SFFaudio – Page 288 – News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.

The Roads Must Roll by Robert A. Heinlein

SFFaudio Online Audio

The Roads Must Roll by Robert A. Heinlein - illustrated by Charles Schneeman

Robert A. Heinlein’s short story The Roads Must Roll features a future in which a small union of engineers seize control of the nation’s vital infrastructure. This replacement for the highway and railroad systems is a series of massive conveyor belts allowing for the flow of goods and people around the country.

Here’s the synopsis from ISFDB:

Set in a future where the automobile has been replaced by The Roads, a gigantic set of parallel conveyor belts. The belts run at different speeds allowing a pedestrian to enter the Road at slow speed, and make his way to the center, where speeds are in excess of 100 MPH. Follows the exploits of Gaines, the Transport Commissioner, as he tries to put down a strike by the Rolling Roads Guild.

Dimension X – The Roads Must Roll
Adapted from the novelette by Robert A. Heinlein; Script by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: September 1, 1950
The more complex, the more integrated a civilization is, the more fragile it becomes to – sabotage! First published in Astounding, June 1940.

X-Minus One – The Roads Must Roll
Adapted from the novelette by Robert A. Heinleinl; Script by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: January 4, 1956
The more complex, the more integrated a civilization is, the more fragile it becomes to – sabotage! First published in Astounding, June 1940.

Posted by Jesse Willis

Review of The Sum of All Men by David Farland

SFFaudio Review

The Sum of All Men: Runelords, Book 1
By David Farland; Read by Ray Porter
17 CDs – 20.4 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
Themes: / Fantasy / Epic Fantasy / Attributes / Magic / War /

I’ve read other works by this author, written under a different name, and I knew coming into this one that he was an excellent writer and storyteller. Indeed, I’ve heard him speak at conventions and workshops and have nothing but praise for him as a person and a writer.

That being said, I wasn’t sure what to expect from this book. Reading the dust cover is not always enough to know if you’ll end up satisfied at the end of the book or if you want to throw it across the room. (Okay, I’ve only thrown ONE book across the room. It was a paperback. I was so displeased with the denouement that I threw it away. I didn’t want to inflict that book upon anyone else.)

So, with a little trepidation I began to listen to the book. Could it live up to my high expectations? Would I be satisfied with the resolution? Would I want to read the next book? The answer was a resounding yes!

The book centers on Prince Gaborn Val Orden, son of Mendellas Draken Orden, king of Mystarria. He travels to Herredon to ask King Jas Laren Sylvarresta of Herredon for the hand of his daughter, Iome Sylvarresta. While en route he learns that Raj Ahten, king of Indhopal, who is also referred to as “The Wolf Lord” plans an attack on Castle Sylvarresta. Raj Ahten has taken over a number of minor kingdoms and is intent of conquering all of Rofehaven, taking endowments from as many people as he can so that he may become “The Sum of All Men,” a man who is invincible and immortal. As such, he wants to live forever and rule the world.

It is up to Gaborn, with the help and support of Iome, the Earth Warden Binnesman, Gaborn’s bodyguard Borenson and as many soldiers as he can gather, to stop Raj Ahten from achieving his goal.

Is the book good? Definitely. The characters are well developed. They have depth and personality. They are flawed. The world is rich in legends, heroes and chronicles of past events.

From time to time there will be an insert of a story from this history. It is a teaching moment, so the reader understands who the person is and why they are mentioned, or why an event is important, but it does so in a way that adds to the richness of the story. It builds on it, making the world live and breathe as much as the characters do.

The magic system is also impressive. Those who have the ability and training for magic can use the power of the elements to create magic. Runes are used to give endowments. A king or lord can take endowments from his subjects. Strength, stamina, wit, brawn, metabolism. In so doing they themselves have greater abilities, but the subject that gives an endowment must be cared for the rest of their life, or the life of their king. Such rulers are called “Runelords.” But the cost of such power is great and the reader gets a very real idea of what it costs the people who give such endowments.

There are few books that take the time to create a world that feels as real as this one does. Farland is so good at it that it feels effortless. He doesn’t beat you over the head with his world. Instead, it simply IS. You learn only what is necessary for the story, but you are left with the belief that there is so much more to the world if you had the time to explore it. He also uses herbs and herb lore to great effect. This is a world of magic, but it is also a world unique to itself.

I highly recommend this book. It’s a rich experience that will leave you both contented and wanting more. Which is a very good way to end the book. The book is not quite perfect, but on a scale of one to ten, I definitely give it a near-ten. Although I honestly don’t know if it could be improved upon.

Get the audiobook, get the book, and experience the magic of David Farland for yourself.

Posted by Charlene Harmon

Review of Unholy Night by Seth Grahame-Smith

SFFaudio Review

Unholy Night
By Seth Grahame-Smith; Read by Peter Nerkot
10 Hours – [UNABRIDGED]
Publisher: Hachette Audio
Published: 2012
Themes: / Fantasy / Mythology / Occult / Christianity / Bible /

“Joseph? Mary? My name is Balthazar. This is Gaspar . . . this is Melchyor. We don’t want to hurt you . . . we’re just looking for a place to rest. But, Joseph? if you don’t put that pitchfork down, I’m going to take it from you and stab you to death in front of your wife and child. Do you understand?”

Wanted thieves Balthazar, Melchyor, and Gaspar, disguised as wise men, show up at a little manger in Bethlehem with a huge star blazing overhead, looking for a hideout from the law. But when Herod’s soldiers begin slaughtering the babies in Bethlehem, Balthazar takes the safety of the Holy Family into his own hands. As fugitives on the run to Egypt, they must escape not only Roman soldiers but creatures of mythology and the occult. Everyone’s either gunning for the Antioch Ghost with a price on his head or the innocent newborn who has such an unearthly effect on those around him.

Seth Grahame-Smith (Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter) finally stops inserting his words into other people’s writing and writes a book in his own words. And a fine job he does of it too. For a violent, gore-filled, action-thriller there are a surprising number of very human characters, many of whom we are meant to recognize.

Pontius Pilate appears as an ambitious young officer ambivalent about truth. Mary and Joseph struggle with how to reconcile the truth of Jesus as God with the reality of a baby who must be fed, loved, and parented. Above all, this is Balthazar’s story, who has a complex story-line driving his actions and attitudes. We learn how he became the cynical Antioch Ghost and we wonder if he will find a more worthy goal than vengeance.

Above all, I was surprised to find myself eventually thinking of Unholy Night as modern midrash. Midrash is a traditional Jewish way of trying to understand the underlying spirit of scripture, sometimes connecting it to modern life, by creating parables. This allows for some imaginative storytelling as rabbis look for interpretations with are not immediately obvious but are nevertheless held within the original text.

Grahame-Smith lives up to the midrash ideal by both being respectful to his source material and also using his vivid imagination on a Biblical event that is wide-open to interpretation, Mary and Joseph’s flight to Egypt with the Christ child. Among other things, the author is very good at opening new views on familiar subjects, such as just how horrible King Herod was. It brings to life the terrible things he did very much as I have read them in history books. One also gets a deeper understanding of the locals’ simmering, resentful hatred of the Roman empire.

Narrator Peter Berkrot is a reader I haven’t come across before but will be seeking out in the future. He conveys just the right amount of cynicism as Balthazar, menace and insanity as Herod, and innocence as Mary. I am not sure how this book comes across in print but I’d listen to it again in a heartbeat thanks to Berkrot’s narration.

Grahame-Smith has delivered a story of Biblical proportions in Unholy Night: zombies, swarms of locusts, epic sword fights, outlaws, obsessed rulers, vengeance, redemption, and more are in this entertaining action tale. That he did it all while staying true to original material that can be unpopular reading these days makes him a writer I am going to seek out in the future. Highly recommended.

Posted by Julie D.

The SFFaudio Podcast #183 – AUDIOBOOK/READALONG: Out Of The Storm by William Hope Hodgson

Podcast

The SFFaudio Podcast #183 – An unabridged reading of Out Of The Storm by William Hope Hodgson (10 minutes), read by Brian Murphy) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, and Brian Murphy.

Talked about on today’s show:
Stefan Rudnicki, Brian Murphy should peruse audiobook narration, Julie Hoverson (of 19 Nocturne Boulevard), The Frost Giant’s Daughter (aka Gods Of The North) by Robert E. Howard, William Hope Hodgson, the dragon, Gustav Dore, Leviathan, naturalistic vs. super-naturalistic, anthropomorphism, literal vs. metaphorical readings of the Bible, Thomas Hobbes, Behemoth, The Book Of Job, H.P. Lovecraft, The Statement Of Randolph Carter, wireless telegraphy, Supernatural Horror In Literature, Hodgson’s career in the merchant seaman, physical culture, photography, nautical phenomena, Edgar Allan Poe, like a nautical version of H.P. Lovecraft, Sargasso sea stories, is it merely madness?, a previously unreportable phenomenon, why doesn’t the scientist (John) respond?, an audio dramatization would be interesting, an extremely disturbing message, cosmic horror, the mother and the child, “like a foul beast”, contemplating the unimaginable, “God is not He, but It”, the universe is either cruel (Hodgson) or indifferent (Lovecraft), “her soul hideous with the breath of the thing”, spirit as breath, “this is the most horrific thing ever”, uncontrollable laughter, unstoppable, an undignified death in the face of an indifferent, the Titanic disaster, Schindler’s List, a greater good calculation, unconscionable selfishness, “to talk of foul things to a child”, the evil in itself and the evil of sharing the knowledge of that evil, Jaws, if this was a true account…, did Jaws cause Shark Week?, this guy is a little bit off, putting on a King James accent, skies the colour of mud, a sky monster?, aliens, Cthulhu, tentacles or waterspouts?, flotsam or an iceberg or a shark or just the waves themselves, “oh crap I’m nuts”, “tell her how it was”, is it like telling or not telling war stories?, clarity before death, so many ideas per square centimeter, Murf plays the Call Of Cthulhu RPG, sanity points, everybody loses, investigation vs. hack and slash, the Big Cypress Swamp, will acquaintance with Lovecraft’s stories harm or enhance your enjoyment of the game?, The Miskatonic University Podcast, “actual play” podcast, Skype of Cthulhu podcast, dice rolls on the honour system, Paranoia, Chaosium, The Horror On The Orient Express Kickstarter project, single player computer RPGs vs. pen and paper RPGs with real people, would Lovecraft play the Call Of Cthulhu RPG?, MMOs, World Of Warcraft, Dungeons & Dragons.

H.P. Lovecraft as Abdul Alhazred - Virgil Finlay illustration

Out Of The Storm by William Hope Hodgson - illustration by Percy E. Cowen

Posted by Jesse Willis

Review of The Twelve by Justin Cronin

SFFaudio Review

The Twelve
By Justin Cronin; Read by Scott Brick
CD or MP3 -[UNABRIDGED]
Publisher: Random House Audio
Published: October 16, 2012
ISBN: 9780307702043/9780739366523
Themes: / Vampires / Post-apocalypse / Virus /

Publisher summary:

The end of the world was only the beginning.

In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with . . .

THE TWELVE

In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.

One hundred years in the future, Amy and the others fight on for humankind’s salvation . . . unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.

I wasn’t going to read this book. I wasn’t! I felt like The Passage was a well-contained story and I didn’t understand where else it could go. I will let the author explain what he focuses on in The Twelve, because I find it too difficult to summarize. (This is from an older post from 2010 on io9.com.)

The next two books each go back to Year Zero at the outset, to reset the story, and to deal with something you didn’t see and didn’t know was as important as it was. It’s not a linear quest story, which I would find dull and plodding. With each book, you need to have the narrative terms reestablished with fresh elements. Also, if you didn’t see [a character] die, they’re not necessarily dead. There’s a big cast in the first book, and plenty of unresolved stuff. I will resolve it by the end. [Early vampire character] Anthony Carter? No, not abandoning him.

In [The Twelve], you go back to what happened in Denver after the outbreak took place. The story will resume in that location a few days after breakout. So you can see another angle on what occurred and certain elements will affect our band of heroes 100 years in the future. It will be called The Twelve – and it’s not who you think.

This means that the story starts with where Amy is, and follows up with an assortment of other characters. Just like in The Passage, storylines are dropped completely as others are followed. Since I was listening to the audio, it was a bit more difficult to keep track of, just because it was harder to flip back and get a refresher on names, etc.

The author provides a lot more information about what happened to various people at the very beginning, explaining how some of the communities were formed, the horrific actions of the USA government (including events like “The Field”), and other parts of the novel jump around up to 97 years from when the virus originally took hold. This kind of information is usually my favorite part of post-apocalyptic stories – the rebuilding. What kind of societies form? How do they work? Who has control? I think Justin Cronin shows a lot of creativity and variety in these situations, since it isn’t just one story, but multiple. Many of the characters, locations, and situations overlap throughout the story, and I had this sense of the author as a puppeteer, drawing strings of stories around each other. Kudos to him that they never seem to tangle in disaster.

Scott Brick is the narrator for the audiobook of The Twelve, and does a fantastic job. He doesn’t bother doing a lot of voices, but his inflection is perfect. He has this ability to get out of the way of the story that I really appreciate when I’m listening. It just comes to life and I’m not constantly thinking of HIM, but of the story.

And The Twelve requires a lot of thinking and paying attention. The multiple story lines, the jumping around in time and history, and the sprinkling of quotations that Cronin throws in kept my attention. He started with a Mark Strand poem, almost as if I needed something to clinch whether or not I’d read this book.

I won’t have that dilemma for the final book. While this story has a satisfying climax, I was left with far more questions this time around. I’m not sure I know which side everyone is on. I’m not sure I even know what sides there are, anymore. What I am sure about is that this book is hard to put down.

Posted by Jenny Colvin

Review of In the Tall Grass by Stephen King and Joe Hill

SFFaudio Review

In the Tall Grass
By Stephen King and Joe Hill; Read by Stephen Lang
Approx. 90 Minutes [UNABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2012
Themes: / Horror / Separation / Supernatural /

Cal and Becky are brother and sister, born 18 months apart, and inseparable. It’s said that there was never a cross word between them. They stop by the side of the road one day after hearing a cry for help from a field full of tall grass. They go into the field to help, but the moment they do they are supernaturally unable to find each other. They can’t find the person that cried for help either, but they are not alone in the grass.

Some stories stay with you. This is one of those. By creating main characters that were so emotionally close, Stephen King and Joe Hill delivered an experience of the horror of separation to their readers. This story would be tough to watch if it were a film – it’s grisly, gory, and this is a terrifying situation.

Stephen Lang narrated admirably. He had my attention to the very last sentence.

Posted by Scott D. Danielson