The SFFaudio Podcast #292 – TALK TO: John Betancourt

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #292 –Jesse talks with John Betancourt, the publisher of Wildside Press, about copyright, the public domain, pulp magazines, author estates, comics, audiobooks, and ebooks.

Talked about on today’s show:
the Pulpscans Yahoo! Group, how to do copyright renewal searches properly, the tools, The Cold Equations by Tom Godwin, Astounding Science Fiction, two ways stories can be protected by copyright, before 1963, publisher renewals, author renewals, renewals after 1950 are on copyright.gov, 1923-1950, a text file for magazine renewals, and a text file for author renewals, Weird Tales, 1920s to the 1950s, OCR failures, looking for something to not be there, a very heavy burden, pseudonyms, false renewals, erroneous renewals, the pre-internet days, the Philip K. Dick estate’s copyright “pattern of abuse”, revisions, the 36 public domain Philip K. Dick stories, “they never got it wrong the other way”, a statistician could do something very interesting there, The Adjustment Bureau / Adjustment Team, the H.P. Lovecraft estate (if there is such a thing), the S.T. Joshi corrected texts, Home Brew (magazine) with Clark Ashton Smith, ebooks, paperbooks, and audiobooks, the Science Fiction Megapack, trademarking, licensing stories, horror, fantasy, golden age of science fiction, Lester del Rey, Westerns, length is not an issue in, Eando Binder, short stories in comics, Jack Binder, Captain Marvel, Whiz Comics, Captain Video, Tom Corbett, the Adam Link stories, Otto Binder, banned from Amazing Stories, “E” and “O”, unattributed short stories in comics, Fawcett Comics, Westbrook Wilson, Richard Lupoff, the space patrol stories, Joseph J. Mallard, a Nazi saboteur lost in the north woods, a dodge for a cheaper rate, silver age comics drop text stories, early DC Comics, Night Of The Living Dead, Zulu, fanzines in the public domain, Ray Bradbury in the public domain, copyright notification is no longer required, USA copyright lifetime + 70 years, 1984 by George Orwell is public domain in Canada but not yet in the USA, Donald A. Wollheim, a quasi-legal loophole, The Lord Of The Rings by J.R.R. Tolkien was briefly public domain in the USA, the scarcity of the Ace paperbacks of The Lord Of The Rings, the state of Ace doubles etc., unless it’s work made for hire, children’s books, Nancy Drew, Tom Swift, copyright compilation renewals, Analog renews a magazine…, how would we know if an author asks for his or her rights back?, the Guy de Maupassant Megapack, a victim of availability, Jules Verne, translations, a recent obsession, a gold mine [metaphor], an estimated 85% of books and stories published before 1964 are in the public domain, reading the letters pages of Weird Tales, Robert Bloch, spotty renewals, Ray Bradbury changed the name of stories a lot, pulp magazine editors, editorial meddling, respecting the text but keeping your job, annotated text links, nothing new can enter the public domain in the USA, corporate copyright to 95 years, the puppet Sonny Bono, life +70 years for authors is, 1922 and before is without question in the public domain in the USA, Mack Reynolds, buying author estates, Lester del Rey, H.B. Fyfe, unpublished manuscripts, John W. Campbell, Ellery Queen’s Mystery Magazine, archaeology for writers, 37 unpublished Mack Reynolds novels were thrown away, what is an author’s estate worth?, thousands of $$, R.A. Lafferty estate sold for $70,000.00, a major SF author’s estate was worth 1/4 million $$, the trend in ebooks, 14,000 different paperbooks and 1,100 ebooks and the ebooks earn 4 times as much as the paperbooks, the audiobook trend, Audible.com, Lois McMaster Bujold audiobooks, 200 audiobooks, a value added for authors, because Amazon owns everything…, a benign dictator forever?, when all competition is gone…, Amazon vs. Hachette, Amazon is demanding a higher and higher cut of ebook sales, 85% of ebook sales are through Amazon, a giant anti-trust situation, it’s like Highlander … there can be only one, when everything goes seamlessly into the Kindle…

RE190631 Page 2 (back) Prominent Author, Progeny, Exhibit Piece, Shell Game, A World Of Talent, James P. Crow, Small Town, Survey Team, Sales Pitch, Time Pawn, Breakfast At Twilight, The Crawlers, Of Withered Apples, Adjustment Team, Meddler

Posted by Jesse Willis

A Terribly Strange Bed by Wilkie Collins

SFFaudio Online Audio

A Terribly Strange Bed by Wilkie Collins was first published in the magazine Household Words, April 24, 1852.

A Terribly Strange Bed by Wilkie Collins

The Weird CircleThe Weird Circle – A Terribly Strange Bed
Adapted from the story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 3, 1943
Provider: Archive.org

SuspenseSuspense – A Terribly Strange Bed
Adapted from the story by Wilkie Collins; Performed by a full cast
1 |MP3| Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: June 7, 1954
Provider: Archive.org

Audiobook:

Weird Circle adaptation:

Suspense adaptation:

Posted by Jesse Willis

The SFFaudio Podcast #291 – READALONG: Martian Time-Slip by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #291 – Jesse, Paul Weimer, and Marissa van Uden talk about Martian Time-Slip by Philip K. Dick.

Talked about on today’s show:
1964, first serialized as All We Marsmen, a pair of boxing insects, threads that lead nowhere, “a wonderful train-wreck of a novel”, the two audiobook versions, repeating scenes are disconcerting in the audiobook, repeating moments, at Arnie’s apartment, is this a byproduct of the writing process?, problems with marriage and plumbers, The Search For Philip K. Dick by Anne R. Dick, “Goodmember Arnie Kott Of Mars”, Chinatown, The Two Jakes, developers, Heliogabalus, time travel, the broken Friendly Dad robot, the school is monitoring, when you’re reading your Kindle Amazon is watching you, school is to make you conservative, preserving Earth culture, the time gate anthology, Robert Silverberg, autonomous robots, door to door salesmen, teaching machines, the different robot teachers, Immanuel Kant robot, with certainty he pointed down the hall, a western bias (the interests of Philip K. Dick), Aristotle, Abraham Lincoln, Julius, Winston Churchill, Tiberius, Thomas Edison, warfare, history, a million neat ideas, Philip II of Macedon, Alexander the Great, schizophrenia and autism, experiencing time at a different rate, derangement in a sense of time, A.D.D. and A.D.H.D., Camp BG, setting your watch by the stars and by the seasons, schizophrenia as a tendency but not a disability, daylight savings time, recipe for going to jail: act as if daylight savings isn’t real, its what the novel is about, the Soviets, an American Mars, a Bradburyian Mars, Martians as elves, the Bleekmen, water witch, hunter/gatherers nomadic culture, the “tame” Bleekman, the dream-quest is payback, a “pilg” (pilgrimage), Deus Irae by Philip K. Dick and Roger Zelazny, the trek through the desert, Tibor, Psychology Today, “oh, boy!”, thiotimoline, reconciling realities, “gubble gubble”, sharped tongued secretary, bicycles in outer space, she’s the predator, he’s the predator, Arnie and Manfred, sniffing around Doreen, they’re from the “TOMB WORLD”, Silvia is the most common female character name PKD uses, an analogy (or metaphor) for marriage, uppers and downers, drugs and coffee, back to the keyboard, Dr. Glaub is desperate to make some money, Dick’s own financial concerns, Anne, webbed fingers, inside the minds of horrible people, the dialogue driven sex scene is kinda creepy, why is she with this guy?, access to all the booze, why does Jack go back to his wife?, the perfunctory affairs are unbelievable, unredeemable, somehow it seems to all work, the Swiss rocket, Bleekmen are homo-sapiens, the S.M. Stirling Lords Of Creation novels, Mars as California, Australian aborigines, “dreamlines dreamsongs and dreamtime“, Ludwig Binswanger, psychiatry, psychology, Ellen had split her life, the “tomb world”,” degenerate and degenerating”, being trapped in your own body, “a narrowing a contracting”, gubble as a marker, Being John Malkovich, “Malkovich Malkovich Malkovich!”, our bodies with their low needs distract them from our purposes (if we have any), oblivious to suffering, depression, it’s all brain chemistry, anorexia, obsession with death, Mafred’s “sick” drawing, Amweb as the “tomb world”, the Manfred illustration, the nightmare woman, “her tongue wants to cut”, seeing into the future is seeing death, awesome imagery, a recurring image, The Minority Report, armless and legless (limbless characters), the movie adaptation of A Scanner Darkly, dialogue driven storytelling, what are they reacting to?, mental processes, “it was there to be found”, Virgil Finlay, reading it harder, a post apocalyptic zombie novel, building up a picture, open to being expanded, PKD is concise, most books aren’t dialogue driven, creative writing classes, showing off descriptive skills, novels vs. poetry, is J.R.R. Tolkien responsible for this?, a reverence for the landscape, what color is the dust?, visuals are everything has colonized Science Fiction and Fantasy in the last 30 years, eating meals and walking the landscape, this book isn’t a distraction from life, a meta-description of life, what makes this a SF story?, “the chamber”, the technology is your mind and your brain, even Mars isn’t very different, mars rats, what do the bleekmen hunt?, water witches!, does the water witch protect Jack?, the pistol, the real SF idea behind this is PKD is trying top figure out what déjà vu is, the “I know what is going to happen next” feeling, we are very poor at capitalizing on our future knowledge, the slipped gear, “Oh, little Jackie.”, Philip K. Dick’s science fiction is Psychology Today, an ansible, this problem in science and the social situation between these characters, lying in bed in a hypnagogic state, doing dream style processing of mental white noise in a semi-conscious state, “all different all equally true”, different angles, the broken mosaic, the fact that these books are dated doesn’t age the books, the Brilliance Audio audiobook narrated by Jeff Cummings, Grover Gardner (Tom Parker) narration of Martian Time-Slip, the bicycles floating into space, a horrible human being (he wastes water), Heliogabalus -> Helio (sun -> son) will Gabalus (gubble) less, Elagabalus, the religion of the Roman Empire, a scene, W.A. Mozart, “I love Mozart!”, Bruno Walter conducting, that hideous racket, encoding messages, Manfred Steiner, is this the sign?, they emerged from her pores, whoever’s perspective we see the scene from they all enter the “tomb world”, “teeming with gubbish”, “he wanted to bite her lip”, the pivot point, screeches, the screech of the bus, music, what do dogs think of music?, what do autistic people think of music?, trance music, a Dickian idea, music and sound, the bus brakes screech, “fire!”, bears at the zoo cavorting for peanuts, the suicide, “more evidence that Arnie is a horrible human being”, we just need a little bit of hope, Do Androids Dream Of Electric Sheep?, Galactic Pot-Healer, Fair Game by Philip K. Dick, The World Jones Made, there are 36 public domain Philip K. Dick stories, Time Out Of Joint (is Paul’s favourite Dick novel), a constructed town,

Martian Time-Slip WORD CLOUD

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

All We Marsmen illustrated by Virgil Finlay

Blackstone Audio - Martian Time-Slip by Philip K. Dick

SF MASTERWORKS - Martian Time-Slip by Philip K. Dick

All We Marsmen by Philip K. Dick - illustrated by Virgil Finlay

Posted by Jesse Willis

Commentary: The Story Of A Story – a 1917 editorial about the publication of Jack London’s first story (1899)

SFFaudio Commentary

Jack London - - - - The Story Of A Story

Below you’ll find the complete editorial introduction to the January 1917 issue of The Black Cat. Published very shortly after Jack London’s death, November 22, 1916, it serves as an introduction to the republication of London’s first published story, A Thousand Deaths (which appeared in the May 1899 issue of The Black Cat).

A Thousand Deaths is a SCIENCE FICTION story and it was the beginning of Jack London’s career. London would return again and again to SCIENCE FICTION, see our podcasts on Goliah, The Red One, The Star Rover (audiobook and discussion), and The Iron Heel (audiobook and discussion).

The complete text of A Thousand Deaths is here |PDF|, and we’ve done a podcast on it as well.

The Black Cat’s Editorial Page

Jack London – – – – The Story of a Story

Vagabond, explorer and oyster pirate; fisherman, gold prospector and toiler down among men; sociologist, student of metaphysics, and country gentleman,- Jack London was all of them – Jack London who died the other day. Perhaps his varied activities would fall into three classifications. First and always, he was the adventurer, following many trails and working at many trades; then the country gentleman, living in a more refined, if less invigorating atmosphere; and finally, the professional man of letters, doing his daily stint of a thousand words year in and year out, and making all other pursuits subservient to this one.

It is said of writers that they need not tramp over half the world in order to write great books. But it is quite probable that the man who does see half the world or all of it, for that matter, will sit down to write with a sub-conscious mind overflowing into note books, will in the actual labor of composition command a style of more than ordinary vigor. Jack London died at forty-one, at an age when many men are just starting out to test the broadening effects of travel. Seventeen years before his stories had begun to appear in print, and even at this time, he was drawing upon personal experiences and, first-hand knowledge for the raw material which goes into stories. And
at that time he had been seeing life in its broader aspects for nearly ten years, dating back to the end of his grammar school days and his entrance to man’s estate as a longshoreman.

Thus from the first he experienced none of that writer’s sterility which comes from lack of ideas. His struggle was not with matter, but with form. His years of apprenticeship were wholly dedicated to the mastery of technique and the cultivation of style; while other writers who lived less strenuously, butchered the former and worried along with a hybrid form of the latter as they put all of their energy into the pursuit of an idea that would be sure to take with the editors.

More than seventeen years ago, in May 1899, Jack London’s first story, “A Thousand Deaths,” was published in THE BLACK CAT. Doubtless many of our readers are already familiar with the facts concerning its publication as they are here set forth.

In Martin Eden, the book which more than any other of his is autobiography, London tells the old story of an author’s struggle for recognition. Martin Eden is about to go back to coal heaving, despairing of fame as a writer, when a letter from “The White Mouse” informs him of the acceptance of his story, ”The Whirlpool.’ That is the story in fictional form.

Here is the way London tells of his first acceptance by THE BLACK CAT, written as an introduction to “The Red Hot Dollar,” a collection of tales ‘by the founder of the
magazine, the late Mr. H. D, Umbstaetter.

“As I say, I was at the end of my tether, beaten out, staved, ready to go back to coal-shoveling or ahead to suicide. And then one morning I received a short. thin letter from a magazine.” (Mentioned as The Transcontinental in Martin Eden.) “This magazine had a national reputation. It had been founded by Bret Harte. It sold for twenty-five cents a copy. It held a four thousand word story of mine, ‘To the End of the Trail.’ I was modest. As I tore the envelope across the end, I expected to find a check for no more than forty dollars. Instead, I was coldly informed (by the Assistant Sub-scissors, I imagine) that my story was ‘available’ and that on publication I would be paid for it the sum of five dollars.

“The end was in sight, I was finished – finished as only a “very young, very sick and very hungry young man could be. And then, that same day, that very afternoon, the mail brought a short thin letter from Mr. Umbstaetter of THE BLACK CAT. He told me that the four thousand word story submitted to him was more lengthy than strengthy, but that if I would give permission to cut it in half. he would immediately send me
a check for forty dollars.

“I told Mr. Umbstaetter he could cut it down two halves if he would only send the money along. He did, by return mail. And that is precisely why I stayed in the writing game. Literally and literally I was saved by THE BLACK CAT short story.

“To many a writer with a national reputation THE BLACK CAT has been the steppingstone. The marvelous, unthinkable thing Mr. Umbstaetter did. was to judge a story on its merits and to pay for it on its merits. Also, and only a hungry writer can apprcciate it, he paid immediately upon acceptance.”

That is the story, of the story which marked the genesis of Jack London’s career as one of America’s most robust writers. We republish “A Thousand Deaths” as the first story this month and dedicate this number to the mememory of Jack London, the author, and to the memory of H. D. Umbstaetter, the editor who gave him a hand.

Posted by Jesse Willis

The SFFaudio Podcast #290 – AUDIOBOOK/READALONG: The Legend Of Sleepy Hollow by Washington Irving

Podcast

The Legend Of Sleepy Hollow by Washington Irving
The SFFaudio PodcastThe SFFaudio Podcast #290 – The Legend Of Sleepy Hollow by Washington Irving; read by Chip (for LibriVox). This is an unabridged reading of the novelette (1 hour 23 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and John Feaster.

Talked about on today’s show:
1820 (1819), the idea behind the story, Celtic folklore, Sir Gawain And The Green Knight, the Wild Hunt, Geoffrey Crayon, Popular Tales Of The Germans, Volksmärchen der Deutschenby Karl Musäus, racing to a bridged, a shattered gourd, Sir Walter Scott, “the wizard of the north”, Tam O’ Shanter by Robert Burns, headless ghosts, Anne Boleyn, headless horses!, jack-o’-lantern, is this a Halloween story or a Thanksgiving story?, 1834, the word “coconut” (head and soul), the South Pacific, breadfruit, The Red One by Jack London, the shattered pumpkin becomes carved into a Jack-O-Lantern, Brom Bones, meta-textual inference, Washington Irving is buried in Sleepy Hollow, NY, a Hessian artilleryman, a sleepy forgotten area, Rip Van Winkle, the Dutch of New York are like the Irish of the British empire, a Connecticut Yankee teacher, sleep, bustling New York City, Tarrytown, Nathaniel Hawthorne, Irving’s loving description of the landscape is like Lovecraft’s loving description of architecture, the jokey Washington Irving, Guests From Gibbet Island by Washington Irving, pirates, Pluto, “nod, wink, and giggle”, a comedy with a great sense of mood, the many birds, Crane, pudding in their bellies, the Van Tassel larder, a low yield version of 20,000 Leagues Under The Sea by Jules Verne, an excellent ragù, an exquisitely painted portrait, Jeff Goldblum playing Ichabod Crane, the dilating abilities of an anaconda, the full orchards, the rooster with his wives, The House Of The Seven Gables, “the world’s first Scooby Doo ending”, Brom Bones is a colossal prick, anti-intellectual, having read several books all the way through, Cotton Mather, the labour of headwork, headlessness, a practical joke, the post-script, the moral (if it has one or if it needs one), The Cask Of Amontillado by Edgar Allan Poe, a deathbed confession, family portraits or a mirror, “in pace requiescat”, alternate endings, the 1999 movie adaptation with Johnny Depp, “Rip van Kolchak”, beheading an embryo, the imagery, Christopher Lee, Marvel Comics adaptations, Ghost Rider, a goblin, J.R.R. Tolkien, distinguishing between goblins and orcs, interchangeable terms, Scrooge, FOLKLORE ON FRIDAY – Headless Horsemen, a whip made of a human spine, the Comics Code Authority, Morbius: The LIVING Vampire, the gaffers at von Tassel’s quilting frolic, an old brower, the Wild Hunt (again), rivers marking town boundaries, “liminal areas”, “a marvelously gruesome book”, Vampires, Burial, and Death: Folklore and Reality by Paul Barber, vampires can’t cross running water, a Dukes of Hazzard crossover, the Disney/Bing Crosby cartoon, The Wind in the Willows, The Partially Examined Life (talking the American philosophers), walking while reading a book vs. walking while reading a phone, van Ripper, Gunpowder (the horse), anti-intellectual vs. hyper-competence, Sleepy Hollow as a vision of America (as opposed to Europe), William James, Henry James, young and different, Henry David Thoreau, Walden, the American Revolutionary War, NYC vs. NY State, Irving regretting the American revolution, Lovecraft’s nostalgia, a very American story, “the world’s turned upside down!”, Ivanhoe, enbosomed in the mountains, a debunking, Frank L. Baum’s new creations for an American fantasy, Kansas, the tin woodsman’s chopping, a cyborg version of the Ship of Theseus, written for little children, the heart is more important than the brains, Brom Bones as the hero, Ichabod mucks-in, haunted tulip tree, Major Andre, an unselfconscious hero, corporal punishment, Wackford Squeers from Nicholas Nickleby by Charles Dickens, a wise-schoolmaster, spare the rod and spoil the child, “six of the best when they were ten”, dancing around the issue, squishing, Starship Troopers by Robert A. Heinlein, “if this were the middle ages and he were a viking…”, Sons Of Anarchy vs. Vikings, bearded vengeance, ichthyology, von Ripper, von Brunt, von Tassel, von Brunt Colonel Ichabod Crane, The Castle Of Indolence by James Thomson, Gothic credentials, autumn, the sleepy hollow boys, Twin Peaks and the Bookhouse boys, the good old boys, more references to NASCAR, Brom Bones as an archetype, the Sleepy Hollow TV show, we can’t CGI our way out of bad writing, “Alan Moore-esque”, “nice, self-contained, and pretty much done”, Katrina as a master manipulator, singing lessons, it’s been haunted forever (maybe 30 years), belief in hauntings vs. belief in ghosts, a haunted green shag carpet, the stain, something was dragging itself on the ground, “The Stone Tape” hypothesis, “creeped by some creepy creepness”, a bad place, Salem’s Lot by Stephen King, poltergeist activity, Brom Bonesey, the 1790 setting, a haunted beach?, Center Lake, a hat sodden with blood, a headless borrower, a local Jimmy Hoffa, folklore becomes enmeshed, why does she settle for Brom Bones?, “a man of great parts”, Shakespeare: “Ale promoteth the desire but taketh away all performance”, Diogenes: “If only I could alleviate my hunger by rubbing my belly”

Supernatural Thrillers - The Headless Horseman Rides Again
The Headless Horseman and Ichabod Crane
The Legend Of Sleepy Hollow - Word Cloud
The Legend Of Sleepy Hollow - "What Fearful Shapes And Shadows Beset His Path" (1899)
The Legend Of Sleepy Hollow by Washington Irving - illustration by Jason Juta
Sleepy Hollow - illustration by Scott Gotto

Posted by Jesse Willis

Hardware review of OtterBox Commuter (Black) for iPhone 5C

SFFaudio Review

OtterBox Commuter (Black) for iPhone 5C
Manufacturer: OtterBox
UPC: 660543025825

This case offers a slim and sleek look to complement the iPhone 5C without
skipping out on the protection for those of us who are constantly on-the-go. The
two-layer design of the Commuter Series case for iPhone 5C guards against
drops and dust, and allows for easy access to all device features. Sleek enough
to slide in your pocket, yet tough enough to toss your bag, the Commuter Series
case for iPhone 5C gives you the kind of protection that inspires confidence.

KEY FEATURES:
• Sleek, two-layer case for iPhone 5C provides sturdy protection, yet is slim
enough to fit in your pocket
• Self-adhering screen protector guards against scratches to the touch screen
• Port covers block dust and dirt from accumulating inside the case

Otterbox Commuter (Black) for iPhone 5c

I first bought the OtterBox Commuter (black) case for iPhone 5c back in June 2014. I really needed a case because I kept dropping my iPhone 5c. I really like the two layered protection that the OtterBox case offered, I feel like it reduces the impact when dropped (which I’ve done many times). I even threw my phone with the case on it at a friend once, it was barely scratched, my friend was okay too. The only time I really damaged the OtterBox Commuter case (black) for iPhone 5C was when I put it up to the hot glass pane in front of my gas fireplace, the rubber melted a bit.

The rubber lip that covers the edges of the phone is really useful too, I’m not too worried about my screen being scratched now. The only issues I had with the OtterBox Commuter case (black) for iPhone 5C was how hard it was to snap on or off when I first purchased it. And at $40 (cdn) it was a little pricey.

I really like the interlocking layers for the OtterBox Commuter for iPhone 5C (black), but the power button inside the case requires more pressure than I’d prefer. The volume buttons are just fine. The thing that annoys me the most is the cut-out circle in the back of the case, because the Apple logo is not perfectly centered. On the other hand, even with the case on, any third party lightning cables I’ve tried will still charge the phone with no problem.

I’d recommend the OtterBox Commuter case (black) for iPhone 5C to friends who are likely to drop their phones on a regular basis.

Posted by Jimmy Lu