Reviews – Page 137

Review of The Arbiter Chronicles: Series 1

The Arbiter Chronicles: Series 1: Episode 1: Mutiny Springs Eternal
Written and Directed by Steven H. Wilson; Performed by a full cast
1 CD – 50 Minutes [Audio Drama]
Publisher: Prometheus Radio Theatre
Published: 2003
Themes: / Science Fiction / Space Opera /

Centuries from now, humankind has colonized hundreds of worlds. Terra, humanity’s home, is a slum in the war zone, its people shunned by the genetically engineered elite whose ancestors were driven from its surface to settle the stars. Against the invasion of the evil Qraitian Empire. , the colonies aligned themselves in a loose, squabbling confederacy of worlds. The strongest weapon in their arsenal is a space navy which has held back the Qraitian threat for decades. Jan Atal, celebrated veteran of the last Qraitian War, found himself a teacher in a time of peace. Now he has assembled his most promising students aboard the patrol ship Arbiter. There he makes them ready, for in his heart he knows that this peace can not last.
— Introduction to The Arbiter Chronicles by Steven H. Wilson

This is the first installment of a space opera audio drama series called The Arbiter Chronicles. As of this writing, the eight episodes of Series 1 have been produced, as have the first five episodes of Series 2. All them are available at Prometheus Radio Theatre.

In the booklet that came with the CD, Steven H. Wilson, the writer/director of the program, says that The Arbiter Chronicles is a space opera that had been kicking around in his head for quite a while, and then an opportunity at a convention in Baltimore allowed him some time to put together a live performance of this drama on the main stage. The crowd liked it, so he started to produce them for sale on CD.

The drama itself is definitely entertaining and is in the tradition of Star Trek. The Arbiter is a military vessel modeled after the modern day Navy. The crew is mostly human, but includes some alien crew members like Midshipman Cernaq, who is from the planet of Phaeton. The story begins when the crew of the Arbiter discovers an old starship. The ship still works, and its crew is still on the planet below.

My only complaint is that there are too many info dump moments – moments when one character explains something to another character. The content of these conversations were very intriguing, and some of them could have made good stories in and of themselves.

The production quality is very good, with music and sound effects throughout. It’s interesting, entertaining audio theater.

Cast
Captain Jan Atal – David Keefer
Midshipman Terry Metcalfe – Steven H. Wilson
Midshipman Kevin Carson – Scott D. Farquhar
Midshipman Cernaq – Dan “Renfield” Corcoran
Midshipman Kayan’na Atal – Beatrice Kondo
Bos’n Aer’la – June Swords
Dr. Celia Faulkner – Cindy Shockey
L’lanck / Admiral Fournier / Announcer – Paul Balzc
Trace Stockard – Renee Wilson
Dr. Andrews – Andrew Bergstrom
Dawson – John Weber
Guards – Cindy Woods, John Weber

Posted by Scott D. Danielson

Review of Scattered Suns: The Saga of the Seven Suns Book 4 by Kevin J. Anderson

Scattered Suns: The Saga of the Seven Suns Book 4
By Kevin J. Anderson, Read by David Colacci
17 CDs, 20 hours – [UNABRIDGED]
ISBN:
Pub Date: 2005
Publisher: Brilliance Audio
Themes: / Science Fiction / Space Opera / War / Aliens / Space Travel /

I made up what I thought was the science fiction equivalent to a Robert Jordan epic. It’s a huge galactic war with several alien races, lots of politics, characters that are all up and down the spectrum from kings to slimebucket used spaceship salesmen.
— Kevin J. Anderson, on Hour 25 – click here to listen

Scattered Suns is Book 4 of Kevin J. Anderson’s Saga of Seven Suns series, which is currently projected to be six books long. Kevin J. Anderson’s website describes the series as “An epic science fiction series by Kevin J. Anderson in the vein of
Frank Herbert’s Dune and Robert Jordan’s popular Wheel of Time books.” It’s grand space opera; complex and broad.

The first three volumes of this series are available on audio from Recorded Books, but they are not absolutely required to enjoy Scattered Suns. At the beginning of this audiobook is a “The Story So Far” section that lasts about 20 minutes. Because the story (and therefore the introduction) is so complex, I listened to it twice before moving into the novel, and it was time well-spent.

In the novel, humanity has gathered into three branches: the Terran Hanseatic League (based on Earth), the telepathic Green Priests (on the planet Theroc), and the starship-dwelling Roamers. True to humanity, these groups are not fond of each other and fight often.

There are also alien races. The Ildrians are an old race that was thought harmless until becoming hostile to humans. The Klikiss, who are extinct, left robots and machines behind. The Hydrogues are aliens that live in gas giants; the Faeros live in suns, and the Wentals are water creatures.

This volume starts right after the destruction of some key Roamer targets by the EDF (Earth Defense Force). Anderson succeeds in what he was trying to do – the book has several storylines moving at once. The characters do range from kings to paupers with lots of folks in-between, and the individual scenes range from epic battles to intimate moments between people. The only thing I’ve experienced recently that compares to it is the television series Babylon 5 which was a similar type of story.

David Colacci is a narrator with superior talent. I don’t recall having heard him before, but I will be very pleased when I encounter him again. His smooth voice and engaging character skills made experiencing this book a real pleasure.

Posted by Scott D. Danielson

Review of The City, Not Long After by Pat Murphy

The City, Not Long After
By Pat Murphy, read by Marguerite Gavin
7 CD’s – 8.5 hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2005
ISBN: 0786180862
Themes: / Science fiction / Fantasy / Magic realism / Post-apocalypse / Military / Pacifism / Art / Ghosts / War

At the root of all major religions is the simple, powerful assumption that every human being is capable of changing his character. With this premise, Nirvana, Salvation, and Enlightenment are opened to each of us, no matter what lies in our past. The logical extension beyond ourselves is that we are obliged to forgive our fellow man for his transgressions against us, because to do otherwise would deny him the possibility of redemption. Gandhi, Christ, and King have demonstrated that it takes a great deal of sacrifice and patience to follow this idea to its full conclusion, but the resulting justice for friend and foe alike cannot be won by anything less.

The vast bulk of our literature, however, belies our preference for punishing our enemies rather than enlightening them. Fantasy literature, in particular, usually frames central conflicts in terms of absolute good and evil, and shuns the possibility of change on either hand. Science fiction often simply avoids the issue by casting an inhuman force as the antagonist, such as a robot, an alien, or some crisis of scientific circumstance. But even so, these conflicts often favor a single-minded, unyielding approach to resolution, with a clear victor and a clear loser. This is especially true in the watered-down SF found in popular media.

Pat Murphy’s intriguing novel The City, Not Long After offers an exception to these rules, although it, too, flinches at the moment of truth. Apocalyptic fantasy is virtually defined by final clashes between good and evil, but Murphy’s post-apocalyptic tale pits peaceful artists against aggressive warriors in a future San Francisco that has been largely depopulated (along with the rest of the world) by a plague. The inhabitants of San Francisco are mostly bizarre artists, and they are struggling not only for their social freedom against an invasive force led by the militant General Nathan “Four Star” Miles, but for creative freedom against the incursions of a conformist society. In order to preserve their art and their free spirits, they make their resistance non-violent, and Pat Murphy takes the opportunity to make the resulting action interesting and original. In the course of it, she offers a clear-eyed examination of some darker elements from America’s past and present, and a scathing review of militant patriotism, both of which seem startlingly out of place in our current culture of eternal, chest-thumping war.

The best thing about this book is that, despite the description of its conflict above, it does not devolve into a moralistic sermon. In fact, the conflict which defines the plot takes up less than ten per cent of the novel. The rest of the time is spent developing the strange, arty, self-important characters who populate San Francisco. I’m not a big fan of characters (real or imagined) who go around proclaiming themselves artists, bemoaning society’s inability to recognize their gifts, and sculpting execrable statuary out of cold cream jars, but I ended up liking these people, especially Danny Boy and Jax, who provide the novel’s axis. They have real wounds and real tenderness that win out over their purposeful strangeness.

Marguerite Gavin’s narration was the perfect foil for these exotic, New Agey artists, for her voice is almost surgically precise and antiseptically clean. Her syllables are razor-edged for Jax and for the general narration, so the laid-back stoner voice she conjures for Danny Boy comes as a revelation. Gradually, I came to relate to almost all the voice characterizations, except for that of “Four Star”, who sounds more like a parody of a wicked military man than a real human being.

Thematically, I ultimately found the book to be a failure. The first problem is that our non-violent heroes require a discouragingly huge amount of supernatural help to stand a chance against bullets and bombs. The second is, to be vague enough not to spoil the book for you, that the climax is a cop-out. Murphy spends considerable time in the denouement trying to rub out this flaw, and she does succeed in provoking some thought, but nothing can cover the capitulation of the resolution.

That said, I still recommend this book. Murphy’s characters and situations are complex, vital, and often inspiring. It is far more interesting to watch her try and fail to deliver on her moral premise in this book than simply to wallow in the philosophical shallowness of summer-multiplex violent justice. At least The City Not Long After will make you both think and feel a little, and that is no small achievement.

Posted by Kurt Dietz

Review of Peter Galaxy: Interstellar Envoy by Brian Price and Jerry Stearns

Peter Galaxy: Interstellar Envoy
By Brian Price and Jerry Stearns; Featuring David Ossman and Michael Sheard
1 CD – 45 Minutes [Audio Drama]
Publisher: Great Northern Audio
Published: 2003
Themes: / Science Fiction / Comedy / Aliens / Cars /

This CD contains the live performance of Peter Galaxy: Interstellar Envoy and Tell Them NAPA Sent You, which were recorded at the Mark Time Science Fiction Audio Awards at the 2003 CONvergence in Minneapolis, MN. It stars Michael Sheard (Star Wars, Dr. Who) and David Ossman of the Firesign Theater. And it is hilarious, great fun.

Peter Galaxy: Interstellar Envoy tells the story is about a radio actor who, long ago, was the star of the famous Peter Galaxy radio series. Aliens come down, thinking that Peter Galaxy is a real person whose help they need to defend themselves against an interstellar threat. The comparison to Galaxy Quest is obvious and intentional. The script is full of science fiction tropes that play well in front of a convention audience. The jokes come fast and furious, and there’s not a poor actor in the entire cast.

Tell Them NAPA Sent You is a funny shorter piece about a guy whose car won’t start. He figures out which part he needs, then goes in search of it. The story takes a distinct fantastic turn when he’s told, after a dizzying set of directions to a place where he can find this part, to knock on the “lower door – DON’T try the high one”. Definitely chuckle worthy.

Like I said, both shows were recorded live in front of a convention audience, which had a great time by the sound of them. As did I!

Posted by Scott D. Danielson

Review of Philip K. Dick Recorded Telephone Interviews

Philip K. Dick Recorded Telephone Interviews
Conducted by John Boonstra
2 CDs – Approx. 111 Minutes [UNABRIDGED EXCERPTS]
Published: 1991
Themes: / Non-Fiction / Science Fiction / Interview /

These discs combine telephone interviews conducted 3/11/81 and 6/28/81. Portions appeared in The Hartford Advocate and The Twilight Zone Magazine. I’ve interviewed dozens of interesting people in the years since, but no conversation has been quite so exhilarating. It was a privilege to have even this brief contact with PKD…”
— John Boonstra

This is a set of 2 CD-Rs with printer paper labels and a photocopy of a handwritten insert written by the interviewer John Boonstra. The packaging and media is straight out of the Staples catalogue. But the content… oh the content… It’s the ultimate! Disc 1 is one long uninterrupted audio track. It starts with a ringing telephone, answered by a “Hello?” And if you’ve heard his voice anywhere else you instantly know it is Philip K. Dick.

Boonstra conducted by telephone these two interviews. Boonstra was better prepared than we have any right to expect – he was familiar with the vast majority of his subject’s writing and anxious to engage someone who he clearly admired greatly. Dick himself is full of life, overflowing with funny anecdotes, eager to talk and expound and is a true delight to hear in such an unfiltered setting.

Admittedly the sound quality isn’t great. A constant tape hiss mars both interviews, but the voices are both loud and clear, and in stereo. Dick’s voice comes out of the left speaker and Boonstra’s out of the right. They talk for nearly two hours over the course of the two interviews and I was riveted the entire time. Unfortunately the last portion of the first interview is completely cut off and the first portion of the second interview is entirely missing. Boonstra prompts Dick now and again with well researched questions and Dick never shies away, giving us the inside dope on many aspects of his professional and private lives as well as explaining the research that went into many of his later books including, The Cosmic Puppets, The Man In the High Castle, Martian Time-Slip, Do Androids Dream of Electric Sheep?, The Galactic Pot-Healer, Confessions Of A Crap Artist, VALIS, The Divine Invasion, The Transmigration Of Timothy Archer and others.

If you like Philip K. Dick’s novels you’ll love these interviews! I just wish there were more of them. Unfortunately Dick died less than a year after the second interview was recorded. I got two CD set from Zack Wood: click here to check out his site and tell him SFFAUDIO sent you!

Posted by Jesse Willis

Review of Scary Stories with Alan Maitland by Various

Scary Stories with Alan Maitland
By various; Performed By Alan Maitland
1 Cassette – 1 Hour [UNABRIDGED]
Publisher: CBC Radio
Published: 2002
ISBN: 0660187825
Themes: / Horror / Classics / Family / Short Stories /

Alan Maitland is a veteran Canadian Broadcasting Corporation broadcaster, who reads seven classic horror stories and poems here. The cassette makes for quality family listening, and Maitland reads with energy and enjoyment.

My favorite of the group is The Tell-Tale Heart by Edgar Allan Poe. It’s true that I’ve read it several times and have heard it performed a couple of other times, but still – I enjoy it every time, and did again here. The heart beats below the floorboards, and Maitland helps us feel it.

The Highwayman by Alfred Noyes is a classic poem. I know it best from Loreena McKennitt’s musical version, and it was interesting to hear the poem read aloud.

Other stories and poems included on the 1 hour cassette: Goblins Who Stole a Sexton by Charles Dickens, The Cremation of Sam McGee by Robert W. Service, The Witches’ Convention and Reunion of the Night Creatures by Rose Robert, and An Occurrence at Owl Creek Bridge by Ambrose Bierce.

The whole recording had a sort of Ray Bradbury feel to it, but that could be because I identify Bradbury so strongly with Halloween. This audio would be a worthwhile and appropriate purchase for family listening.

Posted by Scott D. Danielson