The Dead Astronaut is a part of a larger subset of J.B. Ballard stories adapted for the long running CBC radio series The Vanishing Point. This tale of a haunted Cape Kennedy is typically Ballardian, surreal, full of abandoned buildings, abandoned people, and abandoned dreams.
The Vanishing Point – The Dead Astronaut
Adapted from the story by J.G. Ballard; Dramatized by Lawrence Russell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
Broadcast: 1988
First published in Playboy, May 1968.
Cast:
Gordon Clapp … Philip
Donna Goodhand … Judith
Peter McNeil … Quentin
Tom Duckworth … the voice
Here’s the original art that accompanied the story’s publication in Playboy:
Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.
We received a pile of of new books and new-to-audio books from Brilliance Audio. Remember, you can always see these the day they come in on our NewAudioBookIn Twitter account. Sometimes a very furry audiobook fan assists with the unveiling. (Interested in being a reviewer? Read through to the end of the entry!)
There is some good stuff here! I am tempted to listen to Blackbirds despite already having read it. It seems like it would translate well to audio. I have an eARC of next Miriam Black book, Mockingbird, so maybe I’ll resist for now.
Are you interested in writing reviews for SFFaudio? We are looking for people to fill in some of our sub-genre gaps. If you are interested, please send an e-mail to Jenny. Include the sub-genres you are interested in (this list from Worlds Without End is a great help), and an example of a review you have written of an audiobook. Linking to a review you posted in a site like GoodReads or LibraryThing is just as good as a blog post. If you end up on our list, you would be contacted when we receive a title you might be interested in, and you would decide whether or not to accept it. We sometimes get books outside of science fiction and fantasy, so you might as well tell us everything you like to read.
I thought it would be nice to post links to audio versions of the required course readings, when they are available. I am only listing some of the unabridged versions, so any abridged or dramatizations will be left out (although they definitely exist for some of these favorites!) Please leave a comment if you will be participating too!
Hawthorne & Poe — Stories and Poems
Hawthorne – Selected Stories read by Walter Zimmerman, Walter Covell, Jack Benson, and John Chatty, 5 hours, 47 minutes, Jimcin Recordings. (Contains “Dr. Heidegger’s Experiment” and “The Birthmark”)
Poe – The Raven read by Anne Cheng, 8 minutes, LibriVox (video by Jesse of SFF Audio)
Poe – The Fall of the House of Usher, etc. read by William Roberts, 4 hours, 54 minutes, Naxos Audiobooks (also includes “Black Cat,” “The Tell-Tale Heart” and the title story)
Poe – The Oval Portraitread by Gary Zupkas, 9 minutes, SonicMovie.net, 2009
Poe – The Facts in the Case of M. Valdemar read by Walter Zimmerman, 25 minutes, Jimcin Recordings, 2009
Poe – Annabel Lee read by Patrick Lawlor, 3 minutes, Listen & Live Audio, 2009
Poe – The Bellsread by K. Anderson Yancy, 10 minutes, SonicMovie.net, 2009
Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star” The Island of Dr. Moreau read by Simon Pebble, 5 hours, 21 minutes, Recorded Books, 2011 (you can hear the SFF Audio discussion of this story in January 2012) The Invisible Man read by James Adams, 5.6 hours, Blackstone Audio, 2009 The Invisible Man read by Alan Munro, 5 hours, 49 minutes, Trout Lake Media, 2012 The Country of the Blindread by Walter Zimmerman, 1 hour, Jimcin Recordings, 2008
Burroughs & Gilman — A Princess of Mars & Herland A Princess of Mars(multiple versions) A Princess of Marsread by William Dufris, 6.8 hours, Blackstone Audio, 2008 Herland read by William Dufris, 7 hours, Tantor Audio, 2011
My friend Luke Burrage, of the Science Fiction Book Review Podcast, posted my tweeted image of him to his blog. I built Lego Luke out of Lego late last year. You can’t quite see it from the image but the model I built shows how Luke does the amazing things he does in the video he entitled Work It Out For Yourself. I guess you could say I worked it out for myself.
The Magician King
By Lev Grossman; Read by Mark Bramhall
13 CDs – Approx. 16 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2011
ISBN: 1611760259
Themes: / Fantasy / Magic / Wizard School / Alternate Worlds / Gods /
What does it mean to be the Hero on a Quest? What does it cost? Perhaps this is something you might want to find out before you go looking everywhere for one.
It is two years since the final scene in The Magicians (Read the Review). Quentin Coldwater is now one of the Kings of Fillory, that Narnia-esque fantasy land from the series of books he read as a child. Fellow King and Queens are fellow Brakebills Academy graduates Elliot, the self-obsessed fop, and Janet with whom Quentin had a very brief dalliance, with tragic consequences. There are to be two Kings and two Queens of Fillory with Quentin’s pre-Brakebills friend Julia taking the fourth crown.
Quentin is still emotionally scarred from the tragedies of the first book and is struggling to find a reason in his life. Again this leads him towards a search for a Quest. Despite being a King in a magical realm where you would have to go far out of your way to prevent the land from producing a bountiful harvest. It still isn’t enough, Quentin feels the need to be doing something important. One thing the Fillory was good for in the books about it that he read while growing up, was that the Chatwin children always had a quest to complete when they visited.
After a false start on a quest involving a madly thrashing over-sized clock-tree, Quentin embarks on a trip to the most remote island of the realm of Fillory. To collect on unpaid taxes. He was getting desperate to find his quest and this come up at the wrong time. Never mind that the cost of outfitting the ship and getting there would out strip the value of the unpaid taxed several times over.
Accompanying Quentin on his fools quest is Queen Julia. In The Magicians Julia was the school friend that also sat the Brakebills entrance exam, but didn’t make the cut. Half of The Magician King is told from Julia’s perspective, as we follow what brought her from failing that exam to where we found her floating in the air beside Elliot and Janet at the end of The Magicians. This half of the book is the more compelling of the two as we learn about the world of Magic that isn’t controlled by the establishment as exemplified by the Brakebills Academy.
The main quest that Quentin and Julia follow, The Search for the Seven Golden Keys of Fillory, inadvertantly takes them out beyond the furthest isle of Fillory and lands them in the one place neither of them ever wanted to be. Back home of Earth. Although Earth isn’t as magical as Fillory, there are still wonders here to be found, such as Dragons.
Julia is the real treasure in this novel. A minor character in the first book, she rivals and surpasses Quentin for the position of protaginist. Although half the book is written from Quentin’s perspective, you should pay close attention to Julia. The two halfs tell of the terrible path that this poor tortured woman drove herself along after glimpsing the secret world of Brakebills. She is a broken and empty shell as Queen Julia, slowly finding parts of herself as she and Quentin struggle to find the Keys that will prevent Magic from dissappearing from all of the different realities. Especially important to Fillory as it can’t even exist without Magic. For the Old Gods have returned. No, not Cthulu. The Gods who created the Neitherlands, and accidentily left open the loophole that allows humans to do magic at all. Something got there attention and now they know that there is a loophole, and they are working to close it.
Quentin and Julia are both compelling characters. Quentin is still a bit of the Emo kid he was in the first book and his desire to be the Hero teaches him the cost real Heros must be prepared to pay. Julia through the two storylines has a woderful depth to her. She isn’t necessarily likeable, she is even more obsessive then Quentin in the flashback story. An obsession that costs her dearly.
Grossman’s world of Magic, although having some of the trappings of a Narial-like fairytale, it has much more in common with the original dark fairytales before they were sweetened for Victorian children. Magic is powerfull and the consequences, when they come, are swift, severe and utterly pittyless. We do get to see the awesome potential of the Magic that Quentin wields as he finds in himself the real Magician King. What he and his friends had been doing before was just playing with kid-gloves.
Mark Branhall again narrates, bringing out each character well and maintains consistent voices for characters from The Magicians.
This is a more developed narrative than the first book, which stood well on it’s own and didn’t leave you feeling there was a need for a sequel. The Magician King‘s story is also self-contained, but you should have read book one to appreciate it properly.
The Vanishing Point – The Dead Astronaut
