Review of Finn Fancy Necromancy

SFFaudio Review

Finn Fancy Necromancy cover imageFinn Fancy Necromancy
By Randy Henderson; Narrated by Todd Haberkorn
Publisher: Brilliance Audio
Publication Date:10 February 2015
[UNABRIDGED] – 11 hours, 51 minutes

Themes: / fantasy / necromancer / fairies / humor /

Publisher summary:

Finn Gramaraye was framed for the crime of dark necromancy at the age of 15 and exiled to the Other Realm for 25 years. But now that he’s free, someone–probably the same someone–is trying to get him sent back. Finn has only a few days to discover who is so desperate to keep him out of the mortal world and find evidence to prove it to the Arcane Enforcers. They are going to be very hard to convince since he’s already been convicted of trying to kill someone with dark magic.

But Finn has his family: his brother, Mort, who is running the family necrotorium business now; his brother, Pete, who believes he’s a werewolf, though he is not; and his sister, Samantha, who is, unfortunately, allergic to magic. And he’s got Zeke, a fellow exile and former enforcer who doesn’t really believe in Finn’s innocence but is willing to follow along in hopes of getting his old job back.

Finn Fancy Necromancy is exactly as fun as its title suggests. From the second sentence, “We were like a couple of floating melted gummy bears made of unicorn snot and dreams…” I knew I was in good hands. In fact, even before that, in the acknowledgments when Henderson talks about his “butt-slapping doctor” I knew Henderson’s humor was going to click with me, and it did.

Finn Gramaraye is a necromancer who’s just come back from exile to the “Other Realm,” aka the fairy world. He was sent there in 1986 and spent 25 years as punishment for a crime he didn’t commit. Coming back, the problems already begin to add up and he’s already to blame for just about everything under the sun.

Told from the first person, we have no reason to disbelieve him, though his memories have been a source of many of the problems he encounters, whether it’s the fairies sifting his memories (good and bad) and making him relive them, or the changeling’s lack of memories with a botched spirit transfer.

Other than a small overuse of Star Trek references at the beginning, this book hit my funny bone quite nicely. Because Finn has been away since the 80s and this is first person, there are loads of 80s references, including, and I can’t say I recognized every single one, all the chapter titles are 80s song titles.

It’s definitely urban fantasy, but not your tween, new-age kind what with all its 80s focus. And it’s urban fantasy that really worked for me (I’m an on-off fan). The magic was interesting and the different sources make for a well-thought-out world.

The only thing, and I realize I might be the only one on this since I’ve seen it so much, is the incorporation of famous people (like Elvis, etc.) who were actually magic-users/magic creatures whose mysterious factual stories play well into a story like this. Like I said, I’m probably the only one and it wasn’t enough to really throw me out of the story, it was only a couple instances.

One thing I’m torn on is that the “twist” at the end was almost blatantly obvious about midway through the book. I don’t know if it was just the audio narration, or maybe on page would have been more obvious. I enjoyed the book regardless, because it wasn’t really all that big a deal and the major mysteries still needed solving.

Finn Fancy Necromancy is tons of fun and highly readable. I listened to the audio version and Todd Haberkorn did an excellent job. Just vulnerable enough to pull off Finn and nailing all the jokes and off-hand remarks in between voicing Sasquatches and gnomes.

Which reminds me, I highly enjoyed the magical creatures in this one. Not your typical ones, but they played into the story nicely. Read Finn Fancy Necromancy when you’re in the mood for some light-hearted fun with a fast-paced story that will keep you turning pages. Not your typical urban fantasy in the best possible way.

4 out of 5 Stars (highly recommended)

Posted by Bryce L.

Review of Firefight by Brandon Sanderson

SFFaudio Review

Firefight by Brandon SandersonFirefight (The Reckoners #2)
By Brandon Sanderson; Performed by MacLeod Andrews
Publisher: Brilliance Audio
Publication Date: 17 February 2015
[UNABRIDGED] – 12 hours

Themes: / YA / fantasy / magic / superpowers /
Publisher summary:

Brandon Sanderson, the #1 New York Times bestselling author of Words of Radiance, coauthor of Robert Jordan’s Wheel of Time series, and creator of the internationally bestselling Mistborn Trilogy, presents the second book in the Reckoners series: Firefight, the sequel to the #1 bestseller Steelheart.Newcago is free. They told David it was impossible, that even the Reckoners had never killed a High Epic. Yet Steelheart—invincible, immortal, unconquerable—is dead. And he died by David’s hand. Eliminating Steelheart was supposed to make life simpler. Instead, it only made David realize he has questions. Big ones. And no one in Newcago can give him answers. Babylon Restored, the city formerly known as the borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic Regalia, Babylon Restored is flooded and miserable, but David is sure it’s the path that will lead him to what he needs to find. Entering a city oppressed by a High Epic despot is risky, but David’s willing to take the gamble. Because killing Steelheart left a hole in David’s heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic—Firefight. And now he will go on a quest darker and even more dangerous than the fight against Steelheart to find her, and to get his answers.

I really liked Steelheart and this book was a good continuation of the story even though I didn’t like it quite as much. A new location, different situations, new epics, and even worse similes come together for a new adventure for David and The Reckoners. If you enjoyed the first book you will almost certainly like this one too…unless you throw the book through a window due to one of David’s many terrible similes.

The story is kind of similar as Steelheart except that it takes place in the remnants of Manhattan where many strange things are happening. I had more trouble following the details of the world this time around because the descriptions of the world are a bit harder to imagine. The world as described is really interesting in concept but it’s hard to follow sometimes with how things actually play out.

Sanderson is known for magic systems and he is no slouch here. The new powers and weaknesses of epics coupled with the the heck is going on with Calamity (the light in the sky that coincided with people attaining super powers) makes for interesting developments in the overall plot. I do like how Sanderson always has a plan for developing the magic system with each book and we definitely learn more in this book. I still really love the concept of a world with super heroes that are all corrupted – it’s such an interesting spin on the normal super hero story.

On the audio side of things MacLeod Andrews does a fine job narrating the story. He does some good voices that fit the characters well and puts sufficient emotion in his delivery. I think the audio version of this book is a great way to experience it.

Posted by Tom Schreck

Review of Kaiju Rising: Age of Monsters

SFFaudio Review

Kaiju RisingKaiju Rising: Age of Monsters
By Peter Clines, Larry Correia, Timothy W. Long, Howard Andrew Jones, Peter Rawlik, James Swallow, James Maxey, James Lovegrove, J. C. Koch, Jonathan Wood, C. L. Werner, Joshua Reynolds, David Annendale, Jaym Gates, Shane Berryhill, Natania Barron, Paul Genesse, Patrick Tracy, Nathan Black, Mike MacLean, Bonnie Jo Stufflebeam, Kane Gilmour, Peter Stenson, Erin Hoffman, Sean Sherman, Edward M. Erdelac
Performed by Jeff Woodman, Marc Vietor, Simon Vance, Gabra Zackman, Nicola Barber, Bronson Pinchot, Ray Porter, Jennifer Van Dyck, Sean Runnette
Publisher: Brilliance Audio
Publication Date: 9 December 2014
[UNABRIDGED] – 18 hours
Themes: / monsters / short stories / robots / Nazis / dirigibles / samurai /
Publisher summary:

Kaiju Rising: Age of Monsters is a collection of 23 stories focused around the theme of strange creatures in the vein of Pacific Rim, Godzilla, Cloverfield, and more. The anthology opens with a foreword by Jeremy Robinson, author of Project Nemesis, the highest selling Kaiju novel in the United States since the old Godzilla books—and perhaps even more than those. Then, from New York Times best sellers to indie darlings, Kaiju Rising: Age of Monsters features authors that are perfectly suited for writing larger-than-life stories, including: Peter Clines, Larry Correia, James Lovegrove, Gini Koch (as J.C. Koch), James Maxey, Jonathan Wood, C. L. Werner, Joshua Reynolds, David Annandale, Jaym Gates, Peter Rawlik, Shane Berryhill, Natania Barron, Paul Genesse & Patrick Tracy, Nathan Black, Mike MacLean, Timothy W. Long, Bonnie Jo Stufflebeam, Kane Gilmour, Peter Stenson, Erin Hoffman, Sean Sherman, Howard Andrew Jones (The Chronicles of Sword and Sand tie-in), Edward M. Erdelac (Dead West tie-in), and James Swallow (Colossal Kaiju Combat tie-in).

Most might read the title and glance at the cover, and dismiss it as schlock genre fiction, just more monster stories. But I know you aren’t one of these quick-to-judge readers, that’s why you’re reading this review. You want to know more. You’re a responsible reader. “Good on you,” I say.

The first ¾ of this anthology is well-written monster stories that deliver fresh and new takes on an old idea. And really, there’s something here for everyone. Whether you like huge robots, or want to be inside the head of a Kaiju, you’re going to be happy with what this collection delivers. There are stories set in the past, the future, and the present-day. There are even Nazis, and dirigibles.

The diversity surprises the reader. I mean how many different ways can we explore giant monsters? More than I might have first imagined, and it’s exciting to find fresh angles on old tales. As stated above, there is some terrific writing on display, and while I personally feel the last handful of stories lacked in writerly craft, the overall experience of this anthology is a resounding thumbs-up!

Audiobook:
This was an enjoyable audiobook experience. There’s a large cast of readers, most do a fantastic job, and the less polished narrators are quickly forgotten in the mix of solid reading performances. I understand that the print version is illustrated, but this is in itself an outstanding audio production.

Lastly, understand that you don’t need to be a Kaiju enthusiast to appreciate this work. Unless you just absolutely hate hate hate giant monsters, I’d encourage you to give this a try. You don’t have to read it from beginning to end, most all of the stories are self-contained and few, if any, take themselves too serious. This is what I’d call a fun nightstand book. It’s something to pick up and peruse when the mood strikes.

Posted by Casey Hampton.

Review of The Magician’s Lie by Greer Macallister

SFFaudio Review
Magician's LieThe Magician’s Lie
By Greer Macallister; Performed by Nick Podehl and Julia Whelan
Publisher: Brilliance Audio
Publication date: 13 January 2015
[UNABRIDGED] – 11 hours

Themes: / magician / illusion / crime / unreliable narrator /

Publisher summary:

Water for Elephants meets The Night Circus in The Magician’s Lie, a debut novel in which the country’s most notorious female illusionist stands accused of her husband’s murder—and she has only one night to convince a small-town policeman of her innocence. The Amazing Arden is the most famous female illusionist of her day, renowned for her notorious trick of sawing a man in half on stage. One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear. But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free…and it will take all he has to see through the smoke and mirrors.

The description for this book says it’s a blending of Water for Elephants and The Night Circus but I really get much Night Circus from this. It really was more The Prestige (movie version) in a Water For Elephants setting because it’s all about a traveling illusionist. The description had me expecting more in the realm of fantasy but I still enjoyed it over all. While not a big part of the book, this isn’t for the squeamish as there were a few moments that I almost turned it off because of some sadistic/masochistic moments and female assault in the book.

Why is this book more like The Prestige than The Night Circus? The Night Circus had fantastical, unexplained magic happening while The Prestige is all about illusionists who are competing for audiences. There are several illusions described in this book that got me thinking about The Prestige. Another big element in here was the unreliable narrator. Much of the book is a frame story told from the perspective of the main character in the first person so you are often wondering if what they’re telling is true…just like in the movie version of The Prestige (the book was a bit different).

As for the audio side of things, the narrator performance was passable but nothing fancy. Julia Whelan has a neutral, flat tone that I didn’t like so much at first but I acclimated to as the book went on. Nick Podehl did a good job but wasn’t what I hoped for from him compared to others I’ve heard him narrate. I could go either way on recommending this for audio or paper, but the usage of two narrators for a frame story is pretty nice; especially since each part is from a different persons perspective so that the voice of the narrator is essentially their voice.

Posted by Tom Schreck

Review of An Unwelcome Quest by Scott Meyer

SFFaudio Review

An Unwelcome Quest by Scott MeyerAn Unwelcome Quest (Magic 2.0, Book 3)
By Scott Meyer; Narrated by: Luke Daniels
Publisher: Brilliance Audio
Publication Date: 10 February 2015
[UNABRIDGED] – 11 hours, 46 minutes

Themes: / hacker / time travel / fantasy / humor / wolves / wenches / wastelands /

Publisher summary:

Ever since Martin Banks and his fellow computer geeks discovered that reality is just a computer program to be happily hacked, they’ve been jaunting back and forth through time, posing as medieval wizards and having the epic adventures that other nerds can only dream of having. But even in their wildest fantasies, they never expected to end up at the mercy of the former apprentice whom they sent to prison for gross misuse of magic and all-around evil behavior.

Who knew that the vengeful Todd would escape, then conjure a computer game packed with wolves, wenches, wastelands, and assorted harrowing hazards – and trap his hapless former friends inside it? Stripped of their magic powers, the would-be wizards must brave terrifying dangers, technical glitches, and one another’s company if they want to see Medieval England – and their favorite sci-fi movies on VHS – ever again. Can our heroes survive this magical mystery torture? Or will it only lead them and their pointy hats into more peril?

Review:

Executive Summary: This series is a lot of fun, and this book might be the best yet. I really hope we’ll get a 4th book.

Audio book: What more can I say about Luke Daniels? I said he’d be good at reading the phone book, and he obliged me. I bet he’d even do a good job of the Begats. He brings this book to life. It may as well be a radio play. Do yourselves a favor and do this book in audio.

Full Review
I sort of fell into this series by accident last year. It’s not going to be winning any awards or anything, but if you want a fun and light series, look no further.

I thought that while the second book addressed my complaints about the lack of women from the first book, the plot and the humor were weaker. This book seems the most polished yet. While probably not as funny as the first book, it’s definitely the best written. The characters are more developed, the plot is tighter, and in general I was always excited to to start listening again.

If you’ve ever played buggy video games, or written buggy code, I think you’ll especially find a lot to like here. I like how some of the supporting characters from Off to Be the Wizard that mostly took a backseat in Spell or High Water were not only more heavily featured, but really had a chance to shine. I especially enjoyed Tyler’s running commentary throughout the book.

That said, my favorite character continues to be Phillip. Especially when he’s talking to Jimmy. And Jimmy of course is as great as ever.

If you liked the first two books, definitely give this one a try. And if you haven’t given this series a try yet, you really should. It’s a lot of fun, and I really hope we’ll get more of them.

Review by Rob Zak.

Review of The Martian Chronicles by Ray Bradbury

SFFaudio Review

Martian Chronicles by Ray BradburyThe Martian Chronicles
By Ray Bradury; Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 8 hours

Themes: / Mars / science fiction / short stories /

Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America’s most beloved authors. In a much-celebrated literary career that has spanned seven decades, he has produced an astonishing body of work: unforgettable novels, essays, theatrical works, screenplays and teleplays, and numerous superb short-story collections, including The Martian Chronicles: masterfully rendered stories of Earth’s settlement of the fourth world from the sun. Bradbury’s Mars is a place of hope, dreams, and metaphor—of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn—first a trickle, then a torrent rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars…and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.Ray Bradbury’s The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time’s passage. In connected, chronological stories, the grandmaster of science fiction enthralls, challenges, and delights us, exposing in stark and stunning spacelight our strengths, our weaknesses, our follies, and our poignant humanity, on a strange and breathtaking world where humanity does not belong.

I’ve never read anything by Mr. Bradbury before. I’m not really well read in the “classics”. There is too much modern stuff I want to read, and in general I prefer fantasy to Sci-Fi. But when Brilliance Audio was releasing some of his better known works on Audio CD (although the production itself was done by Audible) last year, I jumped at the chance to finally give him a try.

I’ve been in a bit of a reading funk this year, and was trying to figure out what to read AFTER this book to get me out of it. Since it was short, I wanted to listen to it sooner rather than later, write up my review then move onto something else.

Apparently I just needed to listen to this. Apart from one story (Way in the Middle of the Air) which made me really uncomfortable and showed it’s age. It appears to have been eliminated from several of the more recent editions of this book, and I wish I had skipped it as it really adds very little to this collection.

Everything else was enjoyable. A bit depressing, but enjoyable. Mr. Bradbury paints a bleak picture of a future that thankfully never came. This isn’t hard sci-fi by any means, but more like dystopian space opera.

I would have never thought something bleak would lighten my mood, but the stories were that good, and the prose are excellent. They reminded me a lot of the Twilight Zone, although I know these stories predate that show. I think The Silent Towns could easily have been an episode of the show, as could several others.

I think my favorite of the collection is Usher II. I can’t pretend to get all the references apart from Poe and Lovecraft, but his tale of revenge for censorship is quite good. I’ll have to check out the Poe story The Fall of the House of Usher that seems to have influenced it.

Mark Boyett’s voice reminds me a bit of Rod Serling, which as I get into a bit below seemed a perfect fit. I know there are multiple versions of the audiobook. I’m not sure how easy they are to get a hold of, but this one seems like a good option.

Overall this is an excellent collection of stories, and if like me you haven’t read it/anything by Mr. Bradbury, this seems like as good a place as any to start.

Review by Rob Zak.