The SFFaudio Podcast #460 -Jesse, Paul Weimer, and Maissa Bessada talk about Neverwhere by Neil Gaiman
Talked about on today’s game:
the television series, Lenny Henry, Chef, tribes of homeless people in London, the novel, a little sandwich, what book would you take to a desert island?, The Sandman, not the way that things usually run, in the back of Paul’s mind, a full and visceral fall into London Below, the audio drama, Paul buys too many ebooks and audiobooks, Paul’s poor little TV, a new life in the world below, the sewer folk, the comic book adaptation, sadly and tragically, Glen Fabry, Preacher, DC Vertigo, Door has a keyhole over her eye, a completely different vision, insane, shot on videotape, early Doctor Who, Paterson Joseph, Mr Croup and Mr Vandermar, working hard to say bad things about Neverwhere, a children’s book for adults (true about everything Neil Gaiman writes), a metaphor for homelessness, Mr Stockton, Richard’s career as a security analyst, a metaphor for going inside yourself, looking for a critique, real damn good, a sketch, suggesting rather than telling, when Gaiman goes spare he goes better, Charles Dickens, here comes the pressure, the new illustrated edition, William Morrow Harper Collins, Chris Riddell, illustrations throughout, long noses, an eye, a branch twining through the pages, taking you down into it, the Angel Islington, Door is a child, Anesthesia, parallel characters, packed with illustrations, old-wordiness, “entwined”, Jesse’s book fell through the cracks, allusions to semi-mythical literary stuff, referencing earlier materials, The Graveyard Book, The Lord Of The Rings, Alice In Wonderland, Coraline, WONDERFUL, Neil Gaiman tattoos, we completely agree Neil Gaiman is awesome, Gaiman speaks to people, The New Mother by Lucy Clifford, why is it called Neverwhere?, physical place that has never existed in time, that fairy tale fantasy title, Stardust, reflective, gods and angels, pixie-like elfin girls, killers with knives, The Jungle Book by Rudyard Kipling, a murder of a family, a knife in the darkness, the backstory of this book, getting the same stuff in a different package, writing about marriage, a hand in the darkness, consider how London Below works, an unperson, utterly cut-off, social interaction, hitting Paul in the feels, nobody gives a damn if I live or die, tapping into fundamental fears, deep and true mythic social stuff, the beginning and the end, so much really works, very H.P. Lovecraft, Celephaïs by H.P. Lovecraft, disconnection with reality, the doubt, the ordeal, the trial, a subversion reading that’s IN the text, on the train platform, suicide, potent stuff, if they wanted to film it again today, too sensitive, romanticizing homelessness, if you’ve ever gone camping, romantic in the theoretical or in retrospect but there’s no romance in reality, too empathetic, an issue, defenses built up, its very very hard, people are strong even when they’re strong in the wrong ways, a problem you can’t easily fix, homelessness, many kinds of failures, Jessica’s reaction to Door’s body lying there, getting taken, a horrible thing to say “the all have homes, really”, generosity of strangers, it depends on how sympathetic you are, the book version, Jessica is not a monster, misplaced priorities, interested in the wrong things, exemplars of humanity, Aurora, Ontario, bags bags bags, she’s starving, “no thank you, I’m fine”, housing costs, pets, smoking, not enough money, schizophrenia, forbearance, neat hoarding, Jesse doesn’t have any doilies, if you don’t have a plant there’s something wrong with you, if you are not able to conform yourself, if it was not for a social safety-net more would be homeless, falling through the cracks of the bureaucracy, not a romantic story of homelessness, Lir (the musician), you always need another favour in you pocket, I don’t think he’s 100% reputable, rats and fur, a good craftsman, well polished, his turns of phrase are virtually perfect, a long list of things that are in (or not) a room, how Croup and Vandermar are alike, who they are without how they came to be, a very small world, Hunter, a little bit “dodgy” in the same way rats are a little bit covered in fur, How The Marquis Got His Coat Back, the Marquis de Carabas is from Puss In Boots, the sewer as a river, a non-existent person, the last door is opened by the Marquis, its clear to Paul, mutual friends, the Marquis came back from the dead, Richard left and returned, we’re going to lie-in, seeing it all laid out, Dante’s Inferno, the Marquis is like Virgil, Dracula, Frankenstein, Transformers, a tiny bit from the audio drama, the 15th century, they’re time travelling psychopaths, The Facts In The Case Of M. Valdemar by Edgar Allan Poe, Valdemar wants “Dead things. Extra teeth.”, we’ve never killed a marquis before, Men?, if you prick us do we not bleed?, no, the timelines, his watch and his debit card stop working, bubbles in time and space, three thousand years ago, the remnants of a Roman legion still camped, more fantastical elements, more 12th century England, no allowance for Jesse, Jesse was in competition with homeless people, Dungeons & Dragons modules, a quasi-homeless industry, if you want to help the homeless increase the bottle deposit, 2018 vs 1980 money, people don’t like to be condescended to, Jesse’s penurious poorness, a trunk full of bottles is a treasure, they wear weird clothes, pushing shopping carts around, its not only about homelessness, choosing your own way to live, Richard’s apartment is taken away, he has a duty to his fiance but a greater duty to a stranger, there re just some things that are wrong, the difference between rude and cruel, we’re dangerous as humans, you have to be sensitive, invisible people, standing at an intersection asking for money, you have to look away, horror, too sensitive a soul, the people who don’t see it, when Jessica sees and can almost remember Richard’s name, is Mr Stockton an angel in the world above?, angel investor, the restoration of an angel, a kind of underdeveloped parallelism, a media guy, Rupert Murdoch, he’s a monster, “I’m in banking”, oh my god…how can you live like that?, being Neil Gaiman, being Maissa, being a creator of a whole universe of characters is fun, choosing a life of mystery and adventure, a life of horror, a recipe for making money, Jessica is more down that path, no pet names, choosing you life, pre-history, the trolls he has on his desk, that’s lampshaded, TV Tropes, Spaceballs, replacing an actor, Iron Man, “I’m here, get over it”, you look different, no answer, that’s how you write the story, the fortuneteller, destiny, the trolls, his new office, the nice cup of tea, Douglas Adams, The Hitchhiker’s Guide To The Galaxy, talk about the mice, vastly intelligent pan-dimensional beings, the rats, ratty, Neil Gaiman’s book about Douglas Adams, “yes, this!”, zany but controlled, Gaiman has much more discipline than Douglas Adams, procrastinating, Dirk Gently, Last Chance To See, Starship Titanic, the very Englishness, the parallels that happen, the incompetent of the group, Arthur Dent, madcap adventure, Richard levels up, surviving the ordeal, he had empathy for himself, like Door’s sister, the bracelet, the level of humanity, Jesse am unashamed about reading this urban fantasy, the number of times “duck” comes up, “duck under”, like water off an oiled duck, poor towel substitutes, a small yellow rubber duck, inside the silver box, another velvet, a duck’s egg, why are there so many ducks in here?, a weird little affectation, somewhere in between the size of a duck and a planet, plotting’s not my thing, let’s see where this goes, Gaiman can do it line after line, incredibly talented at the job of knowing how to tell the story, being Neil Gaiman, Paul Cornell’s Shadow Police novels, a cameo.
Posted by Jesse Willis
Reading, Short And Deep #105
