Here’s part of Phil Chenevert’s introduction to his latest LibriVox narration, a novelette by H.Beam Piper called Naudsonce:
The joint Space Navy-Colonial Office expedition was looking for new planets suitable for colonization; they had been out, now, for four years, which was close to maximum for an exploring expedition. They had entered eleven systems, and made landings on eight planets. Three had been reasonably close to Terra-type but were all disqualified by terrible animals or warlike inhabitants. Now, finally here was an ideal world; their last chance before returning in disgrace. Now the only thing was to get an agreement from the local king or whatever to the colonization. Easy, right? Well first, you’ve got to talk to them …… and there the trouble starts.
Naudsonce
By H. Beam Piper; Read by Phil Chenevert 5 Zipped MP3 Files or Podcast – Approx. 1 Hour 56 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: November 18, 2012
|ETEXT|
First published in Analog, January 1962.
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|
Radio Project X, a great new audio drama troupe out of Toronto, makes a combination of compelling and humorous audio dramatizations – recorded live on stage. The latest one to reach my ears is centered around a terrific adaptation of a creepy Theodore Sturgeon story entitled The Other Celia (aka The Blonde With The Mysterious Body). Like the other Radio Project X episodes already released, this program is followed by a series of skits, all funny, and all very Canadian – the kind you’d hear on CBC radio in years past.
Highly recommended!
The Other Celia
Adapted from the short story by Theodore Sturgeon; Performed by a full cast
1 |MP3| – Approx. 1 Hour 10 Minutes [AUDIO DRAMA]
Podcaster: Radio Project X
Podcast: August 14, 2012 Something drastic should happen to all snoopers – but nothing as awful and frightful as this! First published in Galaxy, March 1957.
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Energized
By Edward M. Lerner; Read by Grover Gardner
Length: 10.5 hours [UNABRIDGED]
Publisher: Blackstone Audio, Inc.
Published: 2012
ISBN: 1470813033
Themes: / Science! / satellites / engineers / NASA / terrorists / oil / energy / space / thriller /
The SFFaudio crew pegged me to read this book because the description says that one of the main characters is a NASA engineer. I always think it’s funny when people specify “NASA” engineer. It’s like on TV shows when you see people working near the space shuttle, they’re all wearing NASA hats. Nobody does that. The description could just as easily said “aerospace engineer” and the meaning would be the same…but less sexy, somehow. I admit, I was weary of reading this one at first. My experience with people who write about “NASA engineers” is that they have no idea what they’re talking about excepting cursory research. I’m happy to report that Edward M. Lernerdoes know what he’s talking about with regards to the space and satellite stuff (looking at his bio, it’s no surprise). That said, I went into this thinking it was going to be a science fiction book. It’s much more a mystery/thriller with science fiction elements. It’s as much “science fiction” as Daemon is (which is to say, not much).
In the interest of full disclosure, it’s probably worth mentioning that I am currently employed by a company that (among other things) designs and builds satellites, both for the government and the commercial sector. I currently work on the commercial side of things and have never worked on a NASA contract. There are definite holes and inaccuracies with the science and engineering in this book. But most people won’t recognize them, and they don’t impact the overall enjoyment of the story.
That disclaimer done with, Energized was pretty entertaining. Set in the near-future United States, the world has gone through a “crude-tastrophe” and the price of oil has skyrocketed to the tune of $20+/gallon to fill up a car. There is a fixed market, controlled mostly by Russian interests, for oil, so naturally the US explores alternate energy sources. Unfortunately, Rome wasn’t built in a day and it’s virtually impossible to produce enough energy via alternate sources overnight. NASA has been working on a large-scale satellite that can beam solar energy to earth from space.
The first third of the book (maybe closer to the first half) deals with the public (and private sector) reactions to this kind of a satellite and introduces the reader (listener?) to the concept and its risks. Admittedly, this section could have been shorter without sacrificing much of the story; it did seem to drag on a bit.
The second section of the book introduces the “thriller” aspect. As anybody in the aerospace industry is aware, the stuff built “for the powers of good” in/for space can usually be used to do evil. Sure enough, terrorists find a way to take over the satellite and use its harnessed energy to destroy ground-based and air-based targets. As is typical for thrillers, there are some good guys in the area, capable of stopping the terrorists. In this case it’s Marcus Judson, NASA engineer, one of the lead consultants for the power satellite project, along with some of his colleagues. Yet again, this section seemed overly long and drawn out.
However, the length of the first two sections may only seem long in relation to the final section–the part where the final “battle” occurs and either good or evil triumphs. This part felt a bit rushed, comparatively. In retrospect, I think it was probably the right length and that the other two parts were just a bit too long. I won’t spoil it for you, but the final “battle” involves maneuvering (literally and metaphorically) on the ground and on the 2 mile-on-a-side power satellite. It stretches the belief but still left me interested and wanting to listen to see what happened next.
As I stated previously, the book was enjoyable. It was a bit far-fetched but not so far-fetched as to be completely unbelievable. The science fiction elements are there and create an atypical setting for most mystery/thriller type books, and I’d recommend this to anybody that enjoys the mystery/thriller genre.
Grover Gardner is one of my favorite narrators and he shines in this type of book. He also narrates the Andy Carpenter books, another mystery/thriller series, so it feels natural for him to read Energized. The only “weirdness” I had is that the Andy Carpenter books have a character named Marcus as well, so hearing of two very different “Marcus” characters read by the same narrator was a bit jarring at times.
All in all, this is a popcorn-type book, easily consumed and digested. It does have its flaws (with the technical side of things as well as story length), but they’re not so big as to ruin the fun. If you’re in the market for a hard science fiction book with far-reaching themes, this isn’t the book for you. But if you’re in the mood for a thriller with science fiction elements, you’ll probably enjoy Energized well enough.
Derived from an incident in which he and a friend were dangerously tailgated by a large truck on the same day as the Kennedy assassination, Duel is emblematic of Richard Matheson’s queer existential fiction. It was first published in the April 1971 of Playboy.
The most accessible version of this classic story is this one, put out by Harper Audio in 2009:
Duel (from Road Rage)
By Richard Matheson; Read by Stephen Lang
1 |MP3| – Approx. 63 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: February 2009 “Driving to San Francisco, a businessman finds himself the victim of a deadly game being played by the driver of a huge, mysterious truck. Later to become Steven Spielberg’s classic 1971 film.”
But, back in 2006 BBC Radio 7 (now BBC Radio 4 Extra) did a special broadcast in honour of Richard Matheson’s 80th birthday. Along with a specially recorded interview there was also an unabridged reading of Duel. That version is available via torrent over on RadioArchive.cc:
Duel
By Richard Matheson; Read by Nathan Osgood
2 MP3s via TORRENT – Approx. 1 Hour [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: February 18, 2006 “A huge truck plays deadly games with an innocent motorist.”
Blackstone Audio’s collection, Nightmare at 20,000 Feet, released in 2009 also includes it:
Nightmare at 20,000 Feet
By Richard Matheson; Read by Various
10.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
And while the movie version is currently available, in its entirety, on YouTube this short film version, recut from Spielberg’s TV-Movie is perhaps even better:
Recorded live in Toronto, this is a very faithful adaptation of Beyond Lies The Wub. It uses most of the dialogue and vocabulary from Philip K. Dick’s first published short story.
Beyond Lies The Wub
Adapted from the story by Philip K. Dick; Performed by a full cast
1 |MP3| – Approx. 45 Minutes [AUDIO DRAMA]
Podcaster: Radio Project X
Podcast: July 10, 2012
The slovenly wub might well have said: Many men talk like philosophers and live like fools. First published in Planet Stories, July 1952.
Naudsonce
Energized
