Reviews – Page 99

Review of The Graveyard Book by Neil Gaiman

SFFaudio Review

The Graveyard Book
By Neil Gaiman; Read by Neil Gaiman
Audible Download – Approx. 8 Hours[UNABRIDGED]
Publisher: Harper Audio
Published: 2008
Themes: / Fantasy / Ghosts / Childhood / Revenge / Parenting / Afterlife / Humor / YA /

In a few words: Not as disturbing as Coraline (which is… a bit) and every ounce as entertaining as I hoped.

Now, details: The Graveyard Book is Neil Gaiman’s latest YA novel. The story is about Nobody Owens, a young boy who starts the novel as a toddler that ends up in a graveyard late at night, all by himself. I’ll let Gaiman tell you how that happens, because the journey is all the fun here. Nobody Owens grows up, and Gaiman’s ghosts do all the parenting.

Again, Gaiman manages to be both sinister and funny at the same time, like he’s telling you the worst thing you’ve ever heard, but with a smile and a wink. Here’s the first lines of Chapter 1:

There was a hand in the darkness, and it held a knife. The knife had a handle of polished black gold, and a blade finer and sharper than any razor. If it sliced you, you may not even know you had been cut. Not immediately.

You’d think what follows would be a bit grisly, and I suppose it is, but it’s all so fantastic that I smiled through most of that chapter, with the sort of glow I get around Halloween. A pair of ghosts (the Owens’s) raising a live boy, that boy growing up and learning his letters off gravestones and his life’s philosophy from the perspective of dead but well-meaning people; well, it’s just a great idea, and it’s perfectly presented by Gaiman. My kids love it too. This is the kind of book that will be revisited in my house often. In addition, I’d say that if you have a Harry Potter fan on your Christmas list, this book might be just the right fit, and it has the added bonus of introducing him or her to the likes of Neil Gaiman, which in turn could open that fan up to the rest of the world of books as well.

Gaiman also narrates, and like I’ve said elsewhere, he’s one of the few authors I’ve heard that could make a comfortable living as an audiobook narrator. I can’t imagine this audiobook being read by someone else, and I’m very happy that it isn’t.

Edited to add the SFFaudio Essential, which was forgotten by the reviewer. He has been sacked.

Posted by Scott D. Danielson

Review of Sleeping Beauty by Ross MacDonald

Aural Noir: Review

SFFaudio Essential Sleeping Beauty
By Ross MacDonald; Performed by a Full Cast
6 Cassettes – Approx. 7 Hours [UNABRIDGED]
Publisher: Audio Partners
Published: 1978
ISBN: 1572700491
Themes: / Mystery / Private Investigator / Dysfunctional Family / Murder / Family Secrets / Missing Person /

When Lew Archer takes home a distressed woman and she disappears with a lethal dose of his sleeping pills, he feels obligated to find her. What he finds is a past of family secrets that has lead the family into a downward spiral. Archer will have to untangle the secrets if he hopes to get the lady back alive.

After an accident from a ruptured oil well off the coast of southern California, Archer finds a beautiful lady crying with an oil-soaked seagull grasped to her breast. He takes her home and finds her disagreeable. After she leaves he notices that she had taken his bottle of prescription sleeping pills with her. Her name is Laurel Lennox Russo, and she is the granddaughter of the man who owns the offshore oil well that has ruptured, literally, in the back of his lakefront house.

This wonderful production offers a rarity in audiobooks; an unabridged full-cast recording for adults all done with impeccable direction. The director of the production and voice of Lew Archer is by Harris Yulin. He offers the right amount of concerned yet disenchantment that Archer feels. The dialogue is snappy and you can feel Archer’s presence as he interviews/interrogates this small family community. The cast, which includes Ed Asner, Richard Masur, Stacy Keech, and Veronica Cartwright, does a great job. There are over 30 people lending their voices to this audiobook.

The direction was handled deftly. The novel is in first person, and Harris Yulin voiced Lew Archer’s inner monologue close to the mike and centered in the stereo field. When Archer was talking to another character, the ambience of the setting came through and the characters were separated in the stereo field. There was also added ambience of the external sounds flowing into the scene. Exterior scenes had traffic noises, seagulls, and jets. In interior scenes you get a sense of the size of the room.

Instead of just a great audiobook, I felt I was listening to an extended, seven-hour radio play. Whether you’re a fan of Ross MacDonald or are new to his writing, this audiobook comes highly recommended.

Posted by The Time Traveler of the Time Traveler Show

Review of METAtropolis

SFFaudio Review

METAtropolis
By Jay Lake, Tobias Buckell, Elizabeth Bear, John Scalzi, and Karl Shroeder
Read by Michael Hogan, Scott Brick, Kandyse McClure, Alessandro Juliani, and Stefan Rudnicki
Audible Download – 9 hours – [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2008
Themes: / Science Fiction / Future Cities / Internet / Computers / Virtual Worlds / Survival / Economics / Environment /

METAtropolis is a shared-world science fiction collection with stories from five different authors who have been busy making their marks on the history of science fiction literature: Jay Lake, Tobias Buckell, Elizabeth Bear, John Scalzi, and Karl Schroeder. The ties that bind these excellent stories are imagined future cities in the same future world, which is filled with detail and innovation by the authors.

Also excellent are the narrators. Scott Brick and Stefan Rudnicki are well-known and respected by audiobook listeners, and they read one story each with their usual professionalism. The other three stories are read by actors from Battlestar Galactica: Michael Hogan (Col. Tigh), Kandyse McClure (Dee), and Alessandro Juliani (Lt. Gaeta).

Jay Lake starts the collection with “In the Forests of the Night”, with Michael Hogan narrating. The story takes place in Cascadiopolis, a settlement in Oregon that is visited by a man named Tygre Tygre. John Scalzi, the editor of this collection, introduces each story, and here he says that Lake, who is skilled at world-building, did a lot of the heavy introductory lifting in this story. That’s true, and the story is filled with information, but it is never dull. Hogan’s narration keeps us on our toes.

Next up is Tobias Buckell who takes us to The Wilds of suburban Detroit in “Stochasti-city”, with Scott Brick reading. In the future, commuting to work becomes unsustainable, and entire neighborhoods are abandoned, but some still live there, like the protagonist of this story. He makes his living “turking” – finding odd jobs that someone on the net will pay for. I’ve never been to Detroit, but imagining the abandoned suburbs and the city itself was easy with Buckell at the helm of this rich, thought-provoking tale.

Elizabeth Bear, in “The Red in the Sky is Our Blood”, introduces us to Katie, who also lives in Detroit. Kandyse McClure narrates here, and does a wonderful job with the most character-driven story of the five. The story opens with Katie riding her bicycle through a downtown Detroit that is nearly impassable, due to potholes and general infrastructure failure. As it continues, she’s got some hard choices to make.

John Scalzi’s entertaining story is next, read by Alessandro Juliani. There are a couple of laugh-out-loud moments in “Utere Nihil Non Extra Quiritationem Suis”, which is about a recent graduate’s first job in the city. Also filled with detail (would you take a shower with grey water?) and entertaining. Juliani reads with perfect timing.

And last is Karl Schroeder’s story, “To Hie from Far Cilenia”, read by Stefan Rudnicki. This is a wonderful story of cities of a different type. Idea-rich, action-packed – it’s got it all. It’s a perfect cap to a great bunch of stories, taking things in a completely different direction. A virtual world superimposed on the “real” one, but ins’t the virtual one just as real? Rudnicki is excellent, like always.

The shared world idea is not a new one, but this completely successful collection of great stories may renew the enthusiasm for this sub-genre. Is this a sub-genre? The actual stories of any shared-world collection can be of any sub-genre. But the point is that this is a thought-provoking, exciting group of stories that deserves high praise. An SFFaudio Essential!

ADD: I forgot to mention – get the first story for free over at Audible! CLICK HERE for details.

Posted by Scott D. Danielson

Review of The Grist Mill: God of the Razor and If You Take My Hand, My Son

SFFaudio Review

The Grist Mill: “The God of the Razor” and “If You Take My Hand, My Son”
By Joe R. Lansdale and Mort Castle; Performed by a Full Cast
1 CD – 1 hour – [AUDIO DRAMA]
Publisher: STH Productions
Published: 2008
Themes: / Horror / Gods / Razors / Fathers / Afterlife /

A cloud across the moon can change the entire face of the night. It changes the way some people change their clothes… the way women change their hair.
— “God of the Razor”, Joe R. Lansdale

This CD contains two episodes from The Grist Mill audio drama series. The first is Joe R. Lansdale’s God of the Razor, which finds the protagonist confronting a weird guy in an empty house who talks about moons and clouds and eyes on his razor. (Note to self: if a weird guy mentions the word “razor”, it’s time to go, regardless of whether or not he sees eyes on them.) Like it says on the box, this one’s not for the squeamish.

Next is Mort Castle’s If You Take My Hand, My Son, which is a wrenching tale of a man who, after an accident, sees his father, who he had had a terrible time with when he lived. Is the man’s urge to reconcile with his father stronger than his will to live?

The audio drama is first rate – excellent actors, great sound, and two stories that are well worth hearing. So, if you are looking for a chill this Halloween, this collection would be an excellent choice.

Posted by Scott D. Danielson

Review of Slasher by F. Paul Wilson

Aural Noir: Review

The Grist Mill: “Slasher”
By F. Paul Wilson; Performed by a Full Cast
Audio Download – 1/2 hour – [AUDIO DRAMA]
Publisher: STH Productions
Published: 2008

A man loses his daughter to a killer. At the funeral, he is approached by an FBI agent who keeps him up to date on the investigation. When the investigation doesn’t go the way the man wants it to… well, I can say no more. This audio drama is definitely worth 30 minutes of your time, if only to experience the ending.

Sound effects are used in a professional manner and the acting is pretty good. The only thing that turned me off about this drama is a bit of jarring piano music that is used at a couple of points in the story – it wasn’t appropriate for the mood.

This is my first experience listening to an F. Paul Wilson story, and my first experience hearing an audio drama from The Grist Mill – I look forward to hearing stuff from both again.

Posted by Scott D. Danielson

Review of The Standards of Creation by James Campanella

SFFaudio Review

The Standards of Creation
By James Campanella; Read by James Campanella
MP3 Download – Approx 16.5 hours – [UNABRIDGED]
Publisher: Uvula Audio
Published: 2008
Themes: / Science Fiction / Mars / cybernetics / aliens / telepathy / genetic manipulation /

J.J. Campanella is perhaps best known in audio circles as a frequent narrator on StarShipSofa, which is where I first encountered him. His website, Uvula Audio, features Campanella’s narration of a wide variety of audiobooks ranging from L. Frank Baum to Doc Savage to P.G. Wodehouse. It does not take long to discover that narration is indeed a skill at which Campanella is expert. He handles foreign accents and different voices with an ease that makes it easy for the listener to visualize each speaker.

What is easy to miss, perhaps, is that Campanella’s own written work, The Standards of Creation, is included among the archived files. This is a shame as Campanella has written a fast-paced, multi-layered book that combines the best of action thrillers and science fiction. It definitely deserves to be noticed by more people.

Just a few of the elements woven into the story include:

• Martian colonies of Chinese and Americans, each hiding their secrets while trying to discover those of the other.

• Yarrow Hayes, a Nobel Prize winning biologist born and raised on Mars, who ironically is dying of an incurable disease.

• Alex Arodyne, a young scientific genius whose cynical outlooks threatens to cripple his promise.

• Belle, an undercover NATO agent whose cybernetic enhancements give her unparalleled skills but carry with them a price that lead her to take surprising steps.

• Who are Gabe and his mysterious boss? Is he really an alien using telepathy to speak to Alex in his dreams?

• What is the mysterious alien ship voyaging through the solar system?

• Just what are the standards of creation? How will they change the lives of each person in the story?

All this is set against a background containing some of the most classic science fiction elements: terraforming on Mars, life in the Martian colony, biological scientific development in the future such as the different versions of the cloned NATO officers, and an alien device that looks like a huge black marble silently making its way toward the sun while scientists struggle to communicate. All of this is laced with characters in impossible situations for which there is seemingly no solution.

Above all this is a book of secrets. Every person and every situation has at least one secret beyond those that we think have been revealed. This leads to an indepth look at free will and personal responsibility that both surprisd and delighted me.

I am not even including some of the subplots involving drug trafficking or an order of priests with a surprising yet practical hidden agenda. It might sound as if there is too much crammed into the story to make a good book. However, Campanella handles the many elements with ease to provide us with a truly original novel that is not only thought provoking but which also hearkens back to the times when science fiction included real science. We hope that his future endeavors branch out again from narration to include more novels such as this one.

Posted by Julie D.