Review of Airborn by Kenneth Oppel

SFFaudio Audiobook Review

FULL CAST AUDIO Audibook: Airborn by Kenneth OppelAirbornSFFaudio Essential
By Kenneth Oppel; Performed by a FULL CAST
10 CDs – 10.5 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2006
ISBN: 1933322543
Themes: / Fantasy / Parallel World / Alternate History / Airships / Swashbuckling / Pirates /

…the pirate airship was already adjusting its course, keeping pace, and as it forced us closer to the waves, we would have less space to manoeuvre. There was a great flash from the pirate ship’s underbelly and a thunderous volley of cannon fire scorched the night sky across our bow.

A voice carried by bullhorn shuddered the air. “Put your nose to the wind and cut speed.”

The story of Airborn is told by 15 year old Matt Cruse, a lowly cabin boy on the a ziz-like commercial airship called the Aurora, primarily used as a passenger liner, the Aurora also carries industrial an commercial goods between continents. Matt was actually born in the air and dreams of becoming an officer one day, not only to further his career as an airman but also to better support his family back home. One day, while aloft and on watch, Matt spies a damaged hot air balloon drifting in the South Pacificus. Only Matt’s natural aptitude in the rigging can save the dying man carried in it. When Matt rescues him the feverish old man’s words are of an amazing, and highly improbable creature he’d spotted in the sky. A year or so later, young Kate de Vries, who was granddaughter to the hot-air balloonist, comes aboard the Aurora. Kate herself has dreams of following in her grandfather’s flightpath and becoming a famous naturalist. They might never have discovered her grandfather’s secret though, had it not been for sudden and vicious pirate raid lead by the legendary air-pirate Szpirglas (pronounced Spear-glass). After the attack and crash-landed on an uncharted island off the regular air-routes it is up to Matt to discover the secret of Kate’s grandfather, repair the damaged airship along with the crew and win the heart of Kate herself. If Matt can just pull it all together he might even live long enough to attend the Air Academy and become a officer.

This is a simple, almost classically structured, juvenile adventure story in the Heinleinian tradition. What is so different about this novel is that it isn’t set in a familiar setting – no spaceships and farm boys here, instead we have an alternate history/alternate universe tale, set on Earth, but an Earth which has place names subtly altered (The city of Vancouver is called Lionsgate City, the Pacific ocean is the Pacificus). Most importantly a flourishing airship economy has made the world of Airborn a cross between a benign steampunk world and pneumatic tube etherland of alternate science and technology. The successful airships industry is buoyed not by helium or hydrogen but instead by a mango scented and plentiful noncombustible gas: hydrium. Also in use are ornithopters, which are a fun but failed technology in our world, though they seem to serve well enough in Airborn, at least for short hops. The world’s extant empires are all subtly altered too, it appears that the expansive British Empire centered in “Angleterre, is tempered, perhaps by a more vigorous Germanic or French empire? North America itself is cut-up into “Kanada” and the “American Colonies”. The Aurora itself though is the primary setting of the novel. As a commercial passenger airship it is based out of Lionsgate City (Vancouver) and plies the airways of the Pacific to Sydney, Siberia and beyond.

There is a tremendous difference between a FULL CAST reading and a regular audiobook. A full cast audiobook, and by that I mean a FULL CAST AUDIO production, is as close to an audio drama as you can get without actually becoming a dramatization. Each character has his or her own actor, this along with descriptive text and punctuating music transmogrifies the unabridged words into vibrant mental images. I’d be willing to bet that if you were to hook-up a person listening to Airborn to a Functional Magnetic Resonating Imaging machine the FMRI would show tremendous activity in the visual cortex. There is a sequel, called Skybreaker in the release pipeline coming from Full Cast Audio, if it lives up to the standard set in writing and production it will be an SFFaudio Essential too.

Review of The Forever War by Joe Haldeman

SFFaudio Audiobook Review

Science Fiction Audiobook - The Forever War by Joe HaldemanThe Forever War
By Joe Haldeman; Read by George Wilson
8 CDs – 9.5 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 1999
ISBN: 0788739832
Themes: / Science Fiction / Hard SF / Military SF / War / Time Travel / Aliens / Love /

“Tonight we are going to show you eight silent ways to kill a man.”

The guy who said this was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or otherwise, he’d done it as an infant.

This is Vietnam all over again but now it’s in space. In a world where dreams come true and Science Fiction has become part of the School’s National Curriculum, then Joe Haldeman’s The Forever War becomes compulsory reading material. It’s little wonder it sits at No.1 on Gollancz list of “Science Fiction Masterworks.” And rightly so. Here is a story still fit and ready for duty thirty-three years after winning the Hugo award for “Best Science Fiction Novel.”

William Mandela is a gifted and brilliant college student and so is ideal fodder for the army’s war against an unknown alien race called the Taurans. Mandela is drafted into a harsh training program that kills more recruits than it can mould into soldiers. He is educated and trained to the highest of army standards, becoming one of Earth’s elite foot soldiers in a war against the alien Taurans. He is also a reluctant soldier caught up in this futile war, a war Earth’s economy can not do without. Add to this collapsars, light speed travel, time dilation, ever changing societies and you have Science Fiction at it’s flawless.

Read by George Wilson with the skill of a seasoned veteran. His voice never invades your senses or pulls you away from the gripping tale Haldeman has delivered, and that’s crucial for an audiobook. Wilson got his start in broadcasting as a news director with American Forces Radio and Television in Thailand. He was also instrumental in forming an improvisational comedy group that performed in New York theaters and nightclubs.

The Forever War was first serialized by the science fiction magazine, Analog. Its then editor, Ben Bova, thought the middle section was just too harsh in its descriptions of war and war life, so Haldeman drafted a more mellow alternative and it’s this edition that was used in the book’s first full publication.

There are any number of occurences Haldeman has used in The Forever War from first hand knowledge. He severed in Vietnam as a combat engineer and both Haldeman and his protagonist, Mandela returned fron war to very different attitudes than the ones they left behind. Haldeman knows war, knows it up close and bloody (3 men in his 4 man unit were blown to bits in an ordinance explosion). Haldeman can also identify the boredom that inevitably comes between the battles. In combat situations his descriptions are raw. And like Mandela, every word of The Forever War had to fight to survive under Haldeman’s brutal editorship.

Everyone… here are your instructions. You are to listen to The Forever War ASAP – and that’s an ORDER!

Interview with Bill DeSmedt author of Singularity

Interview

Bill DeSmedt author of SingularityBill DeSmedt and his novel Singularity are the first podcast novel recipients of our SFFaudio Essential designation. Bill’s novel is a thrill-ride for the cognoscenti of Hard Science Fiction. As a special treat Bill has agreed to let us grill him about the origins and construction of his unabridged novel. Special thanks to Evo Terra of Podiobooks.com and Steen Hansen (our SFFaudio reviewer) for making this interview a reality.

JESSE: One question I’d like to hear answered is about your personal background. You’ve got more than a passing familiarity with Soviet and Russian history, politics, military – were you a Cold War warrior?

BILL: Actually, the answer is Yes and No. I did spend some time in the US Army Security Agency at the height of the Cold War, and learned Russian at the Defense Language Institute in Monterey CA. But none of that was nearly as instructive as the year I spent as an exchange student at Moscow State University in the mid-70s, at which point I was out of the Defense Department, and into Harvard.

JESSE: So what, without killing me after, can you tell me about what you did at for ASA?

BILL: Nothing very exciting, I’m afraid: I was a Russian linguist, and basically spent my time eavesdropping on low-level Red Army radio traffic. That said, it was probably still better preparation for writing thrillers than selling insurance!

JESSE: Was CROM modeled after the interactions you had with the NSA back in the 1970s then? The first thing I thought of when I heard you mention “Critical Resources Oversight Mandate” AKA CROM, was the Robert E. Howard deity. You a Howard fan?

BILL: No, CROM the agency is strictly my own invention — not that I don’t hope there’s an analogous agency sequestered somewhere amid the coils of the bureaucracy. Failing that, there’s always the Nuclear Threat Initiative, a high-powered nongovernmental group whose VP for Russian/CIS Programs, Dr. Laura Holgate has more than a few traits and career points in common with Marianna Bonaventure. As to CROM the acronym, there’s no Conan reference intended there (I’m for better or worse so not a Howard fan I hadn’t even realized the connection). Rather, CROM originated from an early draft since-deleted passage in the book, which described the furnishings of Pete Aristos’s office as including, in addition to the mountains of greenbar printout, a knock-off of an R. Crumb poster hanging on the wall, featuring Mr. Natural in characteristic full stride over the caption: “Keep on Trackin’ — R. CROM.”

JESSE: As an exchange student did you stumble across any interest in Science Fiction in the USSR?

BILL: Not me personally. I, like Knox, was working on a more or less clandestine research project, and maintaining a low profile in consequence. On the other hand, one of my fellow stazhory, Pat McGuire, was actually researching the political aspects of Soviet science fiction, and wound up writing a book about it called “Red Stars.” In that vein, too, I did pass my annotated copy of Nagel and Newman’s “Goedel’s Proof” along to a Latvian colleague. I’ve always wondered what role, if any, that deeply subversive little book might have played in undermining the monolith a few years hence…

JESSE: Were you self-conscious during the reading? At the beginning of the podiobook you sounded nervous, at the end you seemed self assured.

BILL: Did you mean the very beginning of the book (the Prologue), or the early chapters in general. If it’s the Prologue, you might be interested to learn that the version you hear on the podcast is a do-over, and is actually one of the last chapters I recorded.

What happened was, when I had most of the audiobook in the can, I played the first chapters for a few folks. They universally agreed that the Prologue in particular was way way too laid back — that it lacked a sense of excitement commensurate with the subject matter.

So I resolved to do better, or at least different. I re-read the thing as fast and frenzied as I could, shaving several whole minutes off the runtime. The result is the version you hear. (I’ve still got that old original kicking around somewhere, though. Maybe I ought to haul it out and do some comparison auditing.)

JESSE: Why did you read Singularity yourself? Was it for the experience, because of the cost, or artistic control?

BILL: None of the above actually. The deep dark secret behind the audiobook version is I never started out to make an audiobook for general distribution at all. The recording conditions and equipment I had to hand were far from ideal, and I’m not my own favorite reader anyway, so I never envisioned the finished product appealing to a wide audience. All I was really trying to do was to record something I could pass around to a few well known Science Fiction in the hopes they’d write blurbs for Singularity. These were busy people, well-established in the field, who might well not have the time or inclination to work their way through a 500-page galley by somebody they’d never heard of — but might just stick a CD into their car’s CD-player on the way to work. [EDITOR’S NOTE: Check out the the dust jacket of the print version to see how well it worked]

In any case it was only long after the event that I decided to repurpose the material for release as a podcast on Podiobooks.com.

JESSE: Will you read your next novel Dualism – can we expect any short stories to tide us over in the interim?

BILL: Read Dualism??? Right now, I’d be happy just to finish writing it!

Mention of short stories brings to mind Blaise Pascal’s famous one-liner about how he didn’t have much time, so he wrote a long letter. Point is, short stories are hard, harder than folks might think (they’re so easy to read, after all). The best are exquisite miniatures, marvels of
narrative economy in which each element is perfectly attuned to its role in unfolding the story toward its denouement. Novels by contrast are big, clunky things that leave lots of room for error. Much simpler and safer — for now at least.

JESSE: What was the originating book idea?

BILL: It’s all Carl Sagan’s fault, I swear! It all started several summers back. I was sitting around on a rainy Saturday afternoon watching a rerun of Cosmos, Episode IV, “Heaven and Hell.” That’s the one about meteor and cometary impacts. Well, you can’t go on very long in that vein without mentioning the Tunguska Event — only the biggest, most destructive thing to fall out of the sky since humans first started looking up, after all. Carl didn’t. He not only gave the Event its due, he went so far as to recount most of the theories — comet, meteorite, antimatter, UFO — that have been advanced in a so-far fruitless quest to definitively explain it. Among them, he included the Jackson-Ryan hypothesis — that the Event was a collision between the earth and an atom-sized black hole — before countering with the classic objection to J&R, the “missing exit event.” You see, any self-respecting mini-black hole should have cut through the solid matter of the earth like a knife through morning mist, and come exploding up out of the North Atlantic an or so hour later, wreaking as much havoc as it did coming down in the first place. Never happened. QED. Next thing you know, Carl had moved on to Meteor Crater in Arizona or some such, leaving me sitting there, staring off into space.

“But, Carl,” I said slowly, “What if the damn thing NEVER CAME
OUT?”

Little did I know it at the time, but I’d just been hooked. I wanted to see where things went from there. In my effort to find out, I tried giving the idea away to the few published authors I could reach, hoping one of them would write the book so I could read it. No takers. “Great
concept,” they’d say, “but I wouldn’t know where to start with the science.”

Finally it dawned on me that the only way I was ever going to find out how that book came out in the end, was if I wrote it myself. So, with more than a little trepidation, that’s what I did.

JESSE: Who are your favorite Science Fiction authors? And your favorite authors in general?

BILL: Favorite SF&F authors, Larry Niven, Vernor Vinge, and Roger Zelazny. Favorite authors, period: Tolstoy and Thoreau.

JESSE: I’d not heard of Max Weber’s role in the events of the Tunguska Event, as depicted in Singularity, is this true? Holy Cow! Why has more not been made of this?

BILL: Ah, I think you mean Ludwig Weber, the physicist, rather than Max Weber the pioneering sociologist (no relation, far as I know). Though I’m not really positive about the “Ludwig” part, since he signed himself using only his initial: “Herr Professor Doctor L. Weber, Physics Institute of Kiel University.” But it’s a good guess — German just doesn’t have that many men’s names starting with “L.”

Anyway, unlike his far more celebrated namesake, this Weber’s sole claim to fame is that he contributed a note to Astronomische Nachrichten [Astronomical News] (1908, Vol. 178, No. 4262, pp. 239-40), describing some curious observations he’d made on the three nights preceding the Tunguska Event. [EDITOR’S NOTE: You can Bill’s translation of Weber’s article HERE]

JESSE: What evidence in real life points to there being an actual black hole orbiting within the earth?

BILL: As I left off saying at the end of the last question, there are always Weber’s observations. He tracked a set of magnetic deviations over the three nights leading up to the Event, and was convinced they were related to the “light show” observed across Europe on the night of June 30th. As the real Dr. Jack Adler has pointed out in his “Soapbox Seminars“, you’d need a ferrous meteorite to carry a magnetic charge like that, yet the conventional wisdom is that the Tunguska Object would have had to’ve been made of extremely friable, fragile stuff in order to completely self-destruct the way it did.

As for more evidence, the bad news is you tend to find the evidence your theory tells you to look for. And, since nobody took Jackson-Ryan seriously after the exit-event fiasco, nobody’s been looking in the right places.

The good news, though, is that we’re just getting to the point where we could prove or disprove Al and Mike’s conjecture once and for all. I’m thinking of the Gravity Recovery And Climate Experiment (GRACE) mission that NASA’s been running jointly with the German Aerospace Center. GRACE is designed to detect anomalies in earth’s gravitational field. It would require some retooling and/or reprogramming to pick up one as fast-moving as Vurdalak — nobody’s looking for seismic point-sources moving at multiple kilometers per second, after all.

But the bottom line is: a conclusive test of the evidence for Jackson-Ryan is beginning to look doable.

JESSE: Early on in Singularity you have two scientists arguing over which scientific explanations for the Tunguska event fit the facts and which do not. What is your feeling for the role of such debates in the scientific process and what’s your take on the Tunguska event? Similarly, what’s your take on the possible String Theory debacle?

BILL: Well, my knee-jerk, democratic (with a small “d”) reaction is to say yes, of course, debate in science is a *good* thing. But then I’m immediately reminded of the kindergarteners and the cat.

* * *
Seems a kindergarten class finds a cat prowling the playground during recess. Of course they bring it back to the classroom, and — after the requisite petting and pampering with milk and cookies — the question arises as to whether it’s a boy cat or a girl cat.

“Oo-oo, Ms. Schroedinger,” little Jimmy’s hand shoots way up in the air,”I know how we can tell!”

Ms. Schroedinger, doubtless imagining how reports of this incident are going to play with the movers and shakers of next month’s PTA meeting, does her best to ignore little Jimmy, but neither he nor the class as a whole are about to let her off the hook. Finally she gives up, sighs, and says:

“All right, Jimmy, how can we tell if it’s a boy cat or a girl cat?”

Buttons busting with pride, Jimmy replies, “We can VOTE!”
* * *

Where am I going with this? Just here: debate is a good thing, and the will of the majority (the influencing of which is, after all, the ulterior motive behind debate) is a good thing — but only in the absence of more objective standards by which to determine the truth. Of course, when it comes to the momentous issues of the day, those standards are pretty nearly always absent, or at least are open to debate themselves, so debate is the obvious and at times the only, path to truth in questions of politics and social policy.

But science, fortunately, is not (or is not simply and solely) a debate; it’s first and foremost a method. And as such it lays down rules of evidence and experiment by which we can attain a more reliable (though still always imperfect) conception of the way things really are. In other words, whether or not the kindergarten teachers of the world want it blurted out, there is in fact a way to determine the sex of the cat, and it’s not “majority rules.” (Same story with regard to the ongoing “debate” about evolution vs. intelligent design: it’s just bad science, and probably bad theology too, to keep on arguing among ourselves when the evidence has already spoken so decisively.)

In science, then, it’s not scoring debating points that wins the Nobel Prizes, it’s making testable predictions and having the experimental evidence bear them out. And once that’s happened, it’s pretty much case closed — at least until more, disconfirming evidence comes in. Contrariwise, the annals of science are littered with once widely-held theories that were unceremoniously consigned to the dustbin of history when they couldn’t account for the evidence. Ptolemaic astronomy, the phlogiston theory of combustion, the luminiferous aether, the solar-system model of the atom, you name it — there’s enough of them to fill a book. And, to prove it, John Grant has written one; it’s called “Discarded Science: Ideas that Seemed Good at the Time” (published by Facts, Figures & Fun. 2006)

Now contrast that with the situation in, say, political economy — where you can still find any number of academics ready and willing to take up the cudgels on behalf of communism, or laissez-faire capitalism, if it comes to that — and you can see the advantage of being able to close off debate by reference to an objective, impartial standard of truth.

So maybe the real question about the role of debate in the scientific process is — do we need it at all? And the answer is: of course we do, in precisely those instances where we don’t have enough unambiguous evidence to decide the question one way or the other. Or in precisely those instances where the ruling theory continues to hold sway despite mounting evidence that it can’t possibly be the whole story.

The Tunguska Event, I would argue (to answer your question about my “take” on it), might be one such instance. For the evidence tending to cast doubt on the current meteor-or-comet paradigm, one need look no further than the writings of the meteoric and cometary theorists themselves — each side in that debate has made a career of demolishing the other’s case.

Another such instance, as you imply, just might be String Theory. At least in its most recent, “landscape” incarnation, String Theory seems to have made itself all but impervious to disproof by any imaginable experiment (not that it was all that amenable to experiment in the first place). But if it can’t be disproved, neither can it be proved. And that renders its explanatory power nil. It can’t help us to understand why things are the way they are, because it’s compatible with things being any which way at all.

If things have truly reached this pass (Lee Smolin says yes, Brian Greene says no — both of them rather vociferously), then String Theory becomes just another way of saying “Don’t bother looking for explanations — there are none.” And in that respect, it’s not all that different from the appeals to the will of God implicit in just-so stories like intelligent design and the strong anthropic principle.

So here I’d say, yes, more debate is definitely a good thing.

JESSE: So would you think then it’d be fair to say Karl Popper’s falsifability should be more to the fore in the public mind?

BILL: “To the fore in the public mind” — what, you mean like NASCAR and American Idol? Let’s face it: in an era when public discourse on science policy has sunk to the level of slogans like “X is not a fact, it’s just a theory,” there’s not going to be a whole lot of people tuning in for the falsifiability vs. verifiability debates.

In any case, falsifiability is not altogether free of problem itself. Imre Lakatos, for one, argues against Karl Popper’s notion that one piece of disconfirming evidence can invalidate a hypothesis by pointing out that, if you see one red swan, you’re less likely to abandon your theory that all swans are white than you are to go looking for some joker with a can of red spray paint and too much time on his hands.

To steer clear of such controversies, it might be better just to say that a scientific theory ought to yield testable predictions (or retrodictions in the case of a science like paleontology). And it’s not like every one of those experimental tests has got to prove out. But, by the same token, every theory has, or ought to have, what my friend “Jack Adler” calls anelastic limit” beyond which its credibility can’t be stretched.

The original meteorite-impact theory of the Tunguska Event (not to stray too far from the topic at hand) hit that limit and snapped back in 1927 when Kulik failed to find his crater. People have been scrambling to find a testable substitute for it ever since.

JESSE: Here’s a question I got from somebody I was talking to about your book:

The solar system is full of ordinary matter, why would you expect that “theoretical matter” such as a miniature black hole would cause the Tunguska Event? Shouldn’t Ockham’s Razor suggest that the object that caused the Tunguska Event would be composed of the most common substances in the solar system — namely an object made of ordinary matter, rocks or water-ice, and not a theoretical object? Given this, what could you say to Mr. Ockham that would
convince him it couldn’t have been ordinary matter — that ordinary matter couldn’t have done the job?

BILL: Ockham’s Razor, because my friend “Jack Adler” actually addressed that
question a while back, here:

http://www.vurdalak.com/askjack/askjack_q01.htm

I’m not sure your friend’s basic assumption — i.e., that an “ordinary matter” explanation is readily available — quite fits the circumstances. Because what you’d need to fit both the Weber observations (discussed previously) AND the Kulik et al. NON-observations of a crater, or indeed fragments of any kind, is a species of matter that’s capable of carrying a high magnetic charge and yet is also capable of totally self destructing. The total self-destruction scenario works best for a carbonaceous chondrite, whereas the magnetic effects imply a ferrous material of some stripe. Gets less and less “ordinary” all the time, don’t it?

JESSE: That’s what I thought! That’s what I said to my friend too (though not so eloquently).

BILL: And in the same vein, prior to taking their own run at demolishing the Jackson-Ryan hypothesis, Jack Burns, George Greenstein, and Ken Verosub laid down some ground rules for the study of the Tunguska Event that latter-day devotees of William of Ockham might well wish to ponder — namely:

“The apparent uniqueness of this event requires that all possible explanations must be seriously considered and that no explanation can be discarded merely because it has a low probability of occurring.”
– -Jack O. Burns, George Greenstein, and Kenneth L. Verosub, “The
Tungus Event as a Small Black Hole: Geophysical Considerations,” Monthly
Notices, Royal Astronomical Society, vol. 175 (1976), pp. 355-357.

JESSE: Jason Rennie, host of the Sci-Phi Show Podcast would call that “taking it seriously”. And I’m all for that! But on the other hand I don’t yet feel knowledgeable enough to claim I know what caused the Tunguska Event.

With regard to your answer on verifiability over falsifiability. Wouldn’t it be fair to say that much of the problem with the “NASCAR and American Idol” mindset is that it doesn’t distinguish between a proposition being scientific or not? And if that’s true, might it not also be the case that falsifiability is the first step, or the minimum requirement for something to be justifiably considered a “theory” – verification, prediction, repetition, are these not subsequent or follow-ups to this minimum standard?

BILL: I must have misstated my case last time around, since I never meant to advocate verifiability over falsifiability. That whole verifiability vs. falsifiability debate is better left to the philosophers, in any case. As to whether falsifiability is even a minimum criterion for considering something to be a theory, the string theorists have gotten along for twenty-odd years now calling what they work on a “theory” without ever having met that test. If you press them on the point, they’ll just say things like “string theory is too beautiful not to be true.”

Not that elegance isn’t a criterion in its own right, but sooner or later even the most elegant theory needs to touch base with reality — if not to actually pass experimental tests intended to differentiate it from its rivals, then at least to describe what such tests might be.

JESSE: Indeed, I think that’s what worries me so much about the string theories, their complete isolation from falsifying conditions. And I’ve always been frightened of elegance, simplicity and even Occam’s Razor because they seem even further from what we all could agree on as objective.

Now to change the subject completely, let me tell you, though for me the podiobook version you did IS the ultimate version I’ll sink down to the “NASCAR and American Idol level” for a moment and ask you who you’d like to see starring in “Singularity: The Movie”?

BILL: Hey, I’m glad to hear you enjoyed the podiobook, especially since it could be a while before Singularity hits the big screen. Still, I found it helped while I was writing the book if I had someone definite in mind to model a character on. So, from that perspective, here’s my dream cast:

* Finley “Mycroft” Lawrence – Joe Morton (“Terminator II”)
* Academician Medvedev – John Rhys-Davies (“Raiders of the Lost Ark”)
* Euripedes “Pete” Aristos – Dabney Coleman (“War Games”)
* Arkady Grishin – Udo Kier (“End of Days”)
* Sasha Bondarenko – Elya Baskin (“2010”)
* Jonathan Knox – here I’m sort of torn between John Cusack, Johnny Depp, and maybe David Duchovny
* Marianna Bonaventure – Danica McKellar (she’d be a newcomer to film, having done most of her work in TV, but she’s drop-dead gorgeous and, as a former UCLA math major, she’s very, very bright)

Well, okay — so I’ve got a rich fantasy life.

Incidentally, you’ll notice I haven’t nominated anybody for roles like Galina Postrelnikova, Jack Adler, or Yuri Geladze. …Maybe the SFFaudio fans would like to join in?

JESSE: Sounds good. They can leave their casting calls in the comments section!

Here’s another question unrelated to any previous. Singularity appears to be set just a tad into the future. There’s a lot of technology that sure looks like it could exist a few years from now. Can you talk about some of that, you know some of that gear that Marianna Bonaventure and her agency has?

BILL: Sure, although to quote Peter Watts, “You might be surprised at how much of this stuff I didn’t make up.”

For instance, web-cannon have been in the arsenals of metropolitan police forces since the nineties, as a non-lethal (albeit sticky) means of perpetrator restraint and crowd control. Marianna’s “Squirt Gun” is just a scaled-down portable version.

And her nanobloc leotard is getting realer all the time too. In fact, there are some research projects afoot that bid fair to surpass CROM’s fool-the-eye tech with Honest-to-God, I-kid-you-not invisibility. Check out if you don’t believe me!

But of all the futuristic technologies in Singularity, the one I’d most like to see in real life is Mycroft’s “Replicator” solids prototyper (“the last kitchen appliance you’ll ever need”). And — would you believe — MIT is working on that. Last I checked, they’re not doing bolases yet, though.

So, forget about this gear coming into existence a few years from now — the real challenge is in keeping up with what’s already out there. It’s fun, though, and you can bet there’ll be more of it in Dualism.

JESSE: Near the beginning of Singularity there’s a sequence set in a steel mill — a chilling scene and a gruesome death — is this purely from your imagination?

BILL: Not a steel mill, exactly (although steel-mill accidents did figure in a couple of the analogies). Rather, the scene you’re referring to takes place at Resource Recovery, Inc., a recycling plant that uses a bath of white-hot liquid iron to break down all manner of hazardous waste, from pesticides to VX nerve gas, into their harmless constituent elements. That technology is quite real, having been pioneered back in the nineties by Molten Metal, Inc. And it works too — though not well enough to keep the company itself out of financial hot water (which would, incidentally, have made it a perfect target for a hostile takeover by Grishin Enterprises).

To my knowledge, though, I was the one who came up with the idea of using the technology as a way to dispose of an inconvenient witness.

JESSE: I guess that’s good, well maybe not. Should I be scared now?

Review of Kirinyaga: A Fable Of Utopia by Mike Resnick

SFFaudio Audiobook Review

Science Fiction Audiobook - Kirinyaga by Mike ResnickKirinyaga: A Fable of Utopia
By Mike Resnick; Read by Paul Michael Garcia
8 CDs or 1 MP3 CD – 10 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786167906 (CD), 9780786174218 (MP3-CD)
Themes: / Science Fiction / Utopia / Dystopia / Terraforming / Sociology / Kikuyu / Storytelling /

“The Kikuyu turned their backs on their traditions once; the result is a mechanized, impoverished, overcrowded country that is no longer populated by Kikuyu, or Maasai, or Luo, or Wakamba, but by a new, artificial tribe known only as Kenyans. We here on Kirinyaga are true Kikuyu, and we will not make that mistake again. If the rains are late, a ram must be sacrificed. If a man’s veracity is questioned, he must undergo the ordeal of the githani trial. If an infant is born with a thahu upon it, it must be put to death.”

Originally published as ten short stories in magazines and collections during the 1980s and 1990s, the novelized Kirinyaga: A Fable of Utopia is one of the definitive examinations of the concept of utopia. These are stories about storytelling, intertwining resentment, mimesis, comparative morality, and the purpose of human existence.

The desire for a better life can lead people to covet an idealized lifestyle, either one of imagination or of tradition. In the 1970s a back to the land movement led a segment of the North American population to go rural, a place most of them had never been before. Most returned home, the conditions were too harsh for those used to the cushy modern society they were brought up in. The promise for a better life via idealistic visions has also created relatively enduring people’s republics the world over. But no people have more incentive to strive for utopia more than those who had their’s stolen from them. The indigenous peoples of the world lament the demolition of their pre-colonization folkways. What if the devastation that resulted from contact between colonizers and indigenous people could somehow be undone? Would those peoples be satisfied to return to the lives of their ancestors as they were prior to contact? Mike Resnick has answers, the most obvious of which is that utopia is not a destination, not a fixed set of cultural behaviors or even the complete happiness of a people. But I may be saying too much. Let it be said then that the pull of “European” technologies and products is so compelling it is hard to imagine forgoing them – more, the meme that things can be different is itself enough to cause change. Enter Kiringyaga: A Fable Of Utopia which relentlessly and unflinchingly examines the struggle for a perfect society.

Though the specific folkways Resnick has chosen to follow in the Kirinyaga stories is that of the Kikuyu of East Africa, these exploratory fictions are equally applicable to Haisla, Bakhtiari, Basque or Maori. The lessons taught by the Koriba, the mundumugu (witch-doctor) are fables. Tales of lion, elephant, hyena. They are fables for the characters being told them, and the novel itself is a parable for us. As the mundumugu it is Korbia’s job to be the repository of the Kikuyu culture. Koriba is a true believer despite, or perhaps because of studying in the European’s finest schools. What he found there among his colonizers is most assuredly not good for the Kikuyu people. What is good for the Kikuyu people is to embrace the wisdom of their traditional lifestyle. His terraformed planetoid, Kirinyaga, may have been manufactured using European technologies but that doesn’t mean Ngai, the god of the Kikuyu, didn’t give it to his people. In recreating the pre-colonial Kikuyu culture Koriba has many disadvantages. Lions and elephants are extinct, so they can’t threaten his people. Maintenance, the engineering and supervisory arm of the Utopian Council, the institution that gave Kirinyaga its charter keeps interfering with the affairs of Kirinyaga. Koriba can’t even kill a newborn baby that was born with a curse upon it (it was born feet first), without Maintenance trying to intervene. Worse, in isolating themselves upon a planet created only for the Kikuyu they now have no enemies for their young men to be vigilant against. What purpose can their lives serve if the segment of their populace that was supposed to guard their people against danger doesn’t have anyone to guard their culture against? They cannot even raid their neighboring peoples for wives because they have no neighbors! And when a young girl with an extraordinary mind wants to learn to read and write, Koriba must prevent her from corrupting the society – no matter the cost. Girls may not be permitted such things – it is not the Kikuyu way. If she were a male she’d be the be the perfect apprentice to the mundumugu, but because she is a girl she has no prospects except tilling her husband’s fields, bearing his children and gossiping with his other wives. As the mundumugu it is Korbia’s job to be the repository of the Kikuyu culture. He is good at his job, but he is only one man, and despite his mighty magic it remains to be seen what one man, however powerful, can do to hold back the idea of progress.

There are a lot of questions that could have been answered in these stories, how were the utopian worlds constructed? Are they full sized planets or terraformed asteroids? Why would you need to adjust an orbit to induce rain or cause a drought? What other utopias exist? Where are they? Heck, where is Kirinyaga in relation to Earth? Ultimately none of these questions are answered. And that absence distinguishes this as Social Science Fiction as opposed to Hard SF. That said, I’m am convinced Resnick has said something with this series that will endure. The seeming contradictions inherent in the disconnect between our moral attitudes and that of Koriba’s are not easily forgotten. Koriba is a man who will use his computer to cause the rains to fall and then actually sacrifice a goat for the same purpose, and in so doing go out of his way to do something that we enlightened folk know will have no real world effect. Is the wisdom he imparts less valid because its source is not falsifiable? Is the magic he wields less real because it is caused by technology, unlike the mundumugus of East Africa? The training of his replacement, a young boy who was the quickest to understand the significance of Koriba’s parables, is fouled because the boy just can’t get past this fact that Koriba ignores facts in favour of cultural truth. Am I crazy for being sympathetic to Koriba’s definition despite my knowledge that he is in some sense a fraud? I really don’t know. The thing that stuck with me the most, the truest thing I came away with was the idea that convenience is a subtle kind of a trap. You can’t have a car without fuel. You can’t have fuel without fueling stations. You can’t have fueling stations without cracking stations. Without drilling rigs and tools to repair them the cracking stations would be pointless. Without the factories to manufacture the machines to make the rigs to fill the stations to supply the fueling stations to fill the cars you can’t have cars. The question then becomes, is the trap worth the cost? Of that, I am not at all sure.

I am saddened that Blackstone has had to omit the Author’s Afterword in which Resnick explains some of the sources of his ideas. Looking at it though, I can see how it would have been difficult to render to audio very compellingly. It is largely composed of original publication notations for the individual stories and lists of awards that each story was nominated for and won. An insert card, were that possible, might have done the trick. Thankfully as is typical with their growing library of Science Fiction audiobooks – the narration here is absolutely top notch. Paul Garcia’s voicing is magnificent, encapsulating and charismatic. His Koriba is a basso rumble that embodies wisdom and surety of a man who knows much. His young men and women are youthful, lively. No accents are used in the production, but we can clearly distinguish between the cultural mindsets by the intonation and stresses. His Masai hunter doesn’t sound Kikuyu. But perhaps most impressive of all is what Garcia does with the stories within the stories. Koriba’s reciting of fables designed to instruct the children in what it means to be Kikuyu are recursive gems of wisdom. In these recitations Garcia is required to narrate a narration and in so doing he will adeptly remind the listener that it is Koriba who is telling these tales, and not Resnick, and also not the characters of the stories themselves – though they have voices of their own. That same Koriba, whose life’s work is the resurrection and regaining of a people’s dignity independent of those who took it away.

Posted by Jesse Willis

Review of Singularity by Bill DeSmedt

Podibook Review

Podcast - The SingularitySingularity
By Bill DeSmedt; Read by Bill DeSmedt
47 MP3 Files – 20 Hours 24 Minutes [UNABRIDGED]
Publisher: Podiobooks.com
Published: 2006
Themes: / Science Fiction / Hard SF / Tunguska Event / Black Holes / Time Travel / Near Future/ Cloak & Dagger / Quantum Physics / Soviet Union /

June 30th, 1908 – In the remote Tunguska region of Siberia, the most violent cosmic collision in recorded history flattened ancient forests over an area half the size of Rhode Island. Yet after a hundred years of international scientific research the cause of this impact remains a mystery.

Several people told me Singularity was worth listening to. But of course I figured they we’re probably wrong, I’m not easy to please. But because it was FREE I told myself to give it a chance. I have to say I was astounded! After a longish introduction, more of a history lesson, the real story takes off. And boy, does it! Like a Nelson DeMille novel with Saturn V booster strapped to it! This is incisive Hard SF set in a near future with plenty of action, some very cool ideas and even a bit of romance. The plot orbits around the mystery of the 1908 Tunguska Event. The action intertwines cloak and dagger with quantum physics in a tidal dance. I’m no physics major, but the scientific explanations were clear and compelling. You know a story’s good when you end up looking up some of the ideas. The tale is fleshed out through a large cast of central characters: Jonathan Knox, a consultant to elite government agencies, is the engaging lead protagonist. Knox has a knack with finding patterns in giant fields of data – a trait attributable to a voyage his mind went on once. Marianna Bonaventure, his soon to be lover, is a federal government agent on the trail of a missing materials scientist. Physicist Jack Adler is on the same trail as Knox and Marianna, but he doesn’t know it yet. Together, and apart they are in a race that may have been predetermined as unwinnable before it started, only the laws of causality know. Opposing them is a set of rationally motivated villains – with the weight of an multi-billion dollar corporate empire behind them. Leading them is, Arkady Grigoriyevich, who spends most of his time aboard a converted mega-yacht, that is now a floating laboratory. DeSmedt packs about a dozen terrific SF ideas into his tale. Also included in the podcast feed is an informative question and answer bonus MP3 file with the author himself. I am eagerly awaiting the follow-up novel, cleverly titled, Duality.

I tend to enjoy audiobooks narrated by authors, as they know exactly when and where to pause, what words to accentuate and how to pronounce the character names. But DeSmedt was not a perfect narrator, in fact at the start he sounded nervous. I was worried, but gradually as the chapters flowed the anxiety faded, and by the end I he was reading like a professional. Maybe his female voices need a bit more practice, but I swear, all those Russian accents were perfect.

I downloaded Singularity from Podiobooks.com for free, but when I did I could only get the first half of the novel. It was being released piecemeal, chapter by chapter, as podcasts. I have heard many people enjoy this delivery style; and it probably works for serial adventures or short story collections but I don’t like it for novels. I quickly listened to the first 20 chapters of the book in quick succession only to then have to wait for a whole month to finish it. Next time I visit podiobooks.com I’ll be making sure the serialization is completed before starting another novel. Another issue, selecting the next podcast once a chapter was finished was a real bitch. I drive a standard transmission automobile and my iPod is stuck into a faraway cigarette lighter. Every time a chapter of Singularity ended I would be made to reach over to rip my iPod out of the transmitter/charger and then hold on to it and the steering wheel while trying to navigate the menu to figure out which chapter was next. The podcasts delivery system would have been far better if I could have started and the ended the story in the same file, in other words what I needed was one big podcast, the novel in one file.

Review of American Gods by Neil Gaiman

SFFaudio Audiobook Review

Fantasy Audiobook - American Gods by Neil GaimanAmerican Gods
By Neil Gaiman, read by George Guidall
2 MP3-CD’s/20 hours [UNABRIDGED]
Publisher: Harper Audio
Published: 2001
ISBN: 060836253
Themes: / Fantasy / Modern fantasy / Mythology / Legend / Americana / Picaresque / Gods /

A storm is coming. From his prison cell, Shadow can feel it bearing down on him, but he has no idea how it shred his already tattered life and cast the pieces into realms both familiar and mythical.

Shadow’s journey across the real and imagined terrain of America is the gravitational mass around which the rest of the novel accretes. We follow him out of prison, to a portentous meeting with his eventual employer Mr. Wednesday, back to his home town, and beyond to a magical carousel in a bizarre roadside attraction, to a small Wisconsin town peopled by a hundred unique, quirky characters, down to little Egypt, across a barren Indian reservation, and even to the geometric center of the contiguous states. His discoveries of the languishing deities brought to this continent and abandoned by assimilating immigrants are our own, and the questions he faces about the nature of human faith and the fulfillment of ourselves in mystical sacrifices are questions we find ourselves struggling to answer.

But Shadow’s story is not the only one. The mercurial Mr. Wednesday also has a tale to tell, as do a half-dozen or so other deities, spirits, leprechauns, and phantasms. Their stories are tough, tender, tragic, uplifting, and ultimately doomed. But even they are not the full measure of this book. There are also newly-minted gods of television, computers, covert operations, and other creations of modern angst. They represent a malevolent opposition to the old gods, and the storm Shadow has foreseen is the clash between the old and new gods in a battle for the devotion of an attention-deficit populace.

American Gods is one of the great novels of modern fantasy, and lands just short of the fence as a great American novel. Much of its power is derived from its complexity: It is composed of religion, adventure, a small-town thriller, a road novel, history, con-games, Native American myth, early American legend, intimate portraits of immigrants finding their small way in a huge new country, and sprawling adventure across the entire face of America. Written by an imported Englishman, it offers both an outsider’s attention to quirky detail and a native’s casual acceptance of all that comprises this slow-simmered stew of a country. Gaiman’s prose is graceful, simple, and his pacing is slow enough to nurture our sympathy, yet brisk enough to remain consistently exciting.

George Guidall’s narration is also excellent. His portrayals are groaning, snippy, kvetching and distinct. He conjures a pantheon of note-perfect Eastern European accents for a group of little-known gods, a crisp con-man’s coarseness for Mr. Wednesday, a mischievous African charm for Anansi, and a quiet desperation for Shadow. The only misstep is Shadow’s wife Laura, whose voice seems too fawningly girlish for the part. The MP3 CD format is the best so far invented, and the sound quality is crisp. Maybe too crisp, as you can clearly hear the edges of many of the edits.

After the multi-threaded end of the story, there is an extended interview with Gaiman which provides a delightful look at the man and the origins of his story. While I found it fascinating to see how such a large collection of ideas coalesced into a single transcendent work, the interview also rubs off just a little of the luster. Overall, though, the entire production is a pleasure from the first ominous chapter to the last. It will make an enviable centerpiece to your audio fiction collection.

Posted by Kurt Dietz