Review of Iced by Karen Marie Moning

SFFaudio Review

Iced by Karen Marie MoningIced (A Dani O’Malley Novel)
By Karen Marie Moning; Read by Phil Gigante and Natalie Ross
Publisher: Brilliance Audio
ISBN: 978-1-4558-1769-6
13 discs; 15 hours [UNABRIDGED]

Themes: / urban fantasy / faerie / Dublin /

Publisher Summary:

Dani “Mega” O’Malley plays by her own set of rules — and in a world overrun by Dark Fae, her biggest rule is: Do what it takes to survive. Possessing rare talents and the all-powerful Sword of Light, Dani is more than equipped for the task. In fact, she’s one of the few humans who can defend themselves against the Unseelie. But now, amid the pandemonium, her greatest gifts have turned into serious liabilities.

Dani’s ex–best friend, MacKayla Lane, wants her dead, the terrifying Unseelie princes have put a price on her head, and Inspector Jayne, the head of the police force, is after her sword and will stop at nothing to get it. What’s more, people are being mysteriously frozen to death all over the city, encased on the spot in sub-zero, icy tableaux.

When Dublin’s most seductive nightclub gets blanketed in hoarfrost, Dani finds herself at the mercy of Ryodan, the club’s ruthless, immortal owner. He needs her quick wit and exceptional skill to figure out what’s freezing Fae and humans dead in their tracks — and Ryodan will do anything to ensure her compliance.

Dodging bullets, fangs, and fists, Dani must strike treacherous bargains and make desperate alliances to save her beloved Dublin — before everything and everyone in it gets iced.

The strict genre shelving in bookstores can be unfortunate for readers. I would guess that many fantasy fans have not read Karen Marie Moning’s Fever series because her books are shelved under romance even though the series is more Urban Fantasy than Paranormal Romance. The new Dani O’Malley series which is a sequel to the Fever series is even less qualified for the romance shelves. The first installment, Iced, has even less romance than the entire Fever series.

The walls separating Faerie and the human world have come down. Rifts in reality can send an unwary person to an entirely different time and place. Unseelie monsters roam the streets and the human race is decimated. There is no power and creatures called “shades” devour any living thing that ventures into the dark. The plants and animals are gone, so food is a problem. Now, there’s a new problem. Around the city, people and objects are being instantaneously frozen. The people seem to be unaware of their impending deaths. Anyone entering these tableaux will freeze to death very quickly.

Dani “Mega” O’Malley is a 14-year-old sidhe seer living on the streets of Dublin. She has some abilities that make her see herself as a superhero. She is very fast, very strong and is keenly observant. However, she’s also an adolescent girl with a disturbing and damaging past. The owner of a popular nightclub forces Dani to work with him to solve the problem of areas around the region getting “iced”. Because she can move at hyperspeed, she better able to move into the frozen areas without suffering hypothermia.

The story is told entirely in first person, 90% from Dani’s point of view. However there are some sections that are told by Kat, the new leader of the sidhe seers, and Christian, a young highlander who is transforming into a sex-addicted unseelie prince.

I really loved Dani and the way she interacted with the insane world in which she lived. In some ways, she was mature beyond her years because of the way she grew up and the world that was thrust upon her. In other ways, she was a very typical young teenage girl. She feels like she’s smarter than the adults around her. She’s becoming aware of her sexuality, vacillating between wanting her first time to be special and thinking that sex is really gross. She feels invincible. I found her to be a very convincing 14-year-old girl. I really liked that Moning seems to be letting Dani be a kid and won’t rush her into a sexual relationship before she grows up. I’m really looking forward to seeing where this series goes.

At this point, I must point out that this is NOT a young adult novel despite the age of the main character. While Dani may be a virgin, there is a lot of sex in this book, most of it destructive. It’s also fairly gruesome in places. I wouldn’t freak out if an older teen reads it, but I wouldn’t be recommending it to them.

As much as I enjoyed this book, I would not recommend the audio version. This production uses two narrators, Phil Gigante and Natalie Ross. By having both a male and female narrator, one would think that the male would do parts told from a male character’s point of view and the female would do the parts from the female points of view. However, over 90% of this book is told from a female first-person perspective, so Phil Gigante’s impressive skills would be wasted if all he had to read were the parts that Christian tells. Instead of the typical method of using two narrators, this production splices Gigante’s voice into every bit of dialogue spoken by a male character. This is really annoying because it throws the listener out to the mode of listening to someone tell a personal story. If I were to tell you about a conversation I had with my husband, I certainly would be using my own voice to tell you what my husband or son said, not having some guy say his words for me.

The female narrator, Natalie Ross, was a poor choice for this particular book. The main reason I didn’t like her narration was that she simply sounded too old to be a 14-year-old girl. She sounds like she’s over 30. There are plenty of female narrators can do teenage voices well, she isn’t one of them. Ross also attempts to use an Irish accent for both Dani and Kat, but she fails miserably. It sometimes sounds fake Irish and sometimes sounds like the American South. She would have been better off not using any kind of accent, just her real voice. There also wasn’t much of a difference in how she voiced Dani vs. Kat. I got confused when the first Kat scene came up and it took me a couple of minutes to realize that it wasn’t Dani speaking.

Overall, I highly recommend Iced to fans of Urban Fantasy. It’s one of the better entries in the genre. It leaves the reader wanting more, but doesn’t leave the primary story hanging. My only suggestion is to read the print version rather than listening to the audio.

Reviewed by Sandi Kallas.

The SFFaudio Podcast #209 – AUDIOBOOK/READALONG: The Door In The Wall by H.G. Wells

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #209 – The Door In The Wall by H.G. Wells, narrated by Jason Mills (from LibriVox). This is a complete and unabridged reading of the short story (40 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mirko and Mr. Jim Moon.

Talked about on today’s show:
1906, Mirko’s choice, Audrey , The Night Bookmobile by Audrey Niffenegger, Astrid Lindgren, a weird subject, Kingdom Of The Ants, The Flowering Of The Strange Orchid, The Sea-Raiders, fairy tales, the one video adaptation of The Door In The Wall, bitey leopards, open symbolism, premonitions, the garden as a symbol of that what was missing, “there’s more than just the hard headed practicalities”, all the things that it is not, nostalgia, do I have a green door in my life?, “not-stalgia”, happy memories, that longing for things that could have been, the wall appears at critical moments in his life (and the lives of others), the story is front loaded, is it the garden of Eden?, a striking list, untended flowers, no weeds, spikes of delphiniums, red steps, marble, fountains, a sundial, distant hills, London, not-London, parquets, the two spotted panthers, Odysseus and Circe, turning men into animals, the “very clean” capuchin monkey, this way and that way, the fair girl’s first word is “Well?”, “old man musing among laurels”, is the old man him?, the dark woman with a book, The Interpretation of Dreams by Sigmund Freud, The Red Bird, “the mother of all childs”, becoming a librarian in real life, suicide, was the last door a false door?, “the grave mother”, is she fate?, the portal into Narnia, The Tomb by H.P. Lovecraft, only kids and teenagers can see the door, a reversal of Narnia, Weena’s garden in The Time Machine, idiot playmates, the idyllic garden is not a place of struggle, the false Eden of The Time Machine, women’s voting rights?, an escapist life vs. an active participation in society, “how does this apply to the real world?”, Wells’ own life, Lionel Wallace sacrifices his life (until he stops), showing up, it can’t be an accident that the main Wallace is a politician, The Music Of Erich Zann, Pickton’s Model, missing streets, The Window To Another World by Lord Dunsany, The Crystal Egg by H.G. Wells, “‘So what do you know about panthers?’ I said.”, Dionysus, a dichotomous god (the opposite of Apollo), the panther symbolizes the overcoming of earthly desires, H.G. Wells’ peccadilloes, there’s much material in this small story, the incidences of the door increases, science and reality vs. illusion, “the reader must judge for themselves”, the perfect summer, Ray Bradbury, idealized fantasy landscapes, vivid and indistinct, does the garden have visitors and permanent residents?, the gallery, the last page, in turning that page of realities he is suddenly back on the street, The Lion The Witch And The Wardrobe, “the can live whole lives in there”, the Goodreads reviews, Doctor Who, dalek playmates, Neverland, C.E. Weber, “it is our old friend the dear old magic door”, Star Trek’s holodeck, Behind The Green Door, a private members club, the narrative style gives a documentary distance, Nyarlathotep, The Crawling Chaos, Fungi From Yuggoth, Wells didn’t write sympathetic characters, The Country Of The Blind, The Invisible Man, flawed humanity, pull it back sir and get a life.

The Door In The Wall by H.G. Wells
The Door In The Wall by H.G. Wells
The Door In The Wall by H.G. Wells

Posted by Jesse Willis

Review of The Telling by Ursula K. LeGuin

SFFaudio Review

The Telling by Ursula K. LeGuinThe Telling (Hainish Cycle)
By Ursula K. LeGuin; Performed by Gabra Zackman
Publisher: Brilliance Audio
ISBN: 978-1-4692-8062-2
6 discs; 7 hours [UNABRIDGED]

Themes: / Hainish / planets / libraries / storytelling / alien races / pilgrimage /

Publisher summary:

Once a culturally rich world, the planet Aka has been utterly transformed by technology. Records of the past have been destroyed, and citizens are strictly monitored. But an official observer from Earth named Sutty has learned of a group of outcasts who live in the wilderness. They still believe in the ancient ways and still practice its lost religion — the Telling. Intrigued by their beliefs, Sutty joins them on a sacred pilgrimage into the mountains…and into the dangerous terrain of her own heart, mind, and soul.

When I first started listening to The Telling, I didn’t realize it was in the same universe as  The Dispossessed and The Left Hand of Darkness, in fact I didn’t know those two books were related either. This story takes place in a loosely related world, but on a new planet. Sutty has been sent to collect the printed historical record, but arrives to discover most of it has been destroyed. Her own life on Terra was destroyed when her lover was killed by drones, and being sent to Aka may or may not be a way to push her out of the way of normal life. Along the way she finds out about a practice called “The Telling,” that is more than just an oral storytelling tradition. The story is concise although it ends a little too abruptly to understand what will happen in the future on Aka. I’m not convinced Sutty has as much power as she thinks she has to effect change.

The reader, Gabra Zackman, does a nice job, although the sounds made during the tellings sounded a little like orgasms. Maybe they were supposed to.

Posted by Jenny Colvin

Review of The Wretched of Muirwood by Jeff Wheeler

SFFaudio Review

The Wretched of Muirwood by Jeff WheelerThe Wretched of Muirwood (Muirwood #1)
By Jeff Wheeler; Read by Kate Rudd
Publisher: Brilliance Audio
Published: 15 January 2013
ISBN: 978-1-4692-5057-1
8 discs; 9 hours [UNABRIDGED]

Themes: / fantasy / orphan / servant /

Publisher summary:

The Wretched of Muirwood, the opening novel in the Muirwood Trilogy, is the tale of the orphan Lia — who is part of a pariah caste known only as the “wretched,” a people unloved, unwanted, and destined to a life of servitude. Forbidden to read or write, and forced to slave away in the Abbey kitchen, Lia is all but resigned to her fate. But when an injured squire named Colvin is abandoned at the Abbey kitchen, opportunity arises, and Lia conspires to hide Colvin and change her life forever… Her plan becomes a perilous one when a nefarious sheriff starts a manhunt for Colvin, and the land is torn by a treacherous war between a ruthless king and a rebel army. Ominous and illuminating, Lia sets out on an epic quest for freedom with hopes to unravel the secrets of her concealed past.

Apart from picking a girl to center the story around, this book follows many of the common fantasy tropes including the “young unknown thrust into adventure to discover they are more than they realize.”

The world Mr. Wheeler has created is one where no matter your station (King or Innkeeper) knowing your family line is VERY important. So much so that they distinguish between normal Orphans and Wretcheds (Orphans whose parentage is unknown). Wretched are often abandoned to the various Abbey’s around the world and sheltered until they turn 18, at which point they must make their way in the world. Wretched’s take their last names from their assigned role. Our protagonist, Lia Cook, a young girl of 13, has been assigned to work in the kitchens. In particular, she is assigned to smaller of two kitchens, which serves the head of the Abbey, referred to as the Aldermaston.

Lea wants nothing more in life than to become a learner and to gain the ability to read and write. As a wretched however, this is denied to her. One night, a knight comes pounding on the door seeking help for his young squire, and Lea’s life is changed, forever. The rest of the story pretty much follows in a fairly cookie-cutter fashion. It’s a short book, so there isn’t a lot of world building. We learn things as Lea does.

This is the first book I’ve read by Mr. Wheeler. His writing style doesn’t jump out at me as exceptional, but it is well done. His characters have reasonable depth for such a short book and varying personalities. The magic system feels original to me, based on various statues referred to as “Leerings” by commoners, or Gargoyles by the learned. They are carved for a specific action based on an element (water, fire, etc) and are meant as a focus to use “The Medium”. The ending is a bit predictable, but as this is rather short story, I still found it enjoyable and have already jumped into the second book.

This is the first book I’ve listened to read by Kate Rudd. Ms. Rudd is a good reader, but nothing spectacular.  She does voices for some of the Male characters, but seemed to read all the female characters in her own voice. She has a clear and pleasant sounding voice, but I didn’t find her performance to add anything extra to the book as I have with other readers.

Overall, this is a decent fantasy story. Quick and easy reading. Nothing especially great, but has me interested enough to jump right into book 2.

Review by Rob Zak.

Hour 25: A 1974 ten minute interview with Terry Carr

SFFaudio Online Audio

Hour 25A 1974 ten minute interview with Terry Carr (of Ace Science Fiction Specials fame) |MP3|

Posted by Jesse Willis