The SFFaudio Podcast #328 – AUDIOBOOK/READALONG: The White Ship by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #328 – The White Ship by H.P. Lovecraft; read by Mr Jim Moon. This is an unabridged reading of the story (1 hour 23 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Seth, and Mr Jim Moon.

Talked about on today’s show:
a Science Fiction, Horror, or Fantasy story?, hard to classify, Idle Days On The Yann by Lord Dunsany, wistful elements, The Rime Of The Ancient Mariner, a spiritual or psychological analog, a long prose poem, describing lands that never were, a lovely little tale, narrative isn’t exactly the point, the bird, the bird as an eidolon of the ship, the eidolon Lathi, Jason Thompson‘s comic adaptation of The White Ship, the ghost ship, why is the bird blue?, over the cataract, falls as if it wasn’t going to, the world ending, a description of Cathuria, aloe and sandalwood, an imagined land, dreaming Cathuria into existence, the sacred river Narg, Kublai Khan, a dream snatched away and smashed, Samuel Taylor Coleridge and Edgar Allan Poe, Dream-Land by Edgar Allan Poe,

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Lathi and Thalarion, Celephais, The Dream Quest Of Unknown Kadath, an old dreamer and lighthouse keeper of Kingsport town, fewer and fewer ships, a great delusional fugue state, a white spar and a blue bird, Polaris, a watchman in a watchtower, a beautiful symmetry, structural similarity, a beautiful dead woman, Eleonora, Ligeia, Morella, un-whimsical, Hypnos, the bearded mentors, astral projected journey, going to far, moon-beams, The Moon-Bog, a bridge of moon-beams, big ancient cities, civilization, you can’t have books without cities, lore x 3, he was given many books in his youth, when he was young and filled with wonder, Thanatos the Greek god of death, the throne of Azathoth, a dream of falling, the sin, Randolph Carter is seeking in the dreamlands, where the gods dwell, the gods have conquered, the person from Porlock, Jeff Vandermeer’s dream, William Hope Hodgson, fungal growths,

Then came we to a pleasant coast gay with blossoms of every hue, where as far inland as we could see basked lovely groves and radiant arbours beneath a meridian sun. From bowers beyond our view came bursts of song and snatches of lyric harmony, interspersed with faint laughter so delicious that I urged the rowers onward in my eagerness to reach the scene. And the bearded man spoke no word, but watched me as we approached the lily-lined shore. Suddenly a wind blowing from over the flowery meadows and leafy woods brought a scent at which I trembled. The wind grew stronger, and the air was filled with the lethal, charnel odour of plague-stricken towns and uncovered cemeteries. And as we sailed madly away from that damnable coast the bearded man spoke at last, saying: “This is Xura, the Land of Pleasures Unattained.”

The Valley Of Unrest by Edgar Allan Poe,

Once it smiled a silent dell
Where the people did not dwell;
They had gone unto the wars,
Trusting to the mild-eyed stars,
Nightly, from their azure towers,
To keep watch above the flowers,
In the midst of which all day
The red sun-light lazily lay.
Now each visitor shall confess
The sad valley’s restlessness.
Nothing there is motionless—
Nothing save the airs that brood
Over the magic solitude.
Ah, by no wind are stirred those trees
That palpitate like the chill seas
Around the misty Hebrides!
Ah, by no wind those clouds are driven
That rustle through the unquiet Heaven
Uneasily, from morn till even,
Over the violets there that lie
In myriad types of the human eye—
Over the lilies there that wave
And weep above a nameless grave!
They wave:—from out their fragrant tops
External dews come down in drops.
They weep:—from off their delicate stems
Perennial tears descend in gems.

what the heck does that mean?, nameless things that feast upon the corpses of men, a large layer of death, allegorical symbolism, the platonic forms,

“On the green and flowery mountains of Cathuria stand temples of pink marble, rich with carven and painted glories, and having in their courtyards cool fountains of silver, where purl with ravishing music the scented waters that come from the grotto-born river Narg.”

what good writing!, Fungi From Yuggoth XVIII: Gardens Of Yin

Beyond that wall, whose ancient masonry
Reached almost to the sky in moss-thick towers,
There would be terraced gardens, rich with flowers,
And flutter of bird and butterfly and bee.
There would be walks, and bridges arching over
Warm lotos-pools reflecting temple eaves,
And cherry-trees with delicate boughs and leaves
Against a pink sky where the herons hover.

All would be there, for had not old dreams flung
Open the gate to that stone-lanterned maze
Where drowsy streams spin out their winding ways,
Trailed by green vines from bending branches hung?
I hurried—but when the wall rose, grim and great,
I found there was no longer any gate.

verse for birthday cards, The Haunted Lake, Christmas poems, a concordance of themes, all the shades of Lovecraft, The Picture In The House, The Bells, The Shadow Over Innsmouth, the discover of sanity blasting horrors, ebbs and flows, soul and sanity loss, cosmic transcendence, drawing what we see,

“For the aeons that I dwelt there I wandered blissfully through gardens where quaint pagodas peep from pleasing clumps of bushes, and where the white walks are bordered with delicate blossoms.”

Basil Elton’s sin, distant whispers, really?, better than Sona-Nyl?, “Dude you’ve always lived alone!”, a sea-faring Tyler Durduen, a Coleridgian-Obi-Wan Kenobi, a big eastern theme, fantastical oriental places, like Narnia, Arabia mythologized, a marked contrast, Lovecraft as a homebody in the center of a great American port, like living in Atlanta and never getting on an airplane, Citizen Of The Galaxy by Robert A. Heinlein, wherever you go, there you are, an interesting visualization, Celephais, writing down dreams, a penniless tramp, travels tell me, King Kuranes, his spirit lives on in the dreamlands, scented monsters, the basalt pillars of the west, Jason And The Argonauts, the Pillars of Hercules, Gibraltar, DC Comics, Thalarion and Themyscira, The H.P. Lovecrafts‘ song The White Ship, late-sixties hippies and beatniks, wow these are AMAZING!, J.R.R. Tolkien.

Providence 02 - The White Ship illustration by Jacen Burrows

The Gardens Of Yin by H.P. Lovecraft illustrated by Jesse

Jason Thompson's comic of H.P. Lovecraft's The White Ship

The White Ship - illustrated by Jason Eckhardt

The White Ship by H.P. Lovecraft - Illustration by Alec Stevens (from Anything Goes, issue 4)

The White Ship by H.P. Lovecraft - art by Stephen Fabian

Posted by Jesse Willis

Review of Dark Disciple by Christie Golden

SFFaudio Review

Dark Disciple Star Wars cover imageDark Disciple: Star Wars
By Christie Golden; Foreword by Katie Lucas; Read by Marc Thompson
Publisher: Random House Audio
Publication date: 7 July 2015
[UNABRIDGED] – 11 hours

Themes: / Star Wars / Clone Wars / Sith / bounty hunter / Jedi /

Publisher summary:

The latest story never told in The Clone Wars television saga: A tale of trust, betrayal, love, and evil starring the hugely popular ex­ Sith/ never­ Jedi female bounty hunter, Asajj Ventress! A tale written but never aired, now turned into a brand­ new audiobook with the creative collaboration of the Lucasfilm Story Group and Dave Filoni, Executive Producer and Director of Star Wars: TheClone Wars and Star Wars: Rebels!    

When the Jedi decide to target Count Dooku­­Darth Tyranus­­himself, they turn to his ex­apprentice, Asajj Ventress, for help in getting close to the slippery Sith Lord. But when unexpected sparks fly between Ventress and Quinlan Vos, the unorthodox Jedi sent to work with her, the mission becomes a web of betrayal, alliances, secrets,and dark plotting that might just be the undoing of both Jedi and Sith­­ and everything in between.

Where did this book come from? I’ve never been much of a prequel person and didn’t get into the Clone Wars TV show but man this book is one of my favorite Star Wars books to date. It has a lot more emotional depth to it than your typical Star Wars book and a lot transpires in such a small novel. Yes it still feels like your typical action pulp novel but with even a bit more. This is the novel that will finally get me to go back and watch the Clone Wars.

The general premise of the book is that the Jedi are concerned about the toll the Clone Wars are taking on the galaxy and decide that taking out the head of the snake will reduce the casualties. That means assassinating Count Dooku. If you can get past the very un-Jedi like premise of this, the ride is worth taking. They decide to send one of their most covert Jedi masters, Quinlan Vos, to team up with Asajj Ventress in going after the Sith Lord. Apparently she decided to become a bounty hunter at some point and he needs to stoke the flames of her hate for Count Dooku so she joins the cause…should be interesting!

The story chronicles everything from concept to courting Ventress (choice wording) all the way to conclusion of things. There are some cameos from the mainstream Star Wars characters but overall this story focuses on Vos and Ventress – which I love. It is a breathe of fresh air to see some other characters take center stage. They have a certain spark for each other and play off one another really well. I think their different backgrounds and their issues add much more of a dynamic to what happens.

We all know how Episode 3 starts but I genuinely did not know where this book was headed. I knew that they couldn’t be the ones who finally did the deed, but wondered if they set up circumstances at the beginning of Episode 3 (I won’t tell you if that happened though). The only reason I bring it up is because I’ve seen reviews of other Star Wars books where people said they almost believed Vader would turn against the Emperor (Lords of the Sith) or that some rebellion could succeed even if you knew it couldn’t because of the movie. I guess this book was that to me where the others were just a fun ride I knew couldn’t succeed.

I wouldn’t say the book is perfect. A lot of things happen in a short period of time or at least I didn’t feel the passage of time as the story progressed. The characters go through a LOT of change in that time and sometimes it felt a bit rushed, but I give Golden credit for pushing for that much change out of them. Other things typical of a pulp novel are here too; like meeting the bad guy and everyone getting away fine.

As for the audio side of things, Marc Thompson did a great job as usual and the sound engineers added all the sound effects and music we’ve come to expect from a Star Wars audiobook. My one minor gripe is that Thompson’s Mace Windu sounds a hell of a lot like Lando Calrissian. That kept throwing me off when the Jedi would convene but apart from that, the audio was great!

Posted by Tom Schreck

3 Philip K. Dick stories that could have inspired THE TERMINATOR

SFFaudio Commentary

I think The Terminator may be the best Science Fiction film ever made. And I think that no one person, credited or uncredited, can take all the credit for it.

In the video below, edited from an episode of Prisoners Of Gravity, Harlan Ellison explains how he got his screen credit in The Terminator:

Soldier is the first episode of Season 2 of The Outer Limits (the original series). It’s plot features a futuristic time traveling soldier who, after a thunder crack, appears in a then modern urban alley. The soldier is nearly indestructible, and is incredibly strong. Later, he breaks into a gun shop. In the ultimate scene he confronts his (also) futuristic enemy and they are both destroyed. Those are the basic plot commonalities between Soldier and The Terminator. There are many, many differences. Visually though, there are some striking similarities. These are nicely documented here and here.

That all said, Soldier‘s story plays out very differently from The Terminator, you can see a lot more connections, if you squint really hard.

For example, the solider is scarred like Kyle Reese and is sometimes unintelligible like Schwarzenegger’s T-800 – but ultimately the two, the TV episode and the feature film, are radically different in both scale and scope.

Interestingly, Demon With A Glass Hand the fifth episode of the second season of the original The Outer Limits television series, also written by Ellison, has similarities to both The Terminator and another film.

Like Soldier and The Terminator, Demon With A Glass Hand features a protagonist sent from the future into the past. But in this case, unlike in the title character in Soldier, the time travel was done quite deliberately – and done by humans in order to save mankind – more like The Terminator right?

Also similar, our hero in Demon With A Glass Hand, is nearly indestructible, can survive being shot over and over, feels no need to sleep, is being hunted by enemies also sent from the future, and he is programmed! Those are the basic plot commonalities between Soldier and The Terminator. More on that other movie a little later.

In the Starlog article (December 1984) there is no mention of The Outer Limits or Ellison. But, in it James Cameron does say: “I read all the classics, all the old Ace paperback novels.”

Starlog, December 1984

I do not expect that Cameron read all of the following stories. In fact I don’t think it is even necessary to know, and it isn’t crucial to my argument. Indeed, only one of the following stories was actually published in an “old Ace paperback”, (Second Variety was published in The Variable Man and Other Stories, Ace D-261).

My argument is that the story ideas and story points, even more than visuals, from the The Terminator, came very much out of 1950s science fiction.

Now before we get to the meat of my argument I’ll do a little sidestep towards another film, just to make it all the more confusing… its actually laying the groundwork for something, trust me.

Look at these images:

Kyben from Demon With A Glass Hand and Pris from Blade Runner

Demon With A Glass Hand and Blade Runner in the Bradbury

As you can see Demon With A Glass Hand shares something in common with Blade Runner, as much Id say as Soldier does with The Terminator.

The baddies in Demon With A Glass Hand, seen above, have racoon style eye makeup, like Blade Runner‘s Pris. Our hero in Demon With A Glass Hand, as it turns out, is an android that didn’t know he was one, just like in Blade Runner (and Do Androids Dream Of Electric Sheep?). Blade Runner was also shot in the same stylish office building in Los Angeles (the Bradbury Building*). And, the final fight of both stories ends in the same way, out the window and onto the roof of the Bradbury!

The “cybernetic organism” of The Terminator is in essence an android, a robot that looks like a human being, specifically a male human being if you want to get all technical.

Now even more than Ellison, who does have an android in Trent, the hero of Demon In A Glass Hand it is Philip K. Dick who is best known for his androids. Though robots that look like, think they are, or can pass for human aren’t unique or original to Dick, they are something he kind of specialized in. Stories like Imposter and The Electric Ant have androids and of course there is Do Androids Dream Of Electric Sheep?.

Now practically everyone knows that Do Androids Dream Of Electric Sheep? was adapted into a 1982 film called Blade Runner.

But do these folks know that the title of the Blade Runner was licensed from a book by a different author and entirely unrelated to Dick’s?

It was!

Ridley Scott acquired the rights to the title of a script based on an unrelated 1974 Science Fiction novel entitled The Bladerunner.

Why did he do this?

He didn’t have to, nobody has the legal right to claim exclusivity on book and movie titles – but as a matter of smart practice, when millions and millions of dollars are at stake, they often do such crazy things.

Now back to Philip K. Dick. He could, had he been alive in 1984, argued that his stories could have inspired The Terminator or even Demon With A Glass Hand!

Ellisons 1958 script for Demon With A Glass Hand has a “time mirror” – a device related to time travel – and so does a Philip K. Dick story.

For example, Dick uses what he calls a “time scoop” and a “time mirror” in a story called Paycheck (Imagination, June 1953). A time “Dip” turns up in a story named Meddler and in his novel Dr. Futurity (itself an expansion of a novella, Time Pawn) has a time “dredge.”

Here’s a snippet from Paycheck:

“It’s developed a time scoop.”

“What?”

“A time scoop. It’s been theoretically possible for several years. But it’s illegal to experiment with time scoops and mirrors. It’s a felony, and if you’re caught, all your equipment and data becomes the property of the Government.” Jennings smiled crookedly. “No wonder the Government’s interested. If they can catch Rethrick with the goods –”

“A time scoop. It’s hard to believe.”

But Dick didn’t invent the idea either, a story from Amazing Stories, December 1942, has the same tech, its actually in the title!

The Time Mirror by Dwight V. Swain

Another story that could have inspired The Terminator is The Skull. This 1952 story was published in If: Worlds Of Science Fiction. In it the protagonist is sent back in time in order to kill a man who can’t be allowed to live. He doesn’t know the man’s identity, but the clue lies within his own head, kind of like The Terminator.

The Skull by Philip K. Dick

Now to get out of time travel, let me ask you, where is Skynet, the evil A.I. in either of those Ellison stories? They are absent. But, he has evil computers, ones that want to destroy humanity even, for example there’s AM, the evil A.I. from I Have No Mouth, and I Must Scream. But that story is from 1967, and is not Skynet, exactly…

Well, let me tell you about The Great C, first published in Cosmos Science Fiction and Fantasy Magazine, September 1953. This story is set in a Fallout-style post apocalyptic wasteland. Straight away we learn that a band of humans have survived underground after a global nuclear war. The plot consists of following:

One of their number as he sets off with three questions to visit what the reader infers to be a great oracle. The oracle is the titular “Great C” with “C” being short for “Computer”. But unlike the Colossus supercomputer (from Colossus: The Forbin Project) that merely threatens nuclear war, this supercomputer pulled a full-Skynet and actually used the offensive nuclear capability on it’s creators, man.

See?

The Great C by Philip K. Dick

Now Second Variety, first appeared in Space Science Fiction, May 1953. And it was later adapted to film as Screamers. It is set in a post-WWIII world where killer robots, known as “Claws”, are developing newer and newer models of killer robot for human infiltration.

Check out these two illustrations from the story:

Second Variety by Philip K. Dick - illustration by Ebel

Second Variety by Philip K. Dick - illustrated by Ebel

So, why did Cameron’s The Terminator have to give credit to Harlan Ellison if Scott didn’t have to give it to Blade Runner?

I suspect it all happened pretty much as Ellison said it did. That in the unpublished interview notes for that Starlog interview Cameron actually said that he “ripped-off a couple of Outer Limits segments” and perhaps even “a couple of Harlan Ellison stories.”

But it doesn’t matter to me. Credits or dollars, the only thing I really care at all about the story, and I think that The Terminator builds on great SF stories by the likes of Philip K. Dick and Harlan Ellison and Isaac Asimov and H.G. Wells, and some Outer Limits TV episodes, and maybe some other movies too.

Humans do this and it is a good thing. I’m glad so many humans had a hand in making it.

By listening to stories, and by retelling them we continue the process of story refinement. The Terminator wasn’t a “rip-off” it was a tribute, it stands alone, and it stands tall and proud next to the great SF stories that came before it, in 1950s TV, 1950s books and 1950s magazines and probably to the decades before it too.

As for the James Cameron Harlan Ellison dispute, well, Cameron may have had a “huge ego”, as Harlan Ellison put it, or maybe he didn’t – who knows – Ellison had “never met the man” – it may just have been a self-deprecating statement. We can all use a little of that, and a lot more Philip K. Dick.

Posted by Jesse Willis

*The “Bradbury” in the Bradbury Building is no relation to Ray Bradbury … or is it?

Review of The Blumhouse Book of Nightmares: The Haunted City

SFFaudio Review

Blumhouse House of NightmaresTHE BLUMHOUSE BOOK OF NIGHTMARES: The Haunted City
Edited by Jason Blum; Read by Various
Publisher: Random House Audio
Publication Date: 7 July 2015
[UNABRIDGED] – 14 hours

Themes: / horror / short stories / ghosts / demonic possession / violence / murder /

Publisher summary:

Emmy Award-winning producer Jason Blum has ushered in a new dawn of horror with franchises like Paranormal Activity, The Purge, Insidious, and Sinister. Now he presents THE BLUMHOUSE BOOK OF NIGHTMARES: THE HAUNTED CITY, a stunning collection of original, terrifying fiction from a unique cast of master storytellers.   

Contents include:

“Geist” by Les Bohem
“Procedure” by James DeMonaco
“Hellhole” by Christopher Denham
“A Clean White Room” by Scott Derrickson and C. Robert Cargill
“Novel Fifteen” by Steve Faber
“Eyes” by George Gallo
“1987” by Ethan Hawke
“Donations” by William Joselyn
“The Old Jail” by Sarah Langan
“The Darkish Man” by Nissar Modi
“Meat Maker” by Mark Neveldine
“Dreamland” by Michael Olson
“Valdivia” by Eli Roth
“Golden Hour” by Jeremy Slater
“The Leap” by Dana Stevens
“The Words” by Scott Stewart
“Gentholme” by Simon Kurt Unsworth

Do you enjoy ghost, demon, and gore-lit? If yes, then you’ll enjoy this collection of stories ranging from psychological horror to down and dirty violent bloodletting. I feel this anthology does a nice job at covering the various bases in this subgenre, and for those of you interested in such reading material, I think you’ll enjoy the reading experience.

I’m not averse to reading stories that are violent or haunted by ghosts, but I need good writing. Some of these tales are fine examples of solid craft and storytelling. “A Clean White Room” by Scott Derrickson and C. Robert Cargill was a delight in the forward lean immediacy of the story. “Gentholme” by Simon Kurt Unsworth is an excellent story rendered in a pleasing unfolding of character exploration, and while the ending is a little flat, it was a pleasure to read.

Regarding recommendations? Yes, if you are a fan of these types of stories. No, if you are only an occasional horror reader. This is not a good collection to start on. It is a great collection if you’re looking to add to your already substantial horror reading catalog.

Several different narrators collaborate on this audiobook. I couldn’t find a list of the readers, but I think all deliver an outstanding reading. I was impressed with the audio quality.

Posted by Casey Hampton.

The SFFaudio Podcast #327 – AUDIOBOOK/READALONG: The Moon-Bog by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #327 – The Moon-Bog by H.P. Lovecraft; read by Martin Reyto courtesy of Legamus. This is an unabridged reading of the short story (24 minutes) followed by a discussion of it. Participants in the discussion include Jesse Willis, Seth Wilson, Jim Moon, and Juan Luis Pérez.

Talked about in this episode:
Title has a hyphen; published in Weird Tales in June 1926, but written for a St. Patrick’s Day event; most critics dismiss the story; most characters are nameless; no Cthulhu mythos; Greek ties to Lovecraft’s The Tree; H.P. Lovecraft Literary Podcast; thematic similarities to The Rats in the Walls and Hypnos; conflict between the bog goddess and her servants; frogs; moonbeams; Greek Pan pipes, not Celtic pipes; on the story’s un-Irishness; competing models of colonization; Protestant work ethic; Pied Piper of Hamelin; surviving narrator motif similar to Ishmael in Moby Dick; departure from the traditional Lovecraftian narrator; the poetry of Lovecraft’s prose, alliteration, etc.; Lovecraft’s Supernatural Horror in Literature; spoiler in Weird Tales art; the joys of reading aloud; Lovecraft’s Dunsanian story The Festival; architecture; Tolkien’s Dead Marshes and the gothic symbolism of bogs, etc.; Lovecraft’s descriptionn of cities in The Mountains of Madness and landscapes in The Dunwich HorrorThe Cabinet of Dr. Caligari and similar impressionism in film; The Quest of Iranon; unreliable narrators à la Edgar Allan Poe, especially The Fall of the House of Usher; laughing; bog draining and the curse of the Tiddy Mun; the city of Bath and the intersection of Roman and Celtic cultures; John Buchan’s The Grove of Ashtaroth; this is actually a happy Lovecraft story!; Robin Hood and the defense of the land; humans destroy megafauna; Lovecraft’s The Hound; American horror trope of the Indian burial ground; the lack of Celtic mythology; will-o’-the-wisps; how does one drain a bog? Ask the Dutch; disappointment in scientific explanation for stories; the ruins and the Gothic tradition.

The Moon-Bog by H.P. Lovecraft

The Moon Bog by H.P. Lovecraft - illustrated by Jesse

Providence, Issue 10, The Moon-Bog by H.P. Lovecraft - illustrated by Raulo Cáceres

The Moon-Bog by H.P. Lovecraft - art by Stephen Fabian

Posted by Jesse Willis

Review of Worldbinder by David Farland

SFFaudio Review

Fantasy - Worldbinder by David FarlandWorldbinder, The Runelords, Book 6
By David Farland; Read by Ray Porter
11.7 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012

Themes: / Fantasy / Epic Fantasy / Magic / Supernatural /

After the events of Sons of the Oak, Fallion and Jaz, the sons of the great Earth King Gaborn, are living as fugitives in their own kingdom, newly invaded and secretly controlled by supernatural beings of ultimate evil. The sons are hiding until they can regain their rightful places in the land.

The book opens with Shadowath and Lady Despair setting a trap for Fallion Van Orden by using The One True Tree as bait.

The world that Fallion and his friends, Rhianna, Talon and Jaz return to is one of corruption and darkness. People using any means to usurp power and control others. It’s a world grown dark after the death of the Earth King, Gaborn Val Orden. But Fallion hopes to mend the world by combining it with another.

Sadly, this is exactly what Lady Despair wanted. The two shadow worlds are falling into darkness. The one Fallion knew where humans were turning to greed and corruption, using their Runelord powers to force their will on the people, and the other shadow world where the Warrior Clan fought the evil Wyrmlings who served Lady Despair and wished to destroy all things good, including nature itself.

Fallion, Jaz, Talon and Rhianna must find allies and forge new alliances to combat the Wyrmling threat and save both worlds from Despair.

Like Brotherhood of the Wolf, this is a dark book that leads the main characters into untenable situations. The story goes from bad to worse. And yet, you are left with the hope that all is not lost and that the worlds may yet be saved.

I admit that I had a very hard time with the ending of this book. That’s not necessarily a bad thing. I do not generally like dark stories, but the characters and story are so compelling, so well-written, that I found myself continuing with the story.

It is not all dark. Like all good tales there are ups and downs, victories and losses. This book has more losses than victories, but in the Hero’s Journey, loss is a necessary part of growth and Fallion must grow to become The Light Bringer.

Ray Porter does a wonderful job pulling you into the story and holding your attention. I’ve enjoyed listening to his telling of the tale.

Like all of the Runelords books, I recommend this one. As long as you go in knowing it’s part of a series and that the dark times prophesied in the first series are now here, it’s a great story.

The book can be read as a stand-alone, but I think reading it as a series is much better as you get the entire saga.

I give this book a 4. It sucks you in. I’m reminded of the trip to Moria in Lord of the Rings. It’s dark and gets darker, but I have great hope that all will end well.

Posted by Charlene Harmon