Review of A Discourse in Steel by Paul S. Kemp

SFFaudio Review

discourseA Discourse in Steel (Egil and Nix #2)
By Paul S. Kemp; Read by Nick Podehl
Publisher: Angry Robot on Brilliance Audio
ISBN: 978-1469271750
[UNABRIDGED] 9 CDs

Themes: / buddy sword and sorcery / assassins /

Publisher summary:

Egil and Nix have retired, as they always said they would. No, really – they have! No more sword- and hammer-play for them! But when two recent acquaintances come calling for help, our hapless heroes find themselves up against the might of the entire Thieves Guild. And when kidnapping the leader of the most powerful guild in the land seems like the best course of action, you know you’re in over your head.

When I read The Hammer and the Blade, the first Egil and Nix book, I had a good time with this buddy-sword-and-sorcery (is that redundant?). The characters were entertaining if a bit melodramatic, the action spot-on, and the writing professionally done.

A Discourse in Steel exceeds The Hammer and the Blade on just about every level (probably even the melodrama). I thoroughly enjoyed Discourse and a lot of that could be because I’ve gotten to know the characters that much more.

First, you have to know that A Discourse in Steel is more a second Egil and Nix book than a sequel. Yes, it follows the The Hammer and the Blade in both publication and timeline, but the events in Discourse are self-contained just like those in Hammer. In fact, you don’t need to know anything to jump into this book.

Egil and Nix are just a great pair. I enjoyed them in the first book, but found their relationship and the events a bit cliche at times. Here, I’m convinced they’re cliche and melodramatic, but it’s such a good combination with tons of heart that you can’t help but be won over. I mean, look at this exchange:

“Graduates of the conclave are bungholes,” Nix said absently, and rifled his satchel. He quickly found the tallow sticks and the scribing wand and pulled them out. He also anticipated Egil’s jest and cut it off. “I didn’t graduate priest, as you know.”

“Possibly still a bunghole though.”

“Conceded.” Nix said, with a tilt of his head.

I had to pull over and write that one down. This also means any mistakes are mine although I’m sure I got all the words right.

In Discourse, Egil and Nix are up against an entire guild … and the guild is the one that should be worried. In the first book, they were so powerless, it was a bit frustrating even though it worked for an interesting plot. This one really got me for this reason right here. Their attitude was awesome, I’d recommend not messing with them when they’re even remotely serious. :)

And since I “read” the audio version, I have to comment on Nick Podehl. This was my first read by him and this guy seemed made for the duo that is Egil and Nix. He was hilariously sarcastic and blended the melodrama well too. It’s actually quite interesting because Nick is reading my current book which is very serious. At first, it didn’t work because I was used to the fun and sarcasm, but now I can’t even believe they’re the same person. Nick is an excellent narrator, I’ll be happy seeing his name on audiobooks in the future.

Speaking of that, I’m looking forward to reading more of Kemp’s work in the future too. I can’t believe he balances four kids, a corporate attorney position, and writing. Plus, he finds time to discuss on reddit.com/r/fantasy and other places where fans congregate.

A Discourse in Steel is exactly what it claims to be. It’s tons of fun with plenty of action and while it doesn’t take itself too seriously, it knows when to be serious. Kemp stepped up his game and I’m looking forward to more adventuring with Egil and Nix.

4 out of 5 Stars (highly recommended)

Posted by Bryce L.

Review of Carrie by Stephen King

SFFaudio Review

carrieCarrie
By Stephen King; Narrated by Sissy Spacek
Publisher: Simon & Schuster Audio (now only available through Audible.com)
Publication Date: 24 August 2012
[Unabridged] – 7 hours; 20 minutes

Themes: / telekinesis / adolescent bullying / religious fervor / hog slaughter / revenge / horror /

Publisher summary:

An unpopular teenage girl, whose mother is a religious fanatic, is tormented and teased to the breaking point by her more popular schoolmates. She uses her hidden telekinetic powers to inflict a terrifying revenge.

I’ve wanted to read Carrie for a while now.  It’s one of those iconic works that you’re compelled to read, more out of a sense of obligation to the author’s craft than a product of individual literary desire.  I’m not one of those Stephen King aficionados that could play King Trivia and know every answer.  I’ve read some of his books, and most of those have been fantastic.  Some weren’t.  Truthfully, I’d love to sit down and just talk shop with King.  Just to be able to shoot the breeze about writing, the shape of a story, how to switch tense to make something pop, and a load of other stuff that most likely doesn’t blow the hair back for that many folks.

Stephen King has a knack for drawing a character that evokes empathy from the reader.  I can’t say I enjoyed the question and answer portions, the jagged breakaways from the main narrative flow, or the investigation that lies at the far end of this story.  But I love how King slows down a scene, making time stretch beyond normal, beyond the pocketful of seconds, far past the internal clockwork of mind can account for in a passing moment.  I also really appreciated some of King’s choice of language.  And I’m giving King bonus points for quoting Dylan lyrics, thanks Stevie!

I don’t believe it’s a secret that there’s blood in this story.  There’s also murder and violence.  What most surprised me was my reaction to the scene with the pigs.  I won’t go into detail here, but this scene evoked the most emotional reaction for me, and I found this interesting.  I had and felt compassion for Carrie, but the part with the pigs and potato chips stood out like broken glass under a bright moon.

Sissy Spacek as narrator does a solid job.  Her delivery is dependable, and she does not try to act the story.  She does not insert herself as a character in her reading.  I was able to hear a slight amount of audible feedback in this audio rendition, and am disappointed that the sound engineers didn’t clean the tracks up before distribution.  This audiobook is prefaced with a few words from Stephen King.  He gives a little background to how Carrie was saved from the dustbin, and how its publication came just in time.  I for one am a fan of Stephen King speaking about his history and life, and so I enjoyed this little introduction.  I find King’s voice pleasant and easy to listen to.

 Posted by Casey Hampton.

Review of Kenobi: Star Wars by John Jackson Miller

SFFaudio Review

kenobiKenobi: Star Wars
Written by John Jackson Miller; Read by Jonathan Davis
Publisher: Random House Audio
Publication Date: 27 August 2013
ISBN: 9780804148221
[UNABRIDGED] – 13 hours; 36 minutes
Download Excerpt: | MP3 |

Themes: / Star Wars / Jedi /
Publisher summary:

The Republic has fallen.
Sith Lords rule the galaxy.
Jedi Master Obi-Wan Kenobi has lost everything . . .
Everything but hope.
 
Tatooine—a harsh desert world where farmers toil in the heat of two suns while trying to protect themselves and their loved ones from the marauding Tusken Raiders. A backwater planet on the edge of civilized space. And an unlikely place to find a Jedi Master in hiding, or an orphaned infant boy on whose tiny shoulders rests the future of a galaxy.
 
Known to locals only as “Ben,” the bearded and robed offworlder is an enigmatic stranger who keeps to himself, shares nothing of his past, and goes to great pains to remain an outsider. But as tensions escalate between the farmers and a tribe of Sand People led by a ruthless war chief, Ben finds himself drawn into the fight, endangering the very mission that brought him to Tatooine.
 
Ben—Jedi Master Obi-Wan Kenobi, hero of the Clone Wars, traitor to the Empire, and protector of the galaxy’s last hope—can no more turn his back on evil than he can reject his Jedi training. And when blood is unjustly spilled, innocent lives threatened, and a ruthless opponent unmasked, Ben has no choice but to call on the wisdom of the Jedi—and the formidable power of the Force—in his never-ending fight for justice.

Star Wars Kenobi takes place between the events of Episode III and Episode IV and explains how Obi-Wan Kenobi settled in on Tatooine and became “Old Ben” that we see at the beginning of Episode IV. While that is mostly true, the feel I got from this book was more like, “The adventures of a bunch of frontier settlers on Tatooine who have problems with Tusken Raiders and each other with a Jedi in hiding mixed in”. While the title of the novel is “Kenobi” more of the story is centered around those settlers and their problems than around Obi-Wan himself. The book isn’t bad for it, it’s just not necessarily what I would have expected based on the title and description.

I liked the book overall. There were some points where it felt like the story could have resolved sooner but I found the overall conclusion satisfactory. The western/frontier setting is pretty interesting with the sets of problems that frontier life and sand people can give you. I liked John Jackson Miller’s portrayal of Obi-Wan as this passive guy that perpetually avoids conflict but gets forced reluctantly into action. You get some more insights into how Obi-Wan is reacting to the events of Episode III and where he thinks things went wrong.

If you like Star Wars books, this is a definite read. If you don’t haven’t read many, this book is not a bad place to start since it doesn’t rely on any back story beyond the movies. The pace of the book keeps up pretty well throughout with only a few slow moments so overall this was a quick fun book. I have to admit that I was into the book enough that I wanted to hit some of the characters if they didn’t get theirs eventually.

Jonathan Davis does a great job reading this book. His Obi-Wan impression does not disappoint and he does a great job with the other characters. One of the main characters is a bit of a schmoozer and he pulls it off really well (I just wanted to smack that guy sometimes.) The sound effects and music are always a plus in Star Wars books. My only grief here is that there are many scenes at a local store and the background sounds are that of a grocery store scanner – which I found incredibly distracting.

Posted by Tom Schreck

Review of Carniepunk

SFFaudio Review

CarniepunkCarniepunk
By Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson and Kelly Meding
Narrated by Candace Thaxton and Kirby Heyborne
Publisher: Simon & Schuster Audio
Publication Date: 23 July 2013
[UNABRIDGED] – 14 hours
Themes: / carnivals / urban fantasy / paranormal romance / mind-readers / synaesthesia / imprisoned goddesses / mermaids / short stories / tie-ins /
Publisher summary:
Come one, come all! The Carniepunk Midway promises you every thrill and chill a traveling carnival can provide. But fear not! Urban fantasy’s biggest stars are here to guide you through this strange and dangerous world. . . .

RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

This was a short story collection with urban fantasy, paranormal romance, and carnival themes. On the whole, the book was fairly average. There were some fantastic stories and there were some terrible stories. I’ve reviewed each story individually, below. The narration was mostly done by Candace Thaxton, though Kirby Heyborne narrated a few including “Painted Love” and “The Demon Barker of Wheat Street.” All in all, I found Thaxton’s narration preferable to Heyborne’s, but that might have been because I liked more of the stories she narrated than Heyborne. Heyborne’s narration bordered on creepy, and while it fit the genre/story, it also made me kind of uncomfortable. In honesty, I’m not sure I can recommend this book unless someone is looking for a specific short story from one of the authors. There were a few stories that I read that I’m now interested in the world, but most were either very average or downright terrible. This is also not a book for younger readers–some of the stories are quite graphic, mostly sexually. So if you want the book, be warned that it’s probably not “good family listening.”

Stories:
“Painted Love” by Rob Thurman. A creepy tale of a carnival manager and his killer tendencies, seen through the eyes of a demon that escaped from Hell. The demon, called “Doodle,” wants to see the world and so latches onto people as he makes his way around, seeing people of all types. Unexpectedly, Doodle finds that he’s awed by the strength of the psychic at the carnival–and steps in when Bart, the manager, tries to kill her and rape her sister. It was an interesting idea, made all the more creepy by the narrator’s voice. Unfortunately, most of the story was character development of the members of the carnival; the actual meat of the story felt like it was fairly rushed.

“The Three Lives of Lydia” by Delilah S. Dawson. I believe this was said to be a story of “Blud,” though I haven’t read any of Dawson’s work to have familiarity with the story or the characters. This was a sad story of a girl who woke up on the outskirts of a carnival in a different world, a world called “Sang.” The girl, Lydia, is a “stranger” in the world, a transient. She falls in (and in love?) with a vampire, and takes a job at the carnival. Unfortunately, she’s also stalked by some of the less-nice members of the carnival, and skates the line between her waking life and the life in her “dream.” While this was a sad story and somewhat predictable, I actually kind of liked it. I think I might want to read more in this world, if it’s more of the carnival “dream” world.

“The Demon Barker of Wheat Street” by Kevin Hearne. A story from the world of The Iron Druid Chronicles, therefore starring the Druid Atticus O’Sullivan, his Irish wolfound, and his student Granwael (spelled wrong I’m sure). This is supposed to take place a few years after the events in Tricked, which I haven’t read yet (I’ve only read the first book in the series, Hounded). This time, Atticus and Granwael decide to go into a “freak show” in a carnival and find something much more sinister than a typical carnival freak show. It results in a battle with some ghouls, as might be expected. Just like Hounded, this story is pretty light but entertaining enough with a good bit of action, if slightly formulaic.

“The Sweeter the Juice” by Mark Henry. A terrible and disgusting story about a transvestite looking for a new street drug to help pay off her debt at a sex change clinic. This story had a lot of unnecessary detail. It was also needlessly disgusting. I regretted eating while listening. If I could give negative stars, this story would get them.

“The Werewife” by Jaye Wells. Be careful what you wish for, even if it’s only in the darkest recesses of your mind. That goes double when you’re at a carnival with a freak show run by someone who can read minds. A story, as you might guess from the title, about a man and his werewolf-wife. The ending in this was almost “happy” and the story didn’t go where I thought it would. It was a welcome relief after the last story.

“The Cold Girl” by Rachel Caine. A short story in the vein of Twilight, down to the emo teenager “in love.” This particular emo teenager’s boyfriend turns out to be a murderer and she looks to be his next victim. She’s warned by a psychic at the carnival, but is also told that there is nothing she can do, and that she will meet The Cold Girl soon. This was utter rubbish. I suppose that if you liked the Twilight series, you might like this, but the truth is, the Twilight series did terrible things for a wonderful genre, the least of which was inflicting further crap like this on unsuspecting readers.

“A Duet with Darkness” by Allison Pang. This story is listed by Goodreads as “book 0.5” in the Abby Sinclair series. I’ve never read the series, but I do like the idea of music and synaesthesia as a tie to the magical world. In this story, Melanie is a violinist tied to a fallen angel, Numo (the description of whom reminds me of Sephiroth from Final Fantasy VII a bit). She is insanely talented and her pride gets the best of her while at a gig she “duels” (plays violin with/against) someone who is better than her. Her opponent turns out to be the Devil’s violinist. This story was a bit heavy on introduction of characters that didn’t seem to matter much for this story (but probably makes sense for the larger world context). I may have to give this series a go.

“Recession of the Divine” by  Hillary Jacques. Can you imprison a goddess? What happens if you try? This story attempts to answer that as Mnemosyne (Goddess of Memory, a Titan) has renounced her Olympian ways and (in this century) is a loss specialist for an insurance company. She ends up at a carnival which has had a string of accidents. She finds that there is much more than meets the eye as one of the carnival members is using other divine techniques to have his way about things–including wooing/luring customers. Realizing what Olivia (Mnemosyne) is, he tries to use her abilities as a part of the show…and that may just be his undoing.

“Parlor tricks” by Jennifer Estep. This is an Elemental Assassin short story, another series I haven’t read but might look into based on this short story. This time, a girl goes missing while at a carnival and “The Spider” and her sister (a police detective) go there to search for her. What they uncover is a fairly typical trope in fantasy, but that doesn’t stop this story from being pretty good. One other thing that I really liked that not many of the stories in this collection have done well is that it only gave us detail we needed. Too many of the other stories in this collection have a lot of detail that is irrelevant to the story. The detail would be needed for a full-length novel or maybe even a novella…but not for the short story. So, in addition to enjoying this story, I have to give Estep credit for the focus in the story.

“Freak House” by Kelly Meding. Another concise story, and another one I was surprised to enjoy. This time, it’s a story of a daughter trying to find her kidnapped father. The twist? Well…how does one exactly kidnap a djinn to start with, and how does one rescue the djinn from whoever was powerful enough to kidnap him in the first place? Shiloh, half-djinn, teams up with a werewolf and a human to do just that…the narration said this was a “Strays” short story, but I can’t find any reference to that series on GR or on Meding’s website. Either way, it was another story, just enough detail without going overboard.

“The Inside Man” by Nicole Peeler. After a few strong stories, I guess I can’t complain too much when this one was not nearly as strong–or as interesting. The concept was interesting: a soul-stealer and those trying to fight against him, to reclaim the souls. The execution, though, was boring. I routinely found myself getting distracted during this story in the Jane True universe.

“A Chance in Hell” by Jackie Kessler. A story that starts and ends with gratuitous sex scenes, this one was also pretty boring. Jezebel used to be a succubus, but she has escaped hell and is living “topside” as a human, getting trained in the ways of being human by her roommates. One of her roommates, Cecilia, wants to go to a carnival, to show her a new view of humanity. What Cecilia doesn’t know, can’t know, is that this carnival is run by a powerful demon. A story in the Hell on Earth series, it was another that was predictably un-entertaining.

“Hell’s Menagerie” by Kelly Gay. At its crux, a story about a girl and her dog with some coming of age thrown in for good measure. This story is from the Charlie Madigan world, though from reading the description of the books in that series, I think it’s just set in the same world, not necessarily with the same character. In this story, Emma travels with her hellhound, Brim, to Charbydon to rescue Brim’s puppies and their mother. They track them to a menagerie and are forced to make the decision to trade Brim for the pups. Now on a mission to rescue Brim, Emma realizes she has some special powers, powers that extend above and beyond her connection with Brim. This story was cute, if predictable. Really, how can anybody not like a story with hellhounds?

“Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. I don’t really know what to make of this story. It wasn’t bad…but I’m not sure I “got” it. There didn’t seem to be much real story…it was about a young woman who was part (or entirely) mermaid, visiting with a traveling carnival the city where her mother (also mermaid) was found (and subsequently joined the traveling carnival). There is a lot of discussion of a “possible” problem but the actual action was only in the last 10 minutes or so of the 45-minute story…and even then, it was pretty mundane. I haven’t read any of Seanan McGuire’s (or her alter ego, Mira Grant) works, and I’m not sure that this enticed me to do so. I wonder how similar this story is to others she’s written.

Posted by terpkristin.

Review of Sons of the Oak by David Farland

SFFaudio Review

Fantasy Audiobook - Sons of the Oak by David FarlandSons of the Oak (Book Five of The Runelords)
By David Farland; Read by Ray Porter
13.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012
Themes: / Fantasy / Epic Fantasy /

This is the fifth book in the Runelords series and the first book of the Scions of the Oak.

It feels like a fast read. The book is well-paced, one chapter flowing into the other and the story is engrossing. The end of each chapter was a chance to catch your breath but at the same time, you wanted to keep going to find out what would happen next.

Sons of the Oak begins with the death of Gaborn Val Orden, the Earth King and protagonist of the first four books. He sends his sons to the woods to rescue a girl who had been kidnapped by the Strenge Satz.

With the death of the Earth King, shadowy creatures from the Netherworld and the enemies of Gaborn attack the castle to kill the boys. Queen Iome abdicates her throne and goes into hiding with her sons and a few close friends to save their lives.

It is their flight into exile and their fight against Axkaroth and Shadoath – evil beings that have taken over humans — that encompasses this book. As with all Farland’s books, not everyone makes it, but that is part of what adds to the suspense.

This is a great book. The characters are well developed and imperfect (I am not a fan of perfect heroes). You never know from one scene to the next what will happen – although you’re assured by the existence of more books that the boys survive. Still, the narrative works well in audiobook format and Ray Porter does a great job with the voices and characterizations.

I loved the book and recommend it highly.

Posted by Charlene Harmon

Review of Kafka on the Shore by Haruki Murakami

SFFaudio Review

Kafka on the ShoreKafka on the Shore
By Haruki Murakami; Performed by Sean Barrett and Oliver Le Sueur
Publisher: Random House Audio
Publication Date: 6 August 2013
ISBN: 9780804166553
[UNABRIDGED] – 19 hours, 2 minutes
Excerpt: | MP3 |

Themes: / cats / helpful librarians  / metaphysical reality / Japan /

Publisher summary:

This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

I went on a Murakami reading binge in 2009, and suddenly found myself hitting a wall. What I had started out loving started to overwhelm and suffocate me. I knew I needed a break from him for a while.

I did take a break from the break to read 1Q84, which I really enjoyed. As I listened to the audiobook of this novel, I found myself wishing I’d read this prior to 1Q84. Some of the themes are the same, and I don’t just mean the silly themes like cats and pasta and music, but shifting realities and not being sure about who you are on many levels. They seem more concise in this novel, and I think having this experience first would have made 1Q84 even better.

This past year, Random House has been putting many of Murakami’s works out on audio, so I jumped at the chance to listen to this one as I had not yet read it in print. I enjoyed the audio production immensely. The two narrators bring completely different feelings to the different sections, and the novel shifts back and forth between the narratives of Kafka and Nakata. I enjoyed the haven of the library and the very helpful librarian, but that might have been the only moment of reality in this book.

Murakami always sends me off to listen to music, not just by work but certain performances of a work. I spent several afternoons listening to the Archduke Trio (Beethoven) as performed by the “Million Dollar Trio.” Great stuff.

Posted by Jenny Colvin