SFFaudio essential – Page 8

Review of Little Fuzzy by H. Beam Piper

SFFaudio Review

SFFaudio Essential Little Fuzzy
By H. Beam Piper; Read by Brian Holsopple
5 CDs – 5 Hours 53 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: November 2006
ISBN: 9781897304617
Themes: / Science Fiction / Planetary Colonization / Sapience / Law / Mining /

The chartered Zarathustra Company had it all their way. Their charter was for a Class III uninhabited planet, which Zarathustra was, and it meant they owned the planet lock stock and barrel. They exploited it, developed it, and reaped the huge profits from it without interference from the Colonial Government. Then Jack Holloway, a sunstone prospector, appeared on the scene with his family of Fuzzies and the passionate conviction that they were not cute animals but little people…

Little Fuzzy is a novel cherished by a smallish but passionate group of admirers. They seem to love it for its portrayal of the fuzzies themselves. It may be a “furry fandom” book too (but I’m a little afraid to do the research on that). I myself hadn’t heard of the novel, or much of the author, H. Beam Piper, until Little Fuzzy and pretty much everything else written by H. Beam Piper began being posted to Project Gutenberg.

My initial sense of the book was that Little Fuzzy would act as a lens through which historical colonizations could be examined – something like what was done in Ursula K. Le Guin’s The Word For World Is Forest. But it didn’t work out that way. Piper was not trying to explore historical events as much as what we mean by the word “sapience.” The verdict on the Fuzzies is obvious from the begining, but curiously enough the Fuzzies are still somewhat treated like children even by their human champions. Perhaps this was the only way Piper could easily characterize the right minded human’s benevolence? I wish he were alive so I could ask him about this. For the infantilization of the Fuzzies parallels some attitudes towards the aboriginal peoples facing colonization here on Earth. But like I said, the general focus is on a philosophical examination of the concept of sapience – not colonization.

After some initial trepidation I found myself hanging on the every word of this WONDERFUL audiobook. H. Beam Piper is an amazing storyteller. His homespun folksiness allows him to make grammatically wrong choices, but none that ever misconstrues his intended meaning. For example:

“He dropped into a chair and lit a cigarette. It tasted badly, and after a few puffs he crushed it out.”

I think Grammar Girl would have a problem with this noting that ‘cigarettes don’t have tongues so they can’t taste well or badly’ – despite this, I think Piper’s Little Fuzzy is some of the most transparent and plainspoken prose that I’ve ever read. Narrator Brian Holsopple doesn’t have a vast range with which to pitch his voice, but he subtly manages to give accent and attitude to every character. His voicing of the entire fuzzy vocabulary (just the one word: “yeek”) is nearly as broad – giving curiosity, understanding, determination and suggestion to every yeek in the book. There was a small editing gaffe on disc 3, a repeated line, and another similar one on disc 5 but otherwise the production was perfect.

Posted by Jesse Willis

Review of Dark Adventure Radio Theatre: H.P. Lovecraft’s The Dunwich Horror

SFFaudio Review

SFFaudio Essential Dark Adventure Radio Theatre: The Dunwich Horror
Adapted by Sean Branney and Andrew Leman; from the story by H.P. Lovecraft;
Original music by Troy Sterling Nies; Performed by a full cast
1 CD or MP3 download – 75 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: 2007
Themes: / Horror / Fantasy / Weird Tales / New England / Cthulhu Mythos / Yog-Sothoth / Degenerated Backwater Communities /

After their first venture into Lovecraftian audio theatre with At the Mountains of Madness in 2006, the H.P. Lovecraft Historical Society have recently increased their efforts to bring Lovecraft back, if not to the airwaves than at least to our CD players and iPods.

The Dunwich Horror is one of the best known Lovecraft stories set in the Miskatonic Valley with its degenerate backwater folks and cultists, Lovecrafts fictional literary playground, and was first published in 1929 in Weird Tales. There is a classic 1940s radio drama version around – an episode of the famous Suspense show, now in the public domain and freely available on the internet.

The first Dark Adventure Radio Theatre production, At the Mountains of Madness, showed some dramatic weaknesses, however, The Dunwich Horror provides a thoroughly enjoyable audio drama experience. Whilst most Lovecraft fans would want it to be as close to the original as possible (which it is) it does take into account that an audio drama has to follow different dramatic conventions to keep its listeners entertained for more than an hour. Don’t expect an action packed audioFX orgy, though. It’s a Lovecraft story after all, so there will be lots of monologues and narrated bits, all adding to the charme of the original and the faux old time radio show format that this audio drama is presented in. Incidentally, Dark Adventure Radio Theatre has refreshingly politically incorrect fake advertizing (for cigarettes!) The cast does a great job of bringing to life the varied range of characters – from backwater farmers, to New England academics. Production values are overall good and fortunately they did not go wild with freely available sound effects as some other dramas of the semi-professional kind sometimes do. A commercial publisher with bigger budget might have been able to do better, but the guys from Dark Adventure Radio Theatre did a great job with a lovingly rendered version of the Dunwich Horror that shows an eye for detail.

The Dunwhich Horror: All the goodies

As the HPLHS started off by producing Lovecraft collectibles and high-quality “authentic” props, for the Call of Cthulhu pen & paper and live roleplaying games, it is not surprising that the CD contains a lot of goodies. Namely, a map of the Dunwich area complete with a note stapled onto it, a page from the dreaded Necronomicon and one from Whateley’s diary plus a clipping from the Arkham Advertiser showing Wilbur Whateley himself – all of which are of superb quality. Whilst no one really needs any them, these props make nice gimmicks nevertheless.

For anyone who does not need a physical audio storage medium or shies the shipping and duty costs involved with a mailorder from the USA, an MP3 download is available for about half the price. The file is properly tagged but it does not contain the cover art – this is a minor flaw in all of the HPLHS’ audio dramas downloads.

Another nice extra is the freely available script which helps learners of English to follow the show (download available from the HPLHS website as a PDF)

Posted by Carsten Schmitt

Review of Slaughterhouse-Five by Kurt Vonnegut

SFFaudio Review

Slaughterhouse-Five
By Kurt Vonnegut; Read by Ethan Hawke
5 CDs – 6 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433269691
Themes: / Science Fiction (or maybe not) / World War II / Time Travel / War / Aliens / Mind /

And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.

So she was turned to a pillar of salt. So it goes.

—Kurt Vonnegut, Slaughterhouse Five

During World War II, author Kurt Vonnegut was taken prisoner by the Germans and held captive in the city of Dresden, which was later reduced to flaming rubble during a harrowing fire-bombing by American forces. According to Vonnegut, the city was a gorgeous center of art, architecture, and fine civilian life; its value as a military target was negligible. “What I’ve said about the firebombing of Dresden is that not one person got out of a concentration camp a microsecond earlier, not one German deserted his defensive position a microsecond earlier,” Vonnegut said.

Somewhere between 25,000 and 120,000 civilians (the upper figure is an early estimate, which has since been revised downward to 25,000-40,000) were killed in the inferno of incendiary and high explosive bombs. As such, Dresden remains a controversial, dark chapter of America’s involvement in the war.

Slaughterhouse-Five is Vonnegut’s look back on this dreadful event. It’s not a traditional biography, but a modified account of his own experiences as seen through the eyes of Billy Pilgrim, a tall, awkward, disconnected dreamer who is drafted into the army and thrust into combat. Pilgrim is a pathetic soul with the appearance of a “filthy flamingo,” involved in tragic events beyond his control.

Captured during the Battle of the Bulge, Pilgrim and 100 other soldiers are shipped to Dresden to serve as prison-labor. At night they sleep in a storage-cave beneath a slaughterhouse amidst the butchered carcasses of animals, and it’s this arrangement that allows them to survive the attack. After the firebombing, they emerge the next morning to find the once-beautiful Dresden so utterly destroyed that it resembles the surface of the moon.

A part of me feels guilty for reviewing Kurt Vonnegut’s Slaughterhouse-Five on a science fiction/fantasy Web site. The connections of this classic anti-war novel to the science fiction genre are tenuous, but it attains this designation (in some circles) due to the presence of the Tralfamadorians, a race of aliens that capture Pilgrim and bring him back to their planet for examination. During his months on Tralfamadore, Pilgrim is placed in a sort of zoo, his body and mind laid bare to the curious aliens.

The Tralfamadorians may be simply the imagination of an unwell, traumatized mind. Pilgrim is emotionally unbalanced, suffers a head injury after the war, and reads voraciously of the novels of science fiction writer Kilgore Trout, one of whose novels concerns an alien abduction that sounds suspiciously like Pilgrim’s own experiences on Trafalmadore. But the Tralfamadorians—real or not—allow Vonnegut to explore the concept of time and our place in it, which is the larger theme of the novel. The Tralfamadorians can see in four dimensions and have no concept of time; life just is, and human existence is a series of events and happenings with no beginnings and ends. Events simply occur; wars are fought, we are powerless to stop them and it’s ridiculous to think we can. Free will is a farce.

Pilgrim’s time among the Tralfamadorians allows him to experience his life in this fourth dimension, moving his mind back and forth to the past and future, seemingly at will. He is able to see his own death, and relive events from his childhood, his marriage, and his career as an optometrist. But Pilgrim’s wandering, time-traveling mind returns again and again to the terrible events of Dresden, an experience so powerful that his mind is unable to make sense of it. It just is, and all he can do with the rest of life is to try and look upon the good times in his life, the moments of joy, and not linger too long over the blackened, shrunken bodies, or a fellow American and friend executed for salvaging a teapot from the ruins.

Actor Ethan Hawke (of Dead Poets Society and Hamlet fame) serves as the narrator and does a nice job reading with an understated, dispassionate voice that perfectly fits the tone of the novel. This Blackstone Audio production also includes an unexpected and enlightening 10-minute interview with Vonnegut on the final disc. Here Vonnegut reveals that Pilgrim’s character was based on a real person, Edward Crone, an American who died in Dresden. “He just didn’t understand the war at all, what was going on, and of course there was nothing to understand—he was right,” Vonnegut says.

Posted by Brian Murphy

Review of Steve, The First by Matt Watts

SFFaudio Review

Steve, The First
By Matt Watts; Performed by a Full Cast
2 CDs – 2 hours – [AUDIO DRAMA]
Publisher: CBC Radio
Published: 2007
Themes: / Science Fiction / Comedy / Post Apocalypse /

It was a thousand years ago. The Earth: in ruins, a nuclear wasteland. Humanity had written its final chapter. It took only a matter of minutes to destroy what took centuries to build. Greed, materialism… an overall sense of things being off… they would all spell society’s downfall. What few survivors remained were in a state of complete mental chaos. But all was not lost. One man, one hero, one legend, would bring civilization to the uncivilized.

This man… was Steve.

Steve, the First begins with the miraculous birth of Steve, the savior of all mankind, from a pile of rocks. Steve is not impressed with the post-apocalyptic world he sees, nor is he happy with the exploding dogs. The first people he meets are two kids who spend their time collecting dead people, and the hilarious conversation they have sets the tone for the rest of this dark comic radio drama, which was originally broadcast on CBC Radio One in 2005.

Matt Watts, who is Canadian, not that there’s anything wrong with that, wrote the series and also stars as the uninspired Steve. I’ve written about Matt Watts before, but this drama and the one that follows (aptly titled Steve, the Second) were written and broadcast before Canadia: 2056 seasons 1 and 2. That series and this one share some of the same actors, which is a great thing because this crew is wonderful.

The Colleen (Holly Lewis) is perfectly neurotic. My first clue? Her parents. Tim the Melty (Don McKellar) is positively unforgettable – a post apocalyptic Yes Man. And then there’s Steve’s nemesis, Phil Green (Mark McKinney) who still, despite the lack of a good number of people, yearns for political power.

I urge you to give this a listen – you’ll nestle it in your mind somewhere between Red Dwarf and Galaxy Quest in your pantheon of science fiction comedy. Funny, FUNNY, stuff!

Posted by Scott D. Danielson

Review of Starship: Rebel by Mike Resnick

SFFaudio Review

SFFaudio Essential Starship: Rebel
By Mike Resnick; Read by Jonathan Davis
Audible Download – 8 Hours 45 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 16th 2008
Themes: / Science Fiction / Space Opera / Galactic Civilization / Aliens / Rebellion / War / Military SF / Space Station /

The date is 1968 of the Galactic Era, almost three thousand years from now. The Republic, dominated by the human race, is in the midst of an all-out war with the Teroni Federation. Almost a year has passed since the events of Starship: Mercenary. Captain Wilson Cole now commands a fleet of almost fifty ships, and he has become the single greatest military force on the Inner Frontier. With one exception. The Republic still comes and goes as it pleases, taking what it wants, conscripting men, and extorting taxes, even though the Frontier worlds receive nothing in exchange. And, of course, the government still wants Wilson Cole and the starship Theodore Roosevelt. He has no interest in confronting such an overwhelming force, and constantly steers clear of them. Then an incident occurs that changes everything, and Cole declares war on the Republic. Outnumbered and always outgunned, his fleet is no match for the Republic’s millions of military vessels, even after he forges alliances with the warlords he previously hunted down. It’s a hopeless cause…but that’s just what Wilson Cole and the Teddy R. are best at.

A good audiobook can make a regular day enjoyable. A great audiobook can put a delightful spring in your step for a whole week. Starship: Rebel has made for absolutely terrific listening. As I was listening to it over the course of a week or so I’d wake up in the morning, remember that I’d still got a few hours of listening left, and smile as if I’d won the Nobel Prize for luck. I’ve heaped a lot of praise for this terrific series of audiobooks since Audible Frontiers started releasing it back in Spring 2008. The closest I’ve come to criticism has been a little humming and hawing about how the series is ‘short on ideas and originality.’ That, it feels like a better version of Star Wars. And that’s all still true, nothing in the Starship series feels anything like innovative. The weapons technology has no new ideas, the faster than light space travel relies on the same few tropes, the aliens are all Star Wars-ish. Despite this, there is an amazing feeling of being safely ensconced in the hands of a master storyteller when listening to this series. The team of writer Mike Resnick with narrator Jonathan Davis is absolutely stupendous.

With this book, Book 4, Resnick is raising the stakes by forcing Captain Cole and the crew of the Theodore Roosevelt to take on the Republic itself. And that’s good, but it isn’t everything. Resnick also pulls an unexpected maneuver – a very important character is killed about a third of the way into the novel – and that hit, a real hit, shakes up that feeling of familiarity and safety in a way that just freezing Han Solo into a block of carbonite can never do. Barring accidents I expect to be enjoying another terrific week when Starship: Flagship, the 5th and final book in the Starship series, comes out in December 2009.

Posted by Jesse Willis

Review of A Case Of Conscience by James Blish

SFFaudio Review

SFFaudio Essential A Case Of Conscience
By James Blish; Read by Jay Snyder
Audible Download – 7 Hours 55 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: November 2008
Themes: / Science Fiction / Religion / Catholicism / Aliens / Biology / Evolution /

Father Ruiz-Sanchez is a dedicated man – a priest who is also a scientist, and a scientist who is also a human being. He has found no insoluble conflicts in his beliefs or his ethics…until he is sent to Lithia. There he comes upon a race of aliens who are admirable in every way except for their total reliance on cold reason; they are incapable of faith or belief. Confronted with a profound scientific riddle and ethical quandary, Father Ruiz-Sanchez soon finds himself torn between the teachings of his faith, the teachings of his science, and the inner promptings of his humanity. There is only one solution: He must accept an ancient and unforgivable heresy -and risk the futures of both worlds…

A Peruvian priest is a strange enough protagonist for Science Fiction. Add in an essentially bloodless tale of alien human interaction, a token female, and a bowlful of Catholicism on every page, the fact that it’s clearly inspired, at least in part, by James Joyce’s Finnegans Wake, and what you get is a classic SF novel? Yup! A Case Of Conscience is not quite the greatest SF novel of its era, but it holds up quite well. Blish put a good deal of thought into the original novella, and that pays off mid way through the novel (which is really two novellas put-together). The first half of the book is set on Lithia, a recently discovered alien planet teeming with unusual alien life. Lithia and its intelligent inhabitants are being considered for full human contact. There, judging the planet, are Father Ramon Ruiz-Sanchez a Jesuit biologist, Cleaver, a physicist, Michelis, a chemist, and Agronski, a geologist. Curiously Father Ramon seems to have strong reasons for opposing the opening of Litihia despite the fact that he has befriended one of the intelligent aliens. The fact that the Lithians seem to have an ideal society free of crime, conflict, ignorance and want also seems to worry Ramon. It all comes down to one question: Do the Lithians have souls? Despite his suspicions about the answer, the priest seems to only hold a deep affection for the Lithians.

I was highly impressed with the revelations that Ruiz-Sanchez (and Blish) give for it all. This is excellent idea driven SF. Blish seems to have taken the idea of the Society of Jesus (Jesuits) very much to heart in writing the novel. These are/were the priests that were trained to take on the hardest tasks confronting the Catholic church. Blish has done them proud. But, that’s not the end of it. The turning point of the novel comes when the humans leave Lithia carrying with them a fertilized egg of one of the Litihians, an alien child to be raised on Earth and learn the ways of humans. This is where the second half of the novel begins. Earth is a “shelter society” (everyone lives in massive underground fallout shelters – you can see how it was written in the 1950s). There we follow our protagonist, a few other folks including the requisite token female named “Louella” (but called “Lou”) and the alien baby-cum-juvenile alien (who acts rather unlike his species normally does back on Lithia). Highlights here come when Ruiz-Sanchez is requested for a Papal audience! Again, some clever revelations occur in this second half, though they are generally weaker than the first. But, all together, and with the ending quite well done as it is, it’s very solid.

Included in the audiobook edition is the six page appendix, which is a ‘special preliminary report on the planet Lithia’ by Ruiz-Sanchez. As far as I can tell the narrator, Jay Snyder, has completely followed Blish’s own pronunciation guide for the book (which is not actually included in the audiobook). I’ve done a little comparing of the written text in the paperbook with the way Snyder says the alien names in the audiobook. It all sounds pretty accurate to me. Kudos to Audible Frontiers for carefully audiobooking this Hugo Award novel (and Retro Hugo Award winning novella). A Case Of Conscience is an SF classic!

Posted by Jesse Willis