Review of The Green Odyssey by Philip Jose Farmer

SFFaudio Audiobook Review

LibriVox - The Green Odyssey by Philip Jose FarmerThe Green Odyssey
By Philip Jose Farmer; Read by Mark Nelson
10 MP3s or 10 OGG Vorbis files – 6 Hours 6 Minutes [UNABRIDGED]
Published: December 2006
Publisher: LibriVox.org
Themes: / Science Fiction / Space Opera / Planetary Romance / Swashbuckling / Pirates / Slaves / Planetary Ecology / Panspermia / Humor /

Alan Green is a space traveler stranded on a barbaric planet. He’s been taken as a slave and made a consort to an insipid and smelly queen. His slave-wife, though beautiful and smart, nags him constantly. He’s given up hope of ever returning to Earth when he hears of two astronauts who have been captured in a kingdom on the other side of the planet, and sets out on an action-packed journey on a ship sailing across vast grasslands on rolling pin-like wheels in a desperate scheme to save them and return home.

This audiobook was created on a dare. Back in November 2006 I challenged anyone to make an unabridged single-voiced audiobook from a list of titles of public domain Speculative Fiction novels that had not been previously released as audiobooks. This is the first audiobook to complete the aforementioned “SFFaudio challenge.” With its completion, the narrator, has won himself a copy of Galactic Pot Healer by Philip K. Dick as read by Tom Parker. Congratulations Mark! Now, on to the review proper…

The Green Odyssey roughly parallels the adventures of the original Odysseus, except that the Mediterranean sea here is instead a sea of grass on an endless plain on an obscure alien planet. Perhaps most original in this tale are the ships that sail that grass sea of this land-dominated planet. The idea of sails and roller ships to ply the prairie between cities is a neat one (something similar was used the Dragonlance AD&D module Dragons Of Ice by Douglas Niles). The lead character, Alan Green, is a Earthman who has been shipwrecked (or is that “spacewrecked”) on a planet inhabited by a branch of quasi-medieval Homo sapiens sapiens. If his alien origins were to be revealed they’d think him a demon. For two years already he’s been enslaved and humbled. The worst of it is his being forced into the bed of a lusty, but fickle, Duchess. Her merest whim would mean his death, so when Green hears of two strangers, like himself, who’ve come from the sky in a strange ship, his ears perk-up. Upon further investigation it seems the two “demons” are being held in a distant city. With a death sentence not too far in their futures, Green hatches a shrewd escape plan with a wily merchant. His only problem – his adopted family wants to go with!

This is a exuberant adventure. It reminds me of vintage Poul Anderson, in fact the whole novel is a kind of an inverse of Anderson’s excellent The High Crusade. Its also funny, in the same smile and smirk way, and lets not forget another of its vitures, The Green Odyssey is quick! I often think this, the classic short novel of the 1950s and 1960s, is the perfect length for SF. Moreover, Farmer has scripted lots of fun details for fans of both Robert E. Howard and Edgar Rice Burroughs – the colloquial language is also full realized and amusing. Now a word of caution, this is by no means a classic on the scale of To Your Scattered Bodies Go, Jose Farmer’s best know work. That said, it is absolutely and addictively listenable – I plowed straight through the 6 hour running time with nary a dry spell. Since it is FREE, thanks to the good efforts of Mark Nelson, I can unreservedly recommend it even to people who’d otherwise give it a miss.

Mark Nelson has a real narrators voice. He puts as much characterization into the various characters into this exposition heavy novel as is probably possible. Sound is good, loud enough and pretty clean of noise. Two minor problems, Mark pronounces a word wrong and there is one line repeated, I’d guess the latter got missed in the editing, the former is almost inevitable. I’ve heard professional productions far less “professionally” produced. I am looking forward to hearing a lot more public domain SF novels from Mark!

Editors note:
In a last minute email Mark has said that he does indeed expect to be reading more Science Fiction for LibriVox in the months ahead. He’d prefer titles that “haven’t been done commercially, just to increase the variety of audiobooks out there”. But here’s the problem he’s having; Mark is not super-familiar with the Science Fiction from the 50’s and 60’s. His reading thus far has tended to read much more recent. And so he asks that we come up with with some recommendations. Recommendations, in fact, from what he calls “the knowledgeable” – Hey! That’s you guys out there! So, which public domain Science Fiction novels from the 1950s and early 1960s would you like to hear Mark read?

Posted by Jesse Willis

Review of From Here To Infinity: An Exploration of SF

Science Fiction Audibook Review

Clipper Audiobook - From Here to Infinity From Here To Infinity: An Exploration of Science Fiction
Lectures by Professor Michael D.C. Drout
7 CDs or 7 Cassettes – Approx. 7 hours [LECTURES]
Publisher: Recorded Books
Series: The Modern Scholar
Published: 2006
ISBN: (cassettes) 1419388754; (CDs) 1419388762
Themes: / Non-Fiction / History of Science Fiction / Lectures /

Esteemed professor Michael D.C. Drout traces the history of science fiction in this series of stimulating lectures. From Mary Shelley’s Frankenstein to today’s cutting- edge authors, Drout offers a compelling analysis of the genre, including a look at hard-boiled science fiction, the golden age of science fiction, New Wave writers, and contemporary trends in the field.

I remember my Science Fiction English course in High School. Perhaps it was because I was at the peak of my teenage-angst snobbery, but I felt the teacher was teaching the course against her will. I left with a dislike of the “scholarly pursuit” of SF in the classroom.

After listening to Professor Drout, all those dislikes were washed away. He has a real knowledge of the history of Science Fiction and its roots. Although I’m not an expert, I pride myself on my knowledge of the genre’s history. Much of the material was not new to me, but Drout’s enthusiasm and pacing made the listening a pleasure.

Starting with Mary Shelley’s Frankenstein, he recounts the major progressions of SF up to Neal Stephenson and beyond. He offers some original thinking on how he categorizes many of the authors. I never considered Ray Bradbury a surrealist until Drout compared his work with J.G. Ballard. And anybody who devotes a large amount of a lecture to Cordwainer Smith is easily going to win me over.

Lectures included:

1 What Is Science Fiction?
2 The Roots of Science Fiction
3 Mysterious Lore, Marvelous Tech: The 1930s
4 Hard-Boiled Science Fiction: The 1940s
5 The Grand Master: Robert A. Heinlein
6 Onward and Outward: The 1950s, Space Travel, Apocalypticism, and the Beautiful Weirdness of Cordwainer Smith
7 A New Set of Questions: The “New Wave” of the 1960s and 1970s
8 The World Builder: Frank Herbert
9 The Surrealists: Ballard and Bradbury
10 The Computer Revolution: Cyberpunk and the 1980s
11 Post-Punk: Neal Stephenson
12 Women and Gender
13 The Satirists
14 The Shape of Things to Come

Review of The Algebraist by Iain M. Banks

Science Fiction Audibook Review

Clipper Audiobook - The Algebraist by Iain M. BanksThe Algebraist
By Iain M. Banks; Read by Geoffrey Amis
21 CDs – Approx. 24.25 hours [UNABRIDGED]
Publisher: Clipper Audio
Published: 2005
ISBN: 9781419353772
Themes: / Science Fiction / Space Epic / Galactic Empires / Aliens / Worm Holes /

This is a space opera on the epic scale. Fassin Taak is a Slow Seer at the Court of the Nasqueron Dwellers. The Nasqueron Dwellers are a very old race, almost as old as the universe itself. They are inhabitants of gas giants all across the universe. Intra-galactic traveling is done by way of wormholes. The Outsiders from beyond the galaxy are sending in military forces and destroying wormholes. The leader of the Mercatoria, the reigning galactic empire, sends Fassin on a quest to find a fabled book. The book is called The Algebraist. As legends have it, it’s a book written by the Dwellers and in it is contained information of a hidden network of wormholes that is held in secret.

The Mercatoria is a corrupt empire headed by the Archimandrite Luseferous. Luseferous is the most evil villain to ever inhabit a galactic empire. Darth Vader couldn’t pack this guy’s lunch. He creates living punching bags out of the heads of his attempted assassins. He can modify the chemical effects of his semen to make courtesans love him or die for him. He’s a false advocate for the official galactic religion. We learn through the course of the book his internalized philosophy that makes his atrocities believable.

This is a long audiobook but it sustains one’s interest through its entirety. The narrator is Geoffrey Amis. Mr. Amis has a fine narrative voice but it doesn’t express a lot of range to differentiate the individual characters. This is a vast canvas with a large cast of characters and this lack of range makes the individual characters harder to remember.

My American bias surfaced into a silly thought. I was thinking how strange it was that the narrator portrays every character in the book with an English accent. Well, the characters aren’t really speaking English in the book but some sort of galactic standard. The author just conveys the dialogue as English as a logical convention. It occurred to me that the many aliens and cultures would have varying accents (as well as languages). I believe it would be impossible to convey alien accents without reference to our own human accents. This would create some rather silly aliens that might be useful in a humorous story, but would undermine a serious work. So the narrator did right to stick to his native accent. I mention my American bias, because if this were read with an American accent it would never have stricken me as strange that all the characters speak with the same accent.

Overall this space opera is a many-layered fugue and Iain Banks pulls out all the stops.

Review of Singularity by Bill DeSmedt

Podibook Review

Podcast - The SingularitySingularity
By Bill DeSmedt; Read by Bill DeSmedt
47 MP3 Files – 20 Hours 24 Minutes [UNABRIDGED]
Publisher: Podiobooks.com
Published: 2006
Themes: / Science Fiction / Hard SF / Tunguska Event / Black Holes / Time Travel / Near Future/ Cloak & Dagger / Quantum Physics / Soviet Union /

June 30th, 1908 – In the remote Tunguska region of Siberia, the most violent cosmic collision in recorded history flattened ancient forests over an area half the size of Rhode Island. Yet after a hundred years of international scientific research the cause of this impact remains a mystery.

Several people told me Singularity was worth listening to. But of course I figured they we’re probably wrong, I’m not easy to please. But because it was FREE I told myself to give it a chance. I have to say I was astounded! After a longish introduction, more of a history lesson, the real story takes off. And boy, does it! Like a Nelson DeMille novel with Saturn V booster strapped to it! This is incisive Hard SF set in a near future with plenty of action, some very cool ideas and even a bit of romance. The plot orbits around the mystery of the 1908 Tunguska Event. The action intertwines cloak and dagger with quantum physics in a tidal dance. I’m no physics major, but the scientific explanations were clear and compelling. You know a story’s good when you end up looking up some of the ideas. The tale is fleshed out through a large cast of central characters: Jonathan Knox, a consultant to elite government agencies, is the engaging lead protagonist. Knox has a knack with finding patterns in giant fields of data – a trait attributable to a voyage his mind went on once. Marianna Bonaventure, his soon to be lover, is a federal government agent on the trail of a missing materials scientist. Physicist Jack Adler is on the same trail as Knox and Marianna, but he doesn’t know it yet. Together, and apart they are in a race that may have been predetermined as unwinnable before it started, only the laws of causality know. Opposing them is a set of rationally motivated villains – with the weight of an multi-billion dollar corporate empire behind them. Leading them is, Arkady Grigoriyevich, who spends most of his time aboard a converted mega-yacht, that is now a floating laboratory. DeSmedt packs about a dozen terrific SF ideas into his tale. Also included in the podcast feed is an informative question and answer bonus MP3 file with the author himself. I am eagerly awaiting the follow-up novel, cleverly titled, Duality.

I tend to enjoy audiobooks narrated by authors, as they know exactly when and where to pause, what words to accentuate and how to pronounce the character names. But DeSmedt was not a perfect narrator, in fact at the start he sounded nervous. I was worried, but gradually as the chapters flowed the anxiety faded, and by the end I he was reading like a professional. Maybe his female voices need a bit more practice, but I swear, all those Russian accents were perfect.

I downloaded Singularity from Podiobooks.com for free, but when I did I could only get the first half of the novel. It was being released piecemeal, chapter by chapter, as podcasts. I have heard many people enjoy this delivery style; and it probably works for serial adventures or short story collections but I don’t like it for novels. I quickly listened to the first 20 chapters of the book in quick succession only to then have to wait for a whole month to finish it. Next time I visit podiobooks.com I’ll be making sure the serialization is completed before starting another novel. Another issue, selecting the next podcast once a chapter was finished was a real bitch. I drive a standard transmission automobile and my iPod is stuck into a faraway cigarette lighter. Every time a chapter of Singularity ended I would be made to reach over to rip my iPod out of the transmitter/charger and then hold on to it and the steering wheel while trying to navigate the menu to figure out which chapter was next. The podcasts delivery system would have been far better if I could have started and the ended the story in the same file, in other words what I needed was one big podcast, the novel in one file.

Review of Taken Liberty by Steven H. Wilson

SFFaudio Review

Taken LibertyTaken Liberty – A Tale From The Artiber Chronicles
By Steven H. Wilson; Read by Steven H. Wilson
Podcast Novel – Approx. 8 Hours [ABRIDGED]
Publisher: Podiobooks.com
Published: September 2006
Themes: / Science Fiction / Drama / Action / Slavery /

“I don’t believe you’ve convinced me of her crime.”
“She posed as a human!”
Atal raised an eyebrow. “Is that a crime?”

So begins the intriguing, sad, yet hopeful and inspiring story of a girl who only wanted her freedom. This is the story of Aer’La, a Varthan Feral raised strictly to be a sexual slave. She escapes, and, dying her blue skin and posing as a human, becomes a high-ranking officer on board one of the most esteemed ships in the Confederate Navy- the Arbiter. Only after a routine medical check-up is the truth of what she is discovered. It is ultimately reported to authorities, and then to the media. Aer’La then has no choice but to tell her story to her Captain, Jan Atal. It then becomes a clash of doing what is right, vs. doing what the law states. Aer’La also learns who her allies and her enemies are, as well as a few life lessons about trust and friendship.

Taken Liberty is a tale of truth, friendship, comradery, love, loss, and above all the right to be free. It covers so many genres, you tend to forget that you’re listening to Science Fiction. This is a very key thing for me to say here, because I am not the biggest Science Fiction fan. I know, I know, yet here I am writing reviews for SFFaudio. Let’s just say I’m… picky.

Steven Wilson also does an excellent job with the reading. He gives each character a unique voice, and thanks to his voice acting background, it pays off. I thoroughly enjoyed listening to Wilson. The well-driven plot causes you to feel yourself being sucked into the tension of the situation, and really questioning how this poor girl will remain free, instead of being returned to a life of slavery.

If you are a fan of Prometheus Radio Theatre and their Arbiter Chronicles, you will enjoy this book because it goes more in-depth into the characters you know all ready. If you have never heard of the Arbiter Chronicles before, you will still enjoy this book. The story remains separate enough that you are still able to connect and follow the characters and the story without feeling lost. As a matter of fact, my bet will be if you listen to this podiobook, you will want to move on to hear more about the Arbiter and its crew- which can be found via podcast at http://prometheus.libsyn.com/

If a “semi” Science Fiction fan is impressed and enjoyed this podiobook, imagine what a huge science-fiction fan will think!

Review of Maps In A Mirror: The Short Fiction Of Orson Scott Card

SFFaudio Review

Maps In A Mirror: The Short Fiction Of Orson Scott CardMaps In A Mirror: The Short Fiction Of Orson Scott Card
By Orson Scott Card; Read by Various
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Dove Audio
Published: 1999
ISBN: 0787121770
Themes: / Science Fiction / Fantasy / Crime / Elephants / Music / Art Theory / Utopia / Dystopia / War / Death /

Four cassettes, six hours, eight stories of Orson Scott Card’s polished prose. Included in this collection are some truly crackerjack stories and a couple that aren’t so hot:

The Elephants Of Posnan appeared in English for the first time in this collection. Originally published in Poland for a Polish Science Fiction magazine it is the tale of a human global die-off caused by an infertility crisis. This is something we’ve seen before in Science Fiction to be sure, but the addition of an elephantine theme and a Polish setting makes this one totally unpredictable. Card reads this himself and gives it an interesting introduction too.

Unaccompanied Sonata is perhaps the most fantastic story here. Set in a bizzare dystopia in which the purity of music can only be assured by the ignorance of its makers. This is a world that could have been inspired by Leo Tolstoy’s theory of art – a world in which imitation ensures art to be a failure. I have no idea if OSC had that in mind when he wrote it but it certainly fits. Read with passion by Efrem Zimbalist, Jr.

Freeway Games is the least SFFaudio related story in this set. It was first published in Novemeber 1979 in the Gallery magazine which at the time was competing with Playboy for quality short fiction. The original published title was “Hard Driver.” This is basically the story of perverted serial killer who while keeping his hands clean is actually as guilty as sin. It ranks in well alongside Lawrence Block’s late 1970s early 1980s slick magazine tales of demented psychos. Read to perfection by the incomparable Robert Forster.

Lost Boys is interesting in that the main character is someone named Orson Scott Card. My research indicates it is “semi-autobiographical” story, hopefully the fantastic elements are the “semi” part! Stefan Rudnicki, the producer of this audiobook read this tale with a heartfelt flush of sadness. This short story was later expanded into a full length novel which went on to great acclaim.

Quietus, was virtually opaque to me. The plot was something to do with our need to reconcile with death. I am given to understand it incorporates several Mormon themes. The style is surrealistic but even knowing this I couldn’t easily follow it let alone understand its thesis. First published in Omni’s August 1979 issue.

The Best Day was written under the pseudonym Dinah Kirkham. Card’s rumination of the elusive search for happiness. This story fled my brain as soon as it was finished. Read by William Windom.

Fat Farm is perhaps my favorite OSC short story. It isn’t the characters, I hate them. Instead it is the riveting plot that is the star here – this story deals with the philosophy of personal identity in the context of two science fictional technologies: 1. Cloning. 2. Memory uploading. If you can replace your imperfect body with a perfect one and keep on living what would give you pause? OSC’s Fat Farm will do the job. It also compares nicely to Robert J. Sawyer’s Shed Skin. Roddy McDowell’s reading is grumbly, growling and totalitarian. You’ll beleive he is all the characters in this one.

Ender’s Game. The original short story from 1977 shows the sparkling promise that would lead to the unquestionably great novel of the same name. This tale isn’t just an shorter version of the novel, there are a number of differences between the two texts. Reader Michael Gross does a fine job with it.

Posted by Jesse Willis