Review of We Can Build You by Philip K. Dick

SFFaudio Review

We Can Build You by Philip K. DickWe Can Build You
By Philip K. Dick; Read by Dan John Miller
Publisher: Brilliance Audio
ISBN: 978-1-4558-1461-9
Published: August 14, 2012
[UNABRIDGED] – 7 discs; 8 hours

Themes: / androids / healthcare / future / bureaucracy /

Publisher summary:

In this lyrical and moving novel, Philip K. Dick intertwines the story of a toxic love affair with one about sentient robots, and unflinchingly views it all through the prism of mental illness — which spares neither human nor robot. The end result is one of Dick’s most quietly powerful works.

When Louis Rosen’s electronic-organ company builds a pitch-perfect robotic replica of Abraham Lincoln, the firm is pulled into the orbit of a shady businessman, who is looking to use Lincoln for his own profit. Meanwhile, Rosen seeks Lincoln’s advice as he woos a woman incapable of understanding human emotions — someone who may be even more robotic than Lincoln’s replica.

Published in 1972, Dick uses the premise of a “future” (the book takes place in Dick’s imagined 1982) where programming is advanced enough to allow programming the appearance of sentience into androids to provide a treatise on mental health and mental healthcare.

In short, Louie Rosen and his partner Maury run a business making and selling electronic organs. One day, however, Maury decides to make an android of Edwin Stanton, Lincoln’s Secretary of War. When he reveals it to Louie, he also reveals that his schizophrenic daughter, Priss, played a large role in developing the personality for it. The Stanton simulacrum is quite successful, and they make another, this time of Abraham Lincoln. They get the idea to pitch it to an investor, Barrows, to capitulate on Americans’ love for the Civil War (which at the time it was written, was nearing its centennial). Unfortunately, as Barrows and the crew spend more time with the Lincoln, they find that it is moody and seems manic. While this may be historically accurate, it could also be a projection of Priss’s beliefs about Lincoln into the programming. Where the Stanton android is personable, logical, and “normal,” the Lincoln is anything but. Eventually, Barrows decides to pass on the investment and instead make his own (which he will use as first settlers for a moon colony–an idea I would have preferred to read about). Priss ends up infatuated with Barrows and follows him back to Seattle. Louie, while talking to the Lincoln, seems to have also developed mental instability and runs to Seattle to bring Priss back. She shoots him down and he ends up committed. The story ends when Louie “gets over” his issues and is discharged to go about his normal life.

This was a book about ideas. Dick obviously had feelings about the state (and stigma) of mental health issues in the 60’s, both with regards to diagnosis and treatment. He almost seems to imply that we’re all mentally unstable/have our moments of instability…but he takes it to another level as to suggest that the state-run facilities do nothing to help people. Rather, the state-run facilities can actually make people worse.

In the end, this was a book of a lot of thoughts, not a lot of actions. There was a lot more dialogue an “thinking” than there was stuff actually happening; it was quite cerebral. This isn’t the kind of book I’m normally into…and in fact, as the book wore on, I found it hard to want to listen and hard to keep focused. I liked the idea of sentient androids, of “souls” built from research into real people…but it’s not for me. And probably not for everybody. But if you like “ideas” books, then it may be for you.

The narration itself was…interesting. Miller’s voice is somewhat flat, which can be good in an audiobook like this; he certainly didn’t try to project too much character into most of the voices. However, he did use different tones for female voices as compared to male voices. In that respect, it was somewhat grating; his female voice was almost pandering and was somewhat creepy. It made some “sexual” scenes between Priss and Louie extra-creepy. That said, it also helped to make me really believe that Priss was mentally ill…

It’s hard to believe, but this is the first PKD I’ve ever read. I’ve also never watched Bladerunner in its entirety. I don’t know if the rest of his stories are like this, so cerebral. If they are, I may skip them. I was lured in by the robots…and kind of turned off by everything else.

Review by terpkristin.

The Interlopers by Saki (H.H. Monro)

SFFaudio Online Audio

A straightforward feud gets interrupted by intruders bent on spoiling the fight. Twice! God intervenes and then others.

LibriVoxThe Interlopers
By Saki; Read by C.T. Hart
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 21, 2008
Georg and Ulrich are bitter enemies who meet meet, with weapons, in a Carpathian forest. First published in The Bystander, January 17, 1912.

And here’s a |PDF|.

There was a 1952 comics adaptation, uncredited, entitled Help! – it appeared in Adventures Into Weird Worlds, issue 11, here’s a snippet:

Help! illustrated by Ed Winiarski

Posted by Jesse Willis

Moonlight Audio Theatre

SFFaudio Online Audio

Moonlight Audio TheatreMoonlight Audio Theatre and veteran audio producer David Farquhar, are showcasing a podcast audio drama anthology consisting more than 200 programs!

I’ve subscribed and I think you’ll want to to for among the many productions you’ll find in the feed are those by Julie Hoverson (19 Nocturne Boulevard), Roger Gregg (Crazy Dog Audio Theatre), and Jack J. Ward (Electric Vicuna). The genres seem to include mystery, horror, suspense, drama, comedy, Science Fiction, and Fantasy.

Here’s a list of producers supplying shows:

Atlanta Radio Theatre Company
Brokensea Audio Productions
Campfire Radio Theatre
Crazy Dog Audio Theatre
Electric Vicuna Productions
SueMedia Productions
Bargain Basement Productions
Chatterbox Audio Theatre
Gypsy Audio
Finalrune Productions
The Great Northern Audio Theatre
Midnight Radio Theatre
19 Nocturne Boulevard
Precarious Audio Theatre
Design Sound Productions
JAWDrop Productions
Radio Static
Icebox Radio Theater
RZM Creative
The Wireless Theatre Company
Voices In The Wind Audio Theatre
Washington Audio Theatre
ZBS Media
ZPPR Productions
Faith Muskoka Productions
Darker Projects

There’s also a Blackberry App.

Podcast feed:

http://moonlightaudio.libsyn.com/rss

Posted by Jesse Willis

Review of Trucker Ghost Stories, ed by Annie Wilder

SFFaudio Review

Horror Audiobook - Trucker Ghost StoriesTrucker Ghost Stories (and Other True Tales of Haunted Highways, Weird Encounters, and Legends of the Road)
Edited by Annie Wilder; Read by Tavia Gilbert and Peter Ganim
3 Hours, 44 Minutes – [ABRIDGED]
Publisher: Macmillan Audio
Published: 2012
Themes: / Horror / Ghost Stories / UFOs /

If you’re a fan of real-life ghost stories, then this is the book for you.

If you’re a fan of truckers, those modern-day “cowboys” of the highways, then this book is doubly for you.

Truckers are on the road at all times of night, in all weather, and, evidently, when every sort of ghost, monster, or UFO is out and about. This collection of stories runs the gamut from terrifying to tame. I was fascinated by the story of a trucker attacked by a UFO full of aliens but who refused to be abducted. I got the creeps listening to the story of a trucker parked for sleeping who was attacked by evil spirits who evidently muffled even his cries for help from other sleepers nearby. Other stories, such as a floating red light, were less satisfying.

As with all “real” ghost stories, it is up to the listener to judge whether these incidents were authentic or due to tricks of light, lack of sleep, or a handful of uppers for the road. Adding to the authentic feel, although not necessarily to any literary value, is the fact that the stories were written by the truck drivers themselves and not professional writers. This leads to a lot of “sign offs” such as “That is my story.”

The stories are narrated by Tavia Gilbert and Peter Ganim who have personable styles and will even give the tale a regional twang if the story mentions a city of origin.

What I discovered from this book is that I’m not nearly as big a fan of real-life ghost stories as I thought. Or perhaps it is that listening to a steady dose of them for several hours is just not my cup of tea. If you are interested in the supernatural, paranormal, or just in hearing some straight forward, sincerely told ghost stories, give it a try.

Posted by Julie D.

Thank You: AdSense $$ for November December 2013

SFFaudio News

Google AdSense cheque for November December 2012

Thank You SFFaudio’s income for the months of November and December 2012 was $158.87. The cheque came at a good time, today!

This has been rather an expensive couple of months. The site’s hosting had to be upgraded ($241.41). My microphone needed replacing (I got a Blue Yeti). I sold the site’s only official iPad (I think Jenny’s is only semi-official) and I replaced it with an iPad mini. Further, I shelled out $18.55 for the Dec 1953/Jan 1954 issue of Amazing Stories magazine (it has a public domain Philip K. Dick story in it). And of course I bought quite a bit of Lego.

We thank you for your support.

Posted by Jesse Willis

The SFFaudio Podcast #197 – AUDIOBOOK/READALONG: Dig Me No Grave by Robert E. Howard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #197 – Dig Me No Grave by Robert E. Howard, read by Robertson Dean (from Tantor Media’s The Horror Stories Of Robert E. Howard). This is a complete and unabridged reading of the short story (37 Minutes) followed by a discussion of it by Jesse, Tamahome, Jim Moon.

Talked about on today’s show:
No CONAN, Cthulhu The Mythos And Kindred Horrors, H.P. Lovecraft, a Lovecraftian story in the Howard style, dressing up the scenery, Howard did research on the cheap, if Robert E. Howard were a movie maker…, Malak Tus, a mish-mash, demon elder gods you know nothing about, a Satanic pact story, immortality, Mr Jim Moon is most like the dead man on the table, revering books like a Lovecraft character, bibliophilia, “the lure of the old books”, Howard doing Dickens, Grimlin was dead…, is this a Christmasy story?, Victorian lesson, nothing happens in this story, Conrad is shocked by candles and a robe, a giant peacock in the sky, the will, yellow peril, disturbing eyes that burn like yellow coals, the demon/god’s avatar, Nyarlathotep, The King In Yellow, the emissary of the god, John Grimlin, off to a demon’s larder, the demon possesses his mortal remains (and therefore his soul?), the weird scream, the lost city of Koth, Shintoism is particularly bad?, noxious winds, this is madness heaped on madness, eight brazen towers, Turkey, “his demon worshipping devotees”, should we make much of there being no wine?, Jacob Marley, was it an accident?, what would a demon do with a county estate?, “your ancestors need money!”, burnt offerings, burn a cheque, are peacocks particularly scary?, Satan as the peacock angel, the peacock as a symbol of pride, Howard’s magpie salt and pepper approach to research, love it for what it is (the momentum of the story), Howard’s weird tales, what would Conan do?, Howard’s studies (were business), boxing stories and boxing ghost stories, the Kirowan and Conrad stories, Old Garfield’s Heart, The Thing On The Roof, the Marvel Comics adaptation of Dig Me No Grave, Mr Jim Moon’s new collection of weird stories M.R. James, Bram Stoker, E. Nesbit, every story has an illustration, introductions, afterwords, and footnotes, The Seven Of Spectres, “photoshoppery”, The Horla by Guy de Maupassant, Hypnobobs, there’s a Horla there, it’s hard to illustrate an invisible monster, a hidden skull, once you see it you’ll never unsee it, haunted pictures, an animated gif?, moving paintings (in Harry Potter), J.K. Rowling, Harry Potter books grow with the audience, what tradition is Rowling coming out of?, what makes Rowling’s writing work?, J.R.R. Tolkien, Rowling was aware of all of the traditions of fantasy, E. Nesbit, C.S. Lewis, family adventure stories, Michael Moorcock, school stories, jolly japes, the Rupert books, anthropomorphic animals, cozy humour, three layered storytelling, Voldemort, “the flight of death”, Harry Potter is structured around scenes or sets, drawing on the old traditions, the serialized page turning aspect, unique writing voices, a timeless feel, The Causal Vacancy, Hot Fuzz, what if Lethal Weapon happened here?, Shaun of the Dead, shall we go to the pub and wait it out?

Dig Me No Grave by Robert E. Howard

Dig Me No Grave - from Journey Into Mystery

Tantor Media - The Horror Stories Of Robert E. Howard

Dig Me No Grave by Robert E. Howard - Weird Tales, February 1937

Posted by Jesse Willis