Reviews – Page 14

Review of Golden Fool by Robin Hobb

SFFaudio Review

Golden Fool (The Tawny Man, Book 2)
By Robin Hobb, Narrated by James Langton
Publisher: Brilliance Audio
Publication Date: 25 July 2014[UNABRIDGED] – 25 hours, 56 minutes

Themes: / fantasy / Farseer / assassin /

Publisher Summary:

Prince Dutiful has been rescued from his Piebald kidnappers and the court has resumed its normal rhythms. There FitzChivalry Farseer, gutted by the loss of his wolf bondmate, must take up residence at Buckkeep as a journeyman assassin.

Posing as a bodyguard, Fitz becomes the eyes and ears behind the walls, guiding a kingdom straying closer to civil strife each day. Amid a multitude of problems, Fitz must ensure that no one betrays the Prince’s secret – one that could topple the throne: that he, like Fitz, possesses the dread “beast magic.” Only Fitz’s friendship with the Fool brings him solace. But even that is shattered when devastating revelations from the Fool’s past are exposed. Bereft of support and adrift in intrigue, Fitz finds that his biggest challenge may be simply to survive.

Golden Fool picks up directly where Fool’s Errand leaves off. Dutiful needs someone to teach him how to use his magics and Fitz (aka Tom) gets caught up further in the intrigues of the court at Buckkeep. Dutiful’s betrothal ceremony with his future bride from the OutIslands is set to go off and there are also Piebalds somewhere out in the Six Dutchies…what could possibly go wrong? Fitz needs to figure out what is going on by any means possible to prevent problems for the farseer reign.

Golden Fool‘s plot didn’t really feel like a normal plot to me – it feels like a middle book in a trilogy that covers the events after the initial setup but before the epic conclusion of the trilogy. That doesn’t mean the book is any less enjoyable, just that it doesn’t have as many peaks and valleys with tension and the climax of the book. The book ends in such a way that you have to go on to the third book afterwards.

Hobb’s ability to write compelling prose continues on in this novel and her characters are great. FitzChivalry really gets to be at odds with just about everyone in this book and there were times I felt like I was listening to a fantasy version of the Jerry Springer show. It’s kind of amazing how the best of intentions and misunderstandings can extend gulfs between people and Hobb does a great job exploring there.

Hobb also brings up questions of prejudices and how “normal” is defined. The main overarching prejudice is of course the hate people have for the “Old Blood” people who have beast magic but there are also other instances involving intellectual disabilities and sexual identity too. It’s interesting to see how characters from outside those groups relate but especially interesting to see how those within the same group relate to each other and how some prejudices are overcome while other are….well you’ll see.

As for the audio side of things, James Langton continues to do a great job in Golden Fool. His voices are still great except I don’t understand why it sounds like the queen (from the mountain kingdom) has what sounds like a French accent while the people from the out islands also have what sounds like a French accent. The Bingtown traders sound Italian so I’m not sure why the out islanders wouldn’t have some other accent. Some word pronunciations also bother me but overall, Langton’s performance drew me in so well that all of these were minor gripes by comparison.

Posted by Tom Schreck

Review of Macrieve by Kresley Cole

SFFaudio Review

Macrieve (Immortals After Dark #13)
By Kresley Cole; Narrated by Robert Petkoff
Publisher: Simon & Schuster Audio
Publication Date: July 2013
[UNABRIDGED] – 13 hours, 51 minutes

Themes: / fantasy / werewolves / romance /

Publisher summary:

Uilleam MacRieve, a centuries-old Lykae warrior, was captured, caged, and experimented on by a shadowy human order, along with other immortals. During a prison break that devolved into one of the bloodiest massacres in recent history, he escapes. But the aftermath of his unspeakable torture preys on his damaged mind, while the wolf inside him roars for vengeance and carnage. In the days leading up to the full moon, can MacRieve rein in his beast, even when he encounters his mate – a vexingly impossible female unlike anything he’d ever dreamed for himself?

MacRieve is quite a bit different than the other Immortals After Dark series. Uilleam MacRieve is a Lykae, a werewolf with a twin brother, Munroe. He finds his eternal Mate in the form of Chloe Todd, daughter of Preston Webb. Webb is the Commander of the Order, a group of humans striving to contain and study those creatures know as the Lore. It doesn’t feel as essential to the overarching story as the other books, but if you enjoy the series, it was an OK entry, although Chloe is pretty great.

SPOILERS AHEAD!

What makes this different from the other books in the series is a focus on sexual violence and abuse. Uilleam was raped repeatedly by a Succubus for years, and the book actually starts during one of these later sexual encounters. The Succubus had claimed to be his Mate, and started molesting him when he was nine, grooming the child so that he didn’t recognize it as abuse. His mother found out and went to confront her, only to be slain by one of the Succubus’ other lover, a Vampire. His father soon followed, leaving Uilleam and Munroe alone.

Chloe is an Olympic-level soccer player, focused on her career path. Her father is busy as a military consultant but supportive until she begins to notice some changes in her body, like super-hearing and sensitivity to touch. He abandons her with only a book on the Lore as a clue to the changes she’s experiencing. Chloe is captured by a group of Witches and auctioned off to the highest bidder. Most of the Lore shows up, eager to use and abuse her as a lure for her father, whom she discovers is not the retired consultant she thought, but the mastermind behind the Order.

Rape is brought up repeatedly to Chloe, as everyone points out that the Pravus army would gang-rape her as revenge for her father’s crusade against the Lore. She discovers she’s half-Succubus after a sexual encounter with Uilleam, and he repeatedly verbally abuses her about her sexual hunger. Uilleam struggles with the scars of his childhood abuse, but the Beast inside him loves Chloe. He even vomits after the first time they have sex, as it dredges up memories of the Succubus who raped him. Overall, this book tackles child abuse, rape, and emotional abuse more than the other books, but it can be pretty uncomfortable to have those episodes interspersed with some rather complicated sexual scenes. Cole does address childhood sexual abuse with an understanding hand, however, so if you can handle it, the book can be rewarding. Chloe is one of her best female characters, strong and brave with amazing attitude. She might be worth wading through the unsavory parts, even if there is a heavy dose of “I’m not like those dumb girly-girls” in both her thoughts and how she’s described.

The narrator does an amazing job, slipping between a neutral and Scottish accents for the werewolves. His voice goes up slightly for Chloe, but otherwise he has a warm, enthusiastic tone throughout.

Posted by Sarah R.

Review of The Kingmakers by Clay and Susan Griffith

SFFaudio Review

The Kingmakers (Vampire Empire #3)
By Clay Griffith and Susan Griffith; Narrated by James Marsters
Publisher: Brilliance Audio
Publication Date: 29 January 2014
[UNABRIDGED] – 14 hours, 49 minutes

Themes: / vampires / steampunk / fantasy / post-apocalpyse /

Publisher summary:

The Kingmakers is the long-awaited climactic end to the Vampire Empire trilogy.Bogged down by winter warfare in Europe, humans are suffering crushing losses to the surprisingly well-organized vampire clans of the north. The courage and commitment of the Equatorian troops and their allies cannot hold out against the overwhelming onslaught of the enemy.Treachery from within deals the Equatorian forces greater damage than any delivered by the vampire hordes. The only weapon left capable of smashing through enemy lines and annihilating the packs is the Empress Adele herself. Her geomantic talent and skills are formidable, but she is just one person, and the very forces she can bring to bear are also slowly draining her of her life-force.Prince Gareth, the vampire lord of Scotland, known as The Greyfriar to the humans, both slave and free, is at a loss. His brother, Cesare, has outmaneuvered him at every turn. Brilliant, ruthless and without honor, Cesare is confident in his ability to control destiny. His goal is to become king of kings and ruler of the world. Unless the rightful heir, Gareth, can prevent him from assuming their father’s throne, Cesare’s unified vampire clans will destroy Equatoria’s forces and set humanity, if it survives, back a hundred years.

This is the third book of what we could call a steampunk vampire trilogy. I still like the first book the best but this one competes with the second as far as things go. The story once again carries a strong sense of Beauty and the Beast mixed with Romeo and Juliet with a strong steampunk flair. If you liked the first two books, you’ll like this book since everything wraps up rather nicely in the end. One ding I had was that I still didn’t think there was a satisfactory explanation of why Gareth is different from the other vampires. More on that…

This book is very similar to the previous two books to the point that they kind of blur together in my mind when I think back on it. The steampunk aspect is kicked up a notch with some mech suit / tanks in this one but you’ll mainly see lots of swordplay, gunfire, goggles, and airships again. These are some of the things that kind of run together on me mainly because many of the same characters are involved in similar scenes but the overall plot obviously moves forward to a satisfactory conclusion.

Don’t get me wrong – there are many good things that have carried over from the previous two books. The language and prose used in the previous books still give the feel of characters stuck in the past caused by the vampire attack. The action is crazy and fun with lots of epic battles ranging across Europe. The characters are likable for the most part, although Gareth can be a bit one-dimensional sometimes (His primary motivation seems to be his love for Adele to the discount of everything else).

Speaking of Gareth, I still don’t understand why he is different from all other vampires (I guess you could say his manservant shares his values but he also seems kind of like he’s reluctantly dealing with a neurotic master). There was this whole explanation about how Gareth’s father didn’t like wasting things but that doesn’t seem to explain how he could go from seeing people as food to loving a human to the level he does. Even his friend in Paris held similar values but not to the extremes Gareth does. I’d hoped for something like what happened with Angel on Buffy but it was kind of left out there.

As for the audio side of things, I still enjoyed James Marsters’ performance this third time around. He speaks well, uses recognizable voices, and is a pleasure to listen to. I would say that I’d go out looking for books narrated by him, but that’s why I listened to this trilogy in the first place ;-).

Posted by Tom Schreck

Review of Fool’s Errand by Robin Hobb

SFFaudio Review

Fool’s Errand (Tawny Man Book 1)
By Robin Hobb; Narrated by James Langton
Publisher: Brilliance Audio
Publication Date: 15 July 2014
[UNABRIDGED] – 24 hours, 47 minutes

Themes: / fantasy / Farseer / assassin / witch /

Publisher summary:

For fifteen years FitzChivalry Farseer has lived in self-imposed exile, assumed to be dead by almost all who once cared about him. But now, into his isolated life, visitors begin to arrive: Fitz’s mentor from his assassin days; a hedge-witch who foresees the return of a long-lost love; and the Fool, the former White Prophet, who beckons Fitz to fulfill his destiny.

Then comes the summons he cannot ignore. Prince Dutiful, the young heir to the Farseer throne, has vanished. Fitz, possessed of magical skills both royal and profane, is the only one who can retrieve him in time for his betrothal ceremony, thus sparing the Six Duchies profound political embarrassment – or worse. But even Fitz does not suspect the web of treachery that awaits him – or how his loyalties will be tested to the breaking point.

Fool’s Errand takes place years after the events of Robin Hobb’s Farseer trilogy and does not disappoint. The story is as well written as Hobb’s previous works and is great from beginning to end. The story kind of fills the gap between the trilogies and explains in greater detail the events concluding the Farseer trilogy while also building into this new adventure.

The story is kind of broken into a summation of past events and then embarking on something new. The summation works great as a device to those of us who read the Farseer trilogy to remind us where things left off and gives some greater closure to the events concluding that trilogy. The summation would also work well for those new to the Farseers to introduce the world and explain a bit of the back story that defines FitzChivalry’s motives. That said, if you haven’t read the Farseer trilogy and don’t like spoilers, definitely read that trilogy before Tawny Man.

Robin Hobb’s writing flows so well that even seemingly mundane tasks and everyday things are a joy to experience. She really knows how to make you care about the characters and builds a plot that pushes those characters. There are some truly great and terrible moments in this book that I just can’t say without ruining so much of the story. There were a few times that I didn’t think things made total sense but the story is just so enjoyable it really didn’t matter.

On the audio side of things, James Langton did a great job. It was really hard going from Paul Boehmer’s performance in the Farseer Trilogy to James Langton in this trilogy. I loved Boehmer’s performance and his voice became the characters’ voices to me. Even though it was jarring at first, Langton’s voices and narration became natural to my ear after only a few hours. He does a great job doing voices that fit the different characters and his sulky/sullen cat voice has to be one of the most fitting voices I could imagine. Some of his pronunciations threw me a bit too but overall I enjoyed his performance.

Everything together makes a story that really takes you places. By the end of this story you’ll be back in the intrigue of the court at Buckkeep and want to go on to Golden Fool.

Posted by Tom Schreck

Review of Dangerous Women

SFFaudio Review

Dangerous Women: Stories
Edited by George R. R. Martin and Gardner Dozois
Narrated by Scott Brick, Jonathan Frakes, Janis Ian, Stana Katic, Lee Meriwether, Emily Rankin, Harriet Walter, Jake Weber
Publisher: Random House Audio
Publication Date: 3 December 2013[UNABRIDGED] – 32 hours, 49 minutes
Listen to an excerpt: | MP3 |

Themes: / short stories / fantasy / women /

Publisher summary:

All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors’ bestselling continuities—including a new “Outlander” story by Diana Gabaldon, a  tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones.

Also included are original stories of dangerous women–heroines and villains alike–by Brandon Sanderson, Joe Abercrombie, Sherilynn Kenyon, Lawrence Block, Carrie Vaughn,  S. M. Stirling, Sharon Kay Penman, and many others.

Writes Gardner Dozois in his Introduction, “Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands.  Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more.”

Stories and Narrators (in order of appearance):
“Some Desperado” by Joe Abercrombie; Read by Stana Katic
“My Heart Is Either Broken” by Megan Abbott; Read by Jake Weber
“Nora’s Song” by Cecelia Holland; Read by Harriet Walter
“The Hands That Are Not There” by Melinda Snodgrass; Read by Jonathan Frakes
“Bombshells” by Jim Butcher; Read by Emily Rankin
“Raisa Stepanova” by Carrie Vaughn; Read by Inna Korobkina
“Wrestling Jesus” by Joe R. Lansdale; Read by Scott Brick
“Neighbors” by Megan Lindholm; Read by Lee Meriwether
“I Know How to Pick ’Em” by Lawrence Block; Read by Jake Weber
“Shadows for Silence in the Forests of Hell” by Brandon Sanderson; Read by Claudia Black
“A Queen in Exile” by Sharon Kay Penman; Read by Harriet Walter
“The Girl in the Mirror” by Lev Grossman; Read by Sophie Turner
“Second Arabesque, Very Slowly” by Nancy Kress; Read by Janis Ian
“City Lazarus” by Diana Rowland; Read by Scott Brick
“Virgins” by Diana Gabaldon; Read by Allan Scott-Douglas
“Pronouncing Doom” by S.M. Stirling; Read by Stana Katic
“Name the Beast” by Sam Sykes; Read by Claudia Black
“Caregivers” by Pat Cadigan; Read by Janis Ian
“Lies My Mother Told Me” by Caroline Spector; Read by Maggi-Meg Reed
“Hell Hath No Fury” by Sherilynn Kenyon; Read by Jenna Lamia
“The Princess and the Queen” by George R. R. Martin; Read by Iain Glen

It took me a really long time to make it through this book, even with skipping stories, and that was a big sign that it wasn’t working for me. I love and read a lot of anthologies, and Dangerous Women was odd in that it only paid lip service to the theme. Most of these stories had nothing to do with women, dangerous or otherwise, instead focusing on men talking about women. Overall, while I was disappointed in this anthology, and would not recommend it, here are my spoiler thoughts on some of the best and worst individual stories (scroll to the end for a link to more!):

“The Hands That Are Not There” by Melinda Snodgrass
Jonathan Frakes from Star Trek: the Next Generation is the narrator!!! Fortune 500? Strip club? OK, I’m missing the dangerous women portion of this story at the beginning, and am a little confused overall. The main character doesn’t seem to have a great opinion of women in general. Suppose that’s not surprising considering this takes place during a bachelor party. “Sassy little buttocks”? I giggled when he shouted “blackout’. Genetic manipulation? What am I listening to?

Holy. Hell.

Aside from the novelty of the narrator, this was just bad. The characterization of women left a bad taste in my mouth. The prose was an unfortunate shade of purple. The plot twist was silly. So. Bad.

“Bombshells” by Jim Butcher – A Harry Dresden story
I’ve never read any of the Dresden books, although I’m vaguely familiar with the story, and this was a sorely needed palette cleanser after the last story. Except for the leg-shaving bit. Wut? That came across as trying a bit too hard. Bit more telling than showing than is to my taste. And hearing the phrase ‘soul gaze’ spoken out loud just pointed out how silly it is. Holy infodump on how magic works, but overall both the narrator and writing was A+.

“Raisa Stepanova” by Carrie Vaughn
Eeeeeee! Night witches! I love female pilots!

The writing is concise and easy to follow, but full of effective details that really conveyed the feeling of a fire fight. The plot was just heartbreaking. And a lovely relationship between siblings is the focus, rather than a romantic one. Such a nice change! This was an excellent portrayal of female non-competitive friendship. So good. One of the highlights of the anthology.

Narrator had a distinctive, lovely voice.

“I Know How to Pick ’Em” by Lawrence Block
Noir up the wazoo! This was a man’s man kind of a story, I guess. Wow. I had to skip this after he started fantasizing about beating the woman he was with. He had so much hate for women. I felt a little sick just listening.

Narrator has great, gritty voice.

“Shadows For Silence in the Forests of Hell” by Brandon Sanderson
This was a great story. Silence was amazing, and the world had just enough detail for you to believe and fill in the rest of the blanks. Her background as a bounty hunter was inventive, and I loved seeing the people people who crossed her get their eventual comeuppance.

Narrator had just enough weariness in her voice to be pleasing and appropriate to the story.

“The Girl in the Mirror” by Lev Grossman – A Magicians story
Fabulous characterization of mischievous girls at a magical school. Their talk is real, and the details are well delineated. Think Harry Potter but darker and meaner. Adorable short story. Just lovely.

As an added bonus, Sophie Turner, who plays Sansa Stark on Games of Thrones, was the narrator. She hit the perfect tone, and I would definitely listen to her narration again.

“Second Arabesque, Very Slowly” by Nancy Kress
This was a very quiet, intense, and bleak story. The women are essentially kept for breeding in a post-apocalyptic setting, but during a young girl’s ‘budding’ ceremony, one woman voices her desire to be more. The narrator is the nurse, in charge of the health of the other women. There’s an undertone of packs and the urban forest in this story, like I was waiting for them to turn into werewolves. Women have dressed codes to avoid tempting men, but are somewhat in charge of deciding who they have sex with. The group finds a TV and get it to work. They watch a ballet. Now one of the beta males wants to learn how to dance to entertain the pack. They find a moment of beauty, but lose it just as quickly.

The narrator has an understated style that worked really well for this.

“Pronouncing Doom” by S.M. Stirling – An Emberverse story
This was the most unpleasant part of this whole experience.

At first I was interested, as there was a main character traveling with a baby and some practical discussion of how life with children after the apocalypse works. There were disabled characters, and the women seemed to have some autonomy in the society.

However, the story then turned into a rape trial. The victim recounts escalating abuse from one man, and how the other women blamed her for his actions. Then she describes his violent sexual assault of her, and I turned it off. I had no motivation to finish this story.

The narrator was very pleasant, and her deadpan accounting of the assault was chilling.

“Caretakers” by Pat Cadigan
It starts out with an innocent question about female serial killers. These two sisters live together and while one is obsessed with Red Dawn (Go Wolverines!) the other loves to watch shows about serial killers. There was a lot of realistic characterization driving the story, and rising tension as you begin to wonder exactly how much the sister likes serial killers.

Narrator did a fantastic job, fading back to let the story stand on its strengths.

“Lies My Mother Told Me” by Caroline Spector – A Wild Cards story
I felt a little behind by the abrupt entrance of the first scene, but loved the discussion of prettiness in relation to society. Parades and zombies and consumerism. Mothers and daughters and self-esteem. Fat and bubbles as defense. The villain was such a dick, and such a stereotype of gamer dudes. Overall amazing!

Fantastic narrator.

“The Princess and the Queen” by George R.R. Martin – A Song of Ice and Fire story
Finally. this is the whole reason I was interested in the first place. I’ve read a couple of the ASOIAF books, so I was interested in what Martin would do with two super-powerful women. Not much, it turns out.

Sooooo – everyone in Westeros has always been terrible and power-hungry? OK then. First Night rites? Really? Ahhhh I am so bored. Never has anything with dragons in it bored me as much as this has. It’s about queens, yes, but it’s still the men who do almost everything.

Good narrator, though.

Sarah reviewed each and every story, which you can see on her GoodReads review.

Posted by Sarah R.

Review of The Slow Regard of Silent Things by Patrick Rothfuss

SFFaudio Review

The Slow Regard of Silent Things (Kingkiller Chronicle Book 2.5)
By Patrick Rothfuss; Narrated by Patrick Rothfuss
Publisher: Penguin Group USA
Publication Date: 28 October 2014
[UNABRIDGED] – 3 hours, 39 minutes

Themes: / Kingkiller / fantasy / university /

Publisher summary:

Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place. Her name is Auri, and she is full of mysteries. The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows…. In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.

Executive Summary: I think this is a book that most of the hard core fans will gush over, but I thought it was just alright. 3.5 stars rounded down for reasons I get into (rant about?) below.

Audio book: I haven’t done any of the Kingkiller books in audio. I have friends who have gushed to me over both the Rupert Degas and the Nick Podehl versions.

I’m not sure if those people will bothered by this one being read by Mr. Rothfuss himself, but I thought for this book at least, he makes for a good narrator. As he was the one who wrote it, he was able to put emphasis on the words he wanted to and he has a good story telling voice.

Full Review
I’m going to try to write a review without getting too ranty, but I may fall short in that regard, so I apologize in advance.

First a little background as to where I’m coming from: I heard about The Name of the Wind and Patrick Rothfuss over four years ago from Penny-Arcade. Since that time I had several friends telling me I had to read it.

I was reluctant to do though, because the third book hasn’t been published and there is no real eta in sight. I was content to wait until at least their was an announced publish date. Until last year that is, when I finally caved and read both books with a few friends. I’m glad I finally did, though now I’m stuck waiting for the final book like everyone else.

I seem to be in a minority of the fans I’ve talked to who thought that The Name of the Wind was good, but The Wise Man’s Fear was much better. So maybe that will put me in the minority of fans once again who find myself a bit disappointed with this story.

Originally slated for Rogues, Mr. Rothfuss set this one aside and wrote The Lightning Tree instead. It has a similar feel to this. We follow Bast around for a day in the life. I really loved that story. I felt like we got some good insights to his character we didn’t in the main novels.

Auri is definitely one of my favorite characters in his books, so I was really excited to see he had a novella about her coming out. Until I saw the price. I like to support authors I read so they will hopefully continue to write more stories I enjoy, but $17 for a 150 page novella seems crazy to me. So maybe I was already in a negative mindset coming into this book.

I was planning to wait until I could get a copy from the library and if I enjoyed it, picking up a copy for my shelves if/when the price came down. However, I was fortunate enough to receive an early review copy of the audio book, making the price irrelevant to me personally.

So I’ve written all these words now (and apparently you’ve kept reading them) and still really haven’t talked about the book. That seems appropriate because there really isn’t a story here.

We follow Auri around for a week. We do get some insights into her thought process. Maybe someone smarter than me will argue we get a lot of insights. Maybe if I read it again, I’ll come away with more. I don’t know. What I really wanted was to know more about Auri’s background more so than her character. As far as I’m concerned, you get none of that here. Maybe I’m just not smart enough.

And that brings me to why I rounded down my rating of 3.5 to a 3. I was all set to round up to 4 because I really like Patrick Rothfuss, and I really like Auri. He seems like a generally nice guy who does a lot of great things for other people with his success and influence.

But Mr. Rothfuss felt the need to include this long author’s note at the end. He makes it out like an apology to his fans who may not “get” this book, or don’t like it. But to me it came off as insincere and really more like him turning up his nose at anyone who doesn’t love this story as much as Vi Hart.

And the thing is, I didn’t dislike it for any of the reasons he mentioned. This book definitely FEELS like Auri. I liked all the randomness. Auri’s OCD makes me feel way better about my own. She really is a great character, and that shines through here. As I said my main disappointment was getting nothing about Auri’s back story.

But to talk about “There are plenty of stories out there for you, even if this one isn’t” came off condescending to me. I’m probably just reading it the wrong way, because Mr. Rothfuss never stuck me as that sort of person before now.

So if you want a story where nothing really of note happens and to just spend time with Auri, you’ll probably love this story. If you like me were hoping for some kind of back story, you may be disappointed like I was. There definitely were a few hints dropped, but nothing that made any real sense to me, just left me with more questions than before I read it.

Review by Rob Zak.