The SFFaudio Podcast #330 – READALONG: Dr. Futurity by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #330 – Jesse, Paul, and Marissa talk about Dr. Futurity by Philip K. Dick.

Talked about on today’s show:
Time Pawn by Philip K. Dick, 1960, The Little Black Bag by C.M. Kornbluth, Science Fiction Hall Of Fame: Volume 1, The Marching Morons by C.M. Kornbluth, Idiocracy, if smart people don’t have babies…, a kind of Heinleinian authority, a little grey case, his bag is missing, grey vs. black, a doctor from the past visiting a future society, medicine as a crime, interfering with euthanasia, another weird interesting post nuclear war world, primitive or advanced?, we don’t talk about death, reflecting our world back at us, youth culture, worshiping youth, movie heroes used to be old men, Logan’s Run, Nolan’s world, what is the appeal of that world?, a culture will run things for you if you don’t think a lot, the Ancient Egyptian culture of death, you will live your life in your death, the soulcube, immortality through the species itself, The City And The Stars by Sir Arthur C. Clarke, nobody wants to see that, kids are stupid, the wisdom of the grandmothers, the Vietnam War, genetic stupidity, Language For Time Travelers by L. Sprague de Camp, Stargate, Astounding, an editorial note for Time Pawn, the right to live, ruthless euthanasia, time travel, Dr. Jim Parsons, the character is a time pawn, the second arrow, an inevitability, to ensure their own existence, deterministic, the standard classic scene, being careened, the auditorium at the first Beatles concert is only filled with time travelers, Dick’s take on time travel, familiar stars. not familiar? why aren’t they familiar, figuring out the future of the character as he’s writing it, “huh, that’s weird”, completely unpredictable vs. completely predictable, van Vogtian, Paul employs a railroad metaphor, Sir Francis Drake, line by line rewrites, from New York to San Fransisco, matter to mine, Time Pawn vs. Dr. Futurity, glittering vs. illuminated, darting like silver fish, no aircars?, nobody is going to be reading Time Pawn anytime soon, “the chamber was a blaze of light…dead gods waiting to return”, a rushed novel?, what’d you do with all that?, standard Dick tropes: a wife shuffled to the side, missing the wife less in Dr. Futurity, the description of the women is much lengthier, always heaving breasts, there’s no questioning of reality, no surveillance, less questioning, an uncharacteristically straightforward story, it feels like all the other Ace Doubles, in the mode of reading SF, all the tropes are assumed, Margaret Atwood, Michael Crichton, going through the evolution to understand the SF tropes: Wells -> Gernsback -> the 60s, three a week, that’s all we need to know, airbags everywhere, flame retardant spray, toxic chemicals vs. being on fire, we live in a screwed up culture, mercury poisoning, asbestos, guide beams, the google car, GPS, if there was a solar flare…, Aftermath, a Charles Sheffield novel, old infrastructure could save us, Cuba, Alpha Centauri goes supernova, the Three Hoarsemen podcast, steam-punk without the steam is just punk, Pastwatch: The Redemption Of Christopher Columbus by Orson Scott Card, a monster, the Columbian exchange, Dick has just read about Sir Francis Drake, Drake’s voyage, he’s famous for making Queen Elizabeth I a big pile of money, Expo 86, the Golden Hind, Drake’s landing point, Oregon, Vancouver Island, Nova Albion, Albion, British Columbia, albino, a weird figure to fixate on, Cortez, Pissaro, The Mask Of The Sun by Fred Saberhagen, caught in the machinations of time traveling empires, more bushwhacking, Daniel Abraham, the way they talk in this future society, it keeps not working, his presence eventually changes their society, starting that whole tribe, the scene with the arrow, a predestination paradox, those stone markers, “I’ll get around to it”, that whole planet is covered in markers, the way Dick ended it, leaving it loose, why Time Pawn is so much of a better title, he feels he is the chess master after a certain point, the extended spaceship to Mars scene, the robot computer with a rat brain, such a creepy scene, “I wonder what’s going to happen”, if the character doesn’t want to get on track, what’s that about?, what are those guns for?, Shupos?, always people confronting him, make remarks about the women, this is NOT a book written by committee, don’t read this as your first Dick, more fodder for your feed.

Time Pawn by Philip K. Dick - illustrated by Virgil Finlay

Dr. Futurity by Philip K. Dick - illustrated by Ed Valigursky

Dr. Futurity by Philip K. Dick - illustrated by Harry Borgman

Docteur Futur by Philip K. Dick

Dr Futurity by Philip K. Dick (Methuen)

Dr Futurity by Philip K. Dick - illustrated by Chris Moore

Dr. Futurity by Philip K. Dick (Berkley)

Posted by Jesse Willis

“Spoilers” spoil my life

SFFaudio Commentary

Spoilers…. this post will point out how fucking stupid spoilers are.

See that yellow line at the end? That’s the spoilers I’m talking about. That’s the one I don’t give a shit about – and that’s the one that seems to have infected the minds of practically every conversation about books in the last 10 years. It’s pretty fucking sad to me that the only place one can really go to find out anything about a book is Wikipedia. Wikipedia, the one place that has a rule about not allowing argument about a book, the only place I can seemingly go to find out whether I’ll want to read a book.

Spoilers

So this is a pretty hard topic to research. Those colours, on the “use over time” above, are mine. I’m guessing with them, going with my sense of the predominate usage of “spoiler” – I think I once read that Spider Robinson coined the modern genre usage back in the late 1970s, in a column or something. Roger Ebert seems to be attributed it for movies. But what I’m certainly not talking about third party political candidate phenomenon (the idea is that they ruin elections), nor am I talking about the wings mounted on the backs of sports cars (which reduce aerodynamic lift) – I’m talking about the “spoilers” that dominate and limit book talk today – the ‘who dies at the end’ of a movie or TV show kind of “spoiler!” [said with glee], the ‘who’s whose secret sister to whom’ – or some such inane detail that someone thinks is crucial to appreciate something.

That person, actually, its you – its you – you are the person who uses the term “spoilers” – you’re well, you’re just really really wrong.

I understand, these trendy terms and turns-of-phrase are inevitable, unstoppable. One may as well fight against the tide as fight against them.

If you look to the past, as I am always doing, you will see how oblivious to the stupidity people are – check out this list of ridiculous 1980s phrases and euphemisms and you’ll see just how stupid people were in the 1980s were.

I know it is pointless to fight but I’m going to anyway, I’ve staked my claim on the beach, anchored myself to the bedrock beneath the shifting sand, and I’m beating against the endless wash of “spoilers” as hard as I can – my lone and lonely voice against “spoilers” is a valiant fight, and it is a fight I’ve long been losing – but that’s the point I’m trying to make – we all lose, whenever a conversation about any book somebody is discussing is truncated because they think some fact could “spoil” a book.

Even the word is stupid. “Spoilers” even if they have an effect won’t utterly ruin anything that is truly good” – but I understand, hyperbole is effective, the words “enjoyment lessener” or “surprise reducer” and thus would be unsurprisingly less enjoyable to use.

I really think it all just boils down to one point. I know it is doomed to failure, but I just have to say it – if you could just grasp it – if you could only grok it, deep down in your bones, in your genes – you’d stop having that word come out of your mouth when it comes to books.

I can almost understand it when it comes to a very narrow subset of movies, like The Crying Game, or Chinatown, or The Sixth Sense (the only thing The Sixth Sense has is the twist/surprise/point of the whole 1 hour and 47 minute exercise).

But books aren’t like that. And honestly, if you think about it, TV shows aren’t either.

Spartacus dies, I knew that going in, the fact enhanced my pleasure.

Whether Walter White gets away with his crimes or not isn’t the point of me watching Breaking Bad. I enjoyed the journey (except for that one episode where nothing happens).

In terms of TV shows it all comes down to this, do the people who make the show know where they‘re going? Do they know how it ends? If they do, great. If not, you’re fucking LOST.

Now books are a completely different deal, and here’s why. Books are long, and they are many. Being long and being many means we can’t read all of them, not even all the ones we want. And ultimately I think this explains why the term “spoiler” crops up in practically every conversation about book these days. If you don’t understand this one point, a small matter you think you know (but don’t really accept) if you just could accept this concept, really take it on board, namely that we are all going to fucking die, your saying “spoilers!” would rapidly diminish.

You who say “spoilers” act as if we had an infinite amount of time to read all the books.

This is stupid.

There are now more books published every year than we could read in all our lifetimes. So if you tell me that some point or other “spoils” a book then what you’re essentially saying is that you think I’d be less inclined to read the book if I knew some fact about the book. But this misses the point, I’M NOT GOING TO READ THAT FUCKING BOOK.

So, to sum up, please stop the self-censoring. I’m not going to read that book you don’t want to spoil for me, not unless you tell me something about it, something interesting.

Posted by Jesse Willis

Update: here’s a Google N-gram for the phrase “spoiler alert”

Review of Finders Keepers by Stephen King

SFFaudio Review

Finders Keepers by Stephen KingFinders Keepers (Bill Hodges Trilogy #2)
By Stephen King; Read by: Will Patton
Publisher: Simon & Schuster Audio
Publication Date: 2 June 2015
[UNABRIDGED] – 13 hours, 5 minutes

Themes: / suspense / thriller / horror /

Publisher summary:

A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far—a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.

“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.

Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.

Despite a bit of a slow start, I think I liked this one slightly better than Mr. Mercedes. It’s hard to put my finger on why. Morris Bellamy isn’t nearly as terrifying as Brady Hartsfield, but he’s still a fascinating character. I really enjoyed Pete Sauberg as well.

It might be the premise of this that I think is better. It all centers around reading, and obsession with fictional worlds/characters. That is something I can understand to a lot more than a crazy person with mommy issues.

The first half or so focuses largely on the new characters. For me, things really stepped up once we get back to Bill, Holly, and Jerome. I especially love Holly. She might be one of my favorite characters than Mr. King has written.

Much like its predecessor, this book is certainly more thriller or mystery than Horror. Often times people see Stephen King’s name on a book and assume horror.

The book geek in me really wants to read the Jimmy Gold novels. Or at least the plot summaries. We get dribs and drabs of it as the book unfolds, but not a ton. They sound more literary than my usual fare, but it would be interesting to see Mr. King do a more in depth write-up on the series within the series.

Will Patton is a perfect fit for this series. He does a bit of voices for some of the characters, but really it’s just his normal reading voice that is just the right tone.

Overall, another solid novel from King that makes for great summer reading, and I’m already looking forward to the final novel in the trilogy.

Review by Rob Zak.

The SFFaudio Podcast #329 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #329 – Jesse, Scott, Jenny, Tamahome and Paul talk about new audiobook releases and recent audiobook arrivals.

Talked about on today’s show:
ecomic, The BOZZ Chronicles by David Michelinie and Bret Blevins, Dover Publications, Iron Man, The New Mutants), a “plucky prostitute”, Aurora by Kim Stanley Robinson, the Guardian Podcast, a tyranny of circumstances, The Cold Equations, The Coode Street Podcast, Interstellar, interestingly depressing, Ali Ahn, Hachette, this is all Paul, City of the Chasch: The Tschai, Planet of Adventure, Book 1 by Jack Vance, interesting language, strange customs, fun books, Blackstone Audio, Resurrection House, Reading Envy, Archangel (Book One of the Chronicles of Ubastis) by Marguerite Reed, beasts, military SF, on a planet?, she’s a mother, Terpkristin, Octavia Butler, Dark Disciple: Star Wars, Marc Thompson, Random House Audio, sound effects?, The Year’s Top Ten Tales of Science fiction 7, Infinivox, read by Tom Dheere and Nancy Linari, Bryan Alexander, Elizabeth Bear, Robert Reed, Alastair Reynolds, Michael Swanwick, Peter Watts, The Flicker Men by Ted Kosmatka, Keith Szarabajka, scientists in labs, Robert J. Sawyer, FlashForward, Blackstone Audio, throwing on a throwback, Thorns by Robert Silverberg, Stefan “the great” Rudnicki, Skyboat Media, from 1967, Ultima, Proxima Book 2 by Stephen Baxter, wild galaxy spanning stuff, Tantor Media, Per Ardua Ad Astra = by struggle to the stars, the Xeelee books, “Traditional Fantasy”, no homosexuals or gender swapping, Fool’s Quest by Robin Hobb, lots of fantasy, she writes books people really like Queen of Fire by Anthony Ryan, read by Steven Brand, “urban or contemporary fantasy”, The City And The City, Three Moments of an Explosion: Stories by China Miéville, WORKING FOR BIGFOOT Stories from the Dresden Files by Jim Butcher, Buffy, American Harry Potter?, James Marsters, The Fifth Season: The Broken Earth, Book 1 by N.K. Jemisin, secondary world fantasy, post apocalyptic fantasy, City Of Stairs, Deceptions A Cainsville Novel by Kelley Armstrong, The Tale Of The Body Thief, Anne Rice, The Undying Legion by Clay Griffith and Susan Griffith, The Conquering Dark: (Crown & Key Book 3) by Clay Griffith and Susan Griffith, read by Nicholas Guy Smith, paranormal romance, Earth Bound (Sea Haven #4), Christine Feehan, horror/suspense, Finders Keepers, Stephen King, audiobook exclusive, Drunken Fireworks, a sample of Tim Sample’s audio narration, THE BLUMHOUSE BOOK OF NIGHTMARES: The Haunted City edited by Jason Blum, The Geeks Guide To The Galaxy podcast, Joel and Ethan Cohen, The Purge, Ethan Hawke, Eli Roth, Alive, Scott Sigler, Empty Set Entertainment, the warping of society, contemporary criticism, nonfiction, Humans Are Underrated: What High Achievers Know That Brilliant Machines Never Will, Geoff Colvin, could our jobs be replaced by robots or computers?, Tam is their pet, Ex Machina is idea heavy, audio drama or “Audio Dramer”, an Idahoan accent?, And the Sun Stood Still, LA Theatre Works, Dava Sobel, Nicolaus Copernicus, Werner Heisenberg, Niels Bohr, how do we get access to plays, television seems insane to Jesse, there should be a Broadway channel, new podcasts: the Black Tapes podcast, SERIAL, NPR-style audio drama, fake pop journalism, The Great Courses’ The Torch podcast, Eric S. Rabkins course, The American Revolution (Great Courses), Neil deGrasse Tyson’s courses on Netflix, the GENRE STOP! podcast (a readalong style podcast), Ancillary Justice, The Martian, engineering fiction, applied science, readalong style, The Writer And The Critic, The Incomparable podcast, Read-A-Long, “when you hear a chime turn the page”, Books On The Nightstand podcast, The Readers podcast, Booktopia, Readercon, Fourth Street Fantasy, deep discussions, book centric panels, reader centric panels, a Roger Zelazny panel, a Jack Vance panel, Anne Vandermeer on Reading Envy, The Guardian Podcast, whooooah!, paperbook: The Dream Quest Of Unknown Kadath And Other Stories by H.P. Lovecraft and Jason Thompson (adaptor/illustrator) The White Ship by H.P. Lovecraft, Sergio Aragones, Groo, the marginalia in Mad magazine, page composition, J.H. Williams III, Bryan Lee O’Malley’s Scott Pilgrim, the final episode of The Daily Show with Jon Stewart, a map of the dreamlands, it’s a map man!, illuminated maps,

Dreamlands poster by Jason Thompson

Posted by Jesse Willis

a PATREON for Mr Jim Moon’s podcast, Hypnogoria

SFFaudio News

My friend Mr Jim Moon has been podcasting marvelous stories and essays from the “great library of dreams” for five years. But he’s just now started a Patreon campaign! And I’ve just signed up to support his great endeavor.

Patreon: Hypnogoria

If you’ve not heard his show, Hypnogoria, you’ve been missing out.

Mr Jim Moon is to the weird and the wonderful what Dan Carlin is to history and politics.

There has never been anything like Hypnogoria before, and podcasting is the only medium in which it could exist.

Hypnogoria is the most thoroughly researched and thoroughly executed oral history of the “weird and the wonderful” you’ll ever hear.

Here are just some subjects that Mr Jim Moon has done episodes about:

the history of werewolfery
the history of Hammer and Amicus films
the life and films of Sir Christopher Lee
the life and films of Peter Cushing
the life and books of Sir Terry Pratchett
the stories of H.P. Lovecraft
the ghost stories of M.R. James
the history of Batman
the stories of Clark Ashton Smith
the stories of G.K. Chesterton
the history of Halloween
the history of zombie movies
the stories of William Hope Hodgson
the life and books of Richard Matheson
the stories of E.F. Benson
the life and films of Ray Harryhausen
the origin of Alien
the stories of Sir Arthur Conan Doyle
the stories of H.G. Wells
the stories and poems of Edgar Allan Poe
the history of found footage films
the life and films of Vincent Price
the stories of Guy de Maupassant

and those are just the shows I remember!

Check it out Hypnogoria HERE and, the Patreon HERE.

Posted by Jesse Willis

Review of The Martian by Andy Weir

SFFaudio Review

MartianThe Martian
By Andy Weir; Narrated by R.C. Bray
Publisher: Brilliance Audio
Publication Date: 22 March 2013
[UNABRIDGED] – 10 hours, 53 minutes

Themes: / astronaut / Mars / engineering / space exploration / NASA /

Publisher summary:

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?
Five stars for pure entertainment and because math made it suspenseful.

That’s right, math made it thrilling. Look at it this way, you’re stranded on a planet that’s essentially trying to kill you. You could just keel over and die … like I would most likely do in the same situation, or you could figure out how to stay alive.

Start with the math. NASA planned for 30 days worth of food for 6 people. The next time someone will be on the planet is in 4 years. Even rationing that food only gets you a little over a year’s worth.

Wait, what if you can’t even contact someone to tell them you’re alive and need to be rescued, more math.

It’s the math that made this book exciting. In fact, this XKCD comic pretty much explains it:

Knowing how long until you’re dead is the suspense.

Couple entertaining math (how is this even possible?) with one of the best characters ever created, Mark Watney, and you have an insanely great story.

Mark Watney is an absolutely hilarious character, especially coupled with the situation he’s in (stranded on Mars) and with whom he’s dealing with (NASA, aka the smartest people ever).

Exchanges like this are that much funnier when it’s freaking NASA he’s talking to:

“[11:49] JPL: What we can see of your planned cut looks good. We’re assuming the other side is identical. You’re cleared to start drilling. [12:07] Watney: That’s what she said. [12:25] JPL: Seriously, Mark? Seriously?”

Probably the best part is that it’s not cause he’s going crazy from being alone for so long, it’s just how he is and that’s awesome.

I not only thought of Watney as a close friend, but I felt like I lived on Mars in this book. You’re constantly aware of how much depends on every little thing not screwing up, how dependent someone is on things we take for granted on a planet that’s actually hospitable to life. And then everything goes wrong.

Which brings me to really the only kind of awkward thing about the book. With the way it’s set up (through log entries and third person omniscient when not with Watney), Andy Weir kind of has to go out of his way to tell you how things are going wrong. Suddenly, you’re brought out of the narrative to be informed how the constant pressure on one area caused the wearing down of material and suddenly … HUGE problem occurs.

Otherwise, I had a blast with this book. The narration by R.C. Bray was top notch. Not that I know anything different, but he nailed the sarcasm and wit of Watney and made this book go more than smoothly. I thought of him as Watney and completely forgot about the narration. That’s when you know it’s good.

This is one of those audiobooks I finished in such a short time because it’s all I wanted to do. I usually have audiobooks for the commute, but this is one you find yourself listening to at every possible moment. That’s when I know I’ve found gold. Eureka, put down what you’re reading and jump on The Martian train (I haven’t lost my metaphors have I?).

5 out of 5 Stars (Cause everything worked together to make this one damn fine read)

Posted by Bryce L.