The Golem and the Jinni
By Helene Wecker; Read by George Guidall
Audible Download – 19 Hours 43 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2013
Themes: / Magical Realism / Contemporary Fantasy / Judaism / Immigration / Reincarnation
Every year brings new books. Some are sequels, new entries in beloved series, like favorite vacation spots we return to again and again. Others are new works by a proven author, a trusted tour guide taking us to someplace new. Still others are entirely new works by unknown authors who have received praise from the critics or the publisher’s marketing juggernaut, like learning that Costa Rica is the new cool place to visit. But every now and then, I stumble upon a new novel completely by chance, as if turning down the wrong alley in a crowded city and finding a new gem. Last year that novel was Mr. Penumbra’s 24-hour Bookshop. This year, it’s Helene Wecker’s The Golem and the Jinni.
Let’s start with the official blurb:
Helene Wecker’s dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.
But a bit of cover copy can’t begin to capture the wonder of Wecker’s world. In theme and tone the novel sits squarely between contemporary fantasy in the vein of American Gods on the one hand and the subtle magical realism of books like Gabriel Garcia Márquez’s One Hundred Years of Solitude on the other. The scope is too intimate and the characters’ aims too prosaic for the novel to fall in line with contemporary or urban fantasy. Yet it’s also too relentlessly magical to keep company with literary fiction only spiced sparingly with magic. I say it sits between these two genres, but in another way it encompasses both at once. It’s both an incredibly human story and an entirely alien one. Yet the human and the mythical coexist comfortably on the streets of 19th-century New York City: they flirt, they fight, they even fall in love.
When I read the synopsis and the novel’s first few chapters, I was afraid The Golem and the Jinni would devolve into a thinly veiled commentary on the plight of New World immigrants or, worse, an anachronistic attack on Middle East cultures clashing in the United States. Fortunately, Wecker indulges in the former only sparingly and the latter not at all. Like most good literature, the book describes rather than proscribes. The poverty of the Jewish Quarter and Little Syria alike, where the respective mythical creatures take up residence, speaks for itself. Historical context and modern analogues are there to find if you dig for them, but ultimately Wecker is telling a story, a story of two beings entirely different in nature, one of Earth and one of Fire, who meet in the unlikeliest of places.
And yes, they do meet, but not until many hours into the audiobook. The novel takes a leisurely pace, but that doesn’t make it any less irresistably compeling. The narrative strikes that perfect balance between plot and characterization, both feeding off of and into one another. With a novel of this length there are the inevitable brief dry spells, but in those rare cases the strength of Wecker’s prose and the beauty of the world she has conjured carry the listener through. The book’s final chapters also felt a bit hurried, as endings often tend to be, but a lovely epilogue allows the listener to linger in the world a little longer and say goodbye to its charming cast of characters, human and otherwise.
I mentioned American Gods earlier, and it’s difficult not to think of Neil Gaiman’s masterwork when reading The Golem and the Jinni, since both novels tell the story of what happens when profoundly magical beings come to this profoundly un-magical land of America. As an audiobook listener, the similarities were all the more difficult to ignore because George Guidall lends his considerable voice talent to both works. His unhurried, understated narration fits the novel’s tone perfectly, and his voice moves mercurially from the demure speech of Chava the Golem to the taut clip of Ahmad the Jinni. It’s hard to imagine a better narrator for bringing this story to life.
I deeply hope this is but the first of many wondrous works to issue forth from the pen, or keyboard, of Helene Wecker. Rarely does a book’s world or characters captivate me so completely. If you’re looking for the next great work of contemporary fantasy, magical realism, or just plain old fiction, look no further.
Posted by Seth Wilson
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