Connie Martinson, of Connie Martinson Talks Books, talked to Ray Bradbury (circa 1992) about his fix-up novel Green Shadows, White Whale.
Ray Bradbury – Green Shadows, White Whale Part 1 of 2:
Ray Bradbury – Green Shadows, White Whale Part 2 of 2:
[Thanks Colin!]
Posted by Jesse Willis
The Folklore of Discworld: Legends, Myths, and Customs from the Discworld with Helpful Hints from Planet Earth
By Terry Pratchett and Jacqueline Simpson; Narrated by Michael Fenton Stevens
Publisher: Random House Audio
Publication Date: March 2014
[UNABRIDGED] – 12 hours, 59 minutes
Themes: / folklore / discworld / fantasy /
Publisher summary:
Most of us grew up having always known when to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly some of these things are beginning to be forgotten. Legends, myths, and fairy tales: Our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination – like vampires, trolls, witches and, possibly, gods – are real, alive and, in some cases kicking, on the Disc.
In The Folklore of Discworld, Terry Pratchett teams up with leading British folklorist Jacqueline Simpson to take an irreverent yet illuminating look at the living myths and folklore that are reflected, celebrated and affectionately libelled in the uniquely imaginative universe of Discworld.
The Folklore of Discworld is as capricious and lovely a reference book for the Discworld series as the Discworld itself. It seems to drift between our world and the Discworld with a strangely organic ease, and, given the breadth and depth it covers, doesn’t assault the listener with too much. Instead it reads like any of the other books in the Discworld series, with light, comforting reassurances to the reader that everything is just exactly where it needs to be.”
Posted by Trant Thumble.
Conquest (Chronicles of the Invaders #1)
By John Connolly and Jennifer Ridyard; Read by Nicola Barber
Publisher: Simon & Schuster Audio
Publication Date: February 2014
[UNABRIDGED] – 14 hours, 33 minutes
Themes: / aliens / YA / wormhole / romance /
Publisher summary:
The Earth has been invaded by the Illyri, a beautiful, civilized, yet ruthless alien race. Humanity has been conquered, but still it fights the invaders. The Resistance grows stronger, for it is the young people of Earth who battle the Illyri.
Syl Hellais, conceived among the stars, is the oldest alien child on Earth, the first to reach 16 years of age. Her father is one of the rulers of the planet. Her future is assured. And Syl has hidden gifts, powers that even she does yet fully understand.
But all is not as it seems. Secret experiments are being conducted on humans, the Illyri are at war among themselves, and the sinister Nairene Sisterhood has arrived on Earth, hungry for new blood. When Syl helps a pair of young Resistance fighters to escape execution, she finds herself sentenced to death, pursued by her own kind, and risks breaking the greatest taboo of her race by falling in love with a human.
Now the hunter has become the hunted, and the predators become prey. And as Syl Hellais is about to learn, the real invasion has not yet even begun.
Apparently aliens are the new vampires and I guess I’m a sucker for aliens because this is the second YA book about aliens I’ve read in a year’s time.
In this one, out of nowhere, a wormhole appears at the end of the solar system. This spells the doom of mankind because an alien race has come to dethrone mankind, thus, Conquest.
Except, while these aliens take over the governments of Earth, they have also brought technology which can not only cure diseases such as cancer, but expand the human lifespan. I’ve hit on this topic recently, but here it comes again, are the trade-offs worth it?
What makes this one different?
This one takes a different spin than I was prepared for. Usually, and especially with a name like “Conquest,” it’s a story of survival, of a rogue squad who’s fighting back. While there is a bit of that, this story mostly follows the aliens themselves, in fact, one of them who is the first born alien on earth.
So instead of a fight for the world, you really get a bigger glimpse of the nature of the aliens, the culture, and the political machinations and infighting of the political parties.
This is good and bad.
Why it doesn’t quite work
Well, first, why did it work. I thought this was a great take on the alien story … at first. It’s almost like reading a fantasy book because you’re reading more about the society of this alien species and getting to know them and on the side you get some of the story of the rebel humans fighting against them.
What doesn’t work is that some of the tension is gone or really never intended to be there. I know it’s not really fair, but I expected more of a fight, which is there, but it’s in a very small degree. The culture is interesting but I can’t say I cared all that much about it, but that’s probably for a different reason.
The Characters
The characters are for the most part, quite bland. I did listen to this on audiobook, so that could account for some of this, but by the end of the book I was still having to remember and figure out who some of the main people were. You get to know the main character, Syl, who’s as interesting as a prepubescent teen can be to a non-creepy male of 30 (spoiler, there’s not much we have in common).
But, by the end of the book, I really should have been able to keep track of the insurgent boys who help Syl out in the beginning and play a big part in the story, or Syl’s best friend who also played a consistent part in the story.
Again, it’s not all the novel’s fault, I take some of the blame, but I don’t think it’s all mine.
I enjoyed many parts of this book, but for the most part, it didn’t work for me. The alien societies were interesting, but a tad boring. The characters were mostly flat. I wanted to read this because I have some friends who are huge into John Connolly, but I’ll have to check out some of his other works for an actual understanding.
2.5 out of 5 Stars (Okay to good)
Posted by Bryce L.
Mr. Mercedes
By Stephen King; Narrated by Will Patton
Publisher: Simon & Schuster Audio
Publication Date: June 2014
[UNABRIDGED] – 14 hours, 22 minutes
Themes: / suspense / thriller / horror /
Publisher summary:
In a mega-stakes, high-suspense race against time, three of the most unlikely and winning heroes Stephen King has ever created try to stop a lone killer from blowing up thousands.
In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.
Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.
I think last year’s Joyland was one of my favorite Stephen King novels in awhile, meaning this book had a lot to live up to. I don’t this one is nearly as good, but I think most fans of Mr. King will find this enjoyable. Most of the novels by Mr. King I read have some sense of the fantastical to them. This one doesn’t. It’s straight up horror/thriller. No supernatural beings or unexplained phenomena here. That might be why I didn’t like it as much.
The premise is pretty straightforward. A decorated retired cop whose depression is suddenly shelved after being taunted by the perpetrator of one his most high profile unsolved cases. The killer murdered a crowd of people, including a baby using a big stolen gray Mercedes. They are a lot of psychological elements as both cop and criminal attempt to out think one another. While the majority of the story is told from Retired Detective Bill Hodges point of view, we are also given numerous chapters told from the killer’s perspective as well.
The story itself is nothing that special. Where this book shines (as usual) is in the characters. Mr. King always seems to write the most realistic and interesting characters. They aren’t necessarily someone you’d want to hang out with or even know, but they are the type that make it hard to look away (or in this case stop listening to the book).
Holly and Jerome are both memorable characters to add depth to the duel between our retired detective and the killer who got away. I especially enjoyed Holly’s character.
Overall, this was an enjoyable read, but far from a must read.
Will Patton seems to be an excellent fit for this story. His natural reading voice just seems to suit the tone of the book. He doesn’t really do voices, but you can tell his characters apart. I’m not sure how I’d like him as a narrator in general, but for this book, he’s an excellent choice.
Review by Rob Zak.
High Midnight
By Rob Mosca; Narrated by Bernard Setaro Clark
Publisher: ListenUp Audiobooks
Publication Date: June 2014
[UNABRIDGED] – 8 hours, 3 minutes
Themes: / horror / drunk monkeys / psychotic clowns / zombies / Texas /
Publisher summary:
Welcome to Unity, Texas. Population: Bizarre. The only thing protecting the residents of Unity from a stream of nightmares is Laredo Beaumont, the town’s hard-drinking, ass-kicking sheriff, and Cicero, his knife-wielding chimpanzee deputy. It’s a thankless job that leaves Laredo drained and nearly broken. The only solace he can find is in the arms of his beloved Sally Mae, a ghostly soiled dove from a phantom bordello where only the most daring of men would think to step foot.
We’ve all heard that old saying about book cover judgments. Perhaps now it’s time we block out blurb-based reckonings. Rob Mosca’s High Midnight is bursting with criminally psychotic clowns, zombies with a twist, spectral prostitutes, and strange creatures. But it’s also a prime example of good, at times strong writing.
I’m uncertain into which genre High Midnight ought slide. More than likely, it’s a sub-subgenre. Something like Gritty Redneck Bizarro. In the beginning, the weird hyperbolic writing style and content is intriguing. When combined with crisp and skilled writing, you feel anxious and excited. Like a passenger on a hijacked locomotive, you feel your heart speed up to mirror the rushing landscape and you begin wondering where you’re going, and what will happen when you get there. But as the story progresses, we climax, reaching a point at which we can go no faster, further, or weirder, and everything beyond becomes a repetitive flatlining disappointment due to the lack of contrast.
I liked how Mosca would introduce a character, and then immediately leap back in time to show a slivered piece of the character’s history. This allows for a streamlining of exposition without getting bogged down in unnecessary detail. But this approach comes with a price. The story’s momentum becomes the engine, the driving force behind the storytelling. When this occurs, character submits to situation, preventing reader from forging strong bonds with character. Before we know it, and no matter how good the writing, the story is the situation acting upon character, rather than the characters reacting to situation. The result is uninteresting characters. And it’s difficult to create tension when I don’t give a damn if someone lives, dies, laughs, or cries. Situation will always grab our attention, but it is forever characters that maintain it.
High Midnight gets high marks for the audiobook. Bernard Setaro Clark is a name to remember. Clark narrates the audiobook, and captures the story’s voice. Whether it’s a clown’s ghastly giggle, drawling redneck sheriff, or explicit ghostly fornication, Clark delivers a tremendous reading. If you’re going to give this a read, I highly recommend listening to the audiobook.
Posted by Casey Hampton.
The Naked Sun (Robots #2)
By Isaac Asimov; Read by William Dufris
Publisher: Random House Audio
Publication Date: July 2014
[UNABRIDGED] – 7 hours, 41 minutes
Themes: / robots / colonization / science fiction / detective /
Publisher summary:
A millennium into the future, two advancements have altered the course of human history: the colonization of the Galaxy and the creation of the positronic brain. On the beautiful Outer World planet of Solaria, a handful of human colonists lead a hermit-like existence, their every need attended to by their faithful robot servants. To this strange and provocative planet comes Detective Elijah Baley, sent from the streets of New York with his positronic partner, the robot R. Daneel Olivaw, to solve an incredible murder that has rocked Solaria to its foundations. The victim had been so reclusive that he appeared to his associates only through holographic projection. Yet someone had gotten close enough to bludgeon him to death while robots looked on.
What a shocker! I suspected the murderer but not the ending Asimov gave us. Wow.
The Naked Sun gives us a look at the mysterious Outer Worlds, first mentioned in The Caves of Steel. Solaria has never had a crime, due to their extremely privileged population served solely by robots who, of course, never commit crimes of passion. Lige Bailey finds this open, practically empty environment poses both the challenges of solving the mystery and of adapting his agoraphobic nature, thanks to a lifetime of living in underground cities on overpopulated Earth.
Asimov has fun looking at the sociological effects of a high-tech, low population world. I was fascinated by Asimov’s contrast of Elijah Bailey, used only to an overcrowded Earth, with the outworld Solarian society which had open space, eugenics, and many robots. There is no way Asimov could have foreseen our computer-oriented society today, but I found the Solarian society’s preference for “viewing” through screens rather than “seeing” in person to be a disturbing echo of what we ourselves seem to be moving toward.
I originally read this long ago and remembered a lot about the Solarian society but almost nothing about the mystery itself. Listening to William Dufris’ excellent narration, so long after my first reading, I found this a wonderful mystery. Dufris surpassed his performance in The Caves of Steel as he voiced a wide range of Solarian characters from sensuous to prim, blowhard to reserved, blustering to withdrawn. My favorite voices actually were the Solarian robots which were precisely what you’d expect, and which we hadn’t heard yet though several robots spoke in The Caves of Steel.
If you haven’t revisited this series lately I recommend it highly, especially this audio version which brings it to life in a fresh way.