Reviews – Page 135

Review of Just a Geek by Wil Wheaton

Just a Geek
By Wil Wheaton; Read by Wil Wheaton
MP3 Download – 373Mb – 10 hours [UNABRIDGED]
Publisher: 10 Quick Steps
Published: 2005
Themes: / Non-fiction / Biography / Star Trek / Acting / Writing / Blogs / Internet /

So, there’s this guy named Wil Wheaton, right? And he wrote this book called Just a Geek, which is filled with his experiences as a Star Trek actor, as an ex-Star Trek actor, as a stepfather, a husband, a son… in short, Just a Geek is filled with life, and it’s compelling listening.

Wheaton started a blog a while back which now resides at http://www.wilwheaton.net. It’s not your average celebrity website; Wheaton’s blog entries are personal, honest, and interesting. He is as likely to talk about his family life as he is about his projects. And he is an excellent writer who writes things that resonate with his readers, as evidenced by the many folks who revisit his site to read more (myself included).

Just a Geek contains many blog entries from his site, along with much more material. Included are things from many parts of his life, from the time as a kid he traded a Death Star for a Land Speeder and five bucks to his experiences during and after the filming of Star Trek: Nemesis.

I knew Wil Wheaton was a good narrator before I clicked PLAY on my MP3 player, because I’d heard the audio version of the Hugo-winning science fiction story “Why I Left Harry’s All-Night Hamburgers” by Lawrence Watt-Evans. Wil Wheaton read that, and I thought he was excellent. I came away even more impressed here. He reads about his life as if he’s talking to you personally across a table. Again, compelling is the word that comes to mind. I never once lost interest. This audiobook will make you smile, it will touch you, and it will make you want to go to Hooters for some chili cheese fries.

Oh yeah, and Wil wants all of you over for a Guinness later. Bring your own action figure.

Just a Geek is available for MP3 download or on Audio CD at 10 Quick Steps – click here!

Posted by Scott D. Danielson

Review of Empire of the East by Fred Saberhagen

Empire of the East
by Fred Saberhagen, read by Raymond Todd
15 CD’s – 18.5 hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2005
ISBN: 0786178833
Themes: / Fantasy / Magic / Technology / Demons / Empires / Post-Apocalypse

Have you ever wondered what one modern piece of weaponry might have meant for a given side in a war in past centuries? In the world Fred Saberhagen creates in Empire of the East, it is the future rather than the past where such scenarios are explored. In this distant future magic is real, understood, and trusted, while technology from the “old world” (i.e., our time) exists in the form of mistrusted relics.

You can’t listen to this story long without comparing it to Tolkien’s Lord of the Rings, and it compares favorably. It’s a compilation (I believe with some revision) of three earlier books written by Saberhagen. The sheer breadth of the three-part story is impressive, sweeping you through a vast world where an oppressive Eastern empire is resisted by free men of the West. The main character Rolf resembles Frodo (even beyond the near-anagramatic match of names) and another reminds the reader of Aragorn.

But Saberhagen is no poor man’s Tolkien. He manages the micro- and macro-details with great skill. There are no Tom Bombadils dancing around, hinting of early ideas left in but not fully integrated. No disrespect for Lord of the Rings intended, I’m just saying that Empire of the East merits praise in its own right.

Saberhagen’s characters were believable and easy to care about. Lord Chup is my favorite character. Is he a good bad guy? A bad good guy? And making up for in evilness what they lack in nuance, the main antagonists are gripping. Lord Ekuman is evil, but he is easily outdone in the second book by Som the Dead (yes, he is as attractive as he sounds). Then, in the third book you realize Som is simply middle management. His boss (his mother named him Ominor, perhaps expecting the worst) likes to relax to the sounds of impalement.

The breadth of the milieu is matched by lush detail. I couldn’t help thinking of what a movie version of this would be like. Saberhagen describes situations and interactions with such precision that images came to mind as easily as if I’d watched it on a screen. The story aside, it was just fun listening to Saberhagen’s writing. He captures subtleties in the action, giving you the feeling like you know exactly what it would have been like to be there. Here is a random example of his writing:

As a man dragged to the edge of a precipice will throw away all his treasures and his weapons, to grab with every finger for some saving hold, so did the demon emperor now abandon all the threads of Eastern wizardry.

If you read fantasy, you often just accept that there happens to be magic in the world, and Saberhagen does a very good job explaining the magic of his world. The magic isn’t just part of the scenery, though. In a pleasant surprise at the end, just how the world came to have magic is explained and tied into the climax. There isn’t much of a denouement, perhaps the greatest contrast between Empire of the East and Lord of the Rings.

Even if a story is great, however, it does not necessarily translate to greatness when presented in other mediums. In this case, the audio production is equal to the story. Blackstone Audiobooks did a perfect job producing the Raymond Todd narration for Empire of the East. While a reader that does not distract from a story is desirable, Todd’s voice talent goes beyond and enhances it.

Some readers have interesting voices, but they soon become distracting, like a new shirt you don, but are soon irritated by when it doesn’t quite fit and rubs irritatingly against your skin. Raymond Todd’s voice, in contrast, is like a comfortable sweater that gives familiar reassurance. He uses variations of some kind of Gaelic or Scandinavian accent with the men of the West and did a great job with it.

So thank Blackstone Audiobooks for bringing us such a brilliant novel in a very impressive production. I’ll be keeping my eye out for other stories read by Raymond Todd.

If you don’t want to carry around a case with 15 CDs, you can get two MP3 CDs for just under fifty bucks, or do a digital download from their site for only $9.95 (if it’s your first time). I think anyone who appreciates his work will be glad this part of his legacy is preserved in this quality production.

Posted by Mike

Review of Technical Error by Arthur C. Clarke

Technical Error
By Arthur C. Clarke; Read by David Zinn
37 Minutes – [UNABRIDGED]
Publisher: 2005
Themes: / Science Fiction / Hard SF / Parallel Worlds
/ Math Fiction /

Another FREE streaming audio short story by Arthur C.
Clarke from Assistive Media. An ingenious concept for a story, Technical Error shows why Arthur C. Clarke is who he is – excellent ideas executed intelligently. The premise is too good to spoil but I’ll give you a hint – imagine a world in which 90% of people are left handed.

This streaming audio story also includes a little introduction written by Clarke. Unfortunately David Zinn doesn’t pause between the introduction and the story’s start – making it slightly confusing. The reading is adequate; Zinn doesn’t have too much to work with given the dialogue and characters, since both are rather flatish. One more minor quibble, it sounds as if someone forgot to turn off the air conditioning in the recording studio.
Available at AssistiveMedia.org.

REALAUDIO LINK: http://www.assistivemedia.org/amrams/TechnicalError.ram

Posted by Jesse Willis

Review of The Harvest by Alec Sand

The Harvest
By Alec Sand; Read by John Pruskin
1 MP3-CD – 4 hours [UNABRIDGED]
Publisher: Academic MP3 Audiobooks
Themes: / Science Fiction / Space Travel / Biology / Alien life / Medicine /

Click here for an Audio Trailer

The Harvest is a short novel of future history. No, it’s a bit more than just that. Alec Sand has created a detailed future in which his characters move. It is a future in which a substance called iridium has changed things significantly – it’s a substance from which power is derived and the finding and mining of iridium occupies much of mankind’s time. The Harvest is hard science fiction in which the ideas and concepts generously flow.

In this future, Gideon and his sister Dara reside. Dara has a disease that Gideon is somehow convinced has a cure somewhere “out there”, so he takes her with him on a mining expedition to a new planet. Dara finds much there.

There was some lecturing during the story, which I felt slowed things down a bit. The author could have found smoother ways to introduce information, but it was all interesting, and I found myself eager to know what happened next. I liked the story as a whole very much.

John Pruskin narrates, and overall was very good at keeping my interest. There were a few errors in the narration, but again – I was always eager to continue, and a listener can’t ask for much more than that. He maintained a good, consistent pace throughout and read with clarity.

A unique aspect of this audiobook is its soundtrack. There are several songs that play at various times throughout the audiobook, usually as bridges between chapters or sections. A band called Silk84 provides this music, and the songs are included in full in a different folder on the MP3-CD. I’m listening to some of this music as I write this… I like it! The music ranges from upbeat dance music to beautiful piano music, and though I didn’t always feel the music matched my mood while listening, what Academic did with music in this audiobook is unique and it worked! Yeah, Silk84… I like the sound of your guitar. (You can find Silk84 on iTunes.)

You can get a copy of The Harvest from Academic MP3’s website by clicking right here.

Posted by Scott D. Danielson

Review of Speaker for the Dead by Orson Scott Card

Speaker for the Dead
By Orson Scott Card; Read by David Birney, Stefan Rudnicki, Gabrielle de Cuir, John Rubinstein, Scott Brick, Amanda Karr, Lisa Nemacheck, Don Schlossman
12 CD’s – 14 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974760
Themes: / Science Fiction / Relativistic Space Travel / Sentient Life / Families / Communities /

Have you ever wished your computer was an intelligent entity you could interact with? Yeah . . . me either. And why don’t we? Because one day when you sit down at your terminal the computer will ask you, “Shall we play a game?” And you’ll say, “How about some Halo 2?” And it will reply back, “How about Global Thermonuclear War?” And unless you think fast and figure out some child’s game that will teach the computer the pointlessness of nuclear war, you’re in a lot of trouble.

There are many other examples of the basic evilness of intelligent computers, like Hal 9000, the recently released Stealth and the entire world of The Matrix.

But in the world of Ender Wiggin there is Jane, restoring hope to all us social skill-less speculative fiction nerds that one day we can be adored by a digital babe. (And don’t give me that “I’m not a nerd, I’ve got skills” stuff–how many other artificial intelligence characters that I didn’t list have you thought of already? Hmm?)

As a sentient, non-human being that interacts with Ender via an interplanetary network of computers, Jane is the ultimate information resource. Not only is she not threatening humanity, Jane is pleasant, caring, and humorously informative. She is easily one of the most likable non-human characters you’ll read, but that isn’t why you should listen to this book.

You should listen to this book because it is a masterwork on human behavior. Orson Scott Card is often praised as a master developer of characters, but if every other book he has written had flopped, this book itself earns him that recognition.

Andrew (Ender) Wiggin was unable to return to earth after he destroyed the Formics in Ender’s Game. Racked by guilt after learning he destroyed a (relatively) innocent form of life, he wrote a book explaining the whole situation, and by doing so became the first “Speaker for the Dead.”

Fast forward a few thousand years. Andrew is only a couple decades older, thanks to the relativistic effects of space travel, and a mythology has developed about him. He is known historically as “Ender the Xenocide,” whose name evokes the same warm fuzzy feelings we associate with the name “Hitler.” “Andrew Wiggin” is also remembered, but as the writer of the near-canonized The Hive Queen and The Hegemon and initiator of the profession of speaking for the dead.

Those around him don’t know that both the Xenocide and the original Speaker were the same person, or that Andrew is him. Andrew is drawn to the colony planet Lusitania to help preserve another sentient species (the piggies). Speaker for the Dead picks up with events that lead to conflict between the piggies and humans, and Ender’s decision to go to Lusitania to help. There he meets the family of a man whose death he is to speak, and who are in the middle of the piggy problems via their scientific/anthropological roles.

As Ender comes to know the family we come to know and love them too. We learn what understandable need or desire or pain is behind their choices. For example, at no point do you agree with the mother’s behavior as years of angry distance from her children starts to bear bitter fruit. But you also see how love, pain and loss have distorted her reality. You despise her behavior, feel compassion for her suffering and understand her intentions. That is reality in all its rich, painful complexity.

But Speaker for the Dead does something even more amazing. It accurately shows the process of change. Change for an individual is a complicated enough process. Showing how a family changes is much more complicated. I am astonished at how accurate that process is portrayed in the book. I have yet to read another book that comes close to describing family change as well as Speaker for the Dead.

Having David Birney and Stephan Rudnicki both narrate the book is like have Shaq and Michael Jordan both on your team in a pick-up game. Those are the only two listed on the CD case, which is really unfair because there is an entire cast and not one person falls short of absolute excellence in their narration. They are the U.S. Olympic Team of readers. The others include Gabrielle de Cuir, John Rubinstein, Scott Brick, Amanda Karr, Lisa Nemacheck, and Don Schlossman.

And while I’m complaining about the case, couldn’t they have put a relevant picture on it? That funky tower thing and the planet surface below it looks like Capitol, but that’s a whole other set of Orson Scott Card stories. I guess the publisher wants the association with the original book cover, but Jane or a pequenino, or any other image actually related to the story would have been nice.

And why stop my spiral of increasingly trivial complaints there? I decided I really don’t like cardboard flap-around cases for the CDs. They are harder to handle, which matters if you are listening while driving, and I think it is easier to scratch a CD in that than in the hard plastic cases with soft sleeves.

I find that I especially like listening to books I have read in the past. If you’re already a fan of Speaker for the Dead, the audio version is a must.

Posted by Mike

Review of The Road to Dune by Frank Herbert, Brian Herbert, and Kevin J. Anderson

SFFaudio Review

The Road to Dune
By Frank Herbert, Brian Herbert, and Kevin J. Anderson; Read by Scott Brick
12 CD’s – 14 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: JUST RELEASED – September 2005
ISBN: 159397776X
Themes: / Science Fiction / Dune / Desert / Religion / Commentary / Journal / Short Fiction /

In a sentence, The Road to Dune is an intriguing collection of Dune “extras” that should please any fan of Frank Herbert. Including myself.

A quick background on me as far as Dune goes – I read the first novel once, then listened to George Guidall’s unabridged narration of the same book. I also heard The Butlerian Jihad, which was written by Brian Herbert (Frank Herbert’s son) and Kevin J. Anderson. I mention all this so that you can know my level of Dune knowledge – I am by no means an expert. With that said, I thoroughly enjoyed this book.

Brian Herbert and Kevin J. Anderson, as you may know, have continued Frank Herbert’s Dune series by adding two trilogies of prequels to Herbert’s existing books. They’ve consulted notes that Frank Herbert left behind, and the opening of this book explains that to some degree. Bill Ransom, who collaborated with Frank Herbert on a few books, also weighs in, describing his writing life with Frank.

Next up is a short novel called Spice Planet which represents the first version of Dune, or what Dune could have been. The novel is certainly better, but Dune World was also engaging and interesting from the perspective of a person who has read the novel (what’s different, what’s the same) and as a very good story in its own right.

Also included are deleted scenes and alternate endings from Dune and Dune, Messiah, letters and notes from Frank Herbert during the time he was trying to get Dune published. Especially interesting are some letters to and from John W. Campbell, Jr., the editor of Analog Science Fiction Magazine, which serialized the first Dune novel, but declined the second one.

Four short stories by Brian Herbert and Kevin J. Anderson are here, too. The first, “Whisper of Caladan Seas” was originally published in Amazing Science Fiction and takes place during the first Dune novel. The other three, “Hunting Harkonnens”, “Whipping Mek”, and “Faces of a Martyr” are set in the prequel times that Brian Herbert and Kevin J. Anderson write about in their trilogies. They are very good stories, all.

Scott Brick narrated, and I am reminded why I enjoy him so much. His narration is energetic, dramatic, and powerful, but never over the top. I never tire of his rich voice and the believable, living characters he performs.

I wholeheartedly recommend this book on several levels. For a person writing a thick tome of a science fiction novel, this glimpse into Herbert’s process is very educational. For a fan of Dune, this look into what could have been is very entertaining. For a fan interested in the history science fiction, the correspondence between Campbell and Herbert and the story of the novel’s purchase and publication by Chilton are pure gold. And for a fan of good stories, there’s plenty here to enjoy.

Posted by Scott D. Danielson