Reviews – Page 8

Review of Puttering About in a Strange Land

SFFaudio Review

Puttering About in a Strange Land
By Philip K. Dick; Performed by Luke Daniels, Kate Rudd, Amy McFadden
Publisher: Brilliance Audio
[UNABRIDGED] – 11 hours

Themes: / marriage / boarding school / literary / infidelity /

Publisher summary:

When Roger and Virginia Lindhal enroll their son Gregg in Mrs. Alt’s Los Padres Valley School in the mountains of Southern California, their marriage is already in deep trouble. Then the Lindhals meet Chic and Liz Bonner, whose two sons also board at Mrs. Alt’s school. The meeting is a catalyst for a complicated series of emotions and traumas, set against the backdrop of suburban Los Angeles in the early fifties. The buildup of emotional intensity and the finely observed characterizations are hallmarks of Philip K. Dick’s work.This is a realistic novel filled with details of everyday life and skillfully told from three points of view. It is powerful, eloquent, and gripping.

Puttering About in a Small Land (written 1957 but first published in 1985) feels very different from Philip K Dick’s usual stuff. It’s a dark and funny slow-burn set in 1950s Southern California, but there are no simulacra, no time slips, and no telepaths, and the only artificial reality is the one built out of society’s expectations of suburban married life.

It also seems unusually sensitive for PKD – not in a corny or sentimental way but just finely tuned into human relationships. He captures the subtle and imperfect communications of a dysfunctional marriage where two people are pretending to work together but are really pushing and pulling below the surface, wanting different things and resenting each other for it.

“I’ll be back pretty soon,” he said. From his eyes shone the leisurely, confident look; it was the sly quality that always annoyed her.

“I thought maybe we could talk,” she said.

He stood at the door, his hands in his pockets, his head tilted on one side. And he waited, showing his endurance, not arguing with her, simply standing. Like an animal, she thought. An inert, unspeaking, determined thing, remembering that it can get what it wants if it just waits.

“I’ll see you,” he said, opening the door to the hall.

“All right,” she said.

The story is told in three alternating points of view: Roger, his wife Virginia, and the “other woman” Liz. All three are trapped, one way or another, in self-made realities they don’t enjoy.

Some readers complain that PKD writes unflattering female characters, and as usual these ones aren’t much to admire: Virginia is gossipy and judgmental, her mother is a controlling nag (who often corners Roger and has some of the funniest scenes in the book), and Liz Bonner is so naïve and childlike she verges on the idiotic.

“She’s sort of a—” Mrs Alt searched for the word. “I don’t want to say lunatic. That isn’t it. She’s sort of an idiot with a touch of mysticism.”

But even so, Virginia has her strengths, and Liz Bonner is lovely in a quirky way. Her flaws and naïve unpredictability are exactly what free her from society’s expectations, and are what attract Roger. Despite the deceit and infidelity, their love story is somehow still beautiful.

And to be fair, PKD also writes pretty unflattering men. For example, Roger not only cheats on his wife, he also abandoned his previous wife and daughter and seems to be a compulsive liar. He’s a bristly, bad-tempered, and indifferent to his wife’s gestures of love and compromise. All he really cares about his TV retail-and-repair business, which is where the book title comes from: he’s a little king “puttering about in a small land.”

The waning of a marriage and infidelity appear in a lot of PKD’s stories, but in this one they really drive this plot. Normally I wouldn’t try to detect an author’s own life in his fiction, but since PKD has openly admitted he weaves autobiographical details into all his stories, it seems safe to see something of him in Roger.

His essay “How to Build a Universe That Doesn’t Fall Apart Two Days Later” might give some more clues to his approach to fiction set in the real world. Just because the characters’ universe is based in reality doesn’t mean PKD won’t try to disintegrate it.

“I like to build universes which do fall apart. I like to see them come unglued, and I like to see how the characters in the novels cope with this problem. I have a secret love of chaos. There should be more of it. Do not believe—and I am dead serious when I say this—do not assume that order and stability are always good, in a society or in a universe. … Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live.”

I listened to Puttering About in a Small Land on audio and read the print version too. The audiobook was read by Amy McFadden, Kate Rudd, and Luke Daniels, one for each of the main characters. All three were great, although using three narrators didn’t work so well for me since the story is in third-person. Hearing the same characters read three slightly different ways gave the audiobook a patchwork feel and was a bit jarring and distracting sometimes.

I’d recommend Puttering About in a Small Land for PKD fans but not so much as an entry to his works. For anyone who knows his style, it’s very cool to see a more subtle side of him and to see how beautifully he can write about human relationships in the artificial universe we call reality. Definitely worth the read.

Posted by Marissa van Uden

Review of Sea of Silver Light by Tad Williams

SFFaudio Review

Sea of Silver Light (Otherland Book #4)
By Tad Williams; Read by George Newbern
Publisher: Penguin Audio
Publication Date: 17 March 2015
[UNABRIDGED] – 37 hrs, 32 mins

Themes: / science fiction / cyberpunk / virtual reality / virtual worlds / serial killer / Otherland /

Publisher summary:

A group of adventurers searching for a cure for comatose children find themselves trapped in a sequence of virtual worlds, the only opponents of a conspiracy of the rich to live forever in a dream. Now, they are forced to make an uneasy alliance with their only surviving former enemy against his treacherous sidekick Johnny Wulgaru, a serial killer with a chance to play God forever. Few science fiction sagas have achieved the level of critical acclaim-and best-selling popularity-as Tad Williams’s Otherland novels. A brilliant blend of science fiction, fantasy, and techno thriller, it is a rich, multilayered epic of future possibilities.

The finale to the Otherland series, Sea of Silver Light wraps up the multitude of story lines that began in City of Golden Shadow. While the book dragged in places, and some may find that the book (and the series, especially in the middle books) wanders a bit too much, it is hard not to appreciate Tad Williams’ amazingly prescient series, especially if you’re a fan of a) the internet and b) classic literature. It’s probably safe to say that the wandering will not be for everybody, but for those that enjoy the mystery and the references to other works, the series could be a lot of fun.

A series written in the mid-late 90’s, the books cover amazing breadth of topics with a wide cast of characters in this world and in a parallel online world. What started as a cyberpunk story quickly unfolded into a much larger world with many players with significantly different motivations–on all sides of the story. With unlikely/atypical heroes (a South African woman, an African “bushman”, a blind woman, two teenagers, a mom, and a guy who doesn’t know his own past, not to mention a 5 or 6-year old girl, an ancient man…the cast is huge!) and a sprawling world, it’s easy to see why some people are overwhelmed. The more intriguing part, though, is trying to piece together the entire story, trying to figure out who’s involved in the world and for what purpose…and what the online world really is. I will admit that when the world was pieced together, it seemed pretty out there…but I was so engrossed that I didn’t really mind. The only part I really did mind was the end; the book felt maybe a little too neat, and a little too drawn out at the end. That said, it does leave an opening for Williams to return to the world (and looking on Goodreads, it seems as if he may have done just that with a short story in Legends II.

It’s hard to describe the book and what happened in the series without venturing into spoiler territory. Basically, Renie, a young South African woman who is a sort of professor or teacher of computer engineering-type classes at a local university, finds one day that her brother is in a coma of sorts, a result of playing an online game. Games in the future world that Williams created are played online in a virtual reality simulation type schema, where users have different levels of gear that immerse them (fully or to varying degrees) into a virtual world. Some users go so far as to get neural cannulas, so that they can “jack in” and have the VR system provide a direct link to their brain, become fully immersed. Renie, wanting to try to find out more about how her brother came to be in the coma, went online to try to learn what she could of what he got into. Unsurprisingly, she found herself sucked into and literally stuck in a virtual world, unable to disconnect (sort of like Sword Art Online). While there, she meets others who have family members with the same affliction as her brother, and still others who have been recruited by an unknown agent to help Renie and those who are trying to help their children/family members. In parallel, there is the story of the Grail Brotherhood, a private group of the world’s most powerful and wealthiest elite, who wish to achieve immortality, and invest heavily in a system to do so. In a third story line, there is additional intrigue about a psychopath who calls himself “Dread” and seems to seek out ways to torture and kill others, online and in reality. His story ends up weaving and in some ways connecting the Grail Brotherhood and those of the people trying to help the children. Throughout, there are a multitude of worlds created by various users of the online system, many with literary references (such as The Wonderful Wizard of Oz and The War of the Worlds) or other evolving schema (such as a virtual rainforest that actually begins to evolve in the simulation world, similar to how it might have on earth). Williams uses cyberpunk, the idea of virtual/simulation worlds, and some more fantastical elements (some characters have special abilities, particularly abnormal/special mental powers) to weave a tale that leaves the reader picking up puzzle pieces and slowly piecing things together, just as the heroes do in the story.

I’m most amazed at how prescient Williams was. The book was written in the mid-90’s, yet there are references to things in the world today, innovations that were barest ideas of science fiction in the 90’s. The first and most obvious observation is that the VR world, while more immersive than anything we really have today, is very much akin to the internet of today, with people spending entire lives and making entire livelihoods on the internet. People use tablet-like devices to connect to the networks, to make calls, to shop, to go into their simulation worlds–much like an iPad or other tablet of today. People watch movies on the internet, so-called “Net Flicks” (I really wonder if that’s how Netflix’s name came to be), and an automated robotic floor-sweeping robot (Roomba, anyone) makes an appearance or two. Kids have “storybook sunglasses” which sound a bit like more immersive (and frankly more fun) versions of Google Glass. Just today, I read an article on Slashdot about body hacking through the vagal nerve, a topic that’s actually brought up in the book (as a therapy that is abused, oddly enough). There are other examples, which reading in 2015, are fun nuggets to pick up along the way. It’s crazy how forward-thinking this book was, how much it got “right” even for 2015 (I think the book is supposed to take place closer to 2050).

I liked this book and really enjoyed the series. I think that listening was a fantastic way to experience the book, to be able to lay back and shut my eyes and become immersed in the book as the characters are immersed in their world. The narration was (as I’ve said in my other reviews) great, if a little slow. But that meant that I could speed the book up slightly in the playback, cutting down some of the listening time.

The book (and series) may not be for everyone. I think it’s fair to criticize this book for going on a little “too long” or for being a little “too neat,” and it’s equally fair to think that Book 1 started slow or that books 2 and 3 wandered a bit (they absolutely were “middle books” in a series, which not everybody enjoys). But I still really liked the series. I look forward to reading it again in the future, maybe in a few years, to see how much I can pick up in advance, knowing as I do now, how the book ends.

Posted by terpkristin.

Review of Lords of the Sith by Paul S. Kemp

SFFaudio Review

Lords of the Sith (Star Wars)
By Paul S. Kemp; Narrated by Jonathan Davis
Publisher: Random House Audio
Publication Date: 28 April 2015
[UNABRIDGED] – 10 hours, 56 minutesThemes: / Star Wars / space / sith / spice /Publisher summary:

A long time ago in a galaxy far, far away….

When the Emperor and his notorious apprentice Darth Vader find themselves stranded in the middle of insurgent action on an inhospitable planet, they must rely on each other, the Force, and their own ruthlessness to prevail.

“It appears things are as you suspected, Lord Vader. We are indeed hunted.”

Anakin Skywalker, Jedi Knight, is just a memory. Darth Vader, newly anointed Sith Lord, is ascendant. The Emperor’s chosen apprentice has swiftly proven his loyalty to the dark side. Still, the history of the Sith Order is one of duplicity, betrayal, and acolytes violently usurping their Masters – and the truest measure of Vader’s allegiance has yet to be taken. Until now.

On Ryloth, a planet crucial to the growing Empire as a source of slave labor and the narcotic known as “spice”, an aggressive resistance movement has arisen, led by Cham Syndulla, an idealistic freedom fighter, and Isval, a vengeful former slave. But Emperor Palpatine means to control the embattled world and its precious resources – by political power or firepower – and he will be neither intimidated nor denied. Accompanied by his merciless disciple, Darth Vader, he sets out on a rare personal mission to ensure his will is done.

For Syndulla and Isval, it’s the opportunity to strike at the very heart of the ruthless dictatorship sweeping the galaxy. And for the Emperor and Darth Vader, Ryloth becomes more than just a matter of putting down an insurrection: When an ambush sends them crashing to the planet’s surface, where inhospitable terrain and an army of resistance fighters await them, they will find their relationship tested as never before. With only their lightsabers, the dark side of the Force, and each other to depend on, the two Sith must decide if the brutal bond they share will make them victorious allies or lethal adversaries.

Lords of the Sith is a decent entry in the Star Wars universe with a familiar setup but good execution. As this takes place before Episode IV, we know this story has many limitations that Kemp works within well. We get a good amount of action both in space and planet-side and a surprising amount of insight and introspection from Darth Vader along the way.

The beginning feels like so many others that have come before: random resistance/rebellion is causing trouble and the Empire must respond. If more books are written in this time period, I really hope some oter source of tension is found because the perpetual rebellions are getting kind of tired (not to say that shouldn’t be happening but there were far more creative issues hitting the New Republic in the ~~expanded~~ legends universe). A lot of time is spent developing characters and their reason for a rebellion that we know won’t be sticking around very long when I really want to see more of the Sith. I kind of felt the same way with the time spent on characters I didn’t care about in Kenobi when I wanted more of the wizened old Jedi Master. Thank goodness that lightens up a good way into the book.

Things really start to get interesting when Vader and the Emperor show up to shut things down in a Star Destroyer only to suffer a pretty crazy attack prepared by the resistance. I enjoyed this part because of Kemp’s clever usage of many of the different technologies and capabilities seen in Star Wars over the years. It was also fun to see Vader flying around in a craft with limited capabilities with only the Force as his weapon. How do you kill a jedi or a sith? Lots and lots of back up plans would give you a shot!

Speaking of using the Force for a weapon, we really get to see Vader and the Emperor unleash a bit on their abilities in this novel. Early on, Vader infiltrates a ship on his own and is scary efficient at cutting his way through everyone on board. It’s kind of like when they storm the blockade runner in Episode IV except just Vader running through the place taking people out. We also get to see the two sith working in tandem to face all kinds of scenarios that range between cool/plausible to just putting random indigenous threats through the meat grinder (that part kind of felt like a, “lets just show how totally badass these guys are by making them kill meaningless things”). There are a bunch of moments where I wondered how they were fooled by something dumb, didn’t just kill someone that was being a nuisance the whole time, etc but overall it was pretty good.

The book isn’t all violence and craziness because we get to see Vader struggling with serving his master. Episode III ended with Vader having submitted to Palpatine but their master/servant relationship wasn’t exactly fleshed out by the end of the film. Vader still struggles with the repercussions of previous events and contemplates attacking his master at regular intervals…as every sith should. It’s interesting to hear his thoughts and struggles and knowing what he’ll become.

On the audio side of things, Jonathan Davis did a great job as usual and the sound effects/music were great. Jonathan Davis always puts on a great performance with high energy and does not disappoint here. Some of the sound effect got to me – mainly the squelching noises that one would normally associate with a sith crushing enemies or smashing an enemy into a wall, but such sounds should make you cringe.

Overall this was not my favorite Star Wars book but was still a decent entry in the universe. If you’re looking for more sith action, definitely check out the Darth Bane book that start with Path of Destruction.

Posted by Tom Schreck

Review of Half-Off Ragnarok by Seanan McGuire

SFFaudio Review

Half-Off Ragnarok (InCryptid #3)

By Seanan McGuire; Performed by Emily Bauer and Ray Porter
Publisher: Brilliance Audio
Publication Date: December 2014

[UNABRIDGED] – 10 hours, 17 minutes

Themes: / fantasy / urban fantasy / cryptozoology / basilisks / cryptid /

Publisher summary:

What do gorgons, basilisks, and frogs with feathers all have in common? They’re all considered mythological by modern science, and some people are working very hard to keep them that way. Alexander Price is a member of a cryptozoological lineage that spans generations, and it’s his job to act as a buffer between the human and cryptid worlds—not an easy task when you’re dealing with women who have snakes in place of hair, little girls who may actually be cobras, and brilliant, beautiful Australian zookeepers. And then there’s the matter of the murders.…Alex thought he was choosing the easier career when he decided to specialize in non-urban cryptids, leaving the cities to his little sister, Verity. It turns out that he had no idea what he was getting himself into. It’s a family affair, and everyone—from his reanimated grandfather to his slightly broken telepathic cousin—is going to get involved before things get any better.

Half-Off Rangarok is the third book in the InCryptid series and has a change in narrators and locations. No longer are we in New York with Verity but with her brother Alex, in Ohio.

The story line picks up maybe a month or two after book two. Alex Price is living with his grandparents and Sarah trying to have some semblance of a life while overseeing a secret basilisk breeding program. For Alex some things are going well – Sarah is getting better; other things are challenging like keeping secrets from his girlfriend Shelby about who he really is. It all goes downhill when Alex is faced with dead bodies that are turning to stone and the realization someone is trying to kill him too.

This book is interesting with a band of characters. Shelby and the grandparents are total hits. We learn about new cryptids which were kind of fascinating. Things that I missed were the mice; I liked all of their crazy holidays. While they are in the book it is more like a passing thing. I also preferred the New York setting. This was supposed to be in Ohio but I think the setting could have been anywhere. For me, I had trouble relating.

I listened to the book on audio and the narrator made it feel like the book was evenly paced. His voice was interesting enough to keep me interested without losing me. I am not sure if it was because I listened to the book on audio verses reading but this book has a different kind of feel. Perhaps this is due to the change in narrator …I cannot really say.

My biggest overall challenge of the book was despite how good the writing is for me there is something missing between characters for some reason I was just not as vested in the outcome.

Still a good read 3 ½ stars

Posted by Dawn V.

Review of Queen of Fire by Anthony Ryan

SFFaudio Review

Queen of Fire (Raven’s Shadow #3)
By Anthony Ryan; Read by Steven Brand
Publisher: Penguin Audio
Publication Date: 7 July 2015
[UNABRIDGED] – 26 hours, 43 minutes

Themes: / fantasy /

Publisher summary:

After fighting back from the brink of death, Queen Lyrna is determined to repel the invading Volarian army and regain the independence of the Unified Realm. Except to accomplish her goals, she must do more than rally her loyal supporters. She must align herself with forces she once found repugnant – those who possess the strange and varied gifts of the Dark – and take the war to her enemy’s doorstep.

Victory rests on the shoulders of Vaelin Al Sorna, now named battle lord of the realm. However, his path is riddled with difficulties. For the Volarian enemy has a new weapon on their side, one that Vaelin must destroy if the realm is to prevail – a mysterious Ally with the ability to grant unnaturally long life to her servants. And defeating one who cannot be killed is a nearly impossible feat, especially when Vaelin’s blood-song, the mystical power that has made him the epic fighter he is, has gone ominously silent.

After how much I enjoyed the last two, it was almost going to be impossible for this book to live up to my expectations.

Some of this is probably on me. I read Blood Song and Tower Lord back to back. It’s been about a year since then, and my memory on the details were fuzzy. I should have reread. I wish there was a wiki or something with plot points and character bios I could have used to refresh myself.

I struggled at the start remembering many of the minor characters. I think all books in a series (and really all audio books in general) should have a list of the important characters with maybe a 1 sentence reminder of who they are. It would really help a lot. There are just too many books to reread previous books every time a new one comes out, even books I loved as much as the last two.

Both of those books grabbed me early on and never let go. That never really happened here. I was always happy to pick it back up, but I wasn’t making excuses to listen longer or counting down the time until I could get back to listening. So unfortunately I can’t give the whole series 5 stars.

I also found myself wondering for much of the second half of the book if there would be enough time to resolve everything. For the most part I think he does a good job of converging the different story lines, but it required a fairly large info-dump near the end to do so.

That said, I really love the world Mr. Ryan has built, and I’m especially fond of the characters. It’s always great to read about them, and this book is no different. Much like Tower Lord, I think Frentis and Riva both sort of steal the show again. However Vaelin’s chapters are pretty interesting as well. Lyrna’s story was still enjoyable, just not as much as the others.

Overall this has been one of the best series I’ve found in the last few years. I’d happily read another series set in this world, especially if we can visit again with some of the characters. This is definitely a series I’ll revisit down the road on a reread. Maybe reading all 3 back to back I won’t struggle as much as the start and enjoy it more the second time.

Either way, I’ll be looking forward to checking out what Mr. Ryan has in store for us next.

Much like the last 2 books, I enjoy Steven Brand as a narrator, save for the fact that he’s so QUIET. Thankfully my audiobook app lets me increase the volume, or it would be incredibly frustrating. I wonder if the publishers listens to the book with noise canceling headphones only or something, or if even that would be sufficient.

If you’ve done the previous two in audio, you should know what to expect. Hopefully like me you have a way to increase the volume so you can enjoy Mr. Brand’s otherwise excellent narration.

Review by Rob Zak.

Review of Mountain of Black Glass by Tad Williams

SFFaudio Review

Mountain of Black Glass (Otherland #3)
By Tad Williams; Narrated by George Newbern
Publisher: Penguin Audio
Publication Date: 17 March 2015
[UNABRIDGED] – 27 hours, 17 minutes

Themes: / techno-thriller / science fiction / Greek mythology / game simulation /

Publisher summary:

Mountain of Black Glass is the third volume of Tad Williams’s highly acclaimed four-book series, Otherland. A truly unique reading experience combining elements of science fiction, fantasy, and techno-thriller, it is a rich epic tale in which virtual reality could prove the key to a whole new universe of possibilities for the entire human race – or become the exclusive domain of the rich and the ruthless as they seek a technological pathway to immortality.

The sequel to City of Golden Shadow and River of Blue Fire, this is the third installment (of 4) in the Otherland series. As with River of Blue Fire, Mountain of Black Glass picks up where the last one left off. Where I rated River of Blue Fire 3 stars (it was a solid “middle book” in a series), this one gets 4 because of the time spent in Greek mythology, something I’ve always loved.

As a “middle book” in a series, it’s hard not to say things about Mountain of Black Glass that I didn’t say in my reviews for City of Golden Shadow or River of Blue Fire. The story started with key characters still separated (as they were at the end of River of Blue Fire), though much of the book was spent either a) moving them back together, b) exploring their pasts, learning more about their history, or c) giving the reader more insight into the Otherland network itself and the motivations of the people running the network. Unlike River of Blue Fire, in this book, many details seemed to “finally” be pieced together, so more complete histories of characters were formed. It was also a transformative time for some of the Otherland network owners/operators, as they put the final pieces together to try to gain immortality. Other characters, such as the psychopathic servant of the Otherland founder also get a lot of time in this book, as do the police officers looking into his murderous ways. Sellers, the old man who remains quite a mystery but seems to be some of the force that brings the heroes together, also has a key storyline, though it took quite a different turn from what I expected going into the story.

An adventure from proverbial cover to cover (since I listened to the audiobook), a lot of time in this book was spent with the characters all trying to reach the Otherland‘s version of Troy. One of the characters is actually Odysseus, while others play key characters in the Trojan War, including Achilles, his companion Patroclus, and even Diomedes. The character who became Odysseus was forced through the Otherland simulation to re-enact Odysseus’ story somewhat in reverse, having seemingly gone through the events of The Odyssey prior to living through the Trojan War, as told in The Iliad. Our other heroes also eventually ended up in Troy, but not without enduring some trying circumstances in a few different worlds. As one might expect, though, these experiences allowed them to learn more about the network itself, and will undoubtedly help them in their quest to overthrow the Otherland founders (The Grail Brotherhood) and save the children who seem to be trapped by the network.

It’s not all sunshine and roses, though. After finally learning more about each character, becoming significantly more invested in each of them, it seems that one or more of them may have actually died through the course of the narrative. It’s hard to tell for sure, and I suspect I’ll find out what exactly happened when I finish the series with Sea of Silver Light, but the emotional gut punch was harder than I expected it would be. It’s a credit to Williams’ writing that I could simultaneously know how literally frail each of these characters are, playing a life and death game where they don’t know the rules and the rules seem to change, yet still be surprised and saddened when harm (or death) comes to a character. Or how much I really hate Dredd, the servant turned monster, preying on Otherland users/members for his own fun and games.

Tad Williams again seemed to have fun with the simulation worlds, making alternate worlds of popular stories such as the previously-mentioned The Iliad and The Odyssey. There were at least two other worlds explored in this book. One seemed to be an “empty” world, what someone might consider the null space of code to be…since the Otherland network is only code, after all, it does make some sense that the users (our heroes and our villains) would sometimes find literally empty space. There was another world, a world of a house, the reference I didn’t connect (if there was a literary reference, which I suspect that there was). Still, the worlds all felt real, were able to bring me in. This is especially true for the Trojan War. I have long been a fan of Greek mythology, and it was a fun but unexpected surprise to spend so much of this book in that world…at least, that simulated world.

The audiobook was great to listen to, if the narration was slightly slow. I listened to it slightly sped up (using the 1.5x feature for spoken word playback on my iPhone) and it seemed perfect. George Newbern does a great job making the characters come to life. Where some narrators can seem flat or one-note, he always makes it clear which character is talking, and further engages the listener by taking on the exclamation, the feeling of the words. If someone is surprised, for example, his voice lets you know it, you don’t have to rely solely on supporting descriptors. He brings the book to life.

I’m looking forward to starting into Sea of Silver Light, which is queued up and ready to go. It’s a good bit longer than any of the other books in the series (~10 hours longer than this one), but that just means I’ll have to find more excuses to listen.

Posted by terpkristin.