Reviews – Page 132

Review of The Last Harbinger by Roger Gregg

The Last Harbinger
By Roger Gregg; Performed by a Full Cast
2 CDs – 130 Minutes [AUDIO DRAMA]
Publisher: Crazy Dog Audio Theatre
Published: 2005
Themes: / Fantasy / Satire / Government / The Press / Environment /

First of all, Crazy Dog Audio Theatre’s productions are not to be missed. They produced the hilarious Big, Big Space, a farce in the mold of Star Trek and other science fiction television shows. If you haven’t heard it, it’ll make you laugh out loud. And previous to The Last Harbinger was the amazing Diabolic Playhouse, a collection of dramas both funny and satirical. And now, The Last Harbinger, which is the finest production to date from Crazy Dog, and that is saying quite a bit.

The Last Harbinger is a story told in five episodes, all of which are included here. Roger Gregg, who wrote, produced, and directed, shines a bright light on our own world as he tells this story of the doomed people of Moloch. There are leaders that can’t speak without a teleprompter, newspeople more concerned about their own appearance than news, and citizens that should be angry but aren’t. Into this world, a messenger is sent to tell all of Moloch that they are doomed unless they change, and, since change is not an easy route, the harbinger is met with resistance. The story is dark, but not without humor.

I can’t say enough about this production. The satire is biting. The dialogue is crisp and extremely well acted. The sound couldn’t be better – I was immersed in Gregg’s world from the moment I gave it my full attention, and it wouldn’t let go. Roger Gregg and Crazy Dog Audio Theatre are the setting the highest of standards for fantastic audio drama.

The Last Harbinger is available for download at Audioville, or you can purchase the gorgeously packaged double CD at ZBS.

Posted by Scott D. Danielson

Review of Sir Gawain and the Green Knight, Translated by J.R.R. Tolkien

Sir Gawain And The Green Knight
Translated by J.R.R. Tolkien; Read by Terry Jones
2 cassettes – 150 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2000
ISBN: 0001053736
Themes: / Fantasy / Mythology / Arthurian Legend /

It’s Christmas at Camelot and King Arthur won’t begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court’s wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. At the center of the story of the challenge and its consequences is Arthur’s brave favorite, Sir Gawain.

*ALSO INCLUDED* ~An Essay By J.R.R. Tolkien
An introduction and background essay by the master himself, J.R.R. Tolkien regarding the translation and preservation of the anonymous fourteenth-century poem upon which this story is based.

Another mytho-historic tale translated by J.R.R. Tolkien, who was, as many forget these days, a professor of linguistics at Oxford. Another medieval scholar contibuted to this audiobook…. Though best known for his work with Monty Python’s Flying Circus, Terry Jones lends not only his signature voice to Tolkien’s translation of the Arthurian legend but also his familiarity with the subject. Not just an internationally recognized comedian, Jones also happens to be a scholar of medieval literature. As such he is well equipped to flesh out the characters and voices of Tolkien’s text in an authentic way. The combination of the lilting verse and the audio medium bringing the absolutely right feel to the presentation, something that makes it quite clear that heroic tales were meant to be spoken aloud rather than simply read. Also of interest to Tolkien fans is the included essay by Tolkien on the translation. A hard to find audiobook but well worth the effort!

Posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

The Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz

Review of Citizen of the Galaxy by Robert A. Heinlein

Citizen of the Galaxy
By Robert A. Heinlein; Read by Lloyd James
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183810
Themes: / Science Fiction / Space Travel / Sociology / Politics / Contractarianism /

SLAVE: Brought to Sargon in chains as a child — unwanted by all save a one-legged beggar — Thorby learned well the wiles of the street people and the mysterious ways of his crippled master…

OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man’s message and found himself both guest and prisoner aboard an alien spaceship…

CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!

Thorby’s earliest memories are of his “papa” Baslim, a professional mendicant, purchasing him at the slave market on the capital city of Sargon, a distant planet that was long ago colonized by a now space faring mankind. There Baslim teaches the rebellious Thorby the art of begging which in itself is an interesting enough trade – but Baslim also has a secret job, one that will eventually propel his adopted son all the way across the galaxy. Citizen Of The Galaxy is one of the most conceptually expansive of Heinlein’s juvenile novels, it tackles many issues including social organization, the nature of ontractarianism and most of all freedom. The society aboard the free-trader starships for example is one of the most interesting Heinlein ever invented (it would have worked as a single novel unto itself). Exploring that culture for me was the best part of the book but there were plenty of other good bits too. Of course heavy handed straw men are peppered throughout the novel to trip up our hero. This has been a big problem for Heinlein, he could never make a villain smart in any meaningful sense. Had Heinlein given us some villains along the lines of Roy Batty of Blade Runner or “The Operative” in Serenity, in other words three dimensional villains, he’d be even more luminous in reputation than he has. And that really is hard to imagine! Straw men aside, there aren’t that many interesting dilemmas for Thorby to overcome in this
one, he’s a relatively passive hero who reacts more often than he acts. As a juvenile novel it works extremely well. A great listen for teenagers and adults.

On the audio end of things Blackstone has made my wish come true! Lloyd James is becoming the definitive voice of unabridged single voiced Heinlein audiobooks. He can do both youth and adults of both sexes easily and ads accents where appropriate. Sound quality, as always these days from Blackstone, is phenomenal. The CDs had not even a hint of anything other than the voice of the text recorded on them. Well done. The original cover art on the Blackstone packaging is a triptych of Thorby from the three sections of his youth. I’ve reviewed here the “library edition” which comes in a library style clamshell binding – but also available are an MP3-CD and cassette edition as well as a retail edition on CD. Check one out in your preferred format, you’ll be glad you did.

Posted by Jesse Willis

Review of Knife of Dreams: The Wheel of Time, Book 11 by Robert Jordan

Knife of Dreams: Book Eleven of The Wheel of Time
By Robert Jordan; Narrated by Kate Reading and Michael Kramer
26 CD’s – 32 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593977654
Themes: / Fantasy / Epic Fantasy / Magic / Good and Evil / Demons / Dragons /

The eleventh installment in Robert Jordan’s Wheel of Time series, Knife of Dreams proves to be a fast paced and entertaining listen. This audiobook came as a welcome surprise after the last several novels in this series that tended to feel as though they were bogged down with a lot of useless detail and little action. There may be a movement forming of people supporting the cutting off of Nynaeve’s braid. Although, to be fair, she is now overly prone to “almost” yanking her plaited tresses instead of actually doing it. Other behaviors the movement may be interested in deleting from the text are the smoothing and/or arranging of skirts and shawls, sniffing, and Elaine’s new preoccupation with cursing Rand Al’Thor for her discomforts with pregnancy (after all, it takes two, right?). If these things were taken out of the text the world might be left with Wheel of Time pamphlet instead of the series.

Monotonous behaviors aside, Knife of Dreams came through in delivering resolutions to some of the subplots that have been hanging over the course of several novels. Jordan has breathed life back into his series with this book and regained the vitality of the earlier writing.

Kate Reading and Michael Kramer once again deliver fine performances reading the female and male characters respectively. This duo has narrated each book in the Wheel of Time series. The consistency in their character voices, intonations, and personality style demonstrate how well Reading and Kramer understand their characters and how familiar they are with the direction and emotional climate of the story. If you have been disillusioned with past installments of the series, give it another chance, this book is worth the time.

posted by Tricia

Review of The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call of Cthulhu by H.P Lovecraft

The Dark Worlds Of H.P. Lovecraft Volume 1: The Dunwich Horror and The Call Of Cthulhu
By H.P. Lovecraft; Read by Wayne June
3 CDs – Approx 3.5 Hours [UNABRIDGED]
Publisher: Audio Realms
Published: 2005
Themes: / Fantasy / Horror / Gods / Evil / Mathematics / Dreams /

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.

When Fantasy is inspired by science it can be especially powerful. H.P. Lovecraft built his mythos using the scientific concepts of his day. There could have been sensible talk of ‘other dimensions’ before the experiments surrounding the nature of light. And much of the alienness of his creations explicitly depend on such concepts in theoretical physics as non-euclidian geometry. With these concepts being in the air Lovecraft set out to plant a seed of churning fear with his fiction – turning the many unknowns science was uncovering into unspeakable horrors that lurk within the imagination. Combine this with Lovecraft’s dense and brooding prose and you’ve got something that no modern author could get away with. No modern author could, Lovecraft does. Audio Realms is starting to release the titles that make any classic fantasy fan salivate. Here in this terrific audiobook are two tales of horror that we declare to be SFFaudio Essential:

The Dunwich Horror is the tale of a backwater New England town with a devolving populace and one particularly strange family’s chronicle. It starts with two small things. The cataloguing of some mouldering old books and a disturbing birth of a new resident. These events are the begining of a new danger for the hamlet of Dunwich and possibly the Earth entire. What’s interesting here, as with so many early horror tales, is that Lovecraft creates evil not by revealing action directly but by atmosphere and appeal to our primitive revulsion reflex. Lovecraftian evil is not something created by moral degeneracy (though he does talk of that), but rather by sheer alieness, an atmosphere of ignorance and most of all a lurking dread.
I’m not sure it would make much sense to be an apologist for the Elder Gods who’d consume us without a thought – but what exactly makes them so evil? Since everyone who finds out has their sanity blasted we’re not likely to find out very soon.

The Call Of Cthulhu is a reconstructed tale. A nephew finds in the his recently deceased uncle’s study some strange documents. A young nephew discovers in his recently deceased uncle’s study some correspondences and notes, along with a mysterious and disturbing statue. It seems that several mysteriously similar cults worship of a being, who they call Cthulhu. A sea voyage eventually yielded a brush with an unearthly force. I won’t reveal any more of the plot, but I will say this, I think Philip K. Dick may have been inspired by this story for his novel Galactic Pot Healer. This creepy tale is perhaps the definitive Lovecraftian work. They even named a great role playing game after it. One suggestion, this one is pretty scary, you may want to wear brown pants while listening.

Narrator Wayne June’s voice will give you the absolute lurking creeps. His deep raspy voice is also used to good effect for all the narration, when he is infrequently called upon to do the voices of the damned he distinguishes between them well. This is the best Lovecraft adaptation to audio I’ve heard and more frightening than hell. For full effect a listener should turn down the lights, put on a good set of headphones, sit in a lonesome room with a view of the sea and pray that Lovecraft was just making all this stuff up.

Posted by Jesse Willis