Review of The End is Nigh

SFFaudio Review

The End is NighThe End is Nigh (Apocalypse Triptych #1)
Edited by John Joseph Adams and Hugh Howey (full author and performer list below)
Publisher: Broad Reach Publishing
Publication Date: 8 April 2014
[UNABRIDGED] – 15 hours, 8 minutes

Themes: / apocalypse / destruction / short stories /

Publisher summary:

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.

Table of contents and audiobook narrator listings copied directly from John Joseph Adams’ website. If you want more detailed summaries of each story, I found the review at Tangent very good, particularly because it is so hard to keep track of short stories when you are listening instead of reading!

The audio was an incredible asset to this anthology, although I will probably also need to buy this for my shelf o’ anthologies. The best in audio are Removal Order, BRING HER TO ME, and The Fifth Day of Deer Camp.

My favorite stories were BRING HER TO ME and Goodnight Moon.

I’m most interested in the next installment (so please let there be a next installment) of Removal Order, Pretty Soon the Four Horsemen are Going to Come Riding Through, and Spores.

What do I mean by next installment? The End is Nigh is the first volume of a triptych. It will be followed by The End is Now and The End Has Come, with some authors contributing linked stories. Very exciting concept, and as the Queen of Apocalypse there is no way I couldn’t read this.

Here are my more detailed impressions, story by story!

Read More

Escape Pod: Barnaby In Exile by Mike Resnick

SFFaudio Online Audio

Barnaby In Exile by Mike Resnick - illustration by Carol Heyer

This retro recommendation was first podcast back in September 2006. Now twenty years old it’s still a great story and still available as a podcast episode via the still going Escape Pod podcast. Also interesting, that editorial introduction by then host Steve Eley is going to be valuable for future scholars of podcasting’s history. The attitude of gentle defensiveness of the medium and that of the then still not commonly listened to audiobook are telling of how much the world has changed.

When I’ve previously pointed to Barnaby In Exile I’ve written…

“Nicely comparable to Pat Murphy’s classic Rachel In Love. Which is about as high a compliment you can give to an SF story. Powerful listening, bring a hanky.”

And today I shall also point out the connections this story has to Daniel Keyes’ Flowers For Algernon.

Escape PodEP073: Barnaby in Exile
By Mike Resnick; Read by Paul Fischer
1 |MP3| – Approx. 37 Minutes [UNABRIDGED]
Podcaster: Escape Pod
Podcast: September 28th 2006
First published in Asimov’s, 1994.

Posted by Jesse Willis

The SFFaudio Podcast #267 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #267 – Jesse, Jenny, Tamahome, and Seth talk about NEW RELEASES and RECENT ARRIVALS.

Follow this link for a list of our latest arrivals. Note that not all books listed are discussed in the podcast.

Talked about on today’s show: Unwrapped Sky by Rjurik Davidson, “minotaurpunk”; the Thirty Years War; 1634 by David Weber and Eric Flint; The New Food by Stephen Leacock; LEGOs!; “A horse! A horse! My kingdom for a horse!”; we love narrator Jonathan Davis; Runcible spoon and vorpel sword; intentionality of names in Philip K. Dick’s work; place names in Sussex and Middle Earth; class structure from Plato to Huxley; Beyond Lies the Wub, Philip K. Dick’s first published short story; Screamers film based on Dick’s Second Variety; Jenny would like to be a rutabaga; American Gods and rereading books; The Status Civilization and Mindswap by Robert Sheckley; Jeff VanderMeer’s Southern Reach trilogy; Metro 2033 became a video game; Aristotelian unity of time, place, and action in post-apocalyptic genre; non-Western tropes take us off the beaten path; The Queen of Air and Darkness by T.H. White; tattoos make urban fantasy; prevalence of science fiction and fantasy in YA; the rule of three in fiction and humor; books about books; Sex Criminals comic by Matt Fraction; the Comics Squee podcast discussed it; the singular strengths of the comics medium; The Prestige; mirroring in fiction; The Prisoner of Zenda; Lovecraft writing Houdini; Pinkerton and Blackwater; Second Hand by Rajan Khanna featured in Lightspeed podcast; Felix Gilman’s The Half-Made World; Robert Bloch’s Hellbound Train; Joe Abercrombie’s Red Country; space operas are repurposed westerns; westerns don’t feature enough women; Star Trek; westerns on Mars; The Audiobookaneers blog might drive us out of business; Jenny looks to the future of bleakness and paranoia; Best of all Possible Worlds by Karen Lord; Saturn’s Children by Charles Stross, reviewed by Jesse.

Sex Criminals Volume One

Posted by Jesse Willis

Review of Katabasis from the Mongoliad Cycle

SFFaudio Review

KatabasisKatabasis (Mongoliad Cycle #4)
By Mark Teppo, Joseph Brassey, Cooper Moo, and Angus Trim; Performed by Luke Daniels.
Publisher: Brilliance Audio
[UNABRIDGED] – 13 hours

Themes: / Mongoliad / martial arts / fantasy / monks / conquests / Mongols / Russia /

Publisher summary:

With the death of the fearsome Ögedei Khan, the Mongol invasion of the West has been brought to an abrupt halt. The defenders, a band of brave warrior monks known as the Shield-Brethren, limp homeward again across a frozen, bloodied wasteland. But where — and what — is “home” now that the threat of invasion no longer shapes their lives? Thirteenth-century Europe has been saved from annihilation at the hands of the Mongols, to be sure, but new and terrible threats are at hand: political and religious turmoil threaten to turn the warriors’ world upside down once more. Painted against a rich backdrop of medieval mysticism and Russian folklore, Katabasis weaves together the tales of victor and victim alike in a fearless exploration of what it means not just to survive, but to truly live again.

When I reviewed The Mongoliad: Book Three in the Foreworld Saga, I didn’t realize that there were to be a 4th and 5th entry into the series. The book ended with the end of a major story arc (if not the most satisfying of endings) and I thought it was okay to leave it there.

But the story didn’t end there. Where the story in the first three books in the series really covered the story of the Christians versus the Mongols, this book follows the Shield Brethren into Russia while the Mongols mostly start gathering to find their new Kahn of Kahns. There was a greater supernatural element in this book than in the previous ones, and it was interesting to see characters I thought we had left at the end of the first book (or thereabouts) make a reappearance. At the crux of this story seems to be old religion versus new religion. It is hinted that Cardinal Vieshi, a cardinal in Rome who we met in the 2nd and 3rd books, is behind an attempt by the Levonian Brotherhood to defeat the Shield Brethren and help “modern Catholics” take a hold in Russia. The old religion, though, the Shield Brethren, the Shield Maidens, and the native Russians, are on their own mission to keep the old religion not only still around, but still relevant. As part of this, the Spirit Banner, guarded so carefully by the Mongols in the first three books, is a central part to the plot with Ferronantus, Raphael, and the Shield Brethren. In a bit of an oddity, Leanne (former slave Chinese woman in Ogedai Kahn’s retinue) has managed to save the sliver of…well, it’s still not exactly clear what it is, but it’s important enough that GonSuk had her protect it and it was attempted to be stolen from Ogedai in the first book. This gives her a tie–if she’s not really clear on what the tie is–to the Spirit Banner and the Shield Brethren.

In some ways, this was a complete story. There was a central conflict, and the plot moved to bring that to a relatively satisfying ending. In some ways, the plot lines here were less confusing than in the previous books. There seemed to be fewer plots and fewer characters to keep track of, generally speaking. However, at the end, it got muddled. I suppose it might be just me–I often have felt like I’ve been “missing something” while listening to these books and this one was no different. Something happened at the end that I didn’t quite grok, and it’s obvious that it will play out for the 5th (and final, I think) book in the main Foreworld Saga. I hope that when I finish that one, it will make more sense.

Luke Daniels did the narration for this audiobook, as with the other Foreworld and Foreworld Prequel books that I have listened to. Sometimes, his narration is fantastic. He does different voices for the characters and makes it easy to get drawn into the world. However, between the odd names, multiple plot lines, and sometimes difficult/foreign words, it can be hard to understand what he’s saying or what’s going on. As with the other books, this is one that I think might be easier to read the print first, or at least have a copy handy so you can refer to the Cast of Characters and/or re-read confusing parts. Sometimes, Daniels would do lines in a characters voice and…well, in character. So if the character was to be whispering or muttering, Daniels would do that. This would make it hard to understand what he was saying, especially when he used the thick accents.

All in all, I think I liked this book better than I liked the end of the first three books. I look forward to seeing what happens in the 5th book–which I note is not narrated by Luke Daniels.

Posted by terpkristin.

Review of Off to Be the Wizard by Scott Meyer, read by Luke Daniels

SFFaudio Review

Off to Be the WizardOff to Be the Wizard (Magic 2.0 #1)
By Scott Meyer, read by Luke Daniels
Publisher: Brilliance Audio
[UNABRIDGED] – 9 discs; 11 hours

Themes: / reality / wizards / hackers / time travel / computer geeks / pop culture /

Publisher Summary:

Martin Banks is just a normal guy who has made an abnormal discovery: he can manipulate reality, thanks to reality being nothing more than a computer program. With every use of this ability, though, Martin finds his little “tweaks” have not escaped notice. Rather than face prosecution, he decides instead to travel back in time to the Middle Ages and pose as a wizard.What could possibly go wrong? An American hacker in King Arthur’s court, Martin must now train to become a full-fledged master of his powers, discover the truth behind the ancient wizard Merlin…and not, y’know, die or anything.

This book started really slow, despite a cool concept. A computer geek discovers a file that somehow lets him manipulate not only the world and everything in it, but time itself. So of course he decides to go back to medieval times and become a wizard. As a computer geek who (not so) secretly would love to be a wizard I was intrigued.

Unfortunately, the main character Martin isn’t very likable at the start. Despite being good with computers, he doesn’t seem very smart. For me the story finally started to get good when he meets Phillip. I will say Martin did grow on me as the book went on. I don’t plan to say anything else about the plot because I don’t want to ruin the jokes.

I think your enjoyment of the book will largely depend on if you find the humor funny and your willingness to not only suspend your disbelief but throw it right out the window. Things get silly. Really silly.

There is a lot of computer geek humor as well as some pop culture humor from the 80s and 90s that reminded me a bit of Ready Player One, a book I absolutely love. I think fans of that book, may find similar things to like here. Scott Meyer does for fantasy geeks what Ernest Cline did for gaming geeks.

The only real complaint I have apart from the slow start is the general lack of women. That’s a pretty common complaint in fantasy. However as this is a fantasy book based in current time and involves using computers to manipulate the world to pretend to be a wizard this seems like a big flaw for me. Mr. Meyer has a plausible reason to explain away his lack of female characters, but he could have just as easily had a plausible reason for their inclusion instead.

 I‘ll admit that probably more than half of the reason I chose to review this book was because Luke Daniels was the reader. He did not disappoint. Another excellent performance.

Overall though, I really enjoyed listening to this book and I’ll be on the lookout for his next book as well as planning to check out his webcomic in the near future.

Review by Rob Zak.