The SFFaudio Podcast #447 – READALONG: The Forever War by Joe Haldeman

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #447 – Jesse and Paul Weimer talk about The Forever War by Joe Haldeman

Talked about on today’s show:
1974, if everybody in the modern era writes like him…, depth beyond the good writing and the ideas, what does it MEAN?!, a straightforward 1970s novel, ever further into the future, future-shock, war, Ken Burn’s Vietnam documentary series, accelerated time, mid-2016 and now, WHAT the bleep has HAPPENED?, clown show, a politically traumatic time, 1967-1968, 1968-1969, Paul is my senior, draft dodgers taught Jesse, “not my president, hashtag”, leaving the USA for Canada, they stayed, making a peep, the elites (or quasi-elites) might have to go, the real plutocrats always found a way out, Jimmy Carter, McCain, John Kerry, that trick still works, the Russia thing, collusion, what skills does he bring to the table?, the John Podesta emails, Bill and Hill Clinton, flipped the script, they swift-boated him, a perennial technique, bringing it back to the book, all weird, another tour, all word, Earth is a dystopia, Earth became Texas, the first section, training on Charon, power-armor, technology, silly and weird predictions, Mogadishu, Somalia, the farm, lawless Horn of Africa, the center cannot hold, ever expanding military, no health-care for the mom, death-panel, trying to figure out what’s going on in the mind of the author, an analogy, this is why people sign back up (go on another tour), going back and forth, the big takeaway, oh, my mom’s gay, everybody’s gay!, everybody’s multi-racial now and I’m the queer, that’s interesting, now everybody is a clone, a hyperbolized version of the political changes, Cassius Clay -> Muhammad Ali (and great) -> now he’s a war-resister, the kind of military SF, Starship Troopers by Robert A. Heinlein, Ender’s Game by Orson Scott Card, Armor by John Steakley, Old Man’s War, ooh it’s a twist (he’s not even white!), the movie adaptation of Starship Troopers, doing something slightly different, following forward, Jesse’s a big fan of the montage, tedium mixed with fear and shock, the military-industrial complex, romance novels for men, a focus on the specs of the pistols, the serial numbers on their special hand-grips, what gets them going in the night, he did a lot of math, gravity curves, MIT, political stripes, the legalization of cannabis, the acceptance of homosexuality, having latent feelings, a little looser, among those artist types, he’s the “old queer”, a funny twitter conversation: what’s really lacking today…, VHS vs DVD, we’ve become more prudish, conservative marketing, “no, we’ve lost context”, sexist!, homophobe!, “a latent heterosexual”, whenever you put a pressure on a large group of people results happen, everybody in our society is gay now, isn’t that interesting, look at the way we’re living now, the lack of context rule, when Potter converts to heterosexuality…, he’s not trying to target the audience of today, Heinlein was a weird guy, the way he obliquely attacks problems, no qualms about this book, an asexual cyborg, Forever Free, Forever Peace is excellent (Paul doesn’t like it), all about drone warfare, more artificial, The Accidental Time Machine, funny and delightful, Haldeman on Prisoners Of Gravity, he won everything (it was political), overwhelming, a thoughtful and reasonable guy, four serials of this book, Analog, Hero, “Screw you, sir!” -> “Fuck you, sir!”, Robert A. Heinlein’s naval service, a deep respect for the military, a hippie planet called “Middle Finger”, it starts with a “fuck you” and ends with a “Middle Finger”, Mandela’s psychological profile, leading from a position of empathy and ideas (instead of will), how the Marxist soldier during the Spanish Civil War would do business, ambiguous (ambivalent) feelings, Mike Vendetti, not something you take lightly, his emotions in his tweets, he’s got mixed feelings, a big mistake!, this war didn’t need to happen, ultimately the lesson, “support our troops”, taking a knee, a conflation with honouring the military, into the arms of the other f-word (fascism), a very nice point, politicians manipulating the people is nothing new, actual journalism with a critical eye, both Gulf Wars, “embedded with the troops”, stories in a patriotic light, propaganda, still happening today, Brian Williams’ ‘beauty of our missiles’, this book misses, told tightly from Mandella’s POV, the veterans are toured around the world, the comic book adaptation of The Forever War by Marvano (artist), Gay Haldeman (translation) and Joe Haldeman (script), Titan Comics, he stacked the deck, a counter-pole, there’s nothing here, the serialization, We Are Very Happy Here, necessary for serialization, a plot contrivance, 84-year old moms, joining the army for financial reasons, Marygay’s mother and father, true for the people of Somalia, pirates don’t do piracy for the sea-shanties, manipulated for our benefit, in the tradition of Starship Troopers (and not in the tradition), Heinlein’s generation vs. Haldeman’s generation, war with aliens, we become the alien, “you don’t understand politics”, why veteran are the only people are allowed to vote, politics of the era of Nixon vs. the politics of the era of Roosevelt, a “take that”, there was a revolt of veterans on earth at one point, the Bonus Army, the Revolutions Podcast, support our troops is a whip, the American support of the French in Vietnam, depending on how you calculate, a sunk cost fallacy, JFK needed to keep the war going past the next election, we can only badly infer it, what Jesse appreciated about Ender’s Game, a wish-fulfillment avatar for 13 year old boys, a lot of time in the online forums, reading a really deep reddit post, why that book is powerful, and here’s what’s missing, the general is a child, it kind of explains the real life generals, Netflix’s thinly veiled McCrystal biopic, there’s no job to be finished, there are no victory conditions, a frameworks for continuous unending war, without a draft it is an endlessly churning meat-grinder, a constant war economy, the government is being fleeced of its coffers by war profiteers, why is my standard of living falling?, pointing out the unfair, labeling it is not the solution, the Las Vegas shooting, “this is an act of domestic terrorism!”, we’re going to calm things down, slave revolts are not terrorism, labels are not the issue, the guns and the access to them are a bigger issue, people get caught up on the words and identity politics, sidestepping racism, sexual norms, a made-up name, he dodged the question, the charge of racism, google n-gram, nobody got suddenly racist, when they do the movie, Channing Tatum, they made a decision, socioeconomic status, a person’s story, the Ender’s Game movie, Johnny Rico is Filipino from South America, Ensign Kim is Scandinavian!, is it a weakness that the novel doesn’t explore racism?, a beautiful time capsule, Mandella’s psychology, Doctor Potter: I’m not prejudiced, the soldiers he was fighting beside were all his team and the fear of the enemy was more important than the colour of the skin of the soldier in the fox-hole with him, a media construction, real human beings, outside your bubble and your fears, deep deep resentment, prejudices of all kind, lived experience, ameliorating intolerance, a chance to grow and understand, an overoptimistic story?, a combat team, it treats racism as settled, let’s deal with homosexuality, Heinlein on homosexuality, a greater representation of gender-queer characters (male vs. female), painful and uncomforting, seeing the flaws within yourself, he’s a dude telling his own story, Diana, Margay gets her own standalone story, Spider Robinson, many changes, an excised fourth part, people read science fiction the wrong way, dangerous territory, Jesse you should read this this and this, this is a story of a dude like this…, reading off in my own direction, books written before I was born, reading the books written by the readers of recent books, unlike other genres (with the exceptions of mystery and crime), science fiction is a series of conversations between stories, your going to be missing a large part of the story, Day Million by Frederik Pohl, Friday by Robert A. Heinlein, I Will Fear No Evil, gay characters in a story is passe, I don’t read the stories for the characters at all, reading it for the societies, reading it for the science, I want to see my values reflected, the battle on that last planet, where’s the rest of the story, why people read science fiction (other than to see their values relfected), world-building, effusive for Ringworld, literal world-building, reading to see representation, an era of character based, having not seen themselves they want to see themselves reflected, a sense of wonder, Paul Atreides is someone Paul could sink into, a white male protagonist, they’re not the classic, how cool the other stuff in that book is, why am I having a whispered conversation with this weird lady in my bedroom, kids never pay attention to the author until you graduate from that, cover artists, aha!, this other thing: the author, this Miguel Ferrer is the actor (not the writer), Tom Cruise movies have no writers, the French focus on the film director, it’s not the characters to me, what makes science fiction so different, soft science fiction, looking at trends and forces, here’s a society with a guaranteed annual income, he’s probably male, that Mack Reynolds novel stands out because it is representing me, the scarcity of jobs is important, world-building enough to spend, there’s no one true way to read science fiction, to misquote Rudyard Kipling, alien planets, we get to see Heaven (a paradise planet), we get to see life on a little planet in the Lesser Magellanic Cloud, a deep dive into William Mandella, academic to grunt, what a soldier’s life is like, waiting in a time, a lover or a nurse, reading for the Marygay-William relationship, the Church of Science Fiction, if you read it for the romance you’re going to be disappointed, a Heinleinian bit, looking it as a modern book, are there books still to be written in this conversation?, how Jesse would film the novel, people don’t just live happily ever after, H.E.A. (a romance term), Jonathan and Gary of the Coode Street podcast, how you want to slice it, Linda Nagata’s The Last Good Man, the “Red” series, in this particular thread, digitizing The Lathe Of Heaven by Ursula K. Le Guin, Le Guin doing Philip K. Dick, a great appreciator of PKD’s writing, she’s trying to have a conversation with Philip K. Dick, the Lovecraft conversation is so loud and churning, fulminating, denouncers, he’s now at max volume, how many sequels to Innsmouth, Ben Bova, a legacy of Analog and Astounding, John W. Campbell seemed to interfere, a pretty stupid man in many respects, the telepathic (psionics), add some bullshit element and you’ll get a sale, nobody writes those (psionics) books anymore, Julian May’s intervention novels, The Many Colored Land, August Derleth, not only a bad writer (a bad person), show me an alien that thinks as well as a man but not like a man, nicely reflected in what happens to the humans, you poor deluded human, Murray Leinster, A Martian Odyssey Stanley G. Weinbaum, an important story, H.G. Wells, I’ve got these great ideas and this piece of paper, thinking through the ideas, tell a story based on that world, what makes Dune so great, a gender-swapped version of Dune, monks instead of nuns, set on a waterworld?, this book has something for everybody.

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

Hero by Joe Haldeman - Analog June 1972 - Illustrated by Frank Kelly Freas

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

We Are Very Happy Here by Joe Haldeman - Analog, November 1973

End Game by Joe Haldeman - illustration by Vincent Di Fate - Analog, January 1975

End Game by Joe Haldeman - illustration by Vincent Di Fate - Analog, January 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

You Can Never Go Back by Joe Haldeman - Amazing, November 1975

Titan Comics - The Forever War - Issue 5

The Forever War - art by Patrick Woodroffe

Posted by Jesse Willis

Reading, Short And Deep #092 – The Horde Of The Gibbelins by Lord Dunsany

Podcast

Reading, Short And DeepReading, Short And Deep #092

Eric S. Rabkin and Jesse Willis discuss The Horde Of The Gibbelins by Lord Dunsany

The Horde Of The Gibbelins was published in The Sketch, January 25, 1911.

Here’s a link to a PDF of the story.

Posted by Scott D. Danielson

The SFFaudio Podcast #446 – READALONG: The Night Flier by Stephen King

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #446 – Jesse, Scott, Paul Weimer, and Marissa VU, talk about The Night Flier by Stephen King

Talked about on today’s show:
1988, Prime Evil (New Stories By The Modern Masters Of Horror), the movie, The Running Man is a powerful book, was Jesse wrong about Stephen King?, Salem’s Lot, he’s long, faithful, killing Dees?, lean and mean and sharp, essential goodness, cute, where It was set, All You Zombies, Predestination (2014), Marissa really loves his writing, creeped-out again, how bad writing happens, translates thought onto the page, Elmore Leonard, Donald E. Westlake, not enough there?, maybe Jesse is wrong, depth?, evidence that Jesse is wrong, social commentary, the flower children of the 1960s became the cannibals of the 1990s, real cynicism, pushing hard, the depth is in the characters, caring about characters, hard to film, what’s missing is its all a metaphor for something, the story in the telling, apart from the obvious metaphor: journalism bloodthirstiness, fake journalism, having the story in their minds, tabloid newspapers, what’s that about?, the social phenomenon, analogies to blood (and guts), typical Stephen King, a depth of connection, part of the appeal, feeling these things happen, we know him, we get him, the Weekly World News, on the edge of reality, Kolchak crossed with Lou Grant, “You’re real!”, backward and forward in time, anticipating what he’s going to see, a Cessna Skymaster, you sleep in the belly of that thing, don’t publish what you believe, finding evidence, Maine, small aircraft at small airports, a story idea, who is the titular character?, he’s more real than anyone else, he pointed to it right there, Dwight Renfield’s aircraft: the Toyota of aircraft, a push-pull, a bit like a bat, Dee’s aircraft: Beechcraft 55 aka the Baron, their “crosstown rival”, Cessna vs. Beech, Wichita, Kansas, playing up that parallel, extending the ending, anticipatable, creating the creature for his story, the writer spinning his story, soft human emotions, “Reader’s Digest emotions”, Miguel Ferrer, the anti-hero, a kind of bloodthirsty dude, he’s the vampire, to exploit the trauma of other people’s lives, lying, he glamours them, practicing, “a little boid”, is that what makes King so popular?, he does humans well, problems with endings, unlike the movie, vampiric traits, that ending, there’s no evidence of a vampire, did he get framed, making explicit the metaphor that’s going on in the text, take the film out, if that’s true…, why does Dwight let Dees go?, chasing a phantom, self mutilation for fun and profit, we are supposed to infer Dwight has glamoured the folks at the airfield, following but not with, was Dees doing the killing, an X-Files episode, very Kolchak, an asshole as the main character, we know he’s a bad actor, comparing him to the monster that he’s chasing, practicing in the mirror at hotels (his true home), the fake human emotions he doesn’t actually feel, a Tim Powers lecture, Dracula as a statement on feminism in the 19th century, the horrors are real int he context of the story, The Turn Of The Screw, the comparison is valid, our position, persuaded by the editor, good instincts, he’s losing it, a fracture in his mind?, taking photos, enough, seeing himself from outside himself, super-powerful stuff, dual personality, Stephen King’s world, the monster is a monster (not just imagination), what Jesse likes: very ambiguous stories about what might just be a madman, The Black Cat by Edgar Allan Poe, the scene with the mirror, I like your work, Dees as the fall guy, a reset button, the ending of the movie, he’s alive and the vampire’s out there, horrifying stuff, he might deserve it, traumatized for the rest of his life, Julie Entwisle, as cold as he was, a good moment, more powerful ending, Stephen King worked with the film-makers, more time seeing than describing, “STAY AWAY” in blood, a dog, the album, more concrete evidence that he’s a real guy, the graveyard and the tombstone, he’s not creating the story out of whole-cloth he’s spinning it he’s framing it, the National Enquirer, reading this now in the wonderful era of fake news, readers like dogs, the cynicism, it’s right, cynicism is dangerous, cynicism’s etymology, he’s done this, Salem’s Lot, The Strand, a peaceful Dracula, a kind of psychopath, muted feelings, it came out, the wall was broken down, 1408, John Cusack, making stuff up, Frank Muller, we have evil inside of us, deep honesty, he has the model of that, doing it in real life and doing it in fiction, a horrific way of being, that’s what jokes are, if I said very rude about one of you, a joke is a thought, the evil angels inside of us, bad impulses, humanity, princess and happy cartoon creatures, “oh shit, this is what adults think!”, they do fight and they are unfair, the exact same feeling, a revelation, a clown with a balloon doesn’t appeal, anybody who writes a lot, thinking about what other people don’t have to think about, his job is to think hard about real things, why is this phenomenon so pervasive?, what’s behind it, what’s underneath it?, a different kind of truth, undercurrents vs. facts, the insights by the editor and the author, poking at the why, bad boob jobs, alien abductions, not interested in the why, interested in the what, more honest than other kinds of newspapers, at an instinctual or animal level, an indictment of humanity, ratings, Gawker and Peter Thiel, the online equivalent, Inside Edition, Bill O’Rielly, a horror of a human being, Geraldo Rivera, wjhat got Gawker got in trouble for, breaking real news stories, National Enquirer has broken real news stories, unpopular facts, Nightcrawler (2014), the monsters are all human, making a story, the movie was so low budget that the editor’s office doesn’t have a desk it has a dining room table, he’s too short, Jesse forgives The Night Flier (1997) a hell of a lot, crappy little movies that do a lot with what they’re given.

Stephen King's The Night Flier (1997)

THE NIGHT FLIER

Posted by Jesse Willis

Reading, Short And Deep #091 – The Place Of Pain by M.P. Shiel

Podcast

Reading, Short And DeepReading, Short And Deep #091

Eric S. Rabkin and Jesse Willis discuss The Place Of Pain by M.P. Shiel

The Place Of Pain was published in The Red Magazine, May 1, 1914

Here’s a link to a PDF of the story.

Posted by Scott D. Danielson

Review of The Year’s Top Hard Science Fiction Stories

Audiobook Review

The Year's Top Hard Science Fiction StoriesThe Year’s Top Hard Science Fiction Stories
Edited by Allan Kaster; Read by Tom Dheere, Nancy Linari, and Henrietta Meire
9.5 Hours – [UNABRIDGED]
Publisher: Infinivox
Published: 2017

Lately I’ve been craving good Hard Science Fiction tales. You know the kind… Stories in which the science plays a significant role in the plot. Stories in which the “science” in “science fiction” is more than just a setting.

My craving was satisfied by this terrific audio anthology edited by Allan Kaster and read by Tom Dheere, Nancy Linari, and Henrietta Meire. These stories, taken from those published in 2016 in various venues, use your imagination to ask real questions about our universe. The narrators are quite good, confidently throwing science around like they know what these characters are talking about.

I thoroughly enjoyed it and will be looking forward to next year’s anthology. This is my kind of science fiction.

CONTENTS:
Seven Birthdays by Ken Liu
Sixteen Questions for Kamala Chatterjee by Alastair Reynolds
Number Nine Moon by Alex Irvine
Chasing Ivory by Ted Kosmatka
Something Happened Here, But We’re Not Quite Sure What It Was by Paul McAuley
Of the Beast in the Belly by C.W. Johnson
RedKing by Craig DeLancey
Vortex by Gregory Benford
The Visitor from Taured by Ian R. MacLeod
The Seventh Gamer by Gwyneth Jones
Fieldwork by Shariann Lewitt

For those that like quick story synopses, here is Infinivox’s description of the anthology:
An unabridged audio collection spotlighting the “best of the best” hard science fiction stories published in 2016 by current and emerging masters of the genre, edited by Allan Kaster. In “Vortex,” by Gregory Benford, astronauts find a once thriving microbial lifeform that carpets the caves of Mars dying off. A code monkey tracks down the vain creator of a pernicious software virus that people jack cerebrally in “RedKing,” by Craig DeLancey. In “Number Nine Moon,” by Alex Irvine, illicit scavengers on Mars are on a rescue mission to save themselves after one of their team members dies. A young girl’s thirst for vengeance becomes a struggle for survival when she is swallowed by a gigantic sea creature on an alien planet in “Of the Beast in the Belly,” by C.W. Johnson. In “The Seventh Gamer,” by Gwyneth Jones, a writer immerses herself into a MMORPG community to search for characters being played by real aliens from other worlds. A woman armed with a rifle stalks a herd of cloned wooly mammoths in British Columbia in “Chasing Ivory,” by Ted Kosmatka. In “Fieldwork,” by Shariann Lewitt, a volcanologist struggles with her research on Europa where both her mother and grandmother suffered dire consequences. A daughter pays homage to her mother with mega-engineering projects to deal with climate change over eons in “Seven Birthdays,” by Ken Liu. In “The Visitor from Taured,” by Ian R. MacLeod, a cosmologist in the near future is obsessed with proving his theory of multiverses. The citizens of a small town on a “Jackaroo” planet object to a corporation placing a radio telescope near local alien artifacts in “Something Happened Here, But We’re Not Quite Sure What It Was,” by Paul McAuley. And finally, in “Sixteen Questions for Kamala Chatterjee,” by Alastair Reynolds, a graduate student defends her dissertation on a solar anomaly that threatens humanity.

My favorite stories in the collection were Ken Liu’s “Seven Birthdays” and “The Visitor from Taured” by Ian R. MacLeod. I enjoyed all of the stories, though.
Every one.

Posted by Scott D. Danielson

The SFFaudio Podcast #445 – READALONG: Citadel Of Fear by Francis Stevens

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #445 – Jesse, Paul, Mr Jim Moon, and Bryan Alexander talk about Citadel Of Fear by Francis Stevens

Talked about on today’s show:
1918, Famous Fantastic Mysteries, 1970, Friend Island, interview with a sea-woman, “peace ships”, women are grizzled teetotallers, The Elf-Trap, Carcassone, Kentucky, Carolina, so obscure, an artists colony, she’s kind of like a female Lovecraft, hidden beyond normal perceptions, Gertrude Mable Barrows Bennett, A. Merritt, pure raving pulp, impressive, giant narrative yank, Neal Stephenson, a little Tim Powers-y, lost civilization, H. Rider Haggard, come back to haunt him, the lost city, strangled to death by a python, Boots = Colin, character names, The Mound by H.P. Lovecraft and Zealia Bishop, a Doctor Moreau in the suburbs, very melodramatic, a giant killer ape called “Genghis Khan”, a sub-sub genre of killer gorillas, the whole Aztec mythology, a sub-boss, a strangely international novel, the Irish nature of the heroes, Mexico present and past, a whole raft of gods, Egyptian and Japanese gods, undisciplined, scene by scene, two dudes wandering through the desert, The Monster Men by Edgar Rice Burroughs, David Stifel, a created creature, a man without a soul, pirates, machine gunning scenes, mixing it up, completely spurious quote from H.P. Lovecraft, the elder gods called out, “wonderful and tragic allegory… amazing, thrilling”, The Curse Of Yig, strange monsters, mad science and ancient sorcereies, a bizarre fungal-oid process, The Shunned House, always bringing it back to the domestic, the female characters are at least as powerful as the male, a house attacked, a domestic dispute, the manifestation of Quetzalcoatl, the Goodreads summary:

Two adventurers discover a lost city in the Mexican jungle. One is taken over by an evil god while the other falls in love with a woman from Tlapallan. Back in the states, the possessed man begins to use magic to mutate civilians. The other walks away, but the pair must duel in the end.

dry and desiccated hills, romance, Julie Davis:

“This is a very enjoyable combination of lost world, Lovecraftian monsters, H.G. Wells, and (of course!) a romance. I especially liked the fact that the people who believe the supernatural reality the fastest are Irish. They are used to their Celtic gods and tales, natch!”

the Rabid Puppies, a light quick and very praising review, undisciplined, what does this mean?, it’s like Eden, there’s a snake, foreshadowing, not well planned out, because it was serialized…, how much did Stevens know, wading around in Aztec mythology, Deities & Demigods, Doctor Who: The Aztecs, sharing a cup of chocolate, the look on Hartnell’s face, Aliette de Bodard, the mindset of a priest of an Aztec god, Grant Morrison’s The Invisibles, Q (1982), Amy H. Sturgis, cave-men days, the reversal of The Time Machine, The Daleks, a beautiful allegory, a bottle episode, Marco Polo, dropped into an alien culture, a description from Barbara of what the Aztec culture was like, Temple Of Evil, a garden for the retirees, retirement age of 52, a plurality of viewpoints, save them from Cortez, profoundly affected, Quetzalcoatl has 400 hit points and infinite movement, the Irish aspect, as readers of Lovecraft know…, immigration restriction, Irish heroes, extra big, extra strong, extra smart, the Irish cop, tough and sarcastic, Robert E. Howard, Dorothy Macardle’s The Uninvited, the Celtic connection to all things bogey, bugaboos, our “Nordic character”, you can’t shoot that, Sven Bjornsen and his wife Astrid, the Norse as the ideal, the Nazis, Lovecraft’s respect for the Scandinavians, the strange pacings, a kaleidoscope, the plot was getting away from her, the classic cliffhanger, Tlalpan, Cortez as the reincarnation of Quetzalcoatl, Montezuma’s failure to act, Cortez as a canny operator, Francisco Pizarro, the British and French and Portuguese in India, set between two small towns that don’t exist, Steven’s husband, the domestic spheres, household events, going through doorways, a lot of doorway stuff, liminal, wrong-footing, a civil war, the Cortez moment, almost a retelling, booted out, a sense of something else, this isn’t a triumphant colonial novel, The Man Who Would Be King, the white hounds, The Hound Of The Baskervilles, the place of black and red, the skin colour of the household, the “greaser”, The Electric Executioner by Adolphe de Castro and H.P. Lovecraft (is TERRIBLE!), are the hounds the disease?, the Wild Hunt, elves, lost world, strange city, Jack Vance, the black stone of evil incarnate, Robert E. Howard-y vs. Edgar Rice Burroughs-y, adventure pulp, domestic supernatural, Conjure Wife by Fritz Leiber, Chapter 6: The Black Eidolon, unevenly constructed paragraphs, kind of weird, always going back to the bungalow and the veranda, being a wife means being in a home, Philip K. Dick’s characters hang out in southern California, there’s something meta about everything she does, too diverse?, a boldy feminist piece, Fahrenheit 451 has gravitas because it’s dystopic, The Hitchhikker’s Guide’s To The Galaxy, Harry Harrison, John Scalzi, comedic science fiction novels, falling absolutely flat, playing with our expectations, closing towards the end, leaving Talapalan, back to domestic concerns, the power of Dracula, Undine, ancient Mexican deities and monsters, 1918, invasion, Cecil Rhodes, Rhodesia, Great Work Of Time by John Crowley, a steam-punk utopia, a gorgeous writer, a haunting writer, it turns on Rhodes, what’s up with Anne Of Green Gables?, parallels, Chapter 24, a reversal of the first scene, the kitchen sink, a weird balance between the Irish Celtic and the Aztec and the Mexican, Neil Gaiman-y, H.P. Lovecraft would have taken her to task over her structuring, disconcerting and unfamiliar, Doctor Reed’s compound, fungous creatures shaped by thoughts, albino marsh, a red flap, a gold chair, fortress of fear, one of the problems, Thor has a hammer, a twin, the complexity, the collapse of Aztec civilization, the Norns vs. the Fates, Cold War 2.0, Greek and Roman mythology, Latina and Greek, Pallas Athena, different periods, semi-appropriating, Theseus, different emphases, Greco-Roman culture, feudalism, The Marriage Of Cadmus And Harmony by Roberto Calasso, genre history, bursting with intelligence and ideas.

Virgil Finlay illustration of Citadel Of Fear by Francis Stevens

PAPERBACK LIBRARY - Citadel Of Fear by Francis Stevens

Virgil Finlay illustration of The Citadel Of Fear by Francis Stevens

Posted by Jesse Willis