Review of Aftermath by Charles Sheffield

SFFaudio Review

AftermathAftermath (The Supernova Alpha Series #1)
By Charles Sheffield; Read by Gary Dikeos
Publisher: Blackstone Audio
Publication Date: 1 February 2013
[UNABRIDGED] – 19.8 hours

Themes: / supernova / catastrophe / EMP / cults / cancer patients / Mars /

Publisher summary:

It’s 2026, and catastrophe has struck from an unexpected source. The Alpha Centauri supernova has risen like a second sun, rushing Earth toward its last summer. Floods, fires, starvation, and disease paralyze the planet. In a blue aurora flash of gamma rays, all microchips worldwide are destroyed, leaving an already devastated Earth without communications, transportation, weaponry, or medicine.

The disaster sets three groups of survivors on separate quests. A militant cult seizes the opportunity to free their leader, known as the Eye of God, from the long-term coma to which a court sentenced her. Three cancer patients also search for a man in judicial sleep: the brilliant scientist—and monstrous criminal—who alone can continue the experimental treatment that keeps them alive. From a far greater distance come the survivors of the first manned Mars expedition, struggling homeward to a world that has changed far beyond their darkest fears. And standing at the crossroads is one man, US President Saul Steinmetz, who faces a crucial decision that will affect the fate of his own people—and the world.

Aftermath, the first in a rather ambitious post-disaster series by Charles Sheffield, follows multiple interwoven plot lines which follow characters from several walks of life after a supernova has wreaked havoc on Earth. Ever wanted to know what might happen to the President in a worldwide disaster situation? How about astronauts scheduled for re-entry or cancer patients undergoing experimental treatment or violent criminals awoken from a deep sleep? Well, you might be surprised by how boring the answers are.

This book is spectacularly average in every way. There are a plethora of characters, all equally shallow and generic in their own way, and none of who provide any sort of emotional grounding for the reader. President Steinmetz seems to be the least capable leader possible in the event of a national crisis since his primary concern is whether he should hook up with his ex-girlfriend or a sexy low-level white house worker. Cancer patients Art and Dana are just some average, down home, relatable folks who decide that releasing a psychopathic serial killer is completely acceptable as long as he can keep them alive for a few more years. Even the journal entries of the serial killer felt somewhat pedantic and boring. Sheffield makes an admirable attempt at providing ethnic, age and class variety in his characters but in the end, it’s pretty obvious they were all written by the same man.

Nevertheless, the plot keeps trucking along at a slow but steady pace. It’s overly long with lots of scientific jargon thrown in for good measure. However, it feels a lot like a watered down version of bigger and better apocalyptic literature (although if it leaves most of the government’s infrastructure in place, it’s not much of an apocalypse). Most of the plot lines lack a climax and the ending seems like it arrives at an arbitrary point but in all honesty, by that time I was just grateful this nearly 20 hour audiobook had an ending. Even an emergency astronaut landing and a crazed cult fail to make things more exciting.

Gary Dikeos matches the book in being a spectacularly average narrator. It’s certainly not inspired but, in spite of a particularly annoying voice for the president, it’s a serviceable reading. This is a book I would only recommend to hardcore post-apocalypse aficionados, since there are far better examples of the genre to keep everyone else occupied.

Posted by Rose D.

Review of Crucible by Troy Denning

SFFaudio Review

Crucible Star WarsCrucible (Star Wars)
By Troy Denning; Read by Marc Thompson
Publisher: Random House Audio
Publication Date: 9 July 2013
ISBN: 9780385362924
[UNABRIDGED] – 12 hours, 8 minutes
Listen to an excerpt: | MP3 |

Themes: / Star Wars / Jedi / space / science fiction /

Publisher summary:

When Han and Leia Solo arrive at Lando Calrissian’s Outer Rim mining operation to help him thwart a hostile takeover, their aim is just to even up the odds and lay down the law. Then monstrous aliens arrive with a message, and mere threats escalate into violent sabotage with mass fatalities. When the dust settles, what began as corporate warfare becomes a battle with much higher stakes—and far deadlier consequences.
 
Now Han, Leia, and Luke team up once again in a quest to defeat a dangerous adversary bent on galaxy-wide domination. Only this time, the Empire is not the enemy. It is a  pair of ruthless geniuses with a lethal ally and a lifelong vendetta against Han Solo. And when the murderous duo gets the drop on Han, he finds himself outgunned in the fight of his life. To save him, and the galaxy, Luke and Leia must brave a gauntlet of treachery, terrorism, and the untold power of an enigmatic artifact capable of bending space, time, and even the Force itself into an apocalyptic nightmare.

Star Wars Crucible takes place after the Fate of the Jedi series and is the furthest in the Star Wars timeline to date. I came to this book without having read Fate of the Jedi but didn’t have any trouble what was going on in the story and Denning explained sufficiently for those of us not in the know. Luke, Han, and Leia are getting pretty old at this point, and this novel seems to represent something of a retirement for them or a passing of the torch to the new generation. Denning plays to the characters’ strengths throughout most of the novel. You can’t have Han getting up to his full antics without a buddy, so a healthy dose of Lando is also in there too. If anyting, I liked how this is a nice standalone Star Wars book from that era of Star Wars instead of being part of some 9+ book series.

The general plot of the story has to do with Luke, Han, and Leia going to visit Lando (the ever present entrepreneur) to help him with problems at his mining operation in the outer rim. Cue the bad guys that can even give Jedi problems and the story gets going. The plot is interesting because it pits the gang against highly intelligent organized crime figures (Qrephs) who have an old grudge to settle. There is an element of Battlestar Galactica in here too because anyone could be working for the bad guys so you don’t know who is a cylon…err…agent of the Qrephs. I liked the novel for the most part except near the climactic battle when things to all trippy and weird like anime (Evangelion I’m looking at you).

Luke and Leia were pretty good in this book but Denning really made Han and Lando fun in this book. Since this takes place so far out and they’ve done so many great things, the characters are pretty well revered by people they encounter in the book. Han and Lando setting up a sabaacc game to draw in competition was definitely fun to go through. The sabaacc time goes kind of heavy into logic and tactics sometimes and really makes it look like Han is stronger in the Luck than Luke is in the Force any day.

As for the audiobook, Marc Thompson does as good a job with this book as any other Star Wars book I’ve listened to. All of the background music, ambient sounds, and special effects you’d expect are there and they do a great job of adding that little bit of extra immersion to the experience. Thompson does a great job impersonating the main cast down to Lando pronouncing “Han” with the ‘a’ instead of ‘o’ sound. I also really liked the stoic and simpering voices he used for the Qrephs.

Posted by Tom Schreck

Review of The Scarlet Plague by Jack London

SFFaudio Review

DREAMSCAPE AUDIOBOOKS - The Scarlet Plague by Jack LondonThe Scarlet Plague
By Jack London; Read by Drew Ariana
Approx. 2 Hours 13 Minutes [UNABRIDGED]
Publisher: Dreamscape Audio
Published: August 20, 2013
Themes: / Science Fiction / San Francisco / Plague / Post-Apocalypse / Disease / Philosophy / Politics / Class Conflict /

The year is 2013 and plague has struck. Not a wannabe killer like SARS or the Spanish flu, but a tsunami type devastation that swallows every living thing, check that, every person, in its path. Its nickname is the red death because at its arrival the first thing that happens to the infected person is they start sporting a red face – like a beacon for everyone else around them to – RUN. The next thing that happens is they die. Well a little more goes on in between, numb feet, numb hands, a heart so numb it stops. All within an hour, or a few hours if the person is lucky/unlucky enough to have it drag out that long. Then for fun what’s left of the numbed, red faced, ex-person, immediately starts decomposing, falling apart before the eyes of anyone still around to witness it, practically shooting decomposing germs into the air like a plant shooting its spores. There are two classes of people, the ultra rich and everyone else. As the ultra rich jump into their airships to get as far away as possible, they just carry death with them – first class. Everyone else simply falls down and dies where they are. The devastation’s full name is Scarlet Plague. Sixty years into the future when the very few last contenders of what was once the mighty human race hear tell about it, they can’t even decipher what scarlet means because language (like life) has degraded to the point of only holding on to what’s necessary. Scarlet is red. Counting only needs to go as high a ten. The squiggles on money and books are meaningless, but that’s of no consequence because neither books nor money are in use anyway. Apologies, I’m getting ahead of myself. About 160 years ahead.

The Scarlet Plague by Jack London, published in 1912 is about the plague that will strike 100 years from his time, told from a perspective 60 years hence by the last man alive who’s ever seen an airship or read a book. 2013, a hundred years into the future for Jack London, is today and yesterday, this week. Hearing this story now, is like what it was to read (or re-read) 1984 in 1984. Sort of surreal. Interestingly 1984 is a year that was mentioned in the story of the plague. Did George Orwell choose that year with a tip of his hat? Probably. I’ve heard George was a fan.

Back to Jack. What did he get right? What did he miss? Commercial airships? Instant wireless communication? Check, check. About 8 billion people planet wide? Check. The ultra rich and everyone else, hmmm, not that far off the mark, probably pretty close considering he was most likely exaggerating a little to make a point. The work didn’t actually feel like science fiction, it felt contemporary, the section that describes this part of the century anyway. Like his projection to 2073 started from here, not from a century ago. Because the today part of the story is so right, it makes the rest of the story worse.

Not worse as in it’s a bad story. It’s an excellent, superbly imagined, tangible story. Worse in regards to how Mr. London judged the human condition. 60 years from now, 160 years from when the book was written, James Howard Smith or Grandsir, is telling his three grandsons the story of the plague. A story that was in great demand 20 or 30 years before, is quickly becoming lost – now of passing interest to two of the boys, and of real interest to only one. For one thing Grandsir’s sentences are way too complicated, especially when he goes off into his memories and starts speaking as he used to do when he was professor of English literature at Stanford. Speech has become staccato and minimalist, the niceties of language having died off with everyone that had time for that sort of thing. The other problem is the things Grandsir talks about make no sense to the boys. Cities, cars travelling by air, exchanging things with money, wasting time with written markings, all of it is so outside of what the boys know it might as well be make believe. The ramblings of a deranged, lost, old mind. With an estimated world population of less than 500, life has become a question of survival. If you want to eat then you have to go out and kill yourself some dinner. Grandsir calls his grandsons savages. When he was a boy (one of his constant refrains) there were those who gathered food and those who ordered its gathering. His progeny has been reduced to food gatherers. Interestingly Grandsir’s still got them gathering food for him. Old habits die hard I guess.

So why was this professor of classical literature spared to help re-forge humanity? No reason. One in every few million just didn’t get red faced. Maybe death momentarily blinked as it passed them by or got distracted by the particularly amusing scene of the mountains of bodies piling up at its feet. A couple of feeble minded, the very richest most splendid woman in America, a violent, vile, wife beating chauffer who made himself her husband, our friend the professor – just a few random cards in the deck. Life’s like that. You build your magnificent cities, you spend your time creating art and pondering the great questions, and life responds by carelessly wiping itself out. Careless in that it doesn’t quite finish the job. But no matter, because life will make its way forward again.

And now we come to the worst part of the story. It’s not the plague and what happens in the aftermath. The author makes it clear that ultimately, in the long run, humanity will rally back. They’ll rebuild and create again. The worst part is what Mr. Jack London sees after that.

Drew Ariana who read the story in this recording did a good job. My only issue was the character voice he assumed for Grandsir. I didn’t have a problem with the voice, the problem was, so much of the story was told using this voice it became a little distracting. Otherwise, an easy, pleasant listen.

By the end of the book, awash in dystopia, I was seeing a little red. Too delightful not to share, here’s a little red (or Scarlet) for you. “All man’s toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its hostile vegetation and then he passed and the primordial flood of hostile life rolled back again, sweeping his handy work away.”

Posted by Maissa Bessada

Review of The Wonderful Story of Henry Sugar by Roald Dahl

SFFaudio Review

Henry Sugar by Roald DahlThe Wonderful Story of Henry Sugar and Six More
By Roald Dahl; Read by Andrew Scott
Publisher: Penguin Audio
Publication Date: 25 July 2013
[UNABRIDGED] – 7 hours
Listen to an excerpt: | Link |

Themes: / children’s fantasy / short stories / animals / buried treasure / turtles / trains /

Publisher summary:

Meet the boy who can talk to animals and the man who can see with his eyes closed. And find out about the treasure buried deep underground. A cleaver mix of fact and fiction, this collection also includes how master storyteller Roald Dahl became a writer. With Roald Dahl, you can never be sure where reality ends and fantasy begins.

Roald Dahl’s The Wonderful Story of Henry Sugar: and six more, is a collection of seven brilliant short stories. Andrew Scott narrates this audio, and I speak true when I say his voice along with Dahl’s words produce a galvanic amalgam of magic intimacy for the ear and mind.

The seven stories are:
* The Boy Who Talked with Animals
* The Hitchhiker
* The Mildenhall Treasure
* The Swan
* The Wonderful Story of Henry Sugar
* Lucky Break
* A Piece of Cake.

These are all fine specimen. In “The Boy Who Talked with Animals,” I became spellbound with the plight of the large old turtle on its back as crowds of people gathered close. Maybe it was the idea of a helpless animal being pulled up to the kitchens where the sharp knives waited, but I could sense the immediacy of the old sea turtle’s predicament. As a gauge, this story is good and solid.

The three stories that stole my breath?
* The Mildenhall Treasure
* The Swan
* A Piece of Cake.

Out of these, “The Swan” is reason enough to read this collection. This story is haunting. It lingers in the mind and tied me into knots. Dahl made me taste the hot close breath of the train. It frightened me, and I’m a grown man. When you reach the duck and swan on the water, Dahl’s description is heart-wrenchingly beautiful.

To all the folks at Penguin Audio, “Thank you.” Thank you for getting this right.” Thank you for not cluttering up the tracks with God Damn sentimental music that’s supposed to tell me how and when to feel. Thank you for not mucking about with narrators trying to needlessly inject drama into stories that only require reading, not a performance. Thank you Penguin Audio for doing one of the best production jobs I’ve come across in a while. Sometimes the best ingredients are truly simple, a healthy appetite and a pinch of salt.

Here is an interesting video on the process of recording Dahl’s books:

Posted by Casey Hampton.

Review of The Crown Tower by Michael J. Sullivan

SFFaudio Review

Crown TowerThe Crown Tower (The Riyria Chronicles #1)
By Michael J. Sullivan; Narrated by Tim Gerald Reynolds
Publisher: Recorded Books
Publication Date: 6 August 2013
[UNABRIDGED] = 12 hours, 49 minutes

Themes: / fantasy / warrior / thief / prostitutes /

Publisher summary:

Two men who hate each other. One impossible mission. A legend in the making.
Hadrian Blackwater, a warrior with nothing to fight for is paired with Royce Melborn, a thieving assassin with nothing to lose. Together they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most prized possessions. But it isn’t gold or jewels that the old wizard is after, and if he can just keep them from killing each other, just might do it.

The Crown Tower is the first book of the Riyria Chronicles series by Michael J. Sullivan in the same world as his Riyria Revelations series. Even though published later than Revelations, the Chronicles books are chronologically earlier and explore the adventures of the same characters before the events of Revelations. Sullivan gives a great forward to the book explaining all of this and explains that he went to great lengths to ensure that a new Riyria reader (like me) could start from either point. The Crown Tower serves as a great introduction to the world and the characters and I’m looking forward to more Riyria!

The plot of the novel mainly follows two threads: Hadrian is a highly skilled warrior who has quit fighting in armies and killing men for no good reason. He gets roped into a high risk heist with a thief (Royce) he doesn’t like or trust by an old wizard friend of the family. They need to steal something from an impregnable tower but there seems to be more going on here than it seems. Gwen is a prostitute stuck in the city of Medford waiting for a man of prophecy she isn’t sure will actually come. She works for a terrible man who cares nothing for his girls and is quickly reaching the breaking point. Oh and she can tell a man’s past, present, and future by reading his palm. Gwen’s story was the less compelling of the two threads for me, but I’m sure parts of her story have greater significance in later portions of Riyria.

I really like the dynamics between Hadrian and Royce just because of how different they are. Hadrian has hope in the world, faith in the goodness of people, and a desire to help others. Royce trusts nothing, no one, and is prone to killing innocents to remove the possibility of witnesses whenever needed. One is outgoing and the other is a complete mystery. Naturally, they hate each other.

I also really like the setting of the world and the way the book is written. So many fantasy book are going the direction of “grimdark fantasy” where everything is gritty and terrible, fights are graphic, and sex scenes are pornographic. Sullivan does a great job of being realistic portraying people in dire circumstances (like the prostitutes) while still keeping the novel clean overall. He manages to have a brothel in this story without being pornographic! Amazing! Sullivan also doesn’t dwell on gore and violence while still having compelling action scenes. He builds up some serious anticipation to see Hadrian fight and does not disappoint when it comes.

As for the audiobook performance, Tim Gerard Reynolds does a great job with the different characters’ voices in this book. Hadrian and Royce’s voices match their characters really well and I had no trouble following anything going on. He did well building up the suspense during the climax of the book. I am definitely looking forward to more novels read by Reynolds.

Posted by Tom Schreck

The SFFaudio Podcast #234 – AUDIOBOOK/READALONG: Who Knows? by Guy de Maupassant

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #234 – Who Knows? by Guy de Maupassant; read by Mark Turetsky. This is a complete and unabridged reading of the story (39 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mark Turetsky, and Professor Chris Coski of Ohio University.

Talked about on today’s show:
One of the last Guy de Maupassant stories, fantasy podcasts, what genre is this story?, the mysterious, the macabre, the morbid, do we buy the narrator’s story?, Am I Insane? by Guy de Maupassant, the events that happen are insane, a horror story?, a satire of Gothic horror, it is a ridiculous premise, a mental institution, is he lying?, is he deluded?, the servants, very thorough thieves, the title, Maupassant is intentionally ambiguous, there’s always a grain of the opposite, a syphilitic brain crafts a masterful short story, is it a true-ish story?, Maupassant was kind of a loner, boating among other things, Maupassant liked his solitude, touring all the European cities, THE SIGN OF DEATH PRECEDES STRANGE EVENTS, “several hours”, if the furniture is taking the place of other people…, affection for objects, The Golden Braid (aka The Tress Of Hair), falling in love with an object, the writing desk and its contents, where did the writing desk go?, his letters his papers, his personal history is now gone, deracinate , visiting new places, the history of his heart, the photographs, his emotional life, the furniture is the mental faculties, the house is him,

“Then I suddenly discerned, on the threshold of my door, an armchair, my large reading easy-chair, which set off waddling [LIKE A DUCK]. It went away through my garden. Others followed it, those of my drawing-room, then my sofas, dragging themselves along like [CROCODILES] on their short paws; then all my chairs, bounding like [GOATS], and the little foot-stools, hopping like [RABBITS].”

his desk is like a wife who’s trying to run away, the repeated refrains, “imagine my feelings”, you stop being the reader and become a participant, the revolver, marauders, the doors are alive too, Rouen, his arms were there, gun nuts, the presentiments, the river Robec, the black nauseous waters, the second hotel scene mirrors the first, is the hotel an asylum, you found your mental faculties, he checks himself in (to the hotel and the asylum), are you a private gentleman?, is the asylum is a prison?, the fat bald little yellow bearded man from Rouen with a head like a moon, grammatically it doesn’t make sense, ambiguity, THE MOON, the witch’s sabbath crescent, the play “beautiful music and fairy life drama”, he’s had a spell cast on him, “a serious accident would certainly take place”, a paralytic stroke, the sound from outside his body, a humming, trains passing, clocks, marching multitudes, “the big one”, the crescendo, “Signad” in Swedish means “designed”, Sigurd, the ring cycle, dwarves, fantasy and reality mixing, were the cops playing along?, “this house communicates with it’s neighbors”, very weird, Jesse’s tweeted dream explanation: “Dreamt an explanation for WHO KNOWS? By Guy de Maupassant – the furniture was deleted, & their dissolution was confabulated.”, not a psychological interpretation, an ontological interpretation, accidentally deleting something, SimCity, ctrl-z, not a useful miracle, an incompetent higher power, “My god, my god”, “Merciful heaven”, no grudge against, Who knows?, God knows!, a murderous schoolteacher, Revenge by Guy de Maupassant, a higher power that deletes, the short story is the only form that can be perfect, there’s something perfect, any lacuna, “a missing section of text”, the oxymoron, rude gentleness, an unbalanced situation, the insane sanity or the sane insanity, the widow Bidoin,

“He ordinarily passes his evenings at the house of a female neighbor, who is also a furniture broker, a queer sort of sorceress, the widow Bidoin”

is she married to the bald man, that Disney movie, maybe it isn’t a perfect short story, etymological searches, the tour of Africa, Sicily, Normandy, “where there hover no vague hauntings”, the missing night, a different sort of desert, Fear by Guy de Maupassant, “I had a presentiment in Africa”, “the sun dissipates it like a fog”, fear vs. panic, the spiritual gnawing of northern cultures, The Inn by Guy de Maupassant, H.P. Lovecraft, “God is dead but he never really was alive. The universe is real but we’re alone in it. Looking up at the starry night we are pointless, alone, with nothingness behind us, nothingness ahead of us, and its horrible.” he goes crazy because he’s alone, in the tumult of the crowd (with it’s light pollution), “there’s a shop for that down the street”, very very very small and unimportant, Lovecraft made it a monster, Eric S. Rabkin, light as the symbol for knowledge, inside the interesting chest cavity, a cosmic vastness and emptiness in which we are lost, solitude, Rouen, Rotomagus (round market or round plain) – but the word magus, J.R.R. Tolkien’s dwarves, great craftsmen, is the man from Roen really God?, yesterday I was in a private asylum, three months, a descent into madness, is there no lacuna in the inflexible sequence of his observations, a lacuna in which the end took place.

Qui Sait?

Who Knows by Guy de Maupassant

Stories Strange And Sinister

Pall Mall Magazine, June 1894 - Who Knows? by Guy de Maupassant - illustrated by Arthur Jule Goodman

Posted by Jesse Willis