the true nature of Torgu’s activities to be far more monstrous than anything her young journalist’s mind could have imagined. The fact that her employer clearly won’t get the segment it was hoping for is soon the very least of her concerns.

Authors are supposed to write what they know. If John Marks is writing what he knows there’s one hell of a story that 60 Minutes never aired. As a former producer for that show Marks brings what feels like a pure authenticity to all the scenes revolving around the New York office politics and what it takes to make a show like 60 Minutes. Those office characters really do feel like those craggy faced reporters we’ve seen on 60 Minutes all these decades. And if for nothing nothing else, this makes Fangland a unique experience.

The plot should be very familiar to most, it’s a fairly faithful retelling of Bram Stoker’s Dracula. Differences being that Fangland is set in the modern day, a post-9/11 New York and a post-Soviet Romania. Like the original novel Fangland is told in epistolary form. That is, its chapters are entire emails, letters or notes, written by witnesses recalling recent events. But, at the novels culmination Marks breaks out of letter writing. The transition isn’t too jarring. Making the Jonathan Harker character female adds a new flavor to the flow. I can’t say as how the paperbook was received, but with this audio version, we get four terrific readers. This is a well selected cast of familiar Tantor voices. Ellen Archer predominates, as she voices Evangeline. She’s sympathetic, a little naive, but a confident modern woman confronted by a terror from Transylvania’s ancient past. Todd McLaren, Michael Prichard, and Simon Vance then take turns playing her 60 Minutes The Hour producers, other on-air reporters, a concerned father, the fiance and more. The novel runs a little too long, mostly in the middle. In terms of pay-offs though, the only thing this novel didn’t deliver on was an Andy Rooney (or equivilent) column at the end. I kept expecting Andy to show up and start telling us what bugs him about ‘being undead’ or some such.

This is not a classic, but if you dig vampires, Stoker’s Dracula, or Horror fiction that doesn’t come out of a modern horror tradition, you’ll quite dig Fangland. I’d stake my reputation in it.

Posted by Jesse Willis

WFMU is looking for RADIO DRAMA

SFFaudio News

WFMU RadioThe listener supported New Jersey radio station, WFMU, is looking for a few good radio dramas…

WFMU is looking for Radio Plays for a possible weekly program of radio theater to start this October. Lo-fi, do-it-yourself stuff is OK. It should be suitable for broadcast, which means that it should be FCC-friendly, and you should be able to clear the rights yourself, or it should be in public domain. It should also be somewhat short, from 1-55 minutes.

Listeners Karinne Keithley, Danny Manley and Jason Grote are attempting to put together a radio play program for WFMU, and are looking for *recorded* radio plays and monologues, weird interviews, rants, found audio, etc. The more idiosyncratic the better.

They’ll consider everything, but they’re not after 1920s nostalgia acts so much as sound-driven art that redefines and expands the idea
of what radio theater can be. If you’re unsure whether or not what you’ve got is a legitimate radio play, it probably is what we’re
looking for. PLEASE NOTE THAT WE ARE LOOKING FOR RECORDED AUDIO MATERIAL ONLY.

Lo-fi, do-it-yourself stuff is OK. It should be suitable for broadcast, which means that (1) it should not contain any obscenities as defined by the FCC, (2) you should be able to clear the rights yourself, or it should be in public domain, and (3) it should be somewhat short, from 1-55 minutes. Under 20 minutes is ideal. Most but not all silence is generally to be avoided.

We are not looking for unsolicited scripts at this time but we’ll let you know if that changes.

Submissions:

Mp3/Zip/other files should be posted to Divshare, Sendspace, or whichever such site you prefer, and links emailed to:

jason [at ] jasongrote.com

CDs or other recorded materials should be sent to:

Jason Grote – WFMU radio theater project
c/o New Dramatists
424 West 44th Street
NYC, NY 10036

Deadline: if you’ve got something, please send it immediately, but if you’re looking to prepare something: July 8, 2008.

Somebody send them some SFF content! I’m pointing at you Bill Hollweg.

[via Steve of the Modern Audio Drama Yahoo! Group]

Posted by Jesse Willis

CBC Words @ Large: how The Hobbit and The Lord Of The Rings got published

SFFaudio Online Audio

CBC Radio Podcast - Words At LargeThe CBC Radio One podcast Words At Large has a vintage 1987 interview with Rayner Unwin, who convinced his father to publish J.R.R. Tolkien’s The Hobbit and The Lord Of The Rings.

“When he sent it to George Allen & Unwin, the company’s publisher asked his 10-year-old son to vet the manuscript. Rayner Unwin recommended that the book be published, saying that it would appeal to ‘children ages five to nine.’ He was paid one shilling for his work.”

Listen direct |MP3|, or subscribe to the podcast feed:

http://www.cbc.ca/podcasting/includes/wordsatlarge.xml

Posted by Jesse Willis

P.S. Hope y’all haven’t forgotten that Apocalypse Al still must be freed!