SFFaudio essential – Page 7

Aural Noir Review of The Fabulous Clipjoint by Fredric Brown

Aural Noir: Review

[This audiobook was created by Wonder Audiobooks which is owned by SFFaudio contributor and a past reviews editior Rick Jackson]

SFFaudio Essential The Fabulous Clipjoint
By Fredric Brown; Read by William Coon
Audible Download – 5 Hours 36 Minutes [UNABRIDGED]
Publisher: Audible.com / Wonder Audio
Published: 2009
Themes: / Crime / Mystery / Murder / Alcoholism / Noir / Carny / Chicago / Janesville /

You’ll hear the soft, lazy voice of a dame who’s been around, and you’ll meet up with a beautiful heller. You’ll learn the lurid secrets of a man’s locked past, and you’ll prowl dark alleys with two men–two men turned hunters. And you’ll wonder–why Ed and his Uncle Am didn’t level with the cops; what business a gang would have with Ed’s dead father; and where the killer thought the hunters would go wrong. Here are your answers, in this fast-spinning, two-fisted mystery about thugs, molls, and carnival folks.

Ed Hunter is 18, an apprentice linotype operator in 1940s Chicago. He works with his father. One morning Ed gets up to work only to find his father missing, having not come home the night before. This can only mean one thing – MURDER! The cops aren’t too interested, his alcoholic stepmother and oversexed step sister aren’t up for it, so it’s up to Ed to get justice. But to get the job done he’ll need help so For he enlists his uncle, a carny with more brains and experience than any man Ed knows.

Rick Jackson, the man behind Wonder Audiobooks, is a good friend of mine. It’d be hard to say I’m 100% objective about reviewing his stuff. The problem mostly being that he and I have such similar tastes in audiobooks and fiction that to praise one of his audiobooks is very much like saying how cool I am! But he is cool damn it! And more importantly this is a truly awesome audiobook. I will stake my reputation on you loving it. If you’re twice as apt to like an old crime novel as a new one, then you’re three times as apt to love The Fabulous Clipjoint. The mystery is not hard to follow, the story is told in first person, but conversely it was devilishly hard to solve. I pride myself on being an excellent armchair detective, but I was happily baffled right up til the big reveal. That’s really saying something. William Coon sounds like a wise teenager. But then whenever he’s tasked with another character’s voice he switches: Falsetto, gruff, kindly, Coon does them all. Highly recommended.

Posted by Jesse Willis

Review of Blake’s 7 – When Vila Met Gan (Vol. 1.1)

SFFaudio Review

SFFaudio Essential Blake’s 7 – When Vila Met Gan (Vol. 1.1)
By Ben Aaronovitch; Performed by a full cast
1 CD – Approx. 50 Minutes [AUDIO DRAMA]
Publisher: B7 Media
Published: October 2008
ISBN: 9781906577056
Themes: / Science Fiction / Crime / Dystopia /

Earth. 2230 AD. A time of social and political turmoil. Olag Gan wants to marry the woman of his dreams. Vila Restal wants to steal anything that isn’t nailed down. When they form a partnership, a perfect combination of strength and skill, it seems that nothing stands between them and the easy life. But fate hates to give a sucker an even break and the course of true love never did run smooth.

Though set after the events of the Blake’s 7 – Audio Adventures (Trilogy Box Set) |READ OUR REVIEW| When Vila Met Gan is primarily a prequel showing Gan and Vila back on Earth. There they work in the criminal underworld, Vila as a burglar and Gan as syndicate muscle. This is where the show shines, with Ben Aaronovitch having carefully constructed even more of the world he illustrated in the Trilogy Box Set. Very little of Earth was shown in the original television series – so Aaronovitch makes the tyranny of Earth actually tyrannical by drawing heavily upon the culture and lexicon of Aldous Huxley’s Brave New World. The story on Earth is set within a framing sequence in which a post-Trilogy Box Set Vila and Gan are visiting a colony world. They are there to take some much needed shore leave – but after they’ve spent all their money boozing up the planet Gan gets misty, and pines for his lost love back on Earth. It is at this point the narrative jumps back to Pre-Trilogy Box Set London (Rog Blake is still just a reformer candidate in upcoming planetary elections).

The story itself runs 30 minutes. The writing is fresh and funny with Gan and Vila make a terrific pair. Michael Keating, reprising the role he created in the original TV series, sounds just like he did on the show (even 30 years on). Owen Aaronovitch plays Gan. Also noticeable in this script is Ben Aaronovitch’s addressing of the original TV series “teleport” capabilities. The TV B7 “teleporter” and Star Trek‘s “transporter” technologies have been seen by SF fans as a kind of deus ex-machina. I think that’s why they were left out of the Trilogy Box Set. But, in When Vila Met Gan, our stranded heroes bemoan the lack of teleport technology. It verges on self-parody, but in the context of the framing story it works very well. This is a serial audio drama series of the highest caliber.

Also included on the CD are the Season 1 trailer, and the Season 2 trailer!

Posted by Jesse Willis

Review of Way Station by Clifford D. Simak

SFFaudio Review

SFFaudio Essential Way Station
By Clifford D. Simak; Read by Eric Michael Summerer
Audible Download – Approx. 7 Hours 5 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2009
Themes: / Science Fiction / Aliens / Galactic Civilization / Immortality /

In this Hugo Award-winning classic, Enoch Wallace is an ageless hermit, striding across his untended farm as he has done for over a century, still carrying the gun with which he had served in the Civil War. But what his neighbors must never know is that, inside his unchanging house, he meets with a host of unimaginable friends from the farthest stars.

This story spans more than a century, but most of the ‘action’ takes place in the middle of the 20th century, over a couple of months. See, a friendly alien recruited Enoch Wallace to become something of a galactic station master shortly after the American Civil War. Now, with his neighbors generally accepting his mysterious eternal youth, Enoch has a curious and unseen visitor watching him from the woods. Enoch is lonely, with his only friends being a completely deaf and mute young woman and his kindly mailman. Will the visitor in the trees learn the truth? Will Enoch help guide the Earth to its ultimate destiny? Read on!

I find myself arguing with a lot of my fiction writing friends about what makes a good story. They typically talk about ‘the rules’ or ‘the formula’ that makes a story work. I typically talk about clarity, consistency (story logic) and originality of a story. We usually agree about style.

A couple years back a friend of mine (a filmmaker and used bookstore owner) was telling me about one of the scripts he was working on. He said something to the effect of “every story must have conflict.” That’s probably not a new concept, not original to him, but it was new to me – at least in those words. Now I love such sweeping declarations – they give my dialectical brain something to hack away at. It seems a fairly straightforward a concept – and on the face of it seems likely – but, that always gets me thinking: If it sounds so obvious it is probably at least partially false. So I thought about it for maybe thirty seconds and then pointed out that ‘pornographic films need not have conflict – but they can still have a story.’ Illustrating I said “Pizza delivery guy comes to the door – half naked woman answers – sex follows.” It has a beginning, a middle and a money shot. My friend and I both laughed. But, I’ve been thinking about this meme ever since. Now, with Way Station I think I have a more serious defeater to my friend’s all encompassing rule about storytelling. There is very little conflict in Way Station. That is actually a pretty common thing for author Clifford D. Simak. His stories are highly pastoral, full of backstories being revealed, mysterious farmers and friendly aliens. Conflict may be mentioned, as having happened long ago (or in some distant future) – but shots are rarely fired in anger. I’m thinking back on all of the Simak I’ve read, and in it all I can’t recall much conflict at all. And yet, I love his stories.

Eric Michael Summerer does a terrific job narrating this pastoral masterpiece. He portrays Simak’s characters with all the honesty, decency, and humanity that Clifford D. Simak put into them. Audible Frontiers has very kindly added an excellent and informative introduction written and read by another of Science Fiction’s most humane authors, Mike Resnick! Audible Frontiers has been adding so many new titles it is hard to keep up. This one will slow things down for you and even make life a little simpler. Thanks Simak!

Posted by Jesse Willis

Review of Anne Manx and the Empress Blair Project

SFFaudio Review

Anne Manx and the Empress Blair Project
Starring Claudia Christian, Ellen Muth, and Robin Atkin Downes
2 CDs – 2 Hours [AUDIO DRAMA]
Publisher: RRCA (Radio Repertory Company of America)
Published: 2009
ISBN: 0977134210
Themes: / Science Fiction / Humor / Private Eye / Government / War /

Before she meets the Empress Blair, Anne Manx (Claudia Christian) wants nothing more than to spend her quiet vacation getting a tan. Empress Blair (Ellen Muth), though, has a compelling problem. Her father has been killed, and she fears she’s next. If Anne Manx can keep the Empress alive for a mere two months, she’ll reach her eighteenth birthday and take over for her father. Complicating things is Mr. Logan (Robin Atkin Downes), who shows up just in time – but whose side is he on? Nothing is ever easy for Anne Manx, and she’s rapidly running out of lives.
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This is the fifth installment of the Anne Manx audio drama series from Angelo Panetta and the good folks over at The Radio Repertory Company of America. Anne Manx is a superhero of sorts in this series, which can best be described as a comic book for audio. What’s special about Anne Manx? She doesn’t stay dead, but the number of her lives are limited. She’s got a job that requires those lives, too – she’s a planet-hopping private eye, and each episode presents new problems. In Anne Manx and the Empress Blair Project we find her on vacation at the Caraboo Islands, but the Empress Blair (of the planet Eranix), who’s sure she is a target for murder, interrupts Anne’s holiday. It takes a little convincing, but Manx agrees to help, and we’re caught up in another entertaining episode.

There are several things that set these RRCA productions apart from others. The quality of the actors is the most obvious. In this episode: Claudia Christian (Babylon 5), Ellen Muth (Dead Like Me), and Robin Atkin Downes, who is is a superior and popular voice actor that we’ve also seen on a B5 episode or two. I’ve enjoyed Claudia Christian as Anne Manx since the first episode (Anne Manx in Lives of the Cat). She’s tough, sexy, and I can’t imagine another actress in this role. Her co-stars in this one make the production an all-around joy to hear.

Another thing that I’ve mentioned in previous reviews is the script. This is a smart script that, though it doesn’t miss too many chances for sexual innuendo, is really funny at just the right places. Kudos to Larry Weiner for another job well done.

And lastly, the quality of the sound. Effects, music, and words combine in a way that I never wonder what the setting is, never wonder who is speaking, and I never lose the story. It’s easy to become completely immersed as a listener. My mind fills in the pictures, and I thoroughly enjoy listening.

So much so that I may just go find the first one and start over… back soon.

Posted by Scott D. Danielson

Review of The Red Panda Adventures – Season 4

SFFaudio Review

The Red Panda Adventures – Season 4
By Gregg Taylor; Performed by a full cast
12 MP3 Files via podcast – Approx. 6 Hours [AUDIO DRAMA]
Podcaster: Decoder Ring Theatre
Podcast: September 2008 – May 2009
Themes: / Fantasy / Superheroes / Mystery / Crime / Adventure / Marriage / Toronto / Magic / South America / Dinosaurs /

“I’m not implying mystic threats, foreign powers and shadowy organizations aren’t important. But sometimes they do disconnect us from the street.”

After four years and 48 episodes Gregg Taylor’s writing is still amazingly fresh. It’s super-quotable too. As I listen I find myself writing down, here and there on scraps of paper, lines of dialogue. That’s terrific writing folks. Is it kind of sick that I even enjoy the commercials?

“I like all of those words.”

Speaking of words, in the opening lines of the new season Kit Baxter is no longer just the red panda’s “driver” now she’s his “fiance”! Another change is the introduction of a new sponsor (fast and easy weight loss dot com). Still around are the charming birthday wishes and other greetings from family members around the world who spend their dollars on keeping the Red Panda show going.

I’ve got a detailed episode by episode review below (minus any serious spoilers)…

Episode 1 – “The Third Wave”
The season 3 finale of The Red Panda Adventures set up a Nazi scientist called Professor Von Schlitz to be the major villian for Season 4. So it wasn’t too shocking to have him take the first scene of episode one The Third Wave, of Season 4. As the show begins Schlitz and his new pilot are headed toward a secret lair in the jungles of South America. All is proceeding normally. Then SLAM! A twist I didn’t see coming. This opening shocked me! First there was the introduction of a new superhero, a man named “Captain Tom Sunlight” (played by Christopher Mott) – apparently an ally of The Red Panda’s. Second, I realized just how much Von Schlitz is a pastiche of two Raiders Of The Lost Ark villains (Belloq and Toht). An auspicious beginning. With this episode The Red Panda has now done something previously “unthinkable.” The rest of the episode deals with a frightening 1930s phenomena – with the title of the band of villains taken from a 1967 high school history class experiment.

Episode 2 – “The Mask of Death”
This episode feels like the Red Panda Version of The Taking Of Pelham 123 but with zombies! A train station full of passengers is held for ransom. The arch-villain involved is another tenured teacher, Professor Zombie! playing junior panda member Harry is rather obviously female (and not male) – this is a problem I can’t see around. Finding child actors of talent are difficult, adults playing children ditto.

Episode 3 – “Murder In The Castle”
The scenic Casa Loma is the setting for this season’s locked room mystery. A locked castle mystery actually as an unexpected murder that interrupts Kit’s romantic evening with her groom-to-be. This episode feels like a Nero Wolfe plot (minus the many confusing characters). Does old RP have a rooftop orchid garden?

Episode 4 – “The Gathering Storm”
A full-scale dimensional breach imperils 1930s Toronto and only Red Panda and his trusty side-kick are up to the task of patching it back up. This episode clearly demonstrates the way magic is handled in the Red Panda universe. Scientists, especially ones named Chronopolis, can wrap their heads around the mystical arts and mystical objects – sometimes they just can’t control them.

Episode 5 – “Trial By Terror”
Barton Meyer, an orderly at the Queen Street Lunatic Sanitarium, meets an old resident who claims to have been “born here.” The Electric Eel (performed by Scott Moyle) is home at last! With his incredible powers, and made up entirely of energy, he’ll team up with a few imprisoned residents/patients at the mad house (The Genie and The Jackrabbit). But this dastardly team-up doesn’t want to kill the Red Panda, they want to put him on trial in order to determine his sanity. The results? An electrifying episode.

Episode 6 – “The Boy In Blue”
Constable Andy Parker, voiced by Brian Vaughan, best known from previous episodes of RPA for his crush on Flying Squirrel (like pretty much everyone else who listens to the show) takes center stage in this tale of police corruption. Is Parker working for The Syndicate or is there a more innocent explanation for him palling around with dirty cops? Which reminds me, all this Parker/Syndicate has got to be a nice little shout out to Richard Stark. I tell you that Greg Taylor packs a whole lot of goodness into each episode. Another thing to take note of in this episode is the new “Pappy” moniker Kit Baxter is floating for her husband-to-be.

Episode 7 – “The Golden Idol”
A new superhero is prowling the streets of Toronto. He’s got super-strength, can fly and seems more than capable of replacing the Red Panda – the only question is: Why? Christopher Mott playing the ever excitable Mad Monkey makes an appearance – meaning he steals the show – in this case almost literally. Fun stuff!

Episode 8 – “I Dream Of Genies” Modern technology allows banks to secure their vaults better than ever. 17 stories into the sky they’re safe aren’t they? But can they stop a heat ray wielding villain on a flying carpet? Probably not. There’s a very cool audio montage in this ep. That’s something I don’t ever remember ever hearing before! Actor Brian Vaughan returns, reprising his super-villain role as The Genie from Seasons 2 and 3 (and 4).

Episode 9 – “Jungle Of Terror”
Paying back a favour to their superhero buddy, Captain Tom Sunlight, Red Panda and Flying Squirrel fly into a South American jungle. There they discover a strange gateway, an old enemy, and some very large and very hungry fauna. This episode feels inspired by Sir Arthur Conan Doyle’s The Lost World. This is a cool away adventure. I hope RP and FS can do more of these next season.

Episode 10 – “The Crimson Death”
Returning from South America with her fiance, the Flying Squirrel is all aflutter about her upcoming nuptials to her partner in crime-fighting. Luckily, there’s been a series of mysterious murders in Toronto while they’ve been away; solving them will be the perfect distraction from her wedding jitters. Her first stop: A visit to the Queen’s Street Lunatic Asylum. Whoever is responsible has some mean-ventriloquism chops, is invisible and wields fire. What an odd combination! This is the shortest (and probably weakest) episode of the fourth season – but that doesn’t mean it’s bad. There’s plenty of wonderful character development in between all that invisible, fire-throwing, voice-chucking menace.

Episode 11 – “Endgame”
Tied up and hanging above a vat of acid Commander Varkin has the Red Panda and Flying Squirrel just where he wants them – now for the speechifyin’. Varkin (voiced by Gregory Z. Cooke) is a Blowfeld type villain – he fills us in on the season spanning conspiracy – and unleashes a lot more than hot air. But that isn’t the dynamic couple’s only problem, it seems that a vat of acid and a world domination speech aren’t enough for Varkin as a dangerous virus and secret partner will keep Squirrel and Panda busy. The perfect penultimate play? Possibly!

Episode 12 – “Operation Cold Feet”
Kit Baxter’s even more antsy with her impending wedding just days away. But what’s up with all the false Red Panda sightings? They don’t seem to bother the real Red Panda. But when a fake Flying Squirrel makes a newspaper appearance Big Red nearly chokes on his toast! In this episode we finally learn the true identity of the Red Panda! For the previous 47 episodes Gregg Taylor has managed to side-step revealing our hero’s real name. Even characters who should have known the name of the man “who wears the mask of the Red Panda” have carefully not spoken it up to this point. He’s been called “Pappy” and “Puddin” by Kit Baxter, “my dear boy” by his fellow wealthy peers Toronto, really everything but “hey you.” It’s a name that’ll be remembered with the likes of Lamont Cranston and Bruce Wayne.

Happy Canada Day everybody, go celebrate with some RED PANDA!

Here’s the podcast feed:

http://decoderring.libsyn.com/rss

Posted by Jesse Willis

Aural Noir Review of The Cutie by Donald E. Westlake

Aural Noir: Review

Hard Case Crime SFFaudio Essential The Cutie
By Donald E. Westlake; Read by Stephen R. Thorne
Audible Download – Approx. 5 Hours 27 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America / Audible.com
Published: March 2009
Themes: / Mystery / Crime / Noir / Murder / New York /

“Mavis St. Paul had been a rich man’s mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He’d been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie – before the cutie found me.”

That’s Clay, the strong right arm of Ed Ganolese, talking above. Ed’s a NYC syndicate boss. The mob may have old roots but the syndicate, the crop of gangsters in this novel, only goes as far back as WWII. See during the show in Italy a bunch of D-Day Dodging G.I.s found themselves allied with some old-world black marketeers. And now, twenty or so years later, in the 1960s those bonds lead Clay down strange alleys. He’s forced to turn amateur detectivewhich is something new for a mob enforcer. But his boss Ed, but you call him Mr. Ganolese, is under the squeeze from the “parent company” in Italy. And when Ed asks, Clay does. So, Clay takes the case. He needs to solve the frame-up murder put over on a low level pusher named Billy Billy. Billy Billy is innocent – everyone knows he wouldn’t harm a fly – but the cops like him for the murder. And it looks bad for Billy Billy because he woke-up from his heroin induced stupor in the middle of the murder scene. Everyone knows he’s innocent, Ed knows, Clay knows but the cops, well they just don’t care. Since Billy is someone’s patsy and just a hair’s-breadth ahead of the law that means Clay has really got his work cut-out for him.

I had previously read the paperbook of this novel, but not with the Hard Case Crime title of The Cutie. When I read it originally the novel was called The Mercenaries. The strange thing is that the title seems to have influenced my opinion as to the character of the book, maybe its a combination of things. The title and the way it was read. When I first read the novel about five or six years ago I would have classified it as a rather dark, but with this new title, new cover art (by Ken Laager), and the brightly lit voice acting by Stephen R. Thorne it comes off as surprisingly light. Almost a caper in fact. Part of of it must also be because The Cutie is told in first-person from Clay’s point of view. Narrator Thorne brings a youthful confidence to the part (something my inner voice apparently didn’t). But, it’s still strange how Clay is really a cold blooded and murderous thug – Westlake gives him an excellent backstory. But then again perhaps I’m still hearing Thorne’s reading of Somebody Owes Me Money |READ OUR REVIEW|. The Cutie is fully utterly engaging, I found myself trying to solve the central mystery again, all the while marveling at Westlake’s masterful storytelling. The Cutie is a gritty, fast paced, and well plotted murder mystery with a highly unusual criminal/detective lead. If you haven’t tried a Westlake novel before this, now and with The Cutie is your perfect place to start – this was Donald Westlake’s first novel under his real name.

Posted by Jesse Willis