Review of To Your Scattered Bodies Go By Philip Jose Farmer

Science Fiction Audiobooks - To Your Scattered Bodies Go by Philip Jose FarmerTo Your Scattered Bodies Go
By Philip Jose Farmer; Read by Paul Hecht
6 Cassettes – 7.75 Hours [UNABRIDGED]
Publisher: Recorded Books Inc.
Published: 2000
ISBN: 0788763261
Themes: / Science Fiction / Resurrection / Society / Aliens /

Paul Hecht reads this Hugo Award-winning novel by Philip Jose Farmer. The novel begins with the resurrection of millions of people from throughout human history. They awaken in a great river, swim to the surface, and emerge onto the shore.

The story’s main character is Sir Richard Burton, an adventurer who lived from 1821 to 1890. He immediately finds himself leader of a small group of people which includes a prehistoric man, a Victorian woman, and an alien. This afterlife is no heaven, though, as people barely get over the fact that they are alive again before they start fighting each other for the usual reasons humans do.

Burton’s attention turns to the river itself, and he decides to build a boat and find its source, hoping then to find the answers to his questions – Who resurrected them? And why? The answer to this question changes throughout the book as more is revealed and the characters figure things out.

Another significant character is Nazi Hermann Goering who picks up from where he left off on Earth, enslaving Jews and engaging in battle wherever he can find it. The exchanges between Goering and Burton are the highlight of the book. That humankind can be resurrected without changing is a dismal thought, and I think the main theme of this novel. But mankind’s adventurous spirit is also represented as honorable in Burton’s character.

Paul Hecht is a good reader who does well with this material. He was a bit dry at times, but was very listenable and successfully held my attention.

Posted by Scott D. Danielson

Review of Demo Mode by Tom Gerencer

Demo Mode
by Tom Gerencer; Read by Tom Gerencer
14 minutes, 31 seconds [UNABRIDGED]Publisher: Telltale Weekly
Published: April 2004
Themes: Science Fiction / Humor / Identity / Viruses /

In the future, knowledge will be grafted straight into our brains, no learning required! Just make sure they configure the innoculotron correctly, or you might wind up contracting Esperanto by mistake. First published in Science Fiction Age Magazine’s May 2000 issue, “Demo Mode” is a humourous short story about a schlub in the future who thinks a simple bit of viral-software will improve his personality. The plot is very similar to the NFB animated film “Personality Software.” Tom Gerencer’s reading is quick, perhaps too quick, but sound quality is great and his “rich and lilting yet somehow phoney sounding stereotypic Scottish accent” is absolutely spot on. Available online at www.telltaleweekly.com for only $.75 USD, “Demo Mode” is a good value and a good laugh!

Posted by Jesse Willis

Review of Mind Slash Matter by Edward Wellen

Mind Slash Matter
By Edward Wellen; Read by René Auberjonois
2 cassettes – 3 Hours [UNABRIDGED]
Publisher: Durkin Hayes Inc. [Audio Exclusive]
Published: 1995
ISBN: 0886463890
Themes: / Science Fiction / Mystery / Computers / Artificial Intelligence / Hollywood / Disability /

[His mother] should have died then, at that moment, but she lasted five terrible downhill years longer. Doctors were small help, they couldn’t cure or even treat Alzheimer’s. But they could tell him it seemed to run in families. So during those years, in between looking after her and meeting his deadlines, he put his mind to the matter of insuring that he would not end up mindless and helpless. That he would end up in the middle of a slasher case was farthest from his mind

Depending how you look at it, there are either one or two people named Rush Lightbody. The first Rush was an award winning screenwriter, who is respected in Hollywood. The second Rush is in physically the same body, but this Rush has a terrible secret. He suffers from Alzheimer’s disease, a progressive and irreversible brain disorder with no known cure. The effects upon him include extreme memory loss, disorientation, and impaired judgment. But he is able to cope because he anticipated it. Rush saw his own mother disabled by this horrendous disease and knowing that it can run in families he wrote a complex computer program to manage his daily activities for him. It can respond to questions and give instructions to the housekeeper. But most importantly it can help Rush with his daily routine; the program does everything from reminding him who he is and what he’s accomplished to telling him where the bathroom is. It can even answer the phone in Rush’s voice! The program provides constant reminders, telling Rush, “P.J. Katz called Rush, he’s your agent.”

P.J. Katz, like everyone else Rush knew has been fooled into thinking Rush is normal, so he’s isn’t reluctant to call with a new writing assignment – the biography of an aging film star. The biography of Iris Cameron will require Rush to physically visit her and his agent and thus to venture outside the bounds of his home and routine. So the computer program gives Rush a pager with a digital display readout and calls a cab. Disoriented and out of sorts Rush somehow manages not to screw up either the meeting with his agent or Iris Cameron, but when he returns home, Rush’s computer has recorded a death threat from an anonymous caller – if Rush doesn’t stop writing the biography of Iris Cameron, he’s a “dead man.” This threat eventually leads to something the first Rush Lightbody, the young man who wrote the computer program, could never have expected – Rush becoming the prime suspect in serial killer murder investigation! Its now up to a dementia suffering screenwriter and a few lines of code in a PC to both keep Rush alive and discover the real killer.

The plot as detailed above may remind you of a combination of Christopher Nolan’s independent film Memento (2000), and Billy Wilder’s Sunset Blvd. (1950). But while Mind Slash Matter is certainly inspired by the latter, it precedes the former by a good five years. And as a big fan of both those films I am pleased to announce the resemblance in plots is also duplicated in the quality. Mind Slash Matter is one of the most riveting audiobooks I’ve ever heard! Upon finishing it I immediately attempted to track down more audiobooks by Edward Wellen, but unfortunately he wrote only two novels, and only one other story has been recorded as an audiobook – a short story I highly recommend you track down called “Mouthpiece”. But back to Mind Slash Matter, this is suspenseful, unpredictable, thought provoking and even funny novel with a mentally disabled detective solving a murder mystery. And frankly this story amazes me. Wellen has done the impossible. He’s written something completely and undeniably original. Wellen’s portrayal of what it’s like to live with Alzheimer’s disease is insightful and frightening, and his ideas as presented are almost a meditation on the boundaries of the human mind, a recurrent theme in Wellen’s fiction. The sum is a very powerful tale – and an unforgettable audio experience.

René Auberjonois, the reader, will have a familiar voice to many listeners since he played Odo on Star Trek: Deep Space Nine. His performance here is excellent, using different voices for each character and particularly able to inject emotion into Rush’s thoughts – fear, anger, frustration, and confusion. For a straight reading – no music, no voice effects – this is perfect. Cover art is a little hard to decipher but is adequate. To top it all off, Mind Slash Matter was, until recently, only available only as an audiobook. Such an amazing story and straight to audio!

Posted by Jesse Willis

Review of Star Trek: Vulcan’s Soul by Josepha Sherman and Susan Shwartz

Star Trek Audiobooks - Star Trek Vulcan's SoulStar Trek: Vulcan’s Soul Book I: Exodus
By Josepha Sherman and Susan Shwartz; Read by Boyd Gaines
3 Cassettes or 4 CD’s, 4 hours [ABRIDGED]
ISBN: 0743529995 (Cassette), 0743530004 (CD)
Publisher: Simon and Schuster Audio
Published: 2004
Themes: / Star Trek / Vulcans / Aliens /

A disheartening thing about being a fan of Star Trek is that one of its most beloved characters, Spock, has been left with an unfinished story. The last time we saw him on the screen was during the two-part Star Trek: The Next Generation episode entitled Unification. That the ratings for that episode are among the best Star Trek has ever gotten demonstrates the fan’s desire to see more of Spock. Alas, the business world encroaches, and for whatever reason, Spock was left on Romulus, his fate uncertain.

Enter Josepha Sherman and Susan Shwartz. Their previous two Star Trek novels, Vulcan’s Forge and Vulcan’s Heart (both available on audio) were excellent science fiction, focusing on Spock in particular and Vulcan culture in general. Vulcan’s Soul Book 1: Exodus continues that story in the same manner, focusing both on the character of Spock and the Vulcan world during the time of Surak, the great Vulcan philosopher who championed logic over emotion, and to whom we were first introduced during the Original Series.

The story takes place one year after the Dominion War. A hostile and powerful race called the Watarii, claiming to have an ancient score to settle with the Romulans, invade Romulan space. Spock and his wife, Captain Saavik, swoop in to help, enlisting the assistance of old friends Admiral Uhura and Admiral Chekov. They work to unravel the mystery of the Watarii while doing their best to assist in defending against them. Frequent flashbacks tell the interwoven story of Surak’s effect on the planet Vulcan.

The story is fast paced and extremely well-read by Boyd Gaines. The sound effects and music typical of previous Star Trek audiobooks is also present, effectively used to establish setting and tone.

My only quibble with this one is that I hadn’t heard from Uhura and Chekov in so long that I had to seriously question whether or not they would be alive one year after the Dominion War. The answer is: apparently so. They’d be over 150 years old, but possibly still kicking. Uhura is mentioned in a previous novel (Catalyst of Sorrows) as being the “centenarian head of Starfleet Intelligence.” I’m certainly finding this kind of thing old. I assume Sherman and Shwartz have a valid reason for using these two particular characters, but I’m currently not sure why they would bring yet another couple of TOS characters into the TNG/DS9/VOY era rather than using some contemporary characters from other series. Perhaps the Enterprise-A encountered some kind of strange nebula which had a hypnotic effect that prevents these folks from retiring… Another story, perhaps.

Other than that annoyance, this was a very good Star Trek novel with lots of Vulcan mythos, lots of eyebrow-raising conundrum, and a fantastic battle scene.

Find more on Star Trek audiobooks here!

(I’d like to acknowledge the kind assistance of Scott Armstrong, who did some research for me for this review. Any mistakes, of course, are my own.)

Posted by Scott D. Danielson

Review of Salem’s Lot by Stephen King

Salem’s Lot
By Stephen King; Read by Ron McLarty
11 Cassettes – 17.5 Hours [UNABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2004
ISBN: 0743536959
Themes: / Horror / Vampires / Maine / Small town /

Simon and Schuster recently published this unabridged version of ‘Salem’s Lot, the only appearance of this 1975 Stephen King novel on audio of which I’m aware. This is the second novel published by King, and in my opinion is one of his finest.

Ben Mears, a successful author, returns to the small town of Jerusalem’s Lot to research a book he’s writing. Things get complicated quickly when a man named Barlow moves into town and folks start disappearing. Even more complicated – they start re-appearing. As vampires. As Ben Mears absorbs this fact, he meets the young Mark Petrie, and together they fight Barlow and his growing army.

The characters are the most striking attribute of any Stephen King novel, and this early novel is no exception. The numerous characters breathe with detail, and they all seem like people that I’ve met or could meet today. King lays the small town of Salem’s Lot out for all to see, warts and all, and then commences to destroying it while the reader watches. The actions and fates of the small town characters King has brought to life are where the story lies – not in Barlow himself.

Ron McLarty performs the novel, and does a fine job of it. He handles all the characters with great skill, reading in a clear and often tense manner. As you can probably tell, I really like Salem’s Lot. It’s one of the few novels that I revisit every so often. McLarty treated it well, and I thank him.

Now, I’d love to hear an unabridged audio version of the other two of what I’ve heard called King’s Trinity: one of The Shining, and one of the uncut version of The Stand. I’ll wait patiently…

NOTE: Did anyone catch that recent USA Network TV version of Salem’s Lot? Why the heck did they change so many small details? OK, OK, it’s a different medium, yadda yadda yadda, but wow. They had a perfectly good story to start with. ‘Nuff said. Back to the audio.

Posted by Scott D. Danielson

Review of The Adventures of Superman

The Adventures of Superman
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [AUDIO DRAMA]
ISBN: 056339370X
Publisher: BBC
Published: 1994
Themes: / Fantasy / Superhero / Comics / Audio Drama /

This BBC radio drama (originally heard on BBC Radio 1 FM) tells the story of Superman from his first appearance in the skies to his battles with Lex Luthor, The Bizarro Superman, and Metallo. Dirk Maggs adapted and directed the script, from stories written by John Byrne, Dave Gibbons, and Jerry Ordway, published by DC Comics.

The production is strikingly effective. On the back cover of the package, it says, “A movie without pictures – you won’t believe your ears!” That’s not rhetoric – this audio drama plays exactly like a movie. Scene changes are made, setting is established, and special effects all executed with sound. With headphones on and eyes closed, you can practically see the screen in front you. And the acting is uniformly excellent. Remarkable!

I enjoyed the production much more than I expected to, because not only did it sound great, the story was great too. The tale begins with the first appearance of Superman as he saves a supersonic jet from destruction. From there, Clark Kent sets up his alter ego, dons his costume, then spends the rest of the story fighting Lex Luthor (and his creations) while discovering his own origins. The entire thing was executed brilliantly, and the result is a production that I enjoyed more than any Superman film I’ve seen.

Posted by Scott D. Danielson